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Broadchurch
8.4
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Academy Award nominee Marianne Jean-Baptiste and legendary actress Charlotte Rampling star alongside...
David McK (3679 KP) rated Quiet: The Power of Introverts in a World That Can't Stop Talking in Books
Aug 15, 2020
One of the worst years of my professional working life.
In the early part of the year, I ended up getting dragged to the Doctor by my significant other, with the Doc then putting me off work with stress for just over a month. I returned, and then, roughly 6 months later, ended up putting myself off on unpaid leave for a year (which is ending soon, but that’s another matter).
Looking back on it, I believe a MASSIVE contributor to me feeling the way I did was the change in the office environment, and in my role: a move from being a key member of a small technical team (with its own side office) to being put in charge of a customer focused role I felt ill suited to, and slap-bang in the middle of a massive open plan office no less (which had the effect of leaving me completely and utterly drained each and every day, having to be always ‘on’).
Which is a long winded way of saying that I am, as I’ve always expected, a massive Introvert. (That could also probably be borne out by the fact that it’s now been more than 10 months since I last physically saw most of my friends due to Covid-19, and that I can count on the fingers of one hand the amount of times I’ve spoken to them in the same period (we more often text). Which I’m perfectly happy with.)
I’ve always felt exhausted by daily interactions, always felt happier in my own head than in the midst of a crowd. A music festival, or rock concert? My idea of hell. However, I’ve also always felt guilty for feeling the same, with society (seemingly) geared towards the go-getters, the ‘look at me!’ life and soul of the party (which I always leave early), to those who make the most noise. In short, to the Extroverts.
While it’s true that this book is American centric (I’m glad to say, in the UK at least, the large gatherings/conventions described in the chapter about ‘The Extrovert Ideal’ don’t seem to happen), I’m also glad I’m not alone, that – actually - there’s nothing wrong with me. There’s nothing wrong with being quiet, reserved, needing time alone to recharge. Just ask Mother Theresa. Steve Wozniak. Eleanor Roosevelt. Rosa Parks.
This should be required reading in our schools.
Kissinger: 1923-1968: The Idealist
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The definitive biography of Henry Kissinger, based on unprecedented access to his private papers ...
History politics
The Mortal Coil by Polaris
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Music and Entertainment
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Bob Mann (459 KP) rated Star Trek (2009) in Movies
Sep 28, 2021
We saw Kirk’s death in “Generations” – here we see his birth, with a pre-Thor Chris Hemsworth as his heroic Dad!;
The nasty Ceti Eel creatures are back from “The Wrath of Khan”!;
We see the historic event of Kirk beating the Kobayashi Maru starfleet test;
And we see all of the key characters meeting for the first time.
There are some surprises though. The fact that Spock and Uhuru are ‘a thing’ adds a spice to the film that feels like it messes with existing Trek lore. And similarly the destruction of Vulcan – giving this the highest body count of any of the movies! – has to be explained away with the old ‘parallel timeline’ ploy.
The action scenes work well, reliving the ‘submarine warfare in space’ elements that worked so well in the original series and the “Wrath of Khan”. A ‘space drop’ onto Nero’s ‘drill’ is particularly thrilling.
The casting is just about bang on, with Chris Pine pitch perfect as Kirk and Karl Urban particularly impressive as ‘Bones’ McCoy (although the evolution of the nickname – shown here – feels overly forced). The one character that I don’t get on with here is Simon Pegg’s Scotty: might be controversial, but he just doesn’t work for me.
Finally, the music by Michael Giacchino is a favourite score of mine. Simply thrilling and brilliant. I was lucky enough to hear it played live at a showing in the Royal Albert Hall a few years back, where both Giacchino and Abrams appeared on stage – – a truly memorable evening.
It’s not perfect. The whole “transportation of Scotty into the water works” irritates me enormously for some reason. And it’s somewhat glossed over what Nero and his crew have been doing for the 25 years while Kirk grows up: (Nero: “Man, I’ve finished ALL of my Sodoku books… when is this lockdown EVER GONNA END??”). And the JJ ‘lens flare’ is used to a level here that is mind-blowingly distracting! But as a reboot, in the main, it works.