Search
Search results
Ok... so I feel kind of bad giving this one a rating when I didn't read the whole book, however I believe it's justified in the sense that I didn't read it all because I didn't like it...therefore, a one star rating from me. Now, I must admit that I have never read the original Pride and Prejudice novel and I have never had any interest in doing so, it just doesn't appeal to me. When I saw there had been an addition of Zombies I was sold, I love a bit of Zombie mayhem...plus I was getting to read one of the 'classics' at the same time. Well...at about 50 to 60 pages in I am sadly bored stiff, the language is such an effort to decipher sometimes, I often don't know what's going on or why and really...why Zombies? I'm not complaining that there's Zombies but there's nothing to them. It's the original story with some random Zombies and martial arts thrown in, unexplained and lacking. They are slain so easily and with haste in order to get back on with the original story. I was, at least, hoping for equal measures of Zombie action and original story but unfortunately it just didn't deliver, more zombie action please! Maybe I will pick this up again in the future to give it another go but as it stands I just can't bring myself to struggle through something I'm not enjoying. Back to the library you go!
Carma (21 KP) rated Avengers: Endgame (2019) in Movies
Jun 17, 2019 (Updated Jun 23, 2019)
Thanos show down part two
Contains spoilers, click to show
I absolutely couldn't wait for the conclusion to Infinity War to see how our heroes reverse the snap. Honestly I have to say I read some spoilers before and had an idea of what might happen (not that most of that did) but I can say I was a little disappointed. Full disclosure, I saw the movie 4 times, I didn't plan to but I did. Anyway, while I appreciated the movie working on the core 6 and finishing up their story arcs, I still can't get on board with the total movie "knocking my socks off". There were too little fight scenes for me, too much filler in spots and conversations that didn't move the story line forward for me. Now the end big assemble was exactly what I was looking for but wishing it was a couple more time throughout the movie. The humor was high in this one (I think making up for Infinity Wars darkness) and some points were worth it, others the humor was a little much. I definitely enjoyed Infinity War better than Endgame but I am still a MCU fan forever. I did the culmination of Tony becoming the hero in the end, something he struggled with but had in him from the first Avengers movie in 2012. We see Cap call him out as not falling on the sword for others and in each movie after Tony definitely has his sword moments.
TacoDave (4006 KP) rated Anna and the Apocalypse (2018) in Movies
Dec 10, 2018 (Updated Dec 10, 2018)
Acting (3 more)
Music
Pacing
Humor
"Anna and the Apocalypse" is Fantasticly Strange
I didn't expect a lot when I saw "Anna and the Apocalypse" yesterday. I knew a little about it. I knew it was a Zombie/Christmas musical that was supposed to be "Shaun of the Dead Meets La La Land," and I knew it was popular at film festivals last year, but I didn't have any other real feel for what I was in for.
Luckily, I *loved* this movie. The first 30 minutes or so just follow several high schoolers as their school prepares for a Christmas performance. The way they randomly break into song, then look at each other weirdly when the song ends and continue with their day was amusing. The songwriting was great - the singing too! - and, except for one song, I wanted to own the soundtrack.
The rest of the movie follows a group of parents and students trapped in a school with zombies outside and, concurrently, a small group of high schoolers who are trying to make their way to the school to see if their loved ones are still alive. Heads explode. Bodies are mangled. People get bitten. And there is quite a bit of gore.
Yet, at the same time, the movie is light and hilarious. It walks a fine balance between horror/comedy/Christmas/musical, and succeeds almost completely.
If you like horror movies mixed with comedy and you are a fan of musicals, this one is a no-brainer. Pun intended.
Luckily, I *loved* this movie. The first 30 minutes or so just follow several high schoolers as their school prepares for a Christmas performance. The way they randomly break into song, then look at each other weirdly when the song ends and continue with their day was amusing. The songwriting was great - the singing too! - and, except for one song, I wanted to own the soundtrack.
The rest of the movie follows a group of parents and students trapped in a school with zombies outside and, concurrently, a small group of high schoolers who are trying to make their way to the school to see if their loved ones are still alive. Heads explode. Bodies are mangled. People get bitten. And there is quite a bit of gore.
Yet, at the same time, the movie is light and hilarious. It walks a fine balance between horror/comedy/Christmas/musical, and succeeds almost completely.
If you like horror movies mixed with comedy and you are a fan of musicals, this one is a no-brainer. Pun intended.
Mark @ Carstairs Considers (2504 KP) rated Veiled Threat in Books
Dec 15, 2018
Kidnapping at Christmas
Giulia Falcone is on a mission when she brings her friend Laurel into the office of Driscoll Investigations to meet Frank Driscoll. Laurel's baby daughter that she and her partner just adopted has been kidnapped, and Giulia fears that the police aren't taking the threat seriously, especially since this fits a pattern spread out over several years and several states. Frank is reluctant to get involved, but Giulia dives in head first anyway. The trail leads Giulia to an undercover job just out of town. But will she get a lead on the kidnappers? Or is Frank right that the odds aren't in favor of recovering the baby?
I must admit that I was worried we would get lectures on LGBT rights given the subject of this book, but I was pleasantly surprised the focus was on the mystery as it should be in fiction. Yes, we saw some prejudice, but it wasn't the focus. Instead, we get a gripping mystery that borders on thriller as Giulia attempts to find her friends' baby. I couldn't turn the pages fast enough to find out how it would end. The story is lightened by some comedy from the series regulars, including Giulia's relationship with Frank and their office assistant planning her wedding. While the suspects could have been stronger characters, that's a reflection of how much time any of them spent on the page. The rest of the cast is more than enough to pull us into the story and make us care about the outcome.
I must admit that I was worried we would get lectures on LGBT rights given the subject of this book, but I was pleasantly surprised the focus was on the mystery as it should be in fiction. Yes, we saw some prejudice, but it wasn't the focus. Instead, we get a gripping mystery that borders on thriller as Giulia attempts to find her friends' baby. I couldn't turn the pages fast enough to find out how it would end. The story is lightened by some comedy from the series regulars, including Giulia's relationship with Frank and their office assistant planning her wedding. While the suspects could have been stronger characters, that's a reflection of how much time any of them spent on the page. The rest of the cast is more than enough to pull us into the story and make us care about the outcome.
David McK (3728 KP) rated Labyrinth of Evil (Star Wars: The Dark Lord Trilogy, #1) in Books
Jan 30, 2019
Following the now-infamous Disney acquisition of Star Wars (which saw the abolition of the old Expanded Universe), I'm actually no-longer sure where this sits in the hierarchy of canon: is this 'Legends' (i.e pre acquisition) material, or is it stil canon?
This is set between the events of 'Attack of the Clones' and 'Revenge of the Sith' - actually leading directly into that movie, with Anakin and Obi-Wan jetting off back to Coruscant - and, in many ways, seeks to bolster the reputation of one of the missed opportunities from that movie: that of General Grievious (not his face on the cover ...).
I'm also not sure where it sits alongside the Genndy Tartakovsy animation which also seeked to do exactly that, though the latter portion of the novel does seem to describesome of the actions shown in that animation (the surprise attack on Coruscant, and the capturing of Senator Palpatine) in prose form.
This is also the first of the so-called 'Dark Lord' trilogy (comprising of this, [b:Star Wars: Episode III - Revenge of the Sith|35458|Star Wars Episode III - Revenge of the Sith|Matthew Woodring Stover|https://images.gr-assets.com/books/1388228249s/35458.jpg|476816] and [b:The Rise of Darth Vader|359848|The Rise of Darth Vader (Star Wars The Dark Lord Trilogy, #3)|James Luceno|https://images.gr-assets.com/books/1388209667s/359848.jpg|574260]); while I have previously read - and enjoyed - the middle of those three, I now feel like reading the series in its entirity, from start to finish.
This is set between the events of 'Attack of the Clones' and 'Revenge of the Sith' - actually leading directly into that movie, with Anakin and Obi-Wan jetting off back to Coruscant - and, in many ways, seeks to bolster the reputation of one of the missed opportunities from that movie: that of General Grievious (not his face on the cover ...).
I'm also not sure where it sits alongside the Genndy Tartakovsy animation which also seeked to do exactly that, though the latter portion of the novel does seem to describesome of the actions shown in that animation (the surprise attack on Coruscant, and the capturing of Senator Palpatine) in prose form.
This is also the first of the so-called 'Dark Lord' trilogy (comprising of this, [b:Star Wars: Episode III - Revenge of the Sith|35458|Star Wars Episode III - Revenge of the Sith|Matthew Woodring Stover|https://images.gr-assets.com/books/1388228249s/35458.jpg|476816] and [b:The Rise of Darth Vader|359848|The Rise of Darth Vader (Star Wars The Dark Lord Trilogy, #3)|James Luceno|https://images.gr-assets.com/books/1388209667s/359848.jpg|574260]); while I have previously read - and enjoyed - the middle of those three, I now feel like reading the series in its entirity, from start to finish.
While [a:Michael Crichton|5194|Michael Crichton|https://images.gr-assets.com/authors/1359042651p2/5194.jpg] may be more famous for books-that-became movies blockbuster like [b:Jurassic Park|6424171|Jurassic Park (Jurassic Park, #1)|Michael Crichton|https://images.gr-assets.com/books/1344371661s/6424171.jpg|3376836], tha's not the only of his works that have been turned into movies:a longside that, we have the likes of [b:Congo|7672|Congo|Michael Crichton|https://images.gr-assets.com/books/1388889401s/7672.jpg|688299], [b:Timeline|7669|Timeline|Michael Crichton|https://images.gr-assets.com/books/1405420745s/7669.jpg|1525987], and this.
Largely, however, I've found hose to be pretty forgettable: I know I saw 'Sphere' (the movie) before I first read the book, but (truth be told) I didn't really remember all that much about either.
With that in mind, and with Goodreads at-long-last implementation of the re-read feature (yay!), I decided to re-read the novel recently.
And, unfortunately, I still found it pretty forgettable.
Don't get me wrong: it's a pretty adequate sci-fi thriller (in this case about a mysterious Sphere found at the bottom of the Pacific inside a spacecraft that has lain there for hundreds of years), but it lacked - for me - the connection with the characters (none of whom I found to be all that likeable, or even interesting), the thrill-factor (if you will), or even the implied awe and majesty of the Dinosaurs in [b:Jurassic Park|6424171|Jurassic Park (Jurassic Park, #1)|Michael Crichton|https://images.gr-assets.com/books/1344371661s/6424171.jpg|3376836].
In short: it's OK, but not Crichton's best.
Largely, however, I've found hose to be pretty forgettable: I know I saw 'Sphere' (the movie) before I first read the book, but (truth be told) I didn't really remember all that much about either.
With that in mind, and with Goodreads at-long-last implementation of the re-read feature (yay!), I decided to re-read the novel recently.
And, unfortunately, I still found it pretty forgettable.
Don't get me wrong: it's a pretty adequate sci-fi thriller (in this case about a mysterious Sphere found at the bottom of the Pacific inside a spacecraft that has lain there for hundreds of years), but it lacked - for me - the connection with the characters (none of whom I found to be all that likeable, or even interesting), the thrill-factor (if you will), or even the implied awe and majesty of the Dinosaurs in [b:Jurassic Park|6424171|Jurassic Park (Jurassic Park, #1)|Michael Crichton|https://images.gr-assets.com/books/1344371661s/6424171.jpg|3376836].
In short: it's OK, but not Crichton's best.
LeftSideCut (3776 KP) rated the PlayStation 4 version of Dead by Daylight in Video Games
Jun 20, 2019
A hugely enjoyable, and often frustrating, horror multiplayer
I'll admit first off, that I've put a truly unhealthy amount of hours into Dead By Daylight - I imagine at this point, it's probably around the 700-800 hour mark - certainly enough to have a pretty solid idea of how the game works, and I'll say this - this game is as fun as you make it, and the most important part of that statement is friends.
Communication in DBD is key, and unfortunately, the game is subject to very douchebag-ways of playing (on both the killer and the survivor side).
Playing as one of four survivors can be incredibly frustrating, so jumping in with three friends is an easy fix - and when you're having fun, DBD is an absolute blast, a nice blend of scares, tension, action and teamwork.
Playing as a killer can also be heaps of fun, especially since a number of horror icons have been added as DLC (Michael Myers, Freddy Krueger, Leatherface, The Pig from Saw, Ghostface), and they sit nicely alongside a humble roster of original killer characters, all with unique powers and perks, that make playing as them, and surviving against them, into an exciting mix of tactics and gameplay.
DBD does seem to have issues with bugs and glitches fairly regularly, but on the flip side, there are also regular patches and updates, from a Dev team that listen to their player base more often than not.
If you love horror games, the I implore you to get involved.
Communication in DBD is key, and unfortunately, the game is subject to very douchebag-ways of playing (on both the killer and the survivor side).
Playing as one of four survivors can be incredibly frustrating, so jumping in with three friends is an easy fix - and when you're having fun, DBD is an absolute blast, a nice blend of scares, tension, action and teamwork.
Playing as a killer can also be heaps of fun, especially since a number of horror icons have been added as DLC (Michael Myers, Freddy Krueger, Leatherface, The Pig from Saw, Ghostface), and they sit nicely alongside a humble roster of original killer characters, all with unique powers and perks, that make playing as them, and surviving against them, into an exciting mix of tactics and gameplay.
DBD does seem to have issues with bugs and glitches fairly regularly, but on the flip side, there are also regular patches and updates, from a Dev team that listen to their player base more often than not.
If you love horror games, the I implore you to get involved.
Bong Mines Entertainment (15 KP) rated 2 To The 6 - Single by Unchained in Music
Jun 21, 2019
Unchained XL is a UK-born “Afro-roots hip-hop” artist and producer with Nigerian roots. Not too long ago, he released a music video for his “2 to the 6” single.
“Already got labels tryna doctor me. If you can’t beat ‘em then join ‘em that’s their philosophy. You can try to change the tides, however obviously. It never works out how you want it like democracy.” – lyrics
‘2 to the 6’ finds Unchained XL dropping a thoughtful 64-bar verse in the main room of Black Orange Studios.
The likable tune’s cryptic title refers to the mathematical expression 2^6 (2 raised to the 6th power), which equals 64, representing the number of bars.
‘2 to the 6’ contains a relatable narrative, supreme rap vocals, and lush instrumentation scented with an Afrocentric hip-hop fragrance.
Also, the song covers a range of hard-hitting topics such as issues of racism, corruption, and economic injustice.
Unchained XL sneaks in a few references to various icons such as Nigerian filmmaker, Genevieve Nnaji (Lionheart); British Nigerian artist, “Burna Boy”; “Split” main character Kevin Crumb; and famous inventor, Thomas Edison.
The progressive emcee writes songs of protest, social commentary, and everyday experiences through the lens of a ‘third culture’ African migrant.
He draws inspiration from Afrobeat legend and political icon Fela Kuti, as well as artists like M.anifest, Antibalas, and A Tribe Called Quest.
2018 saw him touring the UK with shows in London, Bristol, Sheffield, Leeds, and Cardiff. Also, he performed alongside artists such as Mungos HiFi, Afro Cluster, and Eva Lazarus.
“Already got labels tryna doctor me. If you can’t beat ‘em then join ‘em that’s their philosophy. You can try to change the tides, however obviously. It never works out how you want it like democracy.” – lyrics
‘2 to the 6’ finds Unchained XL dropping a thoughtful 64-bar verse in the main room of Black Orange Studios.
The likable tune’s cryptic title refers to the mathematical expression 2^6 (2 raised to the 6th power), which equals 64, representing the number of bars.
‘2 to the 6’ contains a relatable narrative, supreme rap vocals, and lush instrumentation scented with an Afrocentric hip-hop fragrance.
Also, the song covers a range of hard-hitting topics such as issues of racism, corruption, and economic injustice.
Unchained XL sneaks in a few references to various icons such as Nigerian filmmaker, Genevieve Nnaji (Lionheart); British Nigerian artist, “Burna Boy”; “Split” main character Kevin Crumb; and famous inventor, Thomas Edison.
The progressive emcee writes songs of protest, social commentary, and everyday experiences through the lens of a ‘third culture’ African migrant.
He draws inspiration from Afrobeat legend and political icon Fela Kuti, as well as artists like M.anifest, Antibalas, and A Tribe Called Quest.
2018 saw him touring the UK with shows in London, Bristol, Sheffield, Leeds, and Cardiff. Also, he performed alongside artists such as Mungos HiFi, Afro Cluster, and Eva Lazarus.
Otway93 (580 KP) rated When the Wind Blows (1986) in Movies
Dec 28, 2019 (Updated Dec 28, 2019)
Plot (3 more)
Animation
Soundtrack
Voice acting
A terrifying yet emotional masterpiece.
Contains spoilers, click to show
After many years of wanting to see this film, and building up my expectations, today I finally saw it, and was far from disappointed.
This Raymond Briggs' feature length animation tells the tale of an elderly couple (voiced by Sir John Mills and Dane Peggy Ashcroft) in the country trying to survive in the aftermath of a nuclear strike, with only the real life UK nuclear survival pamphlet "Protect and Survive" to help them.
This film is not for the faint of heart, and realistically should probably not have a PG rating, as the couples experiences with radiation sickness are rather graphic and are more than likely to upset younger audiences (it upset me, and I'm 26!).
The animation is beautiful, as it is with every Raymond Briggs' film, but with a difference as it does often mix stop-motion and classic animation to make something quite haunting and very special, with other "special sequences" reminiscent of Pink Floyd's The Wall.
And last but not least: the soundtrack. With a title track performed by David Bowie, you already know it's going to be good. But the score (written by Roger Waters of Pink Floyd) is also incredible, yet again very reminiscent of Pink Floyd's "Goodbye Blue Sky"...again from "The Wall". With additional music by Squeeze, Paul Hardcastle and Hugh Cornwell, this makes it a pleasure to listen to.
Overall, an aural, visual and emotional rollercoaster, but not for the faint hearted.
Remember those last few words, not for the faint hearted!
This Raymond Briggs' feature length animation tells the tale of an elderly couple (voiced by Sir John Mills and Dane Peggy Ashcroft) in the country trying to survive in the aftermath of a nuclear strike, with only the real life UK nuclear survival pamphlet "Protect and Survive" to help them.
This film is not for the faint of heart, and realistically should probably not have a PG rating, as the couples experiences with radiation sickness are rather graphic and are more than likely to upset younger audiences (it upset me, and I'm 26!).
The animation is beautiful, as it is with every Raymond Briggs' film, but with a difference as it does often mix stop-motion and classic animation to make something quite haunting and very special, with other "special sequences" reminiscent of Pink Floyd's The Wall.
And last but not least: the soundtrack. With a title track performed by David Bowie, you already know it's going to be good. But the score (written by Roger Waters of Pink Floyd) is also incredible, yet again very reminiscent of Pink Floyd's "Goodbye Blue Sky"...again from "The Wall". With additional music by Squeeze, Paul Hardcastle and Hugh Cornwell, this makes it a pleasure to listen to.
Overall, an aural, visual and emotional rollercoaster, but not for the faint hearted.
Remember those last few words, not for the faint hearted!
LeftSideCut (3776 KP) rated Final Destination (2000) in Movies
Aug 10, 2019 (Updated Oct 25, 2019)
Final Destination is certainly a product of it's time. Releasing in the year 2000, it arrived amidst a wave of popular teen movies such as such as American Pie, Dude Where's My Car etc.
FD plays out like one of those films, but with gory death scenes thrown in - it's a winning formula that saw it perform nicely at the box office.
The premise is nice and simple - the main character (in this case, Alex Browning) experiences a premonition of an imminent horrible accident. He manages to avoid said accident, along with a handful of others, thus cheating death.
As the movie progresses, death comes for the survivors one by one, in ridiculously grisly ways as they desperately try to figure out how to escape deaths grip.
There are several reasons why I really don't mind Final Destination. For a start, it's nice to have a horror movie where the villain is a almost a force of nature, rather than a physical boogeyman.
It makes for some pretty inventive death scenes.
I also enjoyed just how silly it is. There are some corny one liners whilst you sit there in anticipation of what ridiculous thing is going to happen next. It's pure popcorn horror.
It's not particularly scary, and even though it has its moments, it's a pretty average watch.
It's certainly not deserving of standing side by side with the big boys of horror, but you could also do a lot worse.
Also it's got Tony Todd in it, and just who doesn't love that scary MF.
FD plays out like one of those films, but with gory death scenes thrown in - it's a winning formula that saw it perform nicely at the box office.
The premise is nice and simple - the main character (in this case, Alex Browning) experiences a premonition of an imminent horrible accident. He manages to avoid said accident, along with a handful of others, thus cheating death.
As the movie progresses, death comes for the survivors one by one, in ridiculously grisly ways as they desperately try to figure out how to escape deaths grip.
There are several reasons why I really don't mind Final Destination. For a start, it's nice to have a horror movie where the villain is a almost a force of nature, rather than a physical boogeyman.
It makes for some pretty inventive death scenes.
I also enjoyed just how silly it is. There are some corny one liners whilst you sit there in anticipation of what ridiculous thing is going to happen next. It's pure popcorn horror.
It's not particularly scary, and even though it has its moments, it's a pretty average watch.
It's certainly not deserving of standing side by side with the big boys of horror, but you could also do a lot worse.
Also it's got Tony Todd in it, and just who doesn't love that scary MF.