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Merissa (14027 KP) rated Lost Energy (Energy Series #2) in Books
Apr 12, 2023
Book 2 continues where Book 1 stopped - Tarek is still Warden of Arcus and Lena is still on Earth. He can talk to her every night but she can't respond. What a heartbreaking way to start the book!
This book is building up to so much more than 'just' a romance. It is full of action, humour, double-crossing, rivalry and even loss. Lena has grown up a lot since the first book but still has some to do, and Wilma is more than happy to help set her straight. The pace of the book is fast although not frantic. There are events that need to happen, and they do. It is not all sweetness and light though.
I love the characters in these books as they all have depth and their own personalities. Farren's relationship with Lena is simply fantastic and they have the unconditional love and support of each other that nothing can break (I hope!). The emotional range in this book will draw you in before it tears you apart. I don't like talking too much about the story as you have the synopsis for that - but one that that I really need to say is that you NEED to read this series. I was in tears by the end of the book, totally side-swiped by an event that I just never saw coming because I was too wrapped up in the story. What happens after said event is even worse and I really, really need the next book, like now, just to ensure that all will be well.
If you like fantasy then get your grubby mitts on this series because, trust me, it's a brilliant one! HIGHLY RECOMMENDED.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
September 2, 2016
This book is building up to so much more than 'just' a romance. It is full of action, humour, double-crossing, rivalry and even loss. Lena has grown up a lot since the first book but still has some to do, and Wilma is more than happy to help set her straight. The pace of the book is fast although not frantic. There are events that need to happen, and they do. It is not all sweetness and light though.
I love the characters in these books as they all have depth and their own personalities. Farren's relationship with Lena is simply fantastic and they have the unconditional love and support of each other that nothing can break (I hope!). The emotional range in this book will draw you in before it tears you apart. I don't like talking too much about the story as you have the synopsis for that - but one that that I really need to say is that you NEED to read this series. I was in tears by the end of the book, totally side-swiped by an event that I just never saw coming because I was too wrapped up in the story. What happens after said event is even worse and I really, really need the next book, like now, just to ensure that all will be well.
If you like fantasy then get your grubby mitts on this series because, trust me, it's a brilliant one! HIGHLY RECOMMENDED.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
September 2, 2016
Merissa (14027 KP) rated Centaur Rift (Warrior Hearts Academy #1) in Books
Nov 25, 2023
CENTAUR RIFT is the first book in the Warrior Hearts Academy series BUT it appears to be a spin-off of either one or two previous series, so it did feel as though you were dropped into the middle of the action to begin with. On the cover, there is a IV but I only saw that once I had the book on my Paperwhite, as it didn't show up clearly on the book cover online.
That being said, I quickly became invested in Riley, Marcus, Rafael, and Havoc. Riley is awesome. She grew up as a foster kid and has dealt with horrible situations. This allows her to understand when Marcus swings back and forth with his moods, instead of throwing her own temper tantrum - even if she wants to! Marcus - oh, man! This poor male has had so much taken away and given so much sh!t in return, he breaks my heart. Rafael - I could see his storyline a mile away but the fun was in waiting for him to find out. He has been tormented in ways he doesn't even know about yet. I want to get him out of there! And speaking of getting out, poor Havoc! I want to wrap him up in the warm fuzzies, even if he does grumble about it. These four are brilliant and I can't wait for them to meet up.
I was thankful for Riley's ignorance as it meant I got explanations about the world and the different species in it, along with her. I can't wait to find out more about her!
Although I started off wondering what I'd let myself in for, I was in for a thoroughly enjoyable ride through this story, and can't wait to read more. Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Nov 25, 2023
That being said, I quickly became invested in Riley, Marcus, Rafael, and Havoc. Riley is awesome. She grew up as a foster kid and has dealt with horrible situations. This allows her to understand when Marcus swings back and forth with his moods, instead of throwing her own temper tantrum - even if she wants to! Marcus - oh, man! This poor male has had so much taken away and given so much sh!t in return, he breaks my heart. Rafael - I could see his storyline a mile away but the fun was in waiting for him to find out. He has been tormented in ways he doesn't even know about yet. I want to get him out of there! And speaking of getting out, poor Havoc! I want to wrap him up in the warm fuzzies, even if he does grumble about it. These four are brilliant and I can't wait for them to meet up.
I was thankful for Riley's ignorance as it meant I got explanations about the world and the different species in it, along with her. I can't wait to find out more about her!
Although I started off wondering what I'd let myself in for, I was in for a thoroughly enjoyable ride through this story, and can't wait to read more. Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Nov 25, 2023
Debbiereadsbook (1764 KP) rated The Lies We Tell in Books
Jul 11, 2023
dark and deadly but oh so good!
Independent reviewer for BookSirens, I was gifted my copy of this book.
Nate is a police detective tasked with taking down the local gang leader. Ollie witnesses a murder by said gang leader and Nate is tasked to keep him safe. Even if it costs him his own life.
This is a decidedly darker book by Adams, and I loved it!
Nate is a jaded police detective, facing the end of his marriage. He is a grumpy git, with good reason. Meeting Ollie gives him a teeny tiny light to hang on to. Ollie, in turn, comes to rely on Nate to keep him safe. I loved that neither saw the other coming. I mean, Nate thought he was straight, and here is is, drooling over a PICTURE of a possible lead on the gang leader he wants to take down.
I loved that it all crept up on them, Nate and Ollie both. And I loved the way Nate's soon-to-be-ex wife dealt with everything. She could have been a nasty b8tch but I'm glad she wasn't.
Although the blurb says spice and steam, I didn't think it overly explicit, indeed it's quite some time before Nate and Ollie get physical. It's more about the powerful emotions they evoke in each other than the smex.
It is, as I said, on the darker side. Some on page torture of a police officer is described, and on page kidnapping. (Did not see that one coming, I tell ya!) There is Ollie's abuse at the hands of the gang leader (some off and some on page) Gang activities are talked about too. Be midnful of these, if you have triggers.
Pushing my personal boundaries in the best way, an excellent read. I am loving watching Ms Adams grow and develop her skill. It's been a crazy ride so far, but I do not wanna get off!
5 full but dark stars
*same worded review will appear elsewhere
Nate is a police detective tasked with taking down the local gang leader. Ollie witnesses a murder by said gang leader and Nate is tasked to keep him safe. Even if it costs him his own life.
This is a decidedly darker book by Adams, and I loved it!
Nate is a jaded police detective, facing the end of his marriage. He is a grumpy git, with good reason. Meeting Ollie gives him a teeny tiny light to hang on to. Ollie, in turn, comes to rely on Nate to keep him safe. I loved that neither saw the other coming. I mean, Nate thought he was straight, and here is is, drooling over a PICTURE of a possible lead on the gang leader he wants to take down.
I loved that it all crept up on them, Nate and Ollie both. And I loved the way Nate's soon-to-be-ex wife dealt with everything. She could have been a nasty b8tch but I'm glad she wasn't.
Although the blurb says spice and steam, I didn't think it overly explicit, indeed it's quite some time before Nate and Ollie get physical. It's more about the powerful emotions they evoke in each other than the smex.
It is, as I said, on the darker side. Some on page torture of a police officer is described, and on page kidnapping. (Did not see that one coming, I tell ya!) There is Ollie's abuse at the hands of the gang leader (some off and some on page) Gang activities are talked about too. Be midnful of these, if you have triggers.
Pushing my personal boundaries in the best way, an excellent read. I am loving watching Ms Adams grow and develop her skill. It's been a crazy ride so far, but I do not wanna get off!
5 full but dark stars
*same worded review will appear elsewhere
Merissa (14027 KP) rated The Protector (Fire's Edge #4) in Books
Dec 14, 2020 (Updated Aug 8, 2023)
THE PROTECTOR is the fourth book in the Fire's Edge series, but some of the characters cross over from the Inferno Rising series. I haven't read any of the previous Fire's Edge stories, but I have read Inferno Rising. This meant I was able to follow the story quite easily although, that being said, I do want to read the others, simply because I loved how Ms. Owen puts together her stories.
Levi has wanted Lyndi since the first time he saw her, much to his confusion. His dragon laid claim to her, even though dragons can only have human mates... can't they? Lyndi is fascinated by the gold dragon and wants to hate him because she knows as a female-born dragon, she can offer him nothing. For two hundred years, these two have been dancing around each other, but now Levi has been ordered to return to the Gold Clan and may never see Lyndi again. This proves just the thing to spur them both on.
This is a fast-paced and intricate book, with plenty going on and not just between Levi and Lyndi. There are orphans, wars, clans, rogues... and not all of it I understood. This is simply my lack of knowledge of the previous books, not any problem with the storytelling of this one.
There was one part where I was glad I hadn't read any of the others because it tore me to pieces anyway. Such a brave green dragon and I'm not saying more than that!
This was a fantastic read that I thoroughly enjoyed, and have no hesitation in recommending. I really, REALLY want to read the others now. So, if you'll excuse me, I have books to buy... 😁
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dec 14, 2020
Levi has wanted Lyndi since the first time he saw her, much to his confusion. His dragon laid claim to her, even though dragons can only have human mates... can't they? Lyndi is fascinated by the gold dragon and wants to hate him because she knows as a female-born dragon, she can offer him nothing. For two hundred years, these two have been dancing around each other, but now Levi has been ordered to return to the Gold Clan and may never see Lyndi again. This proves just the thing to spur them both on.
This is a fast-paced and intricate book, with plenty going on and not just between Levi and Lyndi. There are orphans, wars, clans, rogues... and not all of it I understood. This is simply my lack of knowledge of the previous books, not any problem with the storytelling of this one.
There was one part where I was glad I hadn't read any of the others because it tore me to pieces anyway. Such a brave green dragon and I'm not saying more than that!
This was a fantastic read that I thoroughly enjoyed, and have no hesitation in recommending. I really, REALLY want to read the others now. So, if you'll excuse me, I have books to buy... 😁
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dec 14, 2020
Ali A (82 KP) rated A Multitude of Dreams in Books
Sep 6, 2023
Trigger Warnings: plague, death, blood, racism, murder, self harm, genocide, survivors guilt
A Multitude of Dreams is a reimagining of Edgar Allan Poe’s The Masque of the Red Death. Four years ago, King Stuart gathered his royals, noblemen, and daughters and locked them into the safety of the castle walls. Every window was boarded up and every door sealed shut - all to protect those within of the horrible mori roja plague ravaging the land outside.
Told in third person, this novel follows Seraphina, a Jewish girl, who is also the (fake) Princess Imogene, and Nico, who once lived a comfortable life but now works for Lord Crane, the man who saved his life after he lost everything. When Lord Crane sends Nico and two others on the search for survivors, Nico meets a princess who wants out. But both are living in giant webs of lies and deception that they must unravel if they’re going to survive.
I wanted this title because I read The Poison Season and I really enjoyed it. So, when I saw Mara Rutherford had another YA novel coming out, I immediately put it on my TBR list. It’s also listed as Fantasy Gothic and
I was all about it and also the cover - like, I love it!
There were a few twists in here I didn’t quite see right away, which was nice. And, even some of the ones that I did see coming, I still enjoyed Rutherford’s storytelling and it kept me interested. And yes, there is some romance in this, but it wasn’t the main focus of the story - surviving and getting out of the castle was.
Overall, I would recommend this to anyone who’s in need of a good gothic fantasy with a hidden identity, Jewish representation, a masquerade, and the fight of survival.
*Thank you Inkyard Press and BookishFirst for a copy of this novel in exchange for an honest review
A Multitude of Dreams is a reimagining of Edgar Allan Poe’s The Masque of the Red Death. Four years ago, King Stuart gathered his royals, noblemen, and daughters and locked them into the safety of the castle walls. Every window was boarded up and every door sealed shut - all to protect those within of the horrible mori roja plague ravaging the land outside.
Told in third person, this novel follows Seraphina, a Jewish girl, who is also the (fake) Princess Imogene, and Nico, who once lived a comfortable life but now works for Lord Crane, the man who saved his life after he lost everything. When Lord Crane sends Nico and two others on the search for survivors, Nico meets a princess who wants out. But both are living in giant webs of lies and deception that they must unravel if they’re going to survive.
I wanted this title because I read The Poison Season and I really enjoyed it. So, when I saw Mara Rutherford had another YA novel coming out, I immediately put it on my TBR list. It’s also listed as Fantasy Gothic and
I was all about it and also the cover - like, I love it!
There were a few twists in here I didn’t quite see right away, which was nice. And, even some of the ones that I did see coming, I still enjoyed Rutherford’s storytelling and it kept me interested. And yes, there is some romance in this, but it wasn’t the main focus of the story - surviving and getting out of the castle was.
Overall, I would recommend this to anyone who’s in need of a good gothic fantasy with a hidden identity, Jewish representation, a masquerade, and the fight of survival.
*Thank you Inkyard Press and BookishFirst for a copy of this novel in exchange for an honest review
Merissa (14027 KP) rated If I Were A Weapon (All These Gifts #1) in Books
Dec 29, 2021
IF I WERE A WEAPON is the first book in the All These Gifts series, and we find ourselves in an Earth of the not-too-distant future where alien ships crash-landed to Earth, killing or displacing the inhabitants. For those that survived, for the lucky majority, life continued as normal but, for some, their lives were irrevocably changed.
Deneve and Jolie are some that changed. Deneve has the ability to predict the future in certain circumstances, with the nanites ramping up until she acts to change whatever it was she saw. Jolie has the ability to play with fire. Both are hiding from people who might use them and neither wants anything long-term. When Deneve has a vision about Jolie being in danger though, she has to stay to make sure Jolie is safe, even though they don't know each other.
This was really well-written, with plenty of backstory and build-up to move the story along. Deneve and Jolie don't know each other, and their relationship reflects that, although it will change as the series progresses. For now, they share a kiss and that's it. For the most part, it is stilted formality between them, which somehow works and lets you see more into their personalities than if they had been best buds from the outset.
Set in Austin, Texas, you get a story rich in detail, where the differences between those that are 'normal' and those that are not are highlighted in simple and subtle ways. This is a series so don't expect to have all the answers given to you in book one, because you will surely be disappointed.
As for me, I thoroughly enjoyed it and look forward to continuing with the series to see where it takes me next. Absolutely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Deneve and Jolie are some that changed. Deneve has the ability to predict the future in certain circumstances, with the nanites ramping up until she acts to change whatever it was she saw. Jolie has the ability to play with fire. Both are hiding from people who might use them and neither wants anything long-term. When Deneve has a vision about Jolie being in danger though, she has to stay to make sure Jolie is safe, even though they don't know each other.
This was really well-written, with plenty of backstory and build-up to move the story along. Deneve and Jolie don't know each other, and their relationship reflects that, although it will change as the series progresses. For now, they share a kiss and that's it. For the most part, it is stilted formality between them, which somehow works and lets you see more into their personalities than if they had been best buds from the outset.
Set in Austin, Texas, you get a story rich in detail, where the differences between those that are 'normal' and those that are not are highlighted in simple and subtle ways. This is a series so don't expect to have all the answers given to you in book one, because you will surely be disappointed.
As for me, I thoroughly enjoyed it and look forward to continuing with the series to see where it takes me next. Absolutely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
BankofMarquis (1832 KP) rated Lake Placid (1999) in Movies
Jan 7, 2022
Betty White Steals This Film
I have to admit, I actually saw LAKE PLACID in the movie theaters when it came out in 1999. I am a huge JAWS fan and am a sucker for any film that takes the elements of Jaws (or some of them, anyway) and tries to rip-off that classic film.
And, that is what Lake Placid does (is). It’s “Jaws with a Crocodile”. The residents of Black Lake are being picked off one-by-one by a killer croc and a ragtag group of heroes put aside their differences to save the day.
The “ragtag group” features an a few “B-Listers” (at the time) and one “up-and-comer”. Bill Pullman (fresh off INDEPENDENCE DAY) scores a lead role while Bridget Fonda (beginning to fade from view) is the “femme-fatale” and character actor Oliver Platt (currently on CHICAGO MED) eats the screen as the “eccentric, philanthropist Croc hunter” (I can’t think of a philanthropist croc hunter that isn’t eccentric). It also features a then unknown Brendan Gleeson (a few years before his turn as Mad-Eye Moody in the Harry Potter series) as the Sherriff of the town - the Roy Scheider/Sherriff Brody role from Jaws.
But the character that steals this film is, of course, Betty White as a foul-mouthed resident of the community. Flipping the coin on her wholesome image garnered from her turns on THE GOLDEN GIRLS and THE MARY TYLER MOORE show, Ms. White is - as should be expected - hilarious in her raunchiness.
While this movie is the very definition of “B-Movie” (maybe even “C” flick), it’s worth watching just for Betty White’s turn.
Rest in Peace, Ms. White. And THANKS FOR THE MEMORIES.
Letter Grade on Lake Placid: B (and I’m being generous)
Letter Grade on Betty White: A+
And you can take that to the Bank(ofMarquis)
And, that is what Lake Placid does (is). It’s “Jaws with a Crocodile”. The residents of Black Lake are being picked off one-by-one by a killer croc and a ragtag group of heroes put aside their differences to save the day.
The “ragtag group” features an a few “B-Listers” (at the time) and one “up-and-comer”. Bill Pullman (fresh off INDEPENDENCE DAY) scores a lead role while Bridget Fonda (beginning to fade from view) is the “femme-fatale” and character actor Oliver Platt (currently on CHICAGO MED) eats the screen as the “eccentric, philanthropist Croc hunter” (I can’t think of a philanthropist croc hunter that isn’t eccentric). It also features a then unknown Brendan Gleeson (a few years before his turn as Mad-Eye Moody in the Harry Potter series) as the Sherriff of the town - the Roy Scheider/Sherriff Brody role from Jaws.
But the character that steals this film is, of course, Betty White as a foul-mouthed resident of the community. Flipping the coin on her wholesome image garnered from her turns on THE GOLDEN GIRLS and THE MARY TYLER MOORE show, Ms. White is - as should be expected - hilarious in her raunchiness.
While this movie is the very definition of “B-Movie” (maybe even “C” flick), it’s worth watching just for Betty White’s turn.
Rest in Peace, Ms. White. And THANKS FOR THE MEMORIES.
Letter Grade on Lake Placid: B (and I’m being generous)
Letter Grade on Betty White: A+
And you can take that to the Bank(ofMarquis)
Bob Mann (459 KP) rated The Girl in the Spider's Web (2018) in Movies
Sep 28, 2021
Would the last straight woman in Stockholm turn off the lights?
You’ve gotta love a Scandi-thriller. Well, that was until last year’s hopeless Michael Fassbender vehicle “The Snowman” which devalued the currency better than Brexit has done to the pound! The mother of them all though was the original “Girl with the Dragon Tattoo” trilogy (in Swedish) in 2009. Although subject to a wholly unnecessary English remake two year’s later by David Fincher (with Mara Rooney and Daniel Craig) it was Noomi Rapace who struck the perfect note as the original anarchic and damaged Lisbeth Salander: a punk wielding a baseball bat like an alien-thing possessed (pun well and truly intended!).
Now though we have “A New Dragon Tattoo Story” (as the film’s subtitle clumsily declares) based on the book by David Lagercrantz, who took over the literary franchise after the untimely death of Stieg Larsson. Picking up the reins as Salander is that most British of actresses Claire Foy…. which seems an odd choice, but one which – after you get past the rather odd accent – she just about pulls off.
The Plot
Lizbeth Salendar (Claire Foy) has an interesting hobby. She is a vigilante, like a lesbian Batman, stalking the streets of Stockholm putting wrongs right where abusive boyfriends/husbands are concerned.
She is also a hacking machine for rent. And Frans Balder (Stephen Merchant) has a problem. He has invented a software program that allows its user to control every nuclear warhead in the world from a single laptop (cue every other Bond/24/Austin Powers script ever written). But he has had second thoughts and wants it back from its resting place on the server of the NSA’s chief hacker, Ed Needham (Lakeith Stanfield). Balder recruits Salander to recover it, but when things go pear-shaped Salander finds herself on the wrong side of both the law and the encircling terrorist “spiders”.
The Review
Scandi-dramas work best when they exploit the snow; maintain a sexual tension; and go dark, gritty and violent. On the plus side, “The Girl in the Spider’s Web” ticks most of those boxes adequately. Foy’s Salandar is smart, sassy and sexy, outwitting the best of the best, and only once finding her intellectual match. (If you’re a lesbian, Stockholm is most definitely the place to be: there only seemed to be one hetero-female there, and she was an adulteress).
But Salander also has a Bond-like invincibility that unfortunately tests your incredulity at multiple points. Contributing to the excitement is the stunt team, who keep themselves busy with some great car and bike chases.
So, the movie has its moments and is great to look at. But the film ends up a sandwich or two short of a smorgasbord, thanks largely to some totally bonkers plot points and more than a few ridiculous coincidences. There are without doubt an array of well-constructed set pieces here, but they fail to fully connect with any great conviction. An example of a scene that infuriates is a dramatic bathroom fight in a red-lit gloom with identical protagonists that is cut together so furiously you would need a Blu-ray slo-mo to work out what the hell is going on… and then I fear you might fail.
So it’s an A- for the Production Design (Eve Stewart, “The Danish Girl“) and the Cinematography (Pedro Luque, “Don’t Breathe“), but a C- for the director Fede Alvarez (also “Don’t Breathe“).
Avoid the Trailer
I will save my biggest source of wrath though for that major bug-bear of mine: trailers that spoil the plot.
I’ve asked before, but for a film like this, WHO EXACTLY PUTS TOGETHER THE TRAILER? I’d like to think it’s some mindless committee of marketing execs somewhere. Because I HONESTLY CAN’T BELIEVE it would be the director! (If I’m wrong though, I would point my finger at Mr Alvarez and chant “shame, shame, shame”!)
For the trailer that I saw playing in UK cinemas does it’s level best to not only drop in the key spoilers of the plot (including the climactic scene), but also spoils just about every action money-shot in the movie. It’s all so pointless. If you’ve by any chance managed to get to this point without seeing the trailer, then SAVE YOURSELVES and AVOID IT!
(The one attached below by the way is slightly – slightly! – better, including some over-dubbing of a line that I don’t think was in the film. Perhaps they realised their huge mistake and reissued it?)
The Turns
As I mentioned earlier, Claire Foy again extends her range by playing Salander really well. She is the reason to go and see the film.
The Daniel Craig part of Blomkvist is played here by Sverrir Gudnason, who was in “The Circle” (which I saw) and was Borg in “Borg McEnroe” (which I didn’t). Blomkvist really is a lazy ****, since he works for the publication “Millenium” but writes absolutely nothing for years. It must be only because the boss (Vicky Krieps) fancies him that he keeps his job. Gudnason is good enough, but has very little to do in the movie: its the Salander/Foy show. Slightly, but only slightly, more involved is Lakeith Standfield as the US intelligence man.
Given little to do in the plot. Sverrir Gudnason as the incredibly unproductive ‘journalist’ Mikael Blomkvist. (Source: Sony Pictures Entertainment)
Stephen Merchant is an odd casting choice for Balder. Not withstanding that he was brilliant when almost unrecognisable in “Logan“, here he looks far too much like his “Ricky Gervais sidekick” persona to be taken seriously: and it’s not even remotely a comedy (there is only one humorous moment in the film, a nice “clicker” gag in a car park).
Final Thoughts
I had high hopes for this film from the trailer, but I was left disappointed. It’s not classic Scandi-noir like the original “Tattoo”; and it’s not going for the black comedy angle of “Headhunters” (which I saw again last week and loved… again!). It falls into a rather “meh” category. It’s not a bad evening’s watch, but perhaps worth leaving for a DVD/cable showing.
Now though we have “A New Dragon Tattoo Story” (as the film’s subtitle clumsily declares) based on the book by David Lagercrantz, who took over the literary franchise after the untimely death of Stieg Larsson. Picking up the reins as Salander is that most British of actresses Claire Foy…. which seems an odd choice, but one which – after you get past the rather odd accent – she just about pulls off.
The Plot
Lizbeth Salendar (Claire Foy) has an interesting hobby. She is a vigilante, like a lesbian Batman, stalking the streets of Stockholm putting wrongs right where abusive boyfriends/husbands are concerned.
She is also a hacking machine for rent. And Frans Balder (Stephen Merchant) has a problem. He has invented a software program that allows its user to control every nuclear warhead in the world from a single laptop (cue every other Bond/24/Austin Powers script ever written). But he has had second thoughts and wants it back from its resting place on the server of the NSA’s chief hacker, Ed Needham (Lakeith Stanfield). Balder recruits Salander to recover it, but when things go pear-shaped Salander finds herself on the wrong side of both the law and the encircling terrorist “spiders”.
The Review
Scandi-dramas work best when they exploit the snow; maintain a sexual tension; and go dark, gritty and violent. On the plus side, “The Girl in the Spider’s Web” ticks most of those boxes adequately. Foy’s Salandar is smart, sassy and sexy, outwitting the best of the best, and only once finding her intellectual match. (If you’re a lesbian, Stockholm is most definitely the place to be: there only seemed to be one hetero-female there, and she was an adulteress).
But Salander also has a Bond-like invincibility that unfortunately tests your incredulity at multiple points. Contributing to the excitement is the stunt team, who keep themselves busy with some great car and bike chases.
So, the movie has its moments and is great to look at. But the film ends up a sandwich or two short of a smorgasbord, thanks largely to some totally bonkers plot points and more than a few ridiculous coincidences. There are without doubt an array of well-constructed set pieces here, but they fail to fully connect with any great conviction. An example of a scene that infuriates is a dramatic bathroom fight in a red-lit gloom with identical protagonists that is cut together so furiously you would need a Blu-ray slo-mo to work out what the hell is going on… and then I fear you might fail.
So it’s an A- for the Production Design (Eve Stewart, “The Danish Girl“) and the Cinematography (Pedro Luque, “Don’t Breathe“), but a C- for the director Fede Alvarez (also “Don’t Breathe“).
Avoid the Trailer
I will save my biggest source of wrath though for that major bug-bear of mine: trailers that spoil the plot.
I’ve asked before, but for a film like this, WHO EXACTLY PUTS TOGETHER THE TRAILER? I’d like to think it’s some mindless committee of marketing execs somewhere. Because I HONESTLY CAN’T BELIEVE it would be the director! (If I’m wrong though, I would point my finger at Mr Alvarez and chant “shame, shame, shame”!)
For the trailer that I saw playing in UK cinemas does it’s level best to not only drop in the key spoilers of the plot (including the climactic scene), but also spoils just about every action money-shot in the movie. It’s all so pointless. If you’ve by any chance managed to get to this point without seeing the trailer, then SAVE YOURSELVES and AVOID IT!
(The one attached below by the way is slightly – slightly! – better, including some over-dubbing of a line that I don’t think was in the film. Perhaps they realised their huge mistake and reissued it?)
The Turns
As I mentioned earlier, Claire Foy again extends her range by playing Salander really well. She is the reason to go and see the film.
The Daniel Craig part of Blomkvist is played here by Sverrir Gudnason, who was in “The Circle” (which I saw) and was Borg in “Borg McEnroe” (which I didn’t). Blomkvist really is a lazy ****, since he works for the publication “Millenium” but writes absolutely nothing for years. It must be only because the boss (Vicky Krieps) fancies him that he keeps his job. Gudnason is good enough, but has very little to do in the movie: its the Salander/Foy show. Slightly, but only slightly, more involved is Lakeith Standfield as the US intelligence man.
Given little to do in the plot. Sverrir Gudnason as the incredibly unproductive ‘journalist’ Mikael Blomkvist. (Source: Sony Pictures Entertainment)
Stephen Merchant is an odd casting choice for Balder. Not withstanding that he was brilliant when almost unrecognisable in “Logan“, here he looks far too much like his “Ricky Gervais sidekick” persona to be taken seriously: and it’s not even remotely a comedy (there is only one humorous moment in the film, a nice “clicker” gag in a car park).
Final Thoughts
I had high hopes for this film from the trailer, but I was left disappointed. It’s not classic Scandi-noir like the original “Tattoo”; and it’s not going for the black comedy angle of “Headhunters” (which I saw again last week and loved… again!). It falls into a rather “meh” category. It’s not a bad evening’s watch, but perhaps worth leaving for a DVD/cable showing.
Emma @ The Movies (1786 KP) rated Lords of Chaos (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
I saw one trailer for this and at that point I instantly assumed that it wouldn't show at my local Cineworld, but it did, with a surprising amount of showings. The gentleman and I who attended this particular screening really did not look like your typical black metal fans, but then it's always the quiet ones...
In my non-fan status I can't say anything to its accuracy. From what I understand there are disagreements over some of it, the trailer does state "based on truth and lies" so somewhere along the line they know they've taken some necessary artistic license.
Lords Of Chaos is a pretty honest movie, and by that I mean it doesn't sugarcoat anything. There are violent and horrific scenes that any movie looking for a 15 certificate would have looked away at the last minute or done something artistic with the camera angle, but LOC just went "F*** it, zoom in." and I think that was a great benefit to it. I actually found it less shocking for that exact reason. If you can stomach it then seeing what actually happens is a lot less affecting than being left to imagine it. I'm aware that that probably says something horrific about me personally.
I was... put off? by the casting of Rory Culkin as the lead in this. I couldn't honestly tell you why, I've only really seen him in Scream 4 and I love that. His performance from start to finish was incredible, including the voiceovers which were placed in exactly the right places throughout. I was blown away by him when I'd expected to dislike his character. Culkin seems to know exactly where Euronymous is going, he adapts to the changes in him and you see the schemer, the worrier and all the associated emotions that go with them.
Emory Cohen gave an interesting performance as Varg, but I wasn't particularly fond of the character. To see his transformation from almost puppy dog longing to connect before he spirals into paranoia and his ever-expanding need to be the best was intriguing, it ultimately left me with an awkward feeling that I wasn't particularly fond of.
The two of them together made for a good contrast with both characters progressing in opposite directions yet never meeting and being able to connect in the middle. I liked that they both seemed to underestimate the other and that impact brought out very different characteristics in them both. That ultimately led to a strong conclusion to the film and allowed Culkin to really end it with a bang.
The film itself was beautifully shot and many of the shots seemed frivolous at the time but actually allowed for some respite from the carnage and allowed you to take in the gravity of some of the actions.
While Lords Of Chaos is probably not a film I would have ever seen in the past I was actually pleased that I saw it. This regime of seeing (almost) everything that comes out at my cinema has its ups and downs but this was a pretty interesting watch. Culkin performed his socks off and it was a very entertaining surprise. This is a topic that will definitely need some further reading beyond what is portrayed here as I'm certain that to make a film of this suitable for a movie-going audience it would have needed a lot of tweaking from the truth.
What you should do
This is definitely not for the faint hearted, I would absolutely not recommend it to you if you don't like blood, violence or are susceptible to self-harm on screen. If you can stomach all of those things and have an interest in music then I'd say it's worth giving a go.
Movie thing you wish you could take home
Running my own record store looks like it migt be fun, but I don't think that my music taste would make it a very popular shop.
In my non-fan status I can't say anything to its accuracy. From what I understand there are disagreements over some of it, the trailer does state "based on truth and lies" so somewhere along the line they know they've taken some necessary artistic license.
Lords Of Chaos is a pretty honest movie, and by that I mean it doesn't sugarcoat anything. There are violent and horrific scenes that any movie looking for a 15 certificate would have looked away at the last minute or done something artistic with the camera angle, but LOC just went "F*** it, zoom in." and I think that was a great benefit to it. I actually found it less shocking for that exact reason. If you can stomach it then seeing what actually happens is a lot less affecting than being left to imagine it. I'm aware that that probably says something horrific about me personally.
I was... put off? by the casting of Rory Culkin as the lead in this. I couldn't honestly tell you why, I've only really seen him in Scream 4 and I love that. His performance from start to finish was incredible, including the voiceovers which were placed in exactly the right places throughout. I was blown away by him when I'd expected to dislike his character. Culkin seems to know exactly where Euronymous is going, he adapts to the changes in him and you see the schemer, the worrier and all the associated emotions that go with them.
Emory Cohen gave an interesting performance as Varg, but I wasn't particularly fond of the character. To see his transformation from almost puppy dog longing to connect before he spirals into paranoia and his ever-expanding need to be the best was intriguing, it ultimately left me with an awkward feeling that I wasn't particularly fond of.
The two of them together made for a good contrast with both characters progressing in opposite directions yet never meeting and being able to connect in the middle. I liked that they both seemed to underestimate the other and that impact brought out very different characteristics in them both. That ultimately led to a strong conclusion to the film and allowed Culkin to really end it with a bang.
The film itself was beautifully shot and many of the shots seemed frivolous at the time but actually allowed for some respite from the carnage and allowed you to take in the gravity of some of the actions.
While Lords Of Chaos is probably not a film I would have ever seen in the past I was actually pleased that I saw it. This regime of seeing (almost) everything that comes out at my cinema has its ups and downs but this was a pretty interesting watch. Culkin performed his socks off and it was a very entertaining surprise. This is a topic that will definitely need some further reading beyond what is portrayed here as I'm certain that to make a film of this suitable for a movie-going audience it would have needed a lot of tweaking from the truth.
What you should do
This is definitely not for the faint hearted, I would absolutely not recommend it to you if you don't like blood, violence or are susceptible to self-harm on screen. If you can stomach all of those things and have an interest in music then I'd say it's worth giving a go.
Movie thing you wish you could take home
Running my own record store looks like it migt be fun, but I don't think that my music taste would make it a very popular shop.
Emma @ The Movies (1786 KP) rated Joker (2019) in Movies
Dec 8, 2019
Contains spoilers, click to show
Had this been released on any regular week I'd have seen Joker the day it came out and not been overly bothered by the Twitter frenzy that happened in the aftermath of the opening... but, Joker came out two days into the London Film Festival and that meant I couldn't see it straight away. I ended up taking a day off in the middle of it and going out to have a regular cinema outing, it was only 6 days after release but the barrage of feedback online was enough to make me bored at the thought of seeing it.
I do not know how to do this review. It's not that I don't have things to say about it, because I do, but there's a lot of grumbling. I'm going to try bullet pointing it as it covers things that cross audience feedback with moaning.
• What is real? We see the Sophie shots replayed without her in them and we realise he imagined it but we also know that he's imagined other things... everything could be a twist on reality.
• I did not assume that the man with Bruce at home was Alfred.
• I would not have found it unbelievable had Arthur and Sophie been a couple.
• This film could easily have been a pre-origin story for the Joker character.
• I know Arthur needs every push to make the story progress but I don't see that Thomas Wayne needed to be that aggressive.
• Wouldn't it have been good if this film made no reference to anything Batman/Joker related and the first time we're actually shown the connection is in that iconic alley scene?
So there are the things I had thoughts, they all have me waffling on for ages when I voice them out loud.
Joaquin Phoenix really commits to the journey of Arthur and it's an incredible depiction. I'm not so bothered about the violence in the movie, what disturbed me more was how Phoenix manages to laugh without it showing on his face... that was chilling. Everything crafted around him really shows his life, the way he's captured in the shots, the way you see the darker side taking over him, you can see it in every scene. It's uncomfortable to watch him sometimes, but that's the way it needs to be.
As an environment you can feel the dirt and the story of the city really comes through in everything you see. There's a very clear divide between rich and poor and I really thought the sets and costumes worked perfectly.
I'm going to mention the song... it worked perfectly in the scene, it had the right tone for it and I thought it was very effective. As you look down the rest of the tracklisting it was nice to see that everything had a very theatrical leaning.
When we get to the point where Arthur, now under the guise of Joker, appears on Murray's talk show there's an element of uncertainty about what's going to happen. The escalation is chilling and when he starts his speech you can feel the change in him. That speech had a moment of understanding in it before you remember everything we've just seen. I would happily have seen the film end with that test card.
What happens after this is a big piece that feels like hallucination moments rather than real ones. I really didn't need that... BUT... it did bring us to that iconic alleyway scene. It was perfectly captured and would have been amazing if we saw the clown slip into the alleyway and then... no pearls. I groaned when I saw that. I'm fed up with it, it took that tense moment and could have left you with that sense of knowing without hitting you with that now rather common slap in the face of an image.
Unlike other films I still don't have a very clear idea of how I feel about this film, there are lots of issues I had with it but then there's that brilliant performance from Joaquin Phoenix. I'm sure this needs another viewing, but even then I'm not sure I'd be totally certain about how I felt.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/joker-spoilers-movie-review.html
I do not know how to do this review. It's not that I don't have things to say about it, because I do, but there's a lot of grumbling. I'm going to try bullet pointing it as it covers things that cross audience feedback with moaning.
• What is real? We see the Sophie shots replayed without her in them and we realise he imagined it but we also know that he's imagined other things... everything could be a twist on reality.
• I did not assume that the man with Bruce at home was Alfred.
• I would not have found it unbelievable had Arthur and Sophie been a couple.
• This film could easily have been a pre-origin story for the Joker character.
• I know Arthur needs every push to make the story progress but I don't see that Thomas Wayne needed to be that aggressive.
• Wouldn't it have been good if this film made no reference to anything Batman/Joker related and the first time we're actually shown the connection is in that iconic alley scene?
So there are the things I had thoughts, they all have me waffling on for ages when I voice them out loud.
Joaquin Phoenix really commits to the journey of Arthur and it's an incredible depiction. I'm not so bothered about the violence in the movie, what disturbed me more was how Phoenix manages to laugh without it showing on his face... that was chilling. Everything crafted around him really shows his life, the way he's captured in the shots, the way you see the darker side taking over him, you can see it in every scene. It's uncomfortable to watch him sometimes, but that's the way it needs to be.
As an environment you can feel the dirt and the story of the city really comes through in everything you see. There's a very clear divide between rich and poor and I really thought the sets and costumes worked perfectly.
I'm going to mention the song... it worked perfectly in the scene, it had the right tone for it and I thought it was very effective. As you look down the rest of the tracklisting it was nice to see that everything had a very theatrical leaning.
When we get to the point where Arthur, now under the guise of Joker, appears on Murray's talk show there's an element of uncertainty about what's going to happen. The escalation is chilling and when he starts his speech you can feel the change in him. That speech had a moment of understanding in it before you remember everything we've just seen. I would happily have seen the film end with that test card.
What happens after this is a big piece that feels like hallucination moments rather than real ones. I really didn't need that... BUT... it did bring us to that iconic alleyway scene. It was perfectly captured and would have been amazing if we saw the clown slip into the alleyway and then... no pearls. I groaned when I saw that. I'm fed up with it, it took that tense moment and could have left you with that sense of knowing without hitting you with that now rather common slap in the face of an image.
Unlike other films I still don't have a very clear idea of how I feel about this film, there are lots of issues I had with it but then there's that brilliant performance from Joaquin Phoenix. I'm sure this needs another viewing, but even then I'm not sure I'd be totally certain about how I felt.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/joker-spoilers-movie-review.html