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Butch Vig recommended track Live Forever by Oasis in Stop the Clocks by Oasis in Music (curated)

 
Stop the Clocks by Oasis
Stop the Clocks by Oasis
2006 | Rock

"I’m a huge Oasis fan. I saw Supersonic a couple of months ago and I loved it. I like seeing Liam and Noel interact when they talk to each other because they’re clearly brothers, they go at each other and they’re funny, some of what they say is really articulate, some of it is completely at loggerheads. I remember I was in Los Angeles, heading to the studio listening to the K-Rock radio station and they said “Here’s the new song by a British band called Oasis” and ‘Live Forever’ came on and I just loved it, I turned it up really loud in the car. It’s the guitar riff and the sentiment behind the lyrics, but the second I heard Liam singing he was just going for it. He’s got one of the greatest rock voices there is, there’s a kind of sneer almost in the way he sings, it’s all attitude. Live Forever’ was my first impression of Oasis and it’s the template for what makes Oasis sound like Oasis. I love the tone and Noel’s guitar and I like the chord progression, but to me what makes Oasis Oasis is Liam’s singing. The songs that Noel sang are lovely, but he doesn’t have that same bravado that Liam has. It was a combination of the two of them, but it definitely needed Liam’s vocals out front and centre for the kind of attitude and swagger that he would bring to the song. Again, when I heard it I was ‘damn, I wish I’d written that song.’ It’s got a killer guitar riff and the chord progression is good. It’s dead simple and like most Oasis songs they’re not trying to reinvent the wheel, in fact usually Noel would admit he was just trying to write a good Beatles rip-off song!"

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Holly Johnson recommended HQ by Roy Harper in Music (curated)

 
HQ by Roy Harper
HQ by Roy Harper
1975 | Folk, Pop, Rock, Singer-Songwriter
6.0 (1 Ratings)
Album Favorite

"Roy was about the same time. The Old Grey Whistle Test was on later than Top Of The Pops, and you had to be a bit older to stay up late and get away with it. I got my first sighting of Jobriath on there. I don't know if I saw a flash of Klaus Nomi on there too, and of course David doing 'Queen Bitch', Roxy doing 'Ladytron', and the New York Dolls was quite a moment for some people. It was via Genesis doing 'I Know What I Like (In Your Wardrobe)' from Selling England By The Pound, that I became interested slightly in that longer haired world. I didn't go for Pink Floyd; I thought there was something not quite right about hippies, and you were either a hippie or not a hippie. Somehow, I heard the track 'Hallucinating Light' by Roy Harper, and was amazed by the quality of his voice. And of course, he had Chris Spedding playing guitar - David Gilmour plays guitar on the album also - but Chris had a sort of slightly Roxy Music edge to him as well. It is just a great album. 'The Game (Parts 1-5)' is a brilliant song sequence and it just appealed to me, as a perfect artistic statement. None of my other friends got into it, it was almost a guilty pleasure, but there was nothing to be guilty about because it was just a great record. The track where he has the colliery band - 'When An Old Cricketer Leaves The Crease' - is beautiful. It's hard not to shed a tear - it's a lovely song. He also had connections with Led Zeppelin, who I wasn't interested in at all, but a lot of people only know him because he sung on one of their tracks, but for me he was something outside of that."

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The Texas Chain Saw Massacre (1974)
The Texas Chain Saw Massacre (1974)
1974 | Horror
Tobe Hooper's seminal The Texas Chain Saw Massacre is a straight up horror classic, that changed the face of the genre. It's influence can be seen all over the place, and it's notoriety is still prominent. To this day, TTCSM is still misunderstood by wider audiences. It's title, alongside it's "video nasty" reputation that stuck for decades, suggests that the viewer is in for a depraved gore fest, when in reality, this film borders on arthouse more often than not. Its brimming with iconic shots, and beautiful cinematography work courtesy of Daniel Pearl. In terms of gore, you don't see much of it. Pretty much all of the violent scenes are implied, and the movie shies away from showing anything explicit, a move that is incredibly effective.
Its pacing is pretty much perfect. The slow build first half is suitably uncomfortable, and full of great performances that keep it engaging. When things kick off, it grabs you by the throat and doesn't let go until the credits roll. Some incredibly well done sound design and tense music score compliment the breakneck final act, that is just an unencumbered assault on the senses. It's exhausting (in a good way).
Marilyn Burns' Sally is a badass final girl that causes the Sawyer family a whole bunch of trouble, and Leatherface is a wonderfully portrayed maniac - a genuinely terrifying MF, who has a sympathetic side. He's the main reason why TTCSM is still scary as fuck all these years later. The scares on display are all well earned, and the jump moments are startling and are far from being cheap.

What more can I say, TTCSM is truly one of the greats. It's uncomfortable, entertaining, extremely well put together, and is wholeheartedly deserving of its place in horror royalty.
  
A Clockwork Orange (1971)
A Clockwork Orange (1971)
1971 | Crime, Sci-Fi

"Then I would say the next time I remember going and seeing a movie and having my mind f—ing blown was A Clockwork Orange. I was probably about 15 or so when I saw that. At that point in time there were no DVDs, there was no VHS. As a movie fanatic, I could only look at pictures and go, “Oh my god, A Clockwork Orange! I have to see this movie!” But how do you see it? It’s not playing anywhere. Eventually it was playing at a college, and I went to go see it at this college. I was only fifteen years old and it was all college people and they seemed real cool. And it just f—ing blew my mind. And ever since then I’ve been fanatic for Kubrick and Malcolm McDowell. That’s why I love working with Malcolm, because he loves talking about that stuff. You can ask him anything, and he’ll give you all the dirt on how… What is amazing for me too, hearing the stories about the movie, is just how much time they had. Now you have, “Oh, you have an hour to shoot that thing.” And he’ll go, “Oh, we shot that in five days.” That Singing in the Rain scene. They didn’t even figure out the song until eventually he said that Kubrick was like, “Do you know any songs?” And when Stanley would be at a loss for what to do, he would go up to Malcolm and go, “You’re probably going to be sick tomorrow. You won’t be able to make it to work for probably about a week.” And they would shut down and Malcolm would pretend to be sick so Stanley could figure out what he was going to shoot next."

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Ti West recommended Bad Taste (1989) in Movies (curated)

 
Bad Taste (1989)
Bad Taste (1989)
1989 | Comedy, Horror, Sci-Fi

"I can say that, in thinking about it, I was thinking five favorite-ish movies that seemed to be relatively inspiring to me as a filmmaker or something like that. One is a movie called Bad Taste by Peter Jackson. The reason that movie is one of my favorite films is because… two things. One, I saw it when I was very young because it had a very sort of provocative box cover of an alien giving you the middle finger, in the video store; that was very charming to me. It seemed like something that needed to be rented for a sleep over. It’s one of the grossest movies ever, so it was always the benchmark of, like, “Is there a more disgusting movie than this?” And also not a lot of people had seen it so it was like a badge of honor. But more importantly, when I decided that maybe movies was something I wanted to do, that movie was actually the first movie that I think made me think I could maybe do this. Because it was the first time I’d ever seen a movie where I realized how the movie was made. And I realized, “He’s just putting a camera on the back of the car;” “Oh, that’s just him with his friend doing this;” and, “I can see how he built that effect” or “I can see how he used ketchup for blood” or whatever. It was so rough around the edges, yet still compelling and well-made that it kind of gave me this sort of inspiration and confidence to be like, “All I have to do is go do it, like this guy just went and did it.” So that movie is, like, the number one movie that made me think, “Maybe I can try this.”"

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Black Christmas (2019)
Black Christmas (2019)
2019 | Horror
Not Black Christmas (0 more)
Why
So the main question of this film is..."why does this movie exist"? Cause of $, thats why. "Who decided it was a good i idea to re-remake Black Christmas"? Blumhouse. I like Blumhouse, but not one asked for a Black Christmas remake. In the year of remakes of 2019, Black Christmas came out. And no one saw it, and no one liked it. This is not even a Black Christmas movie. The only reason its called Black Christmas because of $ and Blumhouse decided "lets remake Black Christmas", cause we can.

The plot: Hawthorne College is quieting down for the holidays as students travel home to spend time with their families. But as Riley and her sorority sisters prepare to deck the halls with seasonal parties, a mysterious cloaked figure starts to leave a bloody trail throughout the campus. Refusing to become hapless victims, Riley and her friends decide to band together and fight back against the psychotic Christmas killer.

Unlike the previous two version of Black Christmas, the remake was rated PG-13 by the MPAA, a rating Takal sought in hopes of making it accessible to new audiences, especially young women who were interested in horror, and opening up discussions on major issues like sexual assault, although she was ready to fully commit to utilizing the higher R rating if the ratings board would not grant it. However, she would not use the PG-13 rating to water down the film's violence to a large degree, making it only slightly less violent than the original film.

This film should of never been made or existed. Cause their was no reason to remake Black Christmas, and $$$$$ was the answer.
  
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TacoDave (4167 KP) Dec 31, 2020

I saw it in the theater and ended up walking out after about 20 minutes due to the fake wokeness of the characters. It was horrible.

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Matthew Krueger (10051 KP) Dec 31, 2020

I think the only time i walked out of the theater was Fate of the Furious. Than i walk back into the theater. I almost walked out of "Phantom Thread".

I read the first book in this series a few months ago and really quite enjoyed it so when I got my KU subscription and saw this was in the catalogue I decided to grab this one, too.

This one picks up not long after the events of the first with Raine now being persona non grata in Dark River apart from her four guys. It's going to take some time for the townspeople to come to terms with Raine being the victim of their well-loved, long-term resident (who I won't name.) It seems that what went down in their little town has drawn the attention of the Vampire Nation and they are on their way to investigate.

I did enjoy the first one, this one wasn't quite as engaging. I felt this one was getting a little too complicated with all the new lovers she was acquiring. Four men I can cope with - and have read several books with four males in reverse harems - but I think that at the end of this Raine was quickly verging on about 7 or 8 men that she would happily share her bed with and the others not be bothered about. It was getting a little ridiculous for me.

I can't say the storyline of this one pulled me into it, either. It was rather reminiscent of the first. Someone wants her dead, various attempts on her life and then saved by her guys - only the number of them has multiplied a little. There was quite a lot of sex in this, with various partners and combinations of men. It felt rather heavy on the erotica side of romance and I wasn't entirely convinced by the feelings floating around.

As much as I liked the first book I don't think I'll be continuing the series.
  
Half Blood
Half Blood
Jennifer L. Armentrout | 2011 | Children, Fiction & Poetry
8
7.4 (10 Ratings)
Book Rating
I read a few reviews of this after I started it. I was starting Chapter 3, I think, and really enjoying it. It was the spark between Alex and Aiden. Anyway, I saw a lot of people were comparing this to Vampire Academy Well I loved the Vampire Academy series and I did see some similarities between the two: kick arse, heroine and older guard she has feelings for; school for teens; love triangle aspect, three classes of power...but it WAS different.

As mentioned above, I loved that first meeting of eyes in the first chapter between Alex and Aiden, I just knew something was going to happen between them, though it was forbidden. It was kinda slow to start with but it was nice to read it happening. The odd touch here, a look there. Awww. I'm a sucker for even the slightest chance of romance.

Then there was Seth...Well in (possible)--cos nothing's happened yet--love triangles I always want the girl to go with the first guy. And I still stand by that. Seth might be all powerful but I don't feel anything between him and Alex. So they spark off each other, literally. I don't care. In this one I'm Team Aiden!

I have to say I liked Alex. She may have struggled with the training and all the news she found out about herself but she was strong throughout it all. In the end, she pulled through and kicked arse.

I am so going to have to buy the second book so I can figure out what's going to happen next relationship wise for Alex (and to figure out what's going to happen when she turns 18, of course).

(Team Aiden, Team Aiden... ;D)<br/>
  
This has been borrowed from the Kindle Unlimited Library.

It has been 8 years - possibly more since I joined Goodreads in 2012 - since I read books five and six in this series - and I should point out, they were the only two books I DID read in this series after getting them free one Christmas from AllRomanceeBooks before the website shut down

 did fall in love with Adrien and Jake despite not knowing all the stuff they had been through in the previous books so when I saw this, I had to read it. They do rehash a lot of what happened in the past and god, I was getting emotional reading it - so in a way I'm glad I didn't - but they are such a good couple.

Well this wouldn't be an Adrien English mystery without a mystery and this one involves an old acquaintance whose boyfriend has gone missing after visiting his family for the holidays. His old fashioned, well off family. Both sides are saying the other had something to do with his disappearance and Adrien is tasked with helping to track him down, while Jake is hired by the family to do the same.

There's some other drama going on at Cloak & Dagger, the bookshop Adrien owns and we see some sweet moments and sometimes some hot moments between Jake and Adrien. It had me laughing at times with Adrien's humour.

I do like this series and quite a few of this authors other series like Holmes and Moriarity - of which Moriarity got a mention in this as an ex cop turned author and I will be reading more of his books at a later date.