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Little Ray Of Sunshine (41 KP) rated The Hunt in Books
Jan 11, 2019 (Updated Feb 10, 2019)
Book Review | The Hunt by T. J. Lebbon
Rose is the one that got away. She was the prey in a human trophy hunt run by an elite organisation known only as The Trail. She paid the worst possible price. Every moment since she has been planning her revenge. And now her time has come ...
Chris returns from his morning run to find his wife and children missing and a stranger in his kitchen.
He's told to run.
If he's caught and killed, his family go free. If he escapes, they die.
Rose is the only one who can help him, for her, Chris is bait. And The Trail have not forgotten the woman who tried to outwit them.
The Trail want Rose. The hunters want Chris's corpse. Rose wants revenge, and Chris just wants his family back.
THE HUNT IS ON ...
I was given this book by my friend she told me it was a great book. I don't usually read thriller books but this year I am starting to go out my comfort zone of romance. I have enjoy reading these thrillers and how they make my heart beat faster.
When I first saw the front cover it intrigued me and I wanted to get straight into the book and see what it like.
The book is about Rose she was the one who got away from a game where rich people pay to hunt people down its a sick game to play. While this is happening her family was taken hostage. She was told if she escape them her family will die. Rose outwitted them and escaped them as she thought they wont kill my family. But sadly they was killed and she went back to her house to find them dead and she is framed for their murder. So she goes on the run to find out more about what The Trail is and how she can hunt them down and seek revenge for what did to her family.
While she was searching on the internet to see if The Trail as took another family hostage she found out that there was another and this time it was a man called Chris he returned from a morning run to find hes family as gone missing and a stranger in hes kitchen. He was told if he escapes and they can't find him hes family will be killed. He feels all alone as he can't get in contact with hes family and friends.
But all a sudden this women comes to the rescue called Rose shes the only one who can help him and she knows more about The Trail. So she uses Chris as bait while she hunts each of the hunters down and kills them. Chris doesn't trust Rose he feels that she is in with the The Trail but he soons realise that she aint there to kill him but safe him from The Trail and save hes family too.
Wow this book is a page turner, I was intrigued what was happening through the book and I was thinking all the way through the book "Will they survive?" "Will they find Chris's family in time?" Also I wanted it to have a happy ending and The Trail need to be stopped!
I won't say anymore as I want you to decide what you think to the book and ending.
Thanks for reading x
Chris returns from his morning run to find his wife and children missing and a stranger in his kitchen.
He's told to run.
If he's caught and killed, his family go free. If he escapes, they die.
Rose is the only one who can help him, for her, Chris is bait. And The Trail have not forgotten the woman who tried to outwit them.
The Trail want Rose. The hunters want Chris's corpse. Rose wants revenge, and Chris just wants his family back.
THE HUNT IS ON ...
I was given this book by my friend she told me it was a great book. I don't usually read thriller books but this year I am starting to go out my comfort zone of romance. I have enjoy reading these thrillers and how they make my heart beat faster.
When I first saw the front cover it intrigued me and I wanted to get straight into the book and see what it like.
The book is about Rose she was the one who got away from a game where rich people pay to hunt people down its a sick game to play. While this is happening her family was taken hostage. She was told if she escape them her family will die. Rose outwitted them and escaped them as she thought they wont kill my family. But sadly they was killed and she went back to her house to find them dead and she is framed for their murder. So she goes on the run to find out more about what The Trail is and how she can hunt them down and seek revenge for what did to her family.
While she was searching on the internet to see if The Trail as took another family hostage she found out that there was another and this time it was a man called Chris he returned from a morning run to find hes family as gone missing and a stranger in hes kitchen. He was told if he escapes and they can't find him hes family will be killed. He feels all alone as he can't get in contact with hes family and friends.
But all a sudden this women comes to the rescue called Rose shes the only one who can help him and she knows more about The Trail. So she uses Chris as bait while she hunts each of the hunters down and kills them. Chris doesn't trust Rose he feels that she is in with the The Trail but he soons realise that she aint there to kill him but safe him from The Trail and save hes family too.
Wow this book is a page turner, I was intrigued what was happening through the book and I was thinking all the way through the book "Will they survive?" "Will they find Chris's family in time?" Also I wanted it to have a happy ending and The Trail need to be stopped!
I won't say anymore as I want you to decide what you think to the book and ending.
Thanks for reading x
Phillip McSween (751 KP) rated Rocky Balboa (2006) in Movies
Jan 28, 2019
Surprisingly Good
I think I’ve stayed away from this movie for so long because I expected it to be garbage. I mean, let’s be adult about this, Rocky V was no picnic. I was done with Rocky. Until I saw the trailer for Creed. It was at that moment that I decided to give things another go. Yes, the boxer we all know and love Rocky (Sylvester Stallone) is back at it in Rocky Balboa facing off against his first (and hopefully last) opponent since Drago.
Acting: 10
Beginning: 9
Two things really grabbed me as the movie opens. I loved the beautiful shots of Philadelphia at the start. The city plays a huge role in Rocky’s character development and these shots helped get me in tune with the heart of what the city is all about. I also appreciated the first scene between Rocky and his son Rocky Jr. (Milo Ventimiglia) depicting their strained relationship since Adrian’s death. It’s an awkward scene that makes you sympathize with where Rocky is in his life.
How did he get to this point? It’s seem like he’s lost so much, yet he’s still that gentle character from the 70’s we fell in love with. Seeing this scene was enough to tell me this film would take a lot different approach than the previous movies.
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
Rocky’s older and not at the top of his game like he was when he took on Clubber Lang (what a name!). Yet he still found a way to get me out of my chair as he did in previous movies. The main bout gets pretty intense in spots as you root for the Italian Stallion to knock some sense into the new kid on the block. The conflict extends beyond the ring as well as Rocky tries to help people from his neighborhood while maintaining close relationships with family members Paulie (Burt Young) and Rocky Jr. On the surface he’s a hero, but underneath his life is in shambles. As an audience, we find ourselves rallying behind Rocky as we’ve done in all the others movies past.
Genre: 10
Memorability: 7
Compared to other films, it doesn’t quite have the same memorability as classic ones I’ve seen, but succeeds in giving us a reason to cheer and a reason to feel. Rocky Balboa succeeds in being more than just a movie about trading punches. Rather than being hollow and fight-driven, it’s a movie with real heart.
Pace: 4
The “heart” portion, unfortunately, comes at a cost. When you watch the movie, you have to adjust your expectations as things move at a much slower pace. Rocky doesn’t even consider making a return until well into the movie. I kept watching waiting for a fight to finally happen and it was slow-going. However, even with a slower pace than the previous movies, Balboa still shines.
Plot: 8
Resolution: 9
Somewhat predictable but no less powerful. It ties up nicely what we see at the beginning. A fitting finale to Rocky’s in-the-ring saga.
Overall: 87
Heroes in movies come in many forms. What makes Rocky so special is his consistency of character throughout the decades. He swore in the beginning to never change who he was, but I think he lied to us. I think he became an even better man. Rocky Balboa. Hero for the generations.
Acting: 10
Beginning: 9
Two things really grabbed me as the movie opens. I loved the beautiful shots of Philadelphia at the start. The city plays a huge role in Rocky’s character development and these shots helped get me in tune with the heart of what the city is all about. I also appreciated the first scene between Rocky and his son Rocky Jr. (Milo Ventimiglia) depicting their strained relationship since Adrian’s death. It’s an awkward scene that makes you sympathize with where Rocky is in his life.
How did he get to this point? It’s seem like he’s lost so much, yet he’s still that gentle character from the 70’s we fell in love with. Seeing this scene was enough to tell me this film would take a lot different approach than the previous movies.
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
Rocky’s older and not at the top of his game like he was when he took on Clubber Lang (what a name!). Yet he still found a way to get me out of my chair as he did in previous movies. The main bout gets pretty intense in spots as you root for the Italian Stallion to knock some sense into the new kid on the block. The conflict extends beyond the ring as well as Rocky tries to help people from his neighborhood while maintaining close relationships with family members Paulie (Burt Young) and Rocky Jr. On the surface he’s a hero, but underneath his life is in shambles. As an audience, we find ourselves rallying behind Rocky as we’ve done in all the others movies past.
Genre: 10
Memorability: 7
Compared to other films, it doesn’t quite have the same memorability as classic ones I’ve seen, but succeeds in giving us a reason to cheer and a reason to feel. Rocky Balboa succeeds in being more than just a movie about trading punches. Rather than being hollow and fight-driven, it’s a movie with real heart.
Pace: 4
The “heart” portion, unfortunately, comes at a cost. When you watch the movie, you have to adjust your expectations as things move at a much slower pace. Rocky doesn’t even consider making a return until well into the movie. I kept watching waiting for a fight to finally happen and it was slow-going. However, even with a slower pace than the previous movies, Balboa still shines.
Plot: 8
Resolution: 9
Somewhat predictable but no less powerful. It ties up nicely what we see at the beginning. A fitting finale to Rocky’s in-the-ring saga.
Overall: 87
Heroes in movies come in many forms. What makes Rocky so special is his consistency of character throughout the decades. He swore in the beginning to never change who he was, but I think he lied to us. I think he became an even better man. Rocky Balboa. Hero for the generations.
Gareth von Kallenbach (980 KP) rated Shrek the Third (2007) in Movies
Aug 14, 2019
When last we saw the Ogre Shrek, (Mike Meyers), he and his wife Fiona (Cameron Diaz), they were happily celebrating their love and triumph over the dastardly Prince Charmings (Rupert Everett), latest attempt to rule the magical kingdom of Far, Far Away. In the new film Shrek the Third,
Shrek has grown weary of filling in for the ailing King and years to return to his swamp home with Fiona.
When a twist of fate leaves Shrek in line for the throne, he wants no part of it, and seeks to find the next heir, Arthur (Justin
Timberlake), and install him as the next leader of the land. With Donkey (Eddie Murphy), and Puss In Boots (Antonio Banderas), at his side, Shrek sets off to meet Arthur and bring him to his future
kingdom.
Of course things do not go as planned, as upon meeting Arthur, Shrek and his friends are shocked to learn that he is a meek individual who is constantly picked on by his fellow classmates, and is far from King material.
Undaunted, the trio set back home with Arthur and find themselves at odds over Shrek’s claims that Arthur was granted the throne as the last wish of the former monarch. The fact that Shrek was actually the chosen successor is of little concern to Shrek as he is more concerned with returning home and the recent news that he is to become a father.
When fate steps in and strands them during the journey home, Shrek and friends encounter a former
eccentric professor (Eric Idle) of Arthur, who magically whisks the adventurers
back home, but with some unexpected and amusing side effects.
During this time, Prince Charming has mounted an attack on the Kingdom with the aid of several local villains in an attempt to take the crown for himself and rid the world of Shrek. What follows is a Frantic adventure as Shrek and his friends must find a way to save the day and help Arthur find his destiny.
While I was a big fan of the previous two films in the series, this Shrek did not work for me nearly as well as the other two did.
Yes there are some funny moments and I am sure this film will do huge business at the box office, but it is severely lacking.
First and foremost is the humor in the film, which while at times funny, is far to few and far between to make an effective comedy.
The previous films were loaded with laughs and pop culture references which in this one are more subdued and confined. I kept thinking while I watched the film that much of this film could easily have been comprised of outtakes from the previous films as there is precious little new material in the film and many of the jokes just do not seem that inspired.
Another issue with the film is that Murphy and Banderas are far to underused especially since their characters are the most interesting in the film, and they generate the biggest laughs when they are allowed to shine.
The film has a cute quality to it and own its own, it would be a decent family film. However when compared with the previous film in the series, this Shrek is Far, Far and Away the worst of the three.
Shrek has grown weary of filling in for the ailing King and years to return to his swamp home with Fiona.
When a twist of fate leaves Shrek in line for the throne, he wants no part of it, and seeks to find the next heir, Arthur (Justin
Timberlake), and install him as the next leader of the land. With Donkey (Eddie Murphy), and Puss In Boots (Antonio Banderas), at his side, Shrek sets off to meet Arthur and bring him to his future
kingdom.
Of course things do not go as planned, as upon meeting Arthur, Shrek and his friends are shocked to learn that he is a meek individual who is constantly picked on by his fellow classmates, and is far from King material.
Undaunted, the trio set back home with Arthur and find themselves at odds over Shrek’s claims that Arthur was granted the throne as the last wish of the former monarch. The fact that Shrek was actually the chosen successor is of little concern to Shrek as he is more concerned with returning home and the recent news that he is to become a father.
When fate steps in and strands them during the journey home, Shrek and friends encounter a former
eccentric professor (Eric Idle) of Arthur, who magically whisks the adventurers
back home, but with some unexpected and amusing side effects.
During this time, Prince Charming has mounted an attack on the Kingdom with the aid of several local villains in an attempt to take the crown for himself and rid the world of Shrek. What follows is a Frantic adventure as Shrek and his friends must find a way to save the day and help Arthur find his destiny.
While I was a big fan of the previous two films in the series, this Shrek did not work for me nearly as well as the other two did.
Yes there are some funny moments and I am sure this film will do huge business at the box office, but it is severely lacking.
First and foremost is the humor in the film, which while at times funny, is far to few and far between to make an effective comedy.
The previous films were loaded with laughs and pop culture references which in this one are more subdued and confined. I kept thinking while I watched the film that much of this film could easily have been comprised of outtakes from the previous films as there is precious little new material in the film and many of the jokes just do not seem that inspired.
Another issue with the film is that Murphy and Banderas are far to underused especially since their characters are the most interesting in the film, and they generate the biggest laughs when they are allowed to shine.
The film has a cute quality to it and own its own, it would be a decent family film. However when compared with the previous film in the series, this Shrek is Far, Far and Away the worst of the three.
Emma @ The Movies (1786 KP) rated Alita: Battle Angel (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
I saw Alita twice in two days, once in 3D and once in 2D. As far as I'm concerned it's another Valerian... where there's a lot of detail on the screen the 3D makes it unwatchable. There are also several artsy shots that have characters in the foreground and scenery to look at in the background but finding something to easily rest your eye on is challenging, your focus is drawn backwards and forwards and it became a little frustrating.
There was one major problem for me, it's quite a big problem... Alita. Firstly I really don't like the animation of her, I was hoping it was just the trailer but there wasn't really any change between that and the final version. They've tried to keep the manga characteristics, specifically her large eyes that are popular for the style, but what works for illustration and regular animation doesn't have the same effect in this "realistic" animation.
Secondly, I find her character to be chaotic? I think that's the word I'm looking for. Despite her body knowing she's a warrior it somehow doesn't remember that she's not a petulant teenager? She has also lost any common sense when it comes to boundaries and verges on being a stalker in her relationship with Hugo. He's definitely got an overly attached girlfriend problem.
I was particularly impressed with Mahershala Ali who was clearly channelling some vintage Wesley Snipes from Blade. He plays the bad guy, technically two bad guys, and his last scene of the film was quite an amusing affair... maybe that's just me thinking that though.
The action side of the film is exciting to watch, if it hadn't been then there would have been something seriously wrong. Fight scenes are occasionally interrupted by flashes of Alita's previous life, and yet that doesn't phase her at all. Maybe I'm just assuming that's the way it should be having seen it so often in other films.
Motorball is great fun to watch (although I keep wanting to call it murderball) and I'm glad that they mixed up some of the Alita manga to get this in here. It's lined up to be quite an important plot point so I'm a little nervous about how they might go forward with this if they make a second film.
Those last words are what give me reservations though, "if they make a second film". It leaves a very obvious opportunity at the end for the next instalment and they've spoken about wanting more films to happen. In my opinion it's not a film that can stand on its own, we're either going to be disappointed by no second film or have to wait years for the next one. Had it been condensed down into one film we'd have been presented with a much more satisfying production.
What you should do
It's a good bit of sci-fi action and worth seeing in 2D. I'm not sure how I feel about the 12A rating though, that's potentially something to think about if you're taking your kids to see it.
Movie thing you wish you could take home
I'm totally here for some cybernetic enhancements, I can't quite decide which ones but I don't think I need to go full motorball.
There was one major problem for me, it's quite a big problem... Alita. Firstly I really don't like the animation of her, I was hoping it was just the trailer but there wasn't really any change between that and the final version. They've tried to keep the manga characteristics, specifically her large eyes that are popular for the style, but what works for illustration and regular animation doesn't have the same effect in this "realistic" animation.
Secondly, I find her character to be chaotic? I think that's the word I'm looking for. Despite her body knowing she's a warrior it somehow doesn't remember that she's not a petulant teenager? She has also lost any common sense when it comes to boundaries and verges on being a stalker in her relationship with Hugo. He's definitely got an overly attached girlfriend problem.
I was particularly impressed with Mahershala Ali who was clearly channelling some vintage Wesley Snipes from Blade. He plays the bad guy, technically two bad guys, and his last scene of the film was quite an amusing affair... maybe that's just me thinking that though.
The action side of the film is exciting to watch, if it hadn't been then there would have been something seriously wrong. Fight scenes are occasionally interrupted by flashes of Alita's previous life, and yet that doesn't phase her at all. Maybe I'm just assuming that's the way it should be having seen it so often in other films.
Motorball is great fun to watch (although I keep wanting to call it murderball) and I'm glad that they mixed up some of the Alita manga to get this in here. It's lined up to be quite an important plot point so I'm a little nervous about how they might go forward with this if they make a second film.
Those last words are what give me reservations though, "if they make a second film". It leaves a very obvious opportunity at the end for the next instalment and they've spoken about wanting more films to happen. In my opinion it's not a film that can stand on its own, we're either going to be disappointed by no second film or have to wait years for the next one. Had it been condensed down into one film we'd have been presented with a much more satisfying production.
What you should do
It's a good bit of sci-fi action and worth seeing in 2D. I'm not sure how I feel about the 12A rating though, that's potentially something to think about if you're taking your kids to see it.
Movie thing you wish you could take home
I'm totally here for some cybernetic enhancements, I can't quite decide which ones but I don't think I need to go full motorball.
Emma @ The Movies (1786 KP) rated Cold Pursuit (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
What can I say about Cold Pursuit? It's bad. Unfortunately it's not in the "so bad it's good" category.
From its opening with an Oscar Wilde quote and music that sounds like a mix of the 80s and Sherlock Holmes I was intrigued. I knew I wasn't expecting a masterpiece but I had hoped for something entertaining at the very least.
One thing that I was quickly baffled by was the between scene captions, a terrible font pops up with the relevant information and then it blows away as if made by snow... but not every time. I did wonder if even the graphics people got bored of doing it.
SOP for me and new movie releases is that I make 2 A5 sides of notes, for Cold Pursuit I made 7... SEVEN... and the general consensus of most of them was "WTF", "ridiculous" and "why?!" In fact those were probably the most used words on all the pages.
The characters are all over the place. Viking's relationship with his son, the token gay relationship that felt like it had just been wedged in and White Bull's gang dubious frolicking... I just don't even know what to say about it.
I can't sit here and list all the bizarre things, neither of us have the time for that so let's skip to the things I enjoyed. There are just three things, much quicker than covering the other stuff!
Wingman's wife was a star for me, and that nail sharpening technique was inspired... totally stealing that.
One of the scenes has Coxman chasing his next target with his snowplow. He comes up on him quite menacingly and then the film did a great job of fooling me, I was expecting one thing and given another. That part of the scene came together quite well, it's just a shame about what followed.
Viking's son was surprisingly wise in almost all of his scenes, very laid back, just going with the flow. Out of all of it though I loved the scene about fantasy football when he's talking with Mustang. It was was a nice little addition.
That's it, I'm done with the things I liked.
The cinema was "full" when I saw it. There were 30-40 people, which for our cinema and this type of film on opening night in a small screen, wasn't bad at all. There were old and young, there were people who snored and people who laughed, I fell into neither of those last categories. Honestly I was in too much shock to do anything other than pick my jaw up off the floor.
Ultimately Cold Pursuit is another prime example of why you shouldn't put some of your best scenes in the trailers. The whole thing could probably have been sold on lesser scenes in the trailer and then the impact of the bigger ones would have potentially given it a few more stars.
What you should do
I can't in good conscience recommend this to anyone, Neeson has performed much better acts of revenge in many of his other films... just watch one of those... perhaps from behind a snow globe to make it seem like you're watching Cold Pursuit.
Movie thing you wish you could take home
Please could I have Coxman's ability to get into places where he clearly doesn't meet the dress code.
From its opening with an Oscar Wilde quote and music that sounds like a mix of the 80s and Sherlock Holmes I was intrigued. I knew I wasn't expecting a masterpiece but I had hoped for something entertaining at the very least.
One thing that I was quickly baffled by was the between scene captions, a terrible font pops up with the relevant information and then it blows away as if made by snow... but not every time. I did wonder if even the graphics people got bored of doing it.
SOP for me and new movie releases is that I make 2 A5 sides of notes, for Cold Pursuit I made 7... SEVEN... and the general consensus of most of them was "WTF", "ridiculous" and "why?!" In fact those were probably the most used words on all the pages.
The characters are all over the place. Viking's relationship with his son, the token gay relationship that felt like it had just been wedged in and White Bull's gang dubious frolicking... I just don't even know what to say about it.
I can't sit here and list all the bizarre things, neither of us have the time for that so let's skip to the things I enjoyed. There are just three things, much quicker than covering the other stuff!
Wingman's wife was a star for me, and that nail sharpening technique was inspired... totally stealing that.
One of the scenes has Coxman chasing his next target with his snowplow. He comes up on him quite menacingly and then the film did a great job of fooling me, I was expecting one thing and given another. That part of the scene came together quite well, it's just a shame about what followed.
Viking's son was surprisingly wise in almost all of his scenes, very laid back, just going with the flow. Out of all of it though I loved the scene about fantasy football when he's talking with Mustang. It was was a nice little addition.
That's it, I'm done with the things I liked.
The cinema was "full" when I saw it. There were 30-40 people, which for our cinema and this type of film on opening night in a small screen, wasn't bad at all. There were old and young, there were people who snored and people who laughed, I fell into neither of those last categories. Honestly I was in too much shock to do anything other than pick my jaw up off the floor.
Ultimately Cold Pursuit is another prime example of why you shouldn't put some of your best scenes in the trailers. The whole thing could probably have been sold on lesser scenes in the trailer and then the impact of the bigger ones would have potentially given it a few more stars.
What you should do
I can't in good conscience recommend this to anyone, Neeson has performed much better acts of revenge in many of his other films... just watch one of those... perhaps from behind a snow globe to make it seem like you're watching Cold Pursuit.
Movie thing you wish you could take home
Please could I have Coxman's ability to get into places where he clearly doesn't meet the dress code.
Emma @ The Movies (1786 KP) rated Tolkien (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Tolkien shows us a snapshot of the author's younger years from orphan to student, from soldier to scholar. I don't know much about his history but I'm familiar with the estate and I was surprised that this went through without their blessing. Not knowing the background I can't say how much is true and how much is artistic license, and sadly in this instance, I'm really not too bothered about finding out. Other biopics have left me with a desire to find out more about the subject matter but this left me rather indifferent about it.
It's not a wildly exciting life story that's captured in the film, what I found more compelling was the way that the creative process was depicted. The way they used visuals to connect everything in his life to his stories was beautifully done. The war scenes are stunning in their simplicity, seeing the colours against the stark backgrounds was incredible and I love how they managed to weave his visions into them. The mist effect was particularly well done.
I love the idea that Tolkien saw all these ideas in what most people would dismiss as life or a trick of the light. At the beginning of the film we see his mother telling the brother a story with the use of a zoetrope. (I'm not sure it's technically a zoetrope, do let me know what it is if I'm wrong.) The way they managed to create the feeling of life in those projections was mesmerising.
I'm quite aware that I haven't mentioned a single member of the cast yet. To be honest, I think I was so engrossed in the visuals that the rest of it was just kind of... there.
I found it difficult to keep track of who was who in his fellowship. I couldn't have told you their names or their individual niches. In fact, near the end I realised I'd got one of their names wrong the entire way through my notes.
Nicholas Hoult isn't an actor I'm particularly excited for in films, he is a consistent performer but I don't think I've seen anything that's wowed me. As Tolkien thought he did bring some surprisingly emotional elements... I definitely hadn't expected to cry at this screening. If I'd have been Edith in the moment where she asks him to tell her a story I'd have fallen in love with him on the spot, it had me leaning in intrigued to see him working everything out.
Visually, the movie is stunning and the feeling it creates is perfect, but everything else in the film felt very non-descript, and a lot of it seemed like it just had a place to make you link it to his writings. Tolkien is more of a nostalgic trip down memory lane than a biopic.
What you should do
The visuals on the big screen were amazing, but I don't think there's enough going on in the rest of the film to warrant a trip to the cinema for it. Try and catch it when it's available on home release though.
Movie thing you wish you could take home
The ability to create a wall of ideas without getting annoyed that nothing was lined up straight.
It's not a wildly exciting life story that's captured in the film, what I found more compelling was the way that the creative process was depicted. The way they used visuals to connect everything in his life to his stories was beautifully done. The war scenes are stunning in their simplicity, seeing the colours against the stark backgrounds was incredible and I love how they managed to weave his visions into them. The mist effect was particularly well done.
I love the idea that Tolkien saw all these ideas in what most people would dismiss as life or a trick of the light. At the beginning of the film we see his mother telling the brother a story with the use of a zoetrope. (I'm not sure it's technically a zoetrope, do let me know what it is if I'm wrong.) The way they managed to create the feeling of life in those projections was mesmerising.
I'm quite aware that I haven't mentioned a single member of the cast yet. To be honest, I think I was so engrossed in the visuals that the rest of it was just kind of... there.
I found it difficult to keep track of who was who in his fellowship. I couldn't have told you their names or their individual niches. In fact, near the end I realised I'd got one of their names wrong the entire way through my notes.
Nicholas Hoult isn't an actor I'm particularly excited for in films, he is a consistent performer but I don't think I've seen anything that's wowed me. As Tolkien thought he did bring some surprisingly emotional elements... I definitely hadn't expected to cry at this screening. If I'd have been Edith in the moment where she asks him to tell her a story I'd have fallen in love with him on the spot, it had me leaning in intrigued to see him working everything out.
Visually, the movie is stunning and the feeling it creates is perfect, but everything else in the film felt very non-descript, and a lot of it seemed like it just had a place to make you link it to his writings. Tolkien is more of a nostalgic trip down memory lane than a biopic.
What you should do
The visuals on the big screen were amazing, but I don't think there's enough going on in the rest of the film to warrant a trip to the cinema for it. Try and catch it when it's available on home release though.
Movie thing you wish you could take home
The ability to create a wall of ideas without getting annoyed that nothing was lined up straight.
Emma @ The Movies (1786 KP) rated The Secret Life of Pets 2 (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Have they made a TV series out of this yet? If not, why not? Secret Life Of Pets would be amazingly suited to being a TV series. While the whole film is quite entertaining, there's no denying that the little "intro" bits where we see the pets at home or get little skits outside the main storyline are the best bits. If anyone remembers Garfield & Friends, that's the format I could see it working in. As it is, Secret Life Of Pets 2 is a film of three parts... but not the beginning/middle/end type. We've got three individual storylines that do at least sort of meet up at the end.
There were a lot of teaser trailers for this and sadly it meant a lot of the scenes were pre-seen in some way, shape or form. I was surprised that none of them had any extra footage that was held back. I loved the vet clip and cat training montage, but there wasn't a single new moment to make them even better.
These two scenes in particular stuck out for another reason, they really highlighted the music. It's fun and a little jazzy, but it's also slightly too loud when combined with the speech which means it doesn't feel like it's in the background anymore.
The film starts out with Max getting used to the fact that there's now a child in his home. Initially he's apprehensive but soon he warms to Liam and goes out of his way to protect him from the dangers of the world. His hypersensitivity to everything has made him nervous and he needs to overcome this if he's going to deal with Liam going to pre-school.
Meanwhile, Captain Snowball is involved in his first case, a kitten that's been catnapped... well, a white tiger who has been chained and tormented by a circus. Snowball and Daisy must execute the perfect heist and free Hu from the evil Sergei's clutches.
Our third storyline doesn't fit in with the other two so well but it's possibly my favourite. Max has asked Gidget to look after his favourite toy and in a terrible accident it bounces out of her window and ends up landing in a neighbour's front room. That neighbour is definitely a cat person. Gidget must enlist the help of Chloe to learn how to be a cat so she can infiltrate her home and rescue the toy. This leads to my favourite scene in the whole film. Plan B has to be the best plan anyone has ever come up with, and Gidget really does deserve the admiration for it.
Secret Life Of Pets 2 is another amusing addition to the Illumination catalogue, and it's certainly not the worst. I've seen it twice and it's entertaining enough to watch more than once (although probably not as close together as I saw it). There are enough moments to keep everyone engaged, there are worse ways to spend some time.
What you should do
I think this will be a good option for a family outing, well worth seeing and it seems to be particularly popular with the kids.
Movie thing you wish you could take home
I think I'd want Chloe, even though I'm a bit of a dog person.
There were a lot of teaser trailers for this and sadly it meant a lot of the scenes were pre-seen in some way, shape or form. I was surprised that none of them had any extra footage that was held back. I loved the vet clip and cat training montage, but there wasn't a single new moment to make them even better.
These two scenes in particular stuck out for another reason, they really highlighted the music. It's fun and a little jazzy, but it's also slightly too loud when combined with the speech which means it doesn't feel like it's in the background anymore.
The film starts out with Max getting used to the fact that there's now a child in his home. Initially he's apprehensive but soon he warms to Liam and goes out of his way to protect him from the dangers of the world. His hypersensitivity to everything has made him nervous and he needs to overcome this if he's going to deal with Liam going to pre-school.
Meanwhile, Captain Snowball is involved in his first case, a kitten that's been catnapped... well, a white tiger who has been chained and tormented by a circus. Snowball and Daisy must execute the perfect heist and free Hu from the evil Sergei's clutches.
Our third storyline doesn't fit in with the other two so well but it's possibly my favourite. Max has asked Gidget to look after his favourite toy and in a terrible accident it bounces out of her window and ends up landing in a neighbour's front room. That neighbour is definitely a cat person. Gidget must enlist the help of Chloe to learn how to be a cat so she can infiltrate her home and rescue the toy. This leads to my favourite scene in the whole film. Plan B has to be the best plan anyone has ever come up with, and Gidget really does deserve the admiration for it.
Secret Life Of Pets 2 is another amusing addition to the Illumination catalogue, and it's certainly not the worst. I've seen it twice and it's entertaining enough to watch more than once (although probably not as close together as I saw it). There are enough moments to keep everyone engaged, there are worse ways to spend some time.
What you should do
I think this will be a good option for a family outing, well worth seeing and it seems to be particularly popular with the kids.
Movie thing you wish you could take home
I think I'd want Chloe, even though I'm a bit of a dog person.
Emma @ The Movies (1786 KP) rated Brightburn (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Superheroes and villains are a subject close to my heart, I enjoy speculating on the good and bad potential of superpowers, so to have the bad Superman story laid out like this is very interesting to experience.
Having a bad Superman would have been good, but switching it to a child automatically knocks the "scary" up a notch, something we saw earlier in the year in The Prodigy.
Tori and Kyle Breyer are desperately trying to have a baby, their lives start to revolve around the idea when one night the Earth literally moves for them and a meteor hits their farm. Ten years later and Tori and Kyle have their adopted son, Brandon, but growing up comes with some unexpected twists.
Brightburn's trailer makes it very clear that what we're going to see is a Superman-style childhood but the film is actually not so blatant. In fact, everything about the pre-release information tells you exactly what you're going to get while the film alone actually leaves it to your imagination. You have to make assumptions and educated guesses about what's going to happen. It's a bit of a shame that there's really no successful way to advertise this film without pointing out the obvious.
Elizabeth Banks (eternally young and possibly getting younger) plays Tori, Brandon's mum. The terror she gets across while still retaining a mother's love is spot on and great to watch on screen. In particular there's a scene where she discovers Brandon's notebook and the way she reacts made me react, and twisting that scene with the side story of Brandon and his dad was so effective.
I have one fault when it comes to horror, and that's that I can't take it seriously, luckily lots of people in my screening felt the same way too. While there were a couple of moments that went for actual humour I found myself laughing at some of the gore too. It was the same reaction as I get from extreme action scenes, an extended "oooooooh!" with a slight wince and then laughing. I can't help it, it's just funny.
Brightburn is probably an easier horror to see as the scary moments are mostly predictable so you could close your eyes in time for the bad bits if you wanted too, a lot are prefixed with something ominous in the background to prepare you.
One moment that made me jump was actually not a scary piece, it was the moment Brandon realises he's different. You already know part of his discovery if you've seen the trailer and yet again this film then tweaks that moment to give you something a little different.
The way they use light and dark is great because it allows things to creep up on you, quite literally, and highlights the evil that is starting to permeate the town.
It surprises me that I enjoyed this one as much as I did. I think the action moments probably holds up a lot of it. I like the idea, but I'm not convinced that it was created as well as it could have been. I was impressed that they didn't step back from the violent moments though, Brightburn is ballsy, and I like it for that.
[Note: Stay to see some clips into the credits.]
What you should do
If you like horror then I think it's a fairly good offering to see, it's probably also a good crossover if you're more into superheroes.
Movie thing you wish you could take home
I'd love the aunt's house but without the creepy added extras.
Having a bad Superman would have been good, but switching it to a child automatically knocks the "scary" up a notch, something we saw earlier in the year in The Prodigy.
Tori and Kyle Breyer are desperately trying to have a baby, their lives start to revolve around the idea when one night the Earth literally moves for them and a meteor hits their farm. Ten years later and Tori and Kyle have their adopted son, Brandon, but growing up comes with some unexpected twists.
Brightburn's trailer makes it very clear that what we're going to see is a Superman-style childhood but the film is actually not so blatant. In fact, everything about the pre-release information tells you exactly what you're going to get while the film alone actually leaves it to your imagination. You have to make assumptions and educated guesses about what's going to happen. It's a bit of a shame that there's really no successful way to advertise this film without pointing out the obvious.
Elizabeth Banks (eternally young and possibly getting younger) plays Tori, Brandon's mum. The terror she gets across while still retaining a mother's love is spot on and great to watch on screen. In particular there's a scene where she discovers Brandon's notebook and the way she reacts made me react, and twisting that scene with the side story of Brandon and his dad was so effective.
I have one fault when it comes to horror, and that's that I can't take it seriously, luckily lots of people in my screening felt the same way too. While there were a couple of moments that went for actual humour I found myself laughing at some of the gore too. It was the same reaction as I get from extreme action scenes, an extended "oooooooh!" with a slight wince and then laughing. I can't help it, it's just funny.
Brightburn is probably an easier horror to see as the scary moments are mostly predictable so you could close your eyes in time for the bad bits if you wanted too, a lot are prefixed with something ominous in the background to prepare you.
One moment that made me jump was actually not a scary piece, it was the moment Brandon realises he's different. You already know part of his discovery if you've seen the trailer and yet again this film then tweaks that moment to give you something a little different.
The way they use light and dark is great because it allows things to creep up on you, quite literally, and highlights the evil that is starting to permeate the town.
It surprises me that I enjoyed this one as much as I did. I think the action moments probably holds up a lot of it. I like the idea, but I'm not convinced that it was created as well as it could have been. I was impressed that they didn't step back from the violent moments though, Brightburn is ballsy, and I like it for that.
[Note: Stay to see some clips into the credits.]
What you should do
If you like horror then I think it's a fairly good offering to see, it's probably also a good crossover if you're more into superheroes.
Movie thing you wish you could take home
I'd love the aunt's house but without the creepy added extras.
Lee (2222 KP) rated Zombieland: Double Tap (2019) in Movies
Oct 22, 2019
Not quite as good as the original
It's been 10 years since we last saw Columbus (Jesse Eisenberg), Tallahassee (Woody Harrelson), Wichita (Emma Stone), and Little Rock (Abigail Breslin) and our TV and movie screens have since become even more saturated with zombie content. It's something which even gets acknowledged by Columbus during his opening narration to Zombieland: Double Tap as he thanks the audience for choosing this movie, now that there are "many choices in zombie entertainment."
The opening narration also hilariously introduces us to some of the specific variations of zombies currently being encountered - the Homer, the Hawking and the Ninja - before continuing the comic book violence that we know and love from the first movie. A hugely entertaining slo-mo zombie battle on the overgrown grounds in front of The White House while the opening credits roll. But after that, the foursome setup residence in the presidential home, making good use of the space available and even celebrating Christmas there (even though it's only November!).
Little has changed in the group dynamic, other than the fact that Little Rock is now all grown up, something which forms the basis for the main plot of the movie. Columbus and Wichita are struggling to settle into a routine as a couple, and Tallahassee serves only as an overbearing father figure to Little Rock. Tiring of this setup, and longing for friends her own age, Little Rock runs away with a peace loving boy called Berkeley, to a place called Bablyon, home to a community of pacifists where weapons are not allowed. The others, fearing for her safety, set out on a road trip to go find her.
Something about the humour of Double Tap doesn't seem to work as well as it did in the first movie and much of the bickering and interaction between this makeshift family doesn't feel quite as enjoyable this time around. The constant onscreen reminders of 'the rules' that the group live by becomes tiresome at times and it's therefore up to a number of new characters that the guys meet along the way to try and inject something fresh into it all.
First up is Madison (Zoey Deutch), a young woman that Columbus and Tallahassee meet at a mall early on. Madison is a typical ditzy blonde cliché, forming the butt of many of the jokes, but still managing to be endearing and a lot of fun. Then there's Nevada (Rosario Dawson), along with Tallahassee and Columbus meeting up with their doppelgängers Albuquerque (Luke Wilson) and Flagstaff (Thomas Middleditch). If you've seen the trailer then that manages to cover off a lot of these character meetings and interactions, along with a number of plot beats too unfortunately.
What the trailer doesn't show you though are the hugely satisfying, big action set-pieces, which manage to come along just at the right time in order to inject some serious entertainment into the flagging dialogue. Aside from the slo-mo opening battle that I've already mentioned, there's a wildly fun slapstick zombie fight in an Elvis themed motel and a finale that's packed full of zombie carnage. Not to mention a lengthy credits scene which starts off well, and just keeps on getting better! And the introduction of a more difficult to kill strain of zombie only adds to the fun too.
Overall, Double Tap doesn't quite live up to its predecessor. It's a fun ride though, still boasting some of the best zombie killing action out there, but ultimately doesn't leave much of a lasting impression.
The opening narration also hilariously introduces us to some of the specific variations of zombies currently being encountered - the Homer, the Hawking and the Ninja - before continuing the comic book violence that we know and love from the first movie. A hugely entertaining slo-mo zombie battle on the overgrown grounds in front of The White House while the opening credits roll. But after that, the foursome setup residence in the presidential home, making good use of the space available and even celebrating Christmas there (even though it's only November!).
Little has changed in the group dynamic, other than the fact that Little Rock is now all grown up, something which forms the basis for the main plot of the movie. Columbus and Wichita are struggling to settle into a routine as a couple, and Tallahassee serves only as an overbearing father figure to Little Rock. Tiring of this setup, and longing for friends her own age, Little Rock runs away with a peace loving boy called Berkeley, to a place called Bablyon, home to a community of pacifists where weapons are not allowed. The others, fearing for her safety, set out on a road trip to go find her.
Something about the humour of Double Tap doesn't seem to work as well as it did in the first movie and much of the bickering and interaction between this makeshift family doesn't feel quite as enjoyable this time around. The constant onscreen reminders of 'the rules' that the group live by becomes tiresome at times and it's therefore up to a number of new characters that the guys meet along the way to try and inject something fresh into it all.
First up is Madison (Zoey Deutch), a young woman that Columbus and Tallahassee meet at a mall early on. Madison is a typical ditzy blonde cliché, forming the butt of many of the jokes, but still managing to be endearing and a lot of fun. Then there's Nevada (Rosario Dawson), along with Tallahassee and Columbus meeting up with their doppelgängers Albuquerque (Luke Wilson) and Flagstaff (Thomas Middleditch). If you've seen the trailer then that manages to cover off a lot of these character meetings and interactions, along with a number of plot beats too unfortunately.
What the trailer doesn't show you though are the hugely satisfying, big action set-pieces, which manage to come along just at the right time in order to inject some serious entertainment into the flagging dialogue. Aside from the slo-mo opening battle that I've already mentioned, there's a wildly fun slapstick zombie fight in an Elvis themed motel and a finale that's packed full of zombie carnage. Not to mention a lengthy credits scene which starts off well, and just keeps on getting better! And the introduction of a more difficult to kill strain of zombie only adds to the fun too.
Overall, Double Tap doesn't quite live up to its predecessor. It's a fun ride though, still boasting some of the best zombie killing action out there, but ultimately doesn't leave much of a lasting impression.
Darren (1599 KP) rated Raising Arizona (1987) in Movies
Jul 25, 2019
Story: Raising Arizona starts as we meet H.I. McDunnough (Cage) a petty thieve that has a habit of robbing convenience stores, he falls for police officer Ed (Hunter) and after his third spell in prison he decides to settle down with Ed and hope to start a family.
When the couple learn they can’t have children, their lives take a turn for the worse until rich businessman Nathan Arizona Sr (Wilson) has 5 babies, believing they can help, they steal one of the babies and the events of the film follows them trying to keep the baby and avoid the law.
Thoughts on Raising Arizona
Characters – H.I. McDunnough has been in and out of prison for the last decade each time getting closer to the arresting officer, deciding he wants to go clean he gets married and plans to start a family, only for his past to come back and haunt him forcing him to return to the life of crime. He is a character that has fallen into the life of crime and just can’t get out of it. Ed is a police officer that hasn’t had the best life, she falls for H.I. getting married and wanting to start a family. She learns she can’t have child, turning to a life of crime to get her own child. Nathan Arizona Sr is the father of the five babies willing to pay anything to get his son back legally or not. Gale is one half of criminal buddies pairing of H.I. that after breaking out of prison turns to his friend for help.
Performances – Nicolas Cage is wonderful in the leading role, where we see him show moments of his crazy level while giving a performance you will remember. Holly Hunter is great too where we see her create a performance where you feel for the pain and confliction her character goes through. When we look at the supporting cast we do get good performances from everyone that will give us enough to enjoy what we saw.
Story – The story here follows an unlikely couple that decide to take a child because they couldn’t have one of their own. We follow the build up to their relationship and focus on how the couple’s life had the ups and downs before the incident. By using a very real situation people could go through by not being able to have children and showing the fact the adoption process isn’t the fairest on the people that would offer a good home is important for the film. the hapless events the couple go through adds to the story and as with most of the Coen bothers movies we get lots of arcs that come together to add up to a final act which pts everything together.
Comedy/Crime – The comedy in the film comes from the events that the couple must go through, usually coming from H.I. actions in what is a crime world where he is a petty criminal taking any advantages he can.
Settings – The film takes us to the open America where money would be tight leading to the mistakes being made by the people who are just desperate for anything to come their way.
Scene of the Movie – The diaper chase.
That Moment That Annoyed Me – The baby forgetting scenes.
Final Thoughts – This is a classic crime comedy that shows us just how talented the Coen Brothers are, we get to see the best of Cage and a story which can be enjoyed by all.
Overall: Crime Comedy that is a must watch.
When the couple learn they can’t have children, their lives take a turn for the worse until rich businessman Nathan Arizona Sr (Wilson) has 5 babies, believing they can help, they steal one of the babies and the events of the film follows them trying to keep the baby and avoid the law.
Thoughts on Raising Arizona
Characters – H.I. McDunnough has been in and out of prison for the last decade each time getting closer to the arresting officer, deciding he wants to go clean he gets married and plans to start a family, only for his past to come back and haunt him forcing him to return to the life of crime. He is a character that has fallen into the life of crime and just can’t get out of it. Ed is a police officer that hasn’t had the best life, she falls for H.I. getting married and wanting to start a family. She learns she can’t have child, turning to a life of crime to get her own child. Nathan Arizona Sr is the father of the five babies willing to pay anything to get his son back legally or not. Gale is one half of criminal buddies pairing of H.I. that after breaking out of prison turns to his friend for help.
Performances – Nicolas Cage is wonderful in the leading role, where we see him show moments of his crazy level while giving a performance you will remember. Holly Hunter is great too where we see her create a performance where you feel for the pain and confliction her character goes through. When we look at the supporting cast we do get good performances from everyone that will give us enough to enjoy what we saw.
Story – The story here follows an unlikely couple that decide to take a child because they couldn’t have one of their own. We follow the build up to their relationship and focus on how the couple’s life had the ups and downs before the incident. By using a very real situation people could go through by not being able to have children and showing the fact the adoption process isn’t the fairest on the people that would offer a good home is important for the film. the hapless events the couple go through adds to the story and as with most of the Coen bothers movies we get lots of arcs that come together to add up to a final act which pts everything together.
Comedy/Crime – The comedy in the film comes from the events that the couple must go through, usually coming from H.I. actions in what is a crime world where he is a petty criminal taking any advantages he can.
Settings – The film takes us to the open America where money would be tight leading to the mistakes being made by the people who are just desperate for anything to come their way.
Scene of the Movie – The diaper chase.
That Moment That Annoyed Me – The baby forgetting scenes.
Final Thoughts – This is a classic crime comedy that shows us just how talented the Coen Brothers are, we get to see the best of Cage and a story which can be enjoyed by all.
Overall: Crime Comedy that is a must watch.