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Hadley (567 KP) rated Ghost Story in Books
May 14, 2019
Great story line (1 more)
Great characters
Don Wanderley is a writer who happens to meet a supernatural being, and this meeting causes his life to be turned upside down in the novel 'Ghost Story.' Wanderley's brother and uncle both die of strange circumstances, leading him to seek how their deaths came to be. What Wanderley finds is that they were both infatuated with two women: Alma Mobley and Ann- Veronica Moore; Mobley just so happens to be Don's ex-fiance'.
Even if it seems so, Wanderley is not the main character of this book, instead, we meet four older gentlemen who have been friends the majority of their lives: John, Lewis, Ricky and Sears. The four have created what they like to call 'the Chowder Society,' where they meet up in suit and tie at one of their houses to tell ghost stories. Sears tells one ghost story that will haunt them the rest of the book about his time as a teacher in a rural town known as Elmira: "Well, one of the most dreadful things in my life happened to me there, or it didn't happen and I imagined it all, but anyhow it scared the pants off me and eventually made it impossible for me to stay on. This is the worst story I know, and I've kept it locked up in my mind for fifty years."
After that story, strange things begin to happen in Milburn; a farmer named Elmer Scales, reports that his sheep have been slaughtered by having their throats slit and completely drained of blood, but there are no footprints nor blood stains where the sheep were killed: " 'Their throats were cut,' Elmer said to his wife. 'What did I tell you? Some crazyman's been out here. And -' his voice rose ' - a crazyman who can fly, because he didn't leave no prints.' "
When the reader finds out that the four life long friends have a dark secret that has seem to come back to haunt them, we witness them being killed off by a supernatural force, one by one. This story brings not only a great cast of characters and amazing story telling, but also twist and turns that are not seen from a mile away, like most paranormal thrillers have today.
The supernatural force readers are introduced to is a shape shifter, who takes on forms from a werewolf to a vampire " When he took off the dark glasses his eyes shone a uniform golden yellow. " But the book is not lacking on ghosts, either : "Then she saw a figure moving around out there and Nettie, who understood more than even her sister credited, fearfully watched it approach the house and barn. She uttered a few choked sounds, but knew that Rea would never hear them. The figure came nearer, hauntingly familiar. Nettie was afraid it was the boy from town Rea talked about - that wild boy in a rage that Rea had named him to police. She trembled, watching the figure come nearer across the field, imagining what life would be like if the boy did anything to Rea; and then squawked in terror and nearly tipped over the wheelchair. The man walking toward the barn was her brother Stringer, wearing the brown shirt he'd had on the day he died: it was covered with blood, just as it had been when they'd put him on the table and wrapped him in blankets, but his arms were whole."
The entire story takes place in the town of Milburn, with a few scenes outside of it, but because of this, there are so many secondary characters introduced that the reader may find themselves back tracking through the book just to remember who all of them are. On top of that, a lot of the characters are so much alike, that description can't even help tell who is who. Even our four main characters have similar descriptions, other than girth, that it takes a couple of chapters for readers to put a face to a name. Only some secondary characters become important enough to remember near the end of the book, this including a teenager named Peter.
'Ghost Story' is among the few paranormal books that can stand on it's own. There are scenes of hallucination that out-do those of the top paranormal writers of today. One of the most memorable scenes is with the character Lewis: "Lewis moved back and forth on the floorboards, willing his friends to return with the farmer's car. He did not want to look at the covered shape on the bed; he went to the window. Through the greasepaper he could see only vague orange light.. He glanced back at the sheet. 'Linda, ' he said miserably. " - the scene quickly changes - "He stood in a metal room, with gray metal walls. One light bulb hung from the ceiling. His wife lay under a sheet on a metal table. Lewis leaned over her body and sobbed. 'I won't bury you in the pond,' he said. 'I'll take you into the rose garden.' He touched his wife's lifeless fingers under the sheet and felt them twitch. He recoiled. "
When the ghost story is finally revealed from the main characters' past, pieces of the puzzle begin to fit together. To not give away too much, here is a portion of that story: " 'She said she was lonely,' Ricky said. 'Said she was sick of this damned town and all the hypocrites in it. She wanted to drink and she wanted to dance, and she didn't care who was shocked. Said this dead little town and all its dead little people could go to hell as far as she was concerned. And if we were men and not little boys, we'd damn the town too.' "
While our main characters are being killed off one by one, the town of Milburn is going through an odd blizzard that seems to put everyone on edge: " People settled down in front of the television and ate pizzas from the freezer and prayed that the power lines would stay up; they avoided one another. If you looked outside and saw your next-door neighbor fighting up his lawn to get to his front door, he looked unearthly, transformed by stress into a wild ragged frontier version of himself: you knew he'd damage anyone who threatened to touch his dwindling store of food. He'd been touched by that savage music you had tried to escape, and if he looked through your Thermopane picture window and saw you his eyes were barely human."
Although 'Ghost Story' was published in 1979, it still has a big impact on the way the paranormal genre is written today. Straub not only makes a convincing story line, but he also makes characters that the reader can actually care about. Even when we find out what has been going on in the small town of Milburn, the reader can still feel a very real threat from the supernatural force within it. 'Ghost Story' is by far the best paranormal thriller I have ever read. I highly recommend this book to anyone who believes that the past can come back to haunt you.
For more reviews by me, please check out my blog at goreandtea.com
Even if it seems so, Wanderley is not the main character of this book, instead, we meet four older gentlemen who have been friends the majority of their lives: John, Lewis, Ricky and Sears. The four have created what they like to call 'the Chowder Society,' where they meet up in suit and tie at one of their houses to tell ghost stories. Sears tells one ghost story that will haunt them the rest of the book about his time as a teacher in a rural town known as Elmira: "Well, one of the most dreadful things in my life happened to me there, or it didn't happen and I imagined it all, but anyhow it scared the pants off me and eventually made it impossible for me to stay on. This is the worst story I know, and I've kept it locked up in my mind for fifty years."
After that story, strange things begin to happen in Milburn; a farmer named Elmer Scales, reports that his sheep have been slaughtered by having their throats slit and completely drained of blood, but there are no footprints nor blood stains where the sheep were killed: " 'Their throats were cut,' Elmer said to his wife. 'What did I tell you? Some crazyman's been out here. And -' his voice rose ' - a crazyman who can fly, because he didn't leave no prints.' "
When the reader finds out that the four life long friends have a dark secret that has seem to come back to haunt them, we witness them being killed off by a supernatural force, one by one. This story brings not only a great cast of characters and amazing story telling, but also twist and turns that are not seen from a mile away, like most paranormal thrillers have today.
The supernatural force readers are introduced to is a shape shifter, who takes on forms from a werewolf to a vampire " When he took off the dark glasses his eyes shone a uniform golden yellow. " But the book is not lacking on ghosts, either : "Then she saw a figure moving around out there and Nettie, who understood more than even her sister credited, fearfully watched it approach the house and barn. She uttered a few choked sounds, but knew that Rea would never hear them. The figure came nearer, hauntingly familiar. Nettie was afraid it was the boy from town Rea talked about - that wild boy in a rage that Rea had named him to police. She trembled, watching the figure come nearer across the field, imagining what life would be like if the boy did anything to Rea; and then squawked in terror and nearly tipped over the wheelchair. The man walking toward the barn was her brother Stringer, wearing the brown shirt he'd had on the day he died: it was covered with blood, just as it had been when they'd put him on the table and wrapped him in blankets, but his arms were whole."
The entire story takes place in the town of Milburn, with a few scenes outside of it, but because of this, there are so many secondary characters introduced that the reader may find themselves back tracking through the book just to remember who all of them are. On top of that, a lot of the characters are so much alike, that description can't even help tell who is who. Even our four main characters have similar descriptions, other than girth, that it takes a couple of chapters for readers to put a face to a name. Only some secondary characters become important enough to remember near the end of the book, this including a teenager named Peter.
'Ghost Story' is among the few paranormal books that can stand on it's own. There are scenes of hallucination that out-do those of the top paranormal writers of today. One of the most memorable scenes is with the character Lewis: "Lewis moved back and forth on the floorboards, willing his friends to return with the farmer's car. He did not want to look at the covered shape on the bed; he went to the window. Through the greasepaper he could see only vague orange light.. He glanced back at the sheet. 'Linda, ' he said miserably. " - the scene quickly changes - "He stood in a metal room, with gray metal walls. One light bulb hung from the ceiling. His wife lay under a sheet on a metal table. Lewis leaned over her body and sobbed. 'I won't bury you in the pond,' he said. 'I'll take you into the rose garden.' He touched his wife's lifeless fingers under the sheet and felt them twitch. He recoiled. "
When the ghost story is finally revealed from the main characters' past, pieces of the puzzle begin to fit together. To not give away too much, here is a portion of that story: " 'She said she was lonely,' Ricky said. 'Said she was sick of this damned town and all the hypocrites in it. She wanted to drink and she wanted to dance, and she didn't care who was shocked. Said this dead little town and all its dead little people could go to hell as far as she was concerned. And if we were men and not little boys, we'd damn the town too.' "
While our main characters are being killed off one by one, the town of Milburn is going through an odd blizzard that seems to put everyone on edge: " People settled down in front of the television and ate pizzas from the freezer and prayed that the power lines would stay up; they avoided one another. If you looked outside and saw your next-door neighbor fighting up his lawn to get to his front door, he looked unearthly, transformed by stress into a wild ragged frontier version of himself: you knew he'd damage anyone who threatened to touch his dwindling store of food. He'd been touched by that savage music you had tried to escape, and if he looked through your Thermopane picture window and saw you his eyes were barely human."
Although 'Ghost Story' was published in 1979, it still has a big impact on the way the paranormal genre is written today. Straub not only makes a convincing story line, but he also makes characters that the reader can actually care about. Even when we find out what has been going on in the small town of Milburn, the reader can still feel a very real threat from the supernatural force within it. 'Ghost Story' is by far the best paranormal thriller I have ever read. I highly recommend this book to anyone who believes that the past can come back to haunt you.
For more reviews by me, please check out my blog at goreandtea.com
The nerdy birdie (67 KP) rated Girls' Night Out in Books
Jul 2, 2018
First & foremost thank you very much to Netgalley & Lake Union Publishing for allowing me to read a free arc of this book in exchange for an honest review ❤️??.
I MUST start off by saying that when I browse through Netgalley and choose which books I'd like to review I always go by the synopsis of the book and don't really pay attention to the cover or the author(s). I absolutely love a good thriller, so when I read what this book was about I couldn't hit the "request" button fast enough. When asked what appealed to me...I indicated the subject matter. How could I not relate to going on a trip with two of my best girlfriends? Sign me up! Then, since I am very new to this process, only joining as of May 30th, I was approved for a large amount of novels all at once and this one got lost somewhere in amongst the crowd. I read 15 books BEFORE this one, which would not have been the case had I taken a brief moment to contemplate where I had heard the two authors names Lisa Steinke & Liz Fenton before.
To continue on with my story...I was ready to select my next book to read last night and came across
" Girls' Night Out" somewhere in the middle of my shelf and thought to myself, " Awesome...Download!" It wasn't until I was flipping through the beginning pages ( you know, the ones that are usually passed by and disregarded until you find page 1 or " prologue.") when I saw other books listed by these co-authors. There in plain sight was " The Status of All Things," one of my favorite books of all time! My review of this book clearly indicates " definitely in my top 20 books of all time" and it's categorized in my favorites folder on goodreads! Total fan-girl moment!!!!! Kate was one of my favorite characters, I saw so much of myself in her! So...before I review this new book I must also insist that if you're reading this to please also pick up their other book " The Status of All Things" which I have already recommended to every single one of my friends. It is about a girl in her thirties that is obsessed with social media ( who isn't?) who is able to keep changing her life & the lives of those around her based on her Facebook status updates! It reminds me of Lauren Oliver's "Before I Fall" meets "The Butterfly Effect" movie. End rant, sorry! But read it ?
Now onto my review of " A Girls' Night Out!" Whew! The suspense was almost too much to bear in this one! Just imagine...you go on a much needed vaca to a beautiful island with two of your best girl friends and one of them disappears!!! Yes, you wake up and she's gone..one friend can't remember because she was so intoxicated and the other basically left her to fend for herself and went home with some random bartender. Which one would you rather be? The missing? The drunk? The sexaholic? Not very good friends if you ask me.
I started reading around 9 pm and read for so long that I fell asleep with my kindle on my face, woke up at 4 am and read some more, and couldn't put it down all day today! I ate breakfast, lunch and dinner all the while flip, flip, flipping through the pages and devouring every word! It was like this book was my oxygen and I needed it to survive.
I had myself talked into various scenarios because I so desperately wanted to figure out what was going on! At one point I thought that Marco was a setup from the beginning, a plant to take Ashley away and cause problems for her marriage. Payback time? Then I thought that Lauren had drugged Natalie and done something to Ashley herself. I also thought that Ben, Jason & Natalie were in on something together against Ashley because they all wanted the money from the business. I also thought Marco wasn't even real and maybe someone that both girls made up to get away with murder! Man does my head hurt! This book gave me whiplash ?? I won't give away any spoilers or endings but what I will say is that when they showed up at the morgue to identify the body my heart was pounding like I was right there with them. Please don't let it be her.
How can these two best friends perfect two completely different genres? I don't know, but they did! A great team! Can't wait to read ALL of their other books! Another one to add to my favorites shelf.
I MUST start off by saying that when I browse through Netgalley and choose which books I'd like to review I always go by the synopsis of the book and don't really pay attention to the cover or the author(s). I absolutely love a good thriller, so when I read what this book was about I couldn't hit the "request" button fast enough. When asked what appealed to me...I indicated the subject matter. How could I not relate to going on a trip with two of my best girlfriends? Sign me up! Then, since I am very new to this process, only joining as of May 30th, I was approved for a large amount of novels all at once and this one got lost somewhere in amongst the crowd. I read 15 books BEFORE this one, which would not have been the case had I taken a brief moment to contemplate where I had heard the two authors names Lisa Steinke & Liz Fenton before.
To continue on with my story...I was ready to select my next book to read last night and came across
" Girls' Night Out" somewhere in the middle of my shelf and thought to myself, " Awesome...Download!" It wasn't until I was flipping through the beginning pages ( you know, the ones that are usually passed by and disregarded until you find page 1 or " prologue.") when I saw other books listed by these co-authors. There in plain sight was " The Status of All Things," one of my favorite books of all time! My review of this book clearly indicates " definitely in my top 20 books of all time" and it's categorized in my favorites folder on goodreads! Total fan-girl moment!!!!! Kate was one of my favorite characters, I saw so much of myself in her! So...before I review this new book I must also insist that if you're reading this to please also pick up their other book " The Status of All Things" which I have already recommended to every single one of my friends. It is about a girl in her thirties that is obsessed with social media ( who isn't?) who is able to keep changing her life & the lives of those around her based on her Facebook status updates! It reminds me of Lauren Oliver's "Before I Fall" meets "The Butterfly Effect" movie. End rant, sorry! But read it ?
Now onto my review of " A Girls' Night Out!" Whew! The suspense was almost too much to bear in this one! Just imagine...you go on a much needed vaca to a beautiful island with two of your best girl friends and one of them disappears!!! Yes, you wake up and she's gone..one friend can't remember because she was so intoxicated and the other basically left her to fend for herself and went home with some random bartender. Which one would you rather be? The missing? The drunk? The sexaholic? Not very good friends if you ask me.
I started reading around 9 pm and read for so long that I fell asleep with my kindle on my face, woke up at 4 am and read some more, and couldn't put it down all day today! I ate breakfast, lunch and dinner all the while flip, flip, flipping through the pages and devouring every word! It was like this book was my oxygen and I needed it to survive.
I had myself talked into various scenarios because I so desperately wanted to figure out what was going on! At one point I thought that Marco was a setup from the beginning, a plant to take Ashley away and cause problems for her marriage. Payback time? Then I thought that Lauren had drugged Natalie and done something to Ashley herself. I also thought that Ben, Jason & Natalie were in on something together against Ashley because they all wanted the money from the business. I also thought Marco wasn't even real and maybe someone that both girls made up to get away with murder! Man does my head hurt! This book gave me whiplash ?? I won't give away any spoilers or endings but what I will say is that when they showed up at the morgue to identify the body my heart was pounding like I was right there with them. Please don't let it be her.
How can these two best friends perfect two completely different genres? I don't know, but they did! A great team! Can't wait to read ALL of their other books! Another one to add to my favorites shelf.
Gareth von Kallenbach (980 KP) rated Jimmy's Hall (2015) in Movies
Aug 6, 2019
It’s not to often that we folks in America have the opportunity to catch any movies from Ireland.
The few that do come along almost certainly rate high on the scale of exceptional movies that one would want to see. I myself can’t remember a ‘bad’ Irish film. Perhaps one of the reasons for that is the fact that this country has a solid history of countless Irish immigrants coming here and helping to build the foundations for America. Well, today’s film for your consideration doesn’t go back THAT far. It doesn’t even take place in America. However, the history of Irish immigrants (specifically one immigrant) does play a role. Only it involves an Irish immigrant how came to America and then several years later returned to Ireland only to be forcibly deported back to America. I know I know. That explanation makes it sound like a comedy and although the film has many lighthearted moments, I can assure you it’s NOT a comedy. In fact, it deals with an influential figure in one of the more politically turbulent periods in Ireland’s history just before the beginning of the Second World War.
‘Jimmy’s Hall’ is a 2014 Irish-British drama directed by English television and film director Kenneth ‘Ken’ Loach. The film focuses on the events leading up to the deportation from Ireland of Jimmy Gralton, who led a precursor to Ireland’s communist party in the county Leitrim.
Starring Barry Ward, Simone Kirby, and Irish character actor Jim Norton, the film opens in 1932. Jimmy (Ward) has just returned to his home to help his mother tend the family farm after spending 10 years in the United States in the midst of the Great Depression coinciding with the establishment of a new government in the aftermath of the Civil War between pro-British and anti-British forces.
Reluctant to anger his old enemies, the church and the landowners who forced him to leave Ireland, but eager to meet the needs of the people of Leitrim, Jimmy (Ward) decides to reopen the ‘Hall’, a center for young people where they can meet to study, talk, dance, play music, learn to read, debate issues of the day. Free to all and open to anyone who wishes to learn while respecting the views and opinions of others, the ‘Hall’ is an immediate success. Not everyone is pleased to see Jimmy resuming his old activities. In particular the church and local priest (Norton) who see Gralton as not only a ‘bad influence’, but also as a follower of Stalin who as history knows sent countless millions (including religious leaders) to their deaths.
Despite the complaints and at times violent reactions on the part of the supporters of the church and the landowners, Gralton tries desperately to make them realize he has absolutely no connection to Stalin and has no desire to bring down the church. Only to better the situation for everyone. Jimmy even invites the local priest to take a leadership role in the Hall’s committee. In the end though, the fears of the church and the state go unchanged. Jimmy is a communist and although he has no connection Stalin the church and the government see them as one in the same. The police take Jimmy into custody at his family’s farm and forcibly deport him back to America even so much as denying him on last chance to see his ailing mother.
In education systems there are books and films which are considered ‘required reading’ or in this case ‘required viewing’. This film should be required viewing. It is not just an excellent film about a historical Irish political figure or as I mentioned earlier a film about a turbulent point in Irish history. It’s an example of the greater ‘world conflict’ between what became the western bloc and the eastern bloc. Both sides in that grater conflict saw each other the same way the two sides in the Irish countryside of the 1930s saw each other. The ones that meant well and only wanted to better the situation for everyone including themselves inspired fear in those who had power and those who had the power inspired fear in those who meant well. This movie showed that not all political figures are evil … nor are all religious figures. It’s the individual or several individuals within those groups that are reluctant to change.
I would highly recommend this film. Regardless of the content it’s an excellent film. If this film is as good as most films made in Ireland, they definitely need to start exporting them on a grander scale. I’d give this film 4 out of 5 stars.
This is your friendly neighborhood photographer ‘The CameraMan’ and on behalf of my fellows at ‘Skewed & Reviewed’ I’d like to say thanks for reading and we’ll see you at the movies
The few that do come along almost certainly rate high on the scale of exceptional movies that one would want to see. I myself can’t remember a ‘bad’ Irish film. Perhaps one of the reasons for that is the fact that this country has a solid history of countless Irish immigrants coming here and helping to build the foundations for America. Well, today’s film for your consideration doesn’t go back THAT far. It doesn’t even take place in America. However, the history of Irish immigrants (specifically one immigrant) does play a role. Only it involves an Irish immigrant how came to America and then several years later returned to Ireland only to be forcibly deported back to America. I know I know. That explanation makes it sound like a comedy and although the film has many lighthearted moments, I can assure you it’s NOT a comedy. In fact, it deals with an influential figure in one of the more politically turbulent periods in Ireland’s history just before the beginning of the Second World War.
‘Jimmy’s Hall’ is a 2014 Irish-British drama directed by English television and film director Kenneth ‘Ken’ Loach. The film focuses on the events leading up to the deportation from Ireland of Jimmy Gralton, who led a precursor to Ireland’s communist party in the county Leitrim.
Starring Barry Ward, Simone Kirby, and Irish character actor Jim Norton, the film opens in 1932. Jimmy (Ward) has just returned to his home to help his mother tend the family farm after spending 10 years in the United States in the midst of the Great Depression coinciding with the establishment of a new government in the aftermath of the Civil War between pro-British and anti-British forces.
Reluctant to anger his old enemies, the church and the landowners who forced him to leave Ireland, but eager to meet the needs of the people of Leitrim, Jimmy (Ward) decides to reopen the ‘Hall’, a center for young people where they can meet to study, talk, dance, play music, learn to read, debate issues of the day. Free to all and open to anyone who wishes to learn while respecting the views and opinions of others, the ‘Hall’ is an immediate success. Not everyone is pleased to see Jimmy resuming his old activities. In particular the church and local priest (Norton) who see Gralton as not only a ‘bad influence’, but also as a follower of Stalin who as history knows sent countless millions (including religious leaders) to their deaths.
Despite the complaints and at times violent reactions on the part of the supporters of the church and the landowners, Gralton tries desperately to make them realize he has absolutely no connection to Stalin and has no desire to bring down the church. Only to better the situation for everyone. Jimmy even invites the local priest to take a leadership role in the Hall’s committee. In the end though, the fears of the church and the state go unchanged. Jimmy is a communist and although he has no connection Stalin the church and the government see them as one in the same. The police take Jimmy into custody at his family’s farm and forcibly deport him back to America even so much as denying him on last chance to see his ailing mother.
In education systems there are books and films which are considered ‘required reading’ or in this case ‘required viewing’. This film should be required viewing. It is not just an excellent film about a historical Irish political figure or as I mentioned earlier a film about a turbulent point in Irish history. It’s an example of the greater ‘world conflict’ between what became the western bloc and the eastern bloc. Both sides in that grater conflict saw each other the same way the two sides in the Irish countryside of the 1930s saw each other. The ones that meant well and only wanted to better the situation for everyone including themselves inspired fear in those who had power and those who had the power inspired fear in those who meant well. This movie showed that not all political figures are evil … nor are all religious figures. It’s the individual or several individuals within those groups that are reluctant to change.
I would highly recommend this film. Regardless of the content it’s an excellent film. If this film is as good as most films made in Ireland, they definitely need to start exporting them on a grander scale. I’d give this film 4 out of 5 stars.
This is your friendly neighborhood photographer ‘The CameraMan’ and on behalf of my fellows at ‘Skewed & Reviewed’ I’d like to say thanks for reading and we’ll see you at the movies
Bob Mann (459 KP) rated Rogue One: A Star Wars Story (2016) in Movies
Sep 29, 2021
Putting the “Wars” back into “Star Wars”.
Expectations have been sky-high for this first in the ‘add-in’ series of Star Wars films. But with director Gareth Edwards at the helm, whose past movie track-record includes just the low-budget “Monsters” and the less than memorable “Godzilla“, I was frankly concerned.
But the English guy (with the Welsh name) has seriously delivered!
“Rogue One” (I have omitted the inane and irritating suffix “: A Star Wars Story”) tells the story behind the story of the original Episode IV: “A New Hope”. Felicity Jones (“The Theory of Everything“) plays Jyn Erso, daughter to Imperial weapons expert Mads Mikkelsen (“Doctor Strange“, “Casino Royale”). An interrupted childhood leads the delinquent Jyn on a personal journey to become a leader in the fragmenting Rebel Alliance, as a small band of heroes battle to obtain the plans for the Empire’s planet-zapping Death Star. Will they succeed (this is hardly a question worth asking given the start of Episode IV!) and at what cost?
I’m throwing it out there…. this is the best Star Wars film since “The Empire Strikes Back”. The story (John Knoll and Gary Whitta) is almost Shakespearean in its scope, leading to a moving and memorable finale. As a standalone episode within the Star Wars canon – chronologically positioned as it between “Star Wars Episode III: Revenge of the Sith” and “Star Wars Episode IV: A New Hope” – the film marvellously knits the two together bringing in cameos from Episode III as well as (very surprising) cameos from Episode IV, now nearly 40 years old. The screenplay (by Chris “About a Boy” Weitz and Tony Gilroy, writer of the “Bourne” films) is whip-smart with great lines.
For Star Wars fans the film is also chock full of ‘Easter Eggs’ from the original Star Wars. All of these are great fun but – frankly – some don’t make a lot of sense: for example, a chance encounter with a character in the streets of Jedha City doesn’t gel with what happens an hour or two later.
After Rey in last December’s “Star Wars: The Force Awakens” we again see another kick-ass heroine and a further cinematic nod towards girl-power in the movies. But this is a nuanced heroine with more than a hint of darkness about her. Felicity Jones plays her perfectly, reflecting her transition from teenage rebel to rebel-leading teen.
In general, the darkness continues throughout the supporting cast with some of the heroes – notably the impressive Diego Luna (“The Terminal”) as Cassian Andor – managing to do some very anti-heroic things at points in the story. The rest of the cast, and especially Donnie Yen and Wen Jiang as dynamic martial arts duo Chirrut Îmwe and Baze Malbus, generate the warm fuzzies enough for you – as the audience – to really care for what happens to them. This even extends to the lump of metal in the frame – the droid K-2SO (voiced by Alan Tudyk) – who could be the film’s Jar Jar Binks but manages instead to steal the best comic lines in the film.
Elsewhere Forest Whitaker (“Arrival“) is underused as rebel guerilla Saw Gerrera; Mads Mikkelsen adds gravitas to a key strategic role; and Ben Mendelsohn makes for a memorable Imperial villain. The only slightly irritating character in an otherwise stellar ensemble cast is pilot Rodhi Rook (played by Riz Ahmed from “Jason Bourne“): more for the rather pointless way his character is written than for the Londoner’s portrayal per se.
An equal member of the cast is the sublime music of Michael Giacchino, having the unenviable task of following John Williams into the Star Wars franchise. But he does a great job. After the shock of the non-traditional opening (and an abrupt and rather out of place Title shot) the style settles down, with some of the swelling music in the closing reel adding tremendously to the emotion of the finale.
The film is not quite perfect though. The first half of the film could have moved on a bit quicker to get to the breathtaking finale. And even though CGI has moved on significantly from the stick men and women walking around on the deck in “Titanic” in 1997, the state of the art (no spoilers, but you’ll know what I mean if you’ve seen the film) still has room for some improvement. (Perhaps the first of these scenes could have been as subliminal as the last for better effect).
An outstanding effort, and one I definitely want to watch again. The Bluray version will also be a ‘must-buy’ when it emerges, since – with 4 to 5 weeks of re-shoots done in the summer, and many scenes in the trailer not appearing in the final cut – there must be an enormous number of deleted (original?) scenes that may tell a very different story from the one we saw this week.
Disney must be so, so pleased at their very expensive investment in Star Wars, and fears that the Mouse would trash the brand seem to be – thankfully – unfounded.
But the English guy (with the Welsh name) has seriously delivered!
“Rogue One” (I have omitted the inane and irritating suffix “: A Star Wars Story”) tells the story behind the story of the original Episode IV: “A New Hope”. Felicity Jones (“The Theory of Everything“) plays Jyn Erso, daughter to Imperial weapons expert Mads Mikkelsen (“Doctor Strange“, “Casino Royale”). An interrupted childhood leads the delinquent Jyn on a personal journey to become a leader in the fragmenting Rebel Alliance, as a small band of heroes battle to obtain the plans for the Empire’s planet-zapping Death Star. Will they succeed (this is hardly a question worth asking given the start of Episode IV!) and at what cost?
I’m throwing it out there…. this is the best Star Wars film since “The Empire Strikes Back”. The story (John Knoll and Gary Whitta) is almost Shakespearean in its scope, leading to a moving and memorable finale. As a standalone episode within the Star Wars canon – chronologically positioned as it between “Star Wars Episode III: Revenge of the Sith” and “Star Wars Episode IV: A New Hope” – the film marvellously knits the two together bringing in cameos from Episode III as well as (very surprising) cameos from Episode IV, now nearly 40 years old. The screenplay (by Chris “About a Boy” Weitz and Tony Gilroy, writer of the “Bourne” films) is whip-smart with great lines.
For Star Wars fans the film is also chock full of ‘Easter Eggs’ from the original Star Wars. All of these are great fun but – frankly – some don’t make a lot of sense: for example, a chance encounter with a character in the streets of Jedha City doesn’t gel with what happens an hour or two later.
After Rey in last December’s “Star Wars: The Force Awakens” we again see another kick-ass heroine and a further cinematic nod towards girl-power in the movies. But this is a nuanced heroine with more than a hint of darkness about her. Felicity Jones plays her perfectly, reflecting her transition from teenage rebel to rebel-leading teen.
In general, the darkness continues throughout the supporting cast with some of the heroes – notably the impressive Diego Luna (“The Terminal”) as Cassian Andor – managing to do some very anti-heroic things at points in the story. The rest of the cast, and especially Donnie Yen and Wen Jiang as dynamic martial arts duo Chirrut Îmwe and Baze Malbus, generate the warm fuzzies enough for you – as the audience – to really care for what happens to them. This even extends to the lump of metal in the frame – the droid K-2SO (voiced by Alan Tudyk) – who could be the film’s Jar Jar Binks but manages instead to steal the best comic lines in the film.
Elsewhere Forest Whitaker (“Arrival“) is underused as rebel guerilla Saw Gerrera; Mads Mikkelsen adds gravitas to a key strategic role; and Ben Mendelsohn makes for a memorable Imperial villain. The only slightly irritating character in an otherwise stellar ensemble cast is pilot Rodhi Rook (played by Riz Ahmed from “Jason Bourne“): more for the rather pointless way his character is written than for the Londoner’s portrayal per se.
An equal member of the cast is the sublime music of Michael Giacchino, having the unenviable task of following John Williams into the Star Wars franchise. But he does a great job. After the shock of the non-traditional opening (and an abrupt and rather out of place Title shot) the style settles down, with some of the swelling music in the closing reel adding tremendously to the emotion of the finale.
The film is not quite perfect though. The first half of the film could have moved on a bit quicker to get to the breathtaking finale. And even though CGI has moved on significantly from the stick men and women walking around on the deck in “Titanic” in 1997, the state of the art (no spoilers, but you’ll know what I mean if you’ve seen the film) still has room for some improvement. (Perhaps the first of these scenes could have been as subliminal as the last for better effect).
An outstanding effort, and one I definitely want to watch again. The Bluray version will also be a ‘must-buy’ when it emerges, since – with 4 to 5 weeks of re-shoots done in the summer, and many scenes in the trailer not appearing in the final cut – there must be an enormous number of deleted (original?) scenes that may tell a very different story from the one we saw this week.
Disney must be so, so pleased at their very expensive investment in Star Wars, and fears that the Mouse would trash the brand seem to be – thankfully – unfounded.
Daniel Boyd (1066 KP) rated Thor: The Dark World (2013) in Movies
Oct 10, 2017 (Updated Oct 10, 2017)
Loki was fun to watch. (1 more)
Good SFX.
Totally forgettable villain. (1 more)
Any scene involving Kat Dennings and her intern.
Thor: God Of Meh
In the run up to the release of Thor: Ragnarok, the third Thor movie, I decided to go back and watch the only movie in the Marvel Cinematic Universe that I have not seen yet. I never had anything against this movie before I saw it, I had just heard it is mediocre and a bit unnecessary and to be honest Thor is one of my least favourite Avengers. Funnily enough what I got was a fairly unnecessary, mediocre superhero sequel with some fun moments sprinkled throughout.
This isn't a bad movie overall, it's just painfully mediocre. The direction is uninspired, the performances are phoned in and the plot is run of the mill for a superhero story. The new characters introduced are extraordinarily vanilla, the score is okay and the script is pretty pedestrian in terms of the kind of story it is telling. The whole thing is just passable and yet extremely unremarkable.
I know Marvel movies have become notorious for their obvious lack of decent antagonists, (other than Loki,) but this takes it to a new level of generic. This group of villains makes the Ultron bots look like deep, fleshed out characters.
I found myself getting extremely annoyed every time that Kat Dennings was in the screen and I don't hate this actress, I don't even remember hating her in the first Thor movie, but in this she was insufferable. Her over the top pantomime acting was painful to watch and none of the snarky remarks that she hit out with landed. The guy that was her intern was just as bad and there wasn't even any real need for these characters to be in the movie.
In summary, it's okay. Not much focus is put on Tom Hiddleston's Loki in this one, but when it is, these are the best parts of the movie. He is easily the highlight of a sub par movie overall. Even Chris Hemsworth was bad in this and I know that the guy is a good actor, I've seen him give brilliant performances in movies both within and outside of the MCU. Every part of this movie is positively conventional and these moderately successful parts add up to a tolerable film that is by no means required viewing, not even for the most die hard of comic book fans.
This isn't a bad movie overall, it's just painfully mediocre. The direction is uninspired, the performances are phoned in and the plot is run of the mill for a superhero story. The new characters introduced are extraordinarily vanilla, the score is okay and the script is pretty pedestrian in terms of the kind of story it is telling. The whole thing is just passable and yet extremely unremarkable.
I know Marvel movies have become notorious for their obvious lack of decent antagonists, (other than Loki,) but this takes it to a new level of generic. This group of villains makes the Ultron bots look like deep, fleshed out characters.
I found myself getting extremely annoyed every time that Kat Dennings was in the screen and I don't hate this actress, I don't even remember hating her in the first Thor movie, but in this she was insufferable. Her over the top pantomime acting was painful to watch and none of the snarky remarks that she hit out with landed. The guy that was her intern was just as bad and there wasn't even any real need for these characters to be in the movie.
In summary, it's okay. Not much focus is put on Tom Hiddleston's Loki in this one, but when it is, these are the best parts of the movie. He is easily the highlight of a sub par movie overall. Even Chris Hemsworth was bad in this and I know that the guy is a good actor, I've seen him give brilliant performances in movies both within and outside of the MCU. Every part of this movie is positively conventional and these moderately successful parts add up to a tolerable film that is by no means required viewing, not even for the most die hard of comic book fans.
Southern Today (21 KP) rated And I Darken (The Conqueror's Saga #1) in Books
Nov 7, 2017
And I Darken: Audio Book Review
Contains spoilers, click to show
Historical fiction! Heavy on the fiction, light on the historical, and a good young adult. Now, this is young adult fiction, the kind that even adults can appreciate. Though, this is not for YOUNG young adults. If you are wary of what your kids read, stay away from this. I enjoyed this story, and loved the twists and turns the author took us on.
Again, I did not like the voice of the reader for this novel. She was grating, could not do much variation of the voices and I wish she would not have tried, and was the reason I often considered stopping the track. And I have no idea how to spell any of the names without looking them up.
This novel, by Kiersten White, follows Lada and Radu, in the 1400s, in the Ottoman empire as insurances for the Sultan.
I wonder if, like many young adult series, this would have been better as a single book with the next being far in the future or following other characters during the same time frame.
If you enjoy war novels, historically-set novels, or stories of growing up in difficult circumstances will enjoy this.
Alright, SPOILERS BELOW, SPOILERS BELOW, PLEASE SCROLL FOR DISCUSSION there, that is out of the way.
So, this book covers a good lifetime, showing us the development, fully, of characters. Saw the gay man coming as soon as he was born, which is kind of sad. Why, why make the gay man beautiful? Why make it so obvious from the start?
Why have her fall in love with the future Sultan?
I wanted her, based on the description of the book, to be in her homeland more often than they are. The hatred between the siblings isn't what is odd, but what causes it. How Radu doesn't understand Lada's love towards him and what drives her. I do not understand it.
This book is also supposed to be a gender-bend of Dracula the Impaler. Which is interesting, because I did not figure that out from reading it. It is the correct time period, but gender bending DOESN'T WORK historically. I am sorry, it would be far to complicated to do that. It, it just doesn't work. You can write it and ponder what it would have been if one character was different. But not all. So, is that what this is?
I think I will be reading (or listening?) to the second book of this.
THIS VOICE IS TERRIBLE!
Alright, there. Little bits done
Again, I did not like the voice of the reader for this novel. She was grating, could not do much variation of the voices and I wish she would not have tried, and was the reason I often considered stopping the track. And I have no idea how to spell any of the names without looking them up.
This novel, by Kiersten White, follows Lada and Radu, in the 1400s, in the Ottoman empire as insurances for the Sultan.
I wonder if, like many young adult series, this would have been better as a single book with the next being far in the future or following other characters during the same time frame.
If you enjoy war novels, historically-set novels, or stories of growing up in difficult circumstances will enjoy this.
Alright, SPOILERS BELOW, SPOILERS BELOW, PLEASE SCROLL FOR DISCUSSION there, that is out of the way.
So, this book covers a good lifetime, showing us the development, fully, of characters. Saw the gay man coming as soon as he was born, which is kind of sad. Why, why make the gay man beautiful? Why make it so obvious from the start?
Why have her fall in love with the future Sultan?
I wanted her, based on the description of the book, to be in her homeland more often than they are. The hatred between the siblings isn't what is odd, but what causes it. How Radu doesn't understand Lada's love towards him and what drives her. I do not understand it.
This book is also supposed to be a gender-bend of Dracula the Impaler. Which is interesting, because I did not figure that out from reading it. It is the correct time period, but gender bending DOESN'T WORK historically. I am sorry, it would be far to complicated to do that. It, it just doesn't work. You can write it and ponder what it would have been if one character was different. But not all. So, is that what this is?
I think I will be reading (or listening?) to the second book of this.
THIS VOICE IS TERRIBLE!
Alright, there. Little bits done
Phillip McSween (751 KP) rated Coco (2017) in Movies
Dec 11, 2017
Amazing
The Book of Life was one of my favorite films of 2014. When I first saw the trailer for Coco, it was hard not for me to draw comparisons. A celebration of the Day of the Dead. Mariachi. Centered around music. Coco brings its own flavor, however, a unique experience all its own. In fact, if it weren't for the god-awful twenty-five-minute Frozen short right before (since removed due to numerous complaints), this would have been close to a perfect moviegoing experience.
Little Miguel loves music. He has to sneak away to watch old recordings of his favorite musician Ernesto de la Cruz because the rest of his family thinks music is a curse. Following a mysterious chain of events (don't want to ruin it for you), Miguel finds himself in the Land of the Dead and must somehow find a way to get home before its too late.
The colors. Oh man, the colors. Vibrant, popping off the screen. It screams life even during the scenes in the Land of the Dead. This is one film I wish I would have seen in IMAX. The colors add an amazing pop, from the spirit animals to the city landscapes at night, making this one of the most beautiful animated films I have seen.
The colors alone are just a small touch to the overall creativity and originality behind Coco. The Land of the Dead is loaded with sights to behold, some you might miss if you blink. The attention to detail is spectacular from the cool bridge that guides the dead to the Land of the Living to the colorful spirit animals. I've seen a lot of movies and I haven't seen anything like this.
Not only are the visuals amazing, but the music holds its own as well, driving the entire story in an entertaining and powerful way. There are a lot of touching moments that revolve around the soundtrack. There will be musical numbers that make you laugh while others leave you with more of a somber feel. Maybe I cried a little. Maybe I didn't. You'll never know for sure. One thing I can say is this movie was about as touching as any I have seen this year.
Disney/Pixar is known for leaving you with a great message and Coco is no exception. Miguel was willing to follow his dreams at all costs, even if it cost him his life. How many of us can say the same? Another phenomenal job by Pixar. I give the film a 96.
Little Miguel loves music. He has to sneak away to watch old recordings of his favorite musician Ernesto de la Cruz because the rest of his family thinks music is a curse. Following a mysterious chain of events (don't want to ruin it for you), Miguel finds himself in the Land of the Dead and must somehow find a way to get home before its too late.
The colors. Oh man, the colors. Vibrant, popping off the screen. It screams life even during the scenes in the Land of the Dead. This is one film I wish I would have seen in IMAX. The colors add an amazing pop, from the spirit animals to the city landscapes at night, making this one of the most beautiful animated films I have seen.
The colors alone are just a small touch to the overall creativity and originality behind Coco. The Land of the Dead is loaded with sights to behold, some you might miss if you blink. The attention to detail is spectacular from the cool bridge that guides the dead to the Land of the Living to the colorful spirit animals. I've seen a lot of movies and I haven't seen anything like this.
Not only are the visuals amazing, but the music holds its own as well, driving the entire story in an entertaining and powerful way. There are a lot of touching moments that revolve around the soundtrack. There will be musical numbers that make you laugh while others leave you with more of a somber feel. Maybe I cried a little. Maybe I didn't. You'll never know for sure. One thing I can say is this movie was about as touching as any I have seen this year.
Disney/Pixar is known for leaving you with a great message and Coco is no exception. Miguel was willing to follow his dreams at all costs, even if it cost him his life. How many of us can say the same? Another phenomenal job by Pixar. I give the film a 96.
SummerLGrant (185 KP) rated Valerian and the City of a Thousand Planets (2017) in Movies
Aug 5, 2017
Visual effects (1 more)
Rihanna - surprisingly
Predictable (2 more)
The script and story had weak moments
Dated and lacking diversity
A mish mash that fails to hit the mark
Contains spoilers, click to show
It had the potential to be the sci-fi blockbuster of the summer, but where there was plenty of ambition the execution was lacking. One of the first things to crop up was right at the beginning of the film, well, two things really. First was the opening scene explaining the situation that led to the main story, each delegation of new astronauts popped in and greeting the humans on the space station - but unless they were obviously meant to be from a different country you only ever saw white men climbing aboard with the odd token woman thrown in for good measure. The other thing was when it said it was based on the Valerian and Laureline comics - so typical that when the film industry gets hold of it they cut off the woman's name.
Anyway, it begins with the destruction of Mul - pretty much a paradise - and this launches the story as we find Valerian on his ship enjoying some sun on an artificial beach. And this is when it starts to get really predictable, which is a shame because it's only about 15 minutes in. After the mission to take the last known Converter into government custody Valerian and Laureline head to their rendezvous where we meet their Commander - at which point we know who the bad guy is through a mixture of a bad script and failed attempts at setting up some mystery. So when we finally get told he's the guy who pretty much destroyed Mul there's no surprised and you can't help but roll your eyes at the "twist"
There are some good bits though, if you want a film that you don't want to think and just want to sit back and enjoy then this is it. The visual effects are fantastic, it's amazing to watch the two main characters jump from environment to environment, especially as Valerian is chasing after the Pearls who kidnapped the Commander. There were also some ideas that were good and could probably have been expanded on.
One thing that was better than expected was Rihanna. I didn't expect her to be any good and while there was some clunky parts to her role, she was mostly good and I would have liked to see more of Bubble - although, again, her fate was struck by predictability. For all its faults it's still an enjoyable film, you just have to be willing to look past everything it's lacking.
Anyway, it begins with the destruction of Mul - pretty much a paradise - and this launches the story as we find Valerian on his ship enjoying some sun on an artificial beach. And this is when it starts to get really predictable, which is a shame because it's only about 15 minutes in. After the mission to take the last known Converter into government custody Valerian and Laureline head to their rendezvous where we meet their Commander - at which point we know who the bad guy is through a mixture of a bad script and failed attempts at setting up some mystery. So when we finally get told he's the guy who pretty much destroyed Mul there's no surprised and you can't help but roll your eyes at the "twist"
There are some good bits though, if you want a film that you don't want to think and just want to sit back and enjoy then this is it. The visual effects are fantastic, it's amazing to watch the two main characters jump from environment to environment, especially as Valerian is chasing after the Pearls who kidnapped the Commander. There were also some ideas that were good and could probably have been expanded on.
One thing that was better than expected was Rihanna. I didn't expect her to be any good and while there was some clunky parts to her role, she was mostly good and I would have liked to see more of Bubble - although, again, her fate was struck by predictability. For all its faults it's still an enjoyable film, you just have to be willing to look past everything it's lacking.
Haley Mathiot (9 KP) rated Spring for Susannah in Books
Apr 27, 2018
Okay. So. I got this in the mail and read it through completely the same day. That's got to be worth something.
I loved the premise of this book. It sounded so sweet, it sounded like it had a lot of potential. And I loved it: up until the halfway mark.
Halfway through, Susannah, seemingly out of nowhere, storms out of the house and tells her husband she's leaving. One minute she was fine, and she was beginning to love him, and the next minute, that horrible smelly house is just too much for her. It made no sense.
Also, their arguments were like that (what few of them they had.) on minute they were fine and the next minute they have a little bickering or frustration with each other, and he's like "if it's that bad for you, we'll get divorced." (not an exact quote, but it was something like that).
Then he left her. It was tolerable up until that point. But then he just snapped, and he left her. The locusts came back and he wouldn't listen to her, he just left and was like "I'll bring you home money because now I can't support you." He went all Edward Cullen on me just as I was really beginning to like him!
And then she found out she was pregnant.
And then he gets captured by Indians.
And then she thinks he's dead and two other guys say they'll marry her.
A little bit of plot overkill, maybe?
I was really disappointed. It would have been so much better if the conflicts were more realistic, and the plot consisted of less events that were more pointed towards the same thing.
Then there was her salvation. She wasn't really a christian before, and her faith didn't seem much improved by the end either. I was hoping for a heartbreaking realization or a sacrifice or a change, and all I saw was "huh I guess he's on to something, okay I'll pray too. God please give me back my husband."
Because of all that, near the end I found myself skimming and reading just the dialogue so I could get to the end. And the very end could have had so much more emotion, so much more response, but it just felt very dead.
I really wish I had loved this book because it sounded so adorable. If only it hadn't turned at that halfway point.
Recommended for ages 15+ for one scene in which the doctor gives some advice to the married couple
I loved the premise of this book. It sounded so sweet, it sounded like it had a lot of potential. And I loved it: up until the halfway mark.
Halfway through, Susannah, seemingly out of nowhere, storms out of the house and tells her husband she's leaving. One minute she was fine, and she was beginning to love him, and the next minute, that horrible smelly house is just too much for her. It made no sense.
Also, their arguments were like that (what few of them they had.) on minute they were fine and the next minute they have a little bickering or frustration with each other, and he's like "if it's that bad for you, we'll get divorced." (not an exact quote, but it was something like that).
Then he left her. It was tolerable up until that point. But then he just snapped, and he left her. The locusts came back and he wouldn't listen to her, he just left and was like "I'll bring you home money because now I can't support you." He went all Edward Cullen on me just as I was really beginning to like him!
And then she found out she was pregnant.
And then he gets captured by Indians.
And then she thinks he's dead and two other guys say they'll marry her.
A little bit of plot overkill, maybe?
I was really disappointed. It would have been so much better if the conflicts were more realistic, and the plot consisted of less events that were more pointed towards the same thing.
Then there was her salvation. She wasn't really a christian before, and her faith didn't seem much improved by the end either. I was hoping for a heartbreaking realization or a sacrifice or a change, and all I saw was "huh I guess he's on to something, okay I'll pray too. God please give me back my husband."
Because of all that, near the end I found myself skimming and reading just the dialogue so I could get to the end. And the very end could have had so much more emotion, so much more response, but it just felt very dead.
I really wish I had loved this book because it sounded so adorable. If only it hadn't turned at that halfway point.
Recommended for ages 15+ for one scene in which the doctor gives some advice to the married couple
Haley Mathiot (9 KP) rated Dancing on Broken Glass in Books
Apr 27, 2018
I think this is the best book I've read in a really long time.
Let's start with a critical analysis and break down the text: First, the writing was really good. Like, Dianne Dixon good, or JK Rowling good. It was filled with flowing and descriptive prose and beautiful metaphors. I could probably write a ten-page paper on some of the literary themes in this novel. It wasn't just fiction for the sake of the story: There was so much beauty about the meaning of life and love and commitment and… well, I'll let you read it.
The pacing was excellent. The very first sentence caught me by the hair and dragged me the whole way through the book. I read most of it in one setting, stopping only to readjust the pillow behind my back.
Now for the really important stuff:
The characters in Dancing on Broken Glass were so epic that I truly didn't want this book to end. They were so wonderful, but so terribly and humanly flawed, just like real people are, that I feel like if I saw Mickey or Lily on the street, I'd recognize them right away.
And boy did I relate to some of these characters!
The ending was just superb. It was heartbreaking, but I knew it was destined from the moment I started reading. It was so perfect and fulfilling that it was worth all the emotional turmoil the rest of the novel put me through.
On that note, it wasn't one of those books that are so hard to read that you can only take it in small doses or that it makes you cry, or extremely emotional readers can't handle it. Nor did it have any offensive language or sex scenes (okay there was some mention of sex, but it wasn't explicit in any way). In fact, it was one of the least offensive novels I've read in a very long time. We're talking years.
The romance was better than anything I've read in any teen novel. The relationships were true and realistic to the core. The flawed characters were just as real to me as I am to myself. The message of hope and grief and dedication and sacrifice will stay with me forever. I hope I never forget this story.
Dancing on Broken Glass was an absolutely beautiful novel. Ka Hancock is going on my Author Watch, and this novel is staying on my "re-read" bookshelf. I recommend it to absolutely anyone willing to hear a really good story.
Let's start with a critical analysis and break down the text: First, the writing was really good. Like, Dianne Dixon good, or JK Rowling good. It was filled with flowing and descriptive prose and beautiful metaphors. I could probably write a ten-page paper on some of the literary themes in this novel. It wasn't just fiction for the sake of the story: There was so much beauty about the meaning of life and love and commitment and… well, I'll let you read it.
The pacing was excellent. The very first sentence caught me by the hair and dragged me the whole way through the book. I read most of it in one setting, stopping only to readjust the pillow behind my back.
Now for the really important stuff:
The characters in Dancing on Broken Glass were so epic that I truly didn't want this book to end. They were so wonderful, but so terribly and humanly flawed, just like real people are, that I feel like if I saw Mickey or Lily on the street, I'd recognize them right away.
And boy did I relate to some of these characters!
The ending was just superb. It was heartbreaking, but I knew it was destined from the moment I started reading. It was so perfect and fulfilling that it was worth all the emotional turmoil the rest of the novel put me through.
On that note, it wasn't one of those books that are so hard to read that you can only take it in small doses or that it makes you cry, or extremely emotional readers can't handle it. Nor did it have any offensive language or sex scenes (okay there was some mention of sex, but it wasn't explicit in any way). In fact, it was one of the least offensive novels I've read in a very long time. We're talking years.
The romance was better than anything I've read in any teen novel. The relationships were true and realistic to the core. The flawed characters were just as real to me as I am to myself. The message of hope and grief and dedication and sacrifice will stay with me forever. I hope I never forget this story.
Dancing on Broken Glass was an absolutely beautiful novel. Ka Hancock is going on my Author Watch, and this novel is staying on my "re-read" bookshelf. I recommend it to absolutely anyone willing to hear a really good story.
Hadley (567 KP) May 14, 2019