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To Sleep in a Sea of Stars
To Sleep in a Sea of Stars
Christopher Paolini | 2020 | Science Fiction/Fantasy
9
9.0 (1 Ratings)
Book Rating
Space Epic From The Author Of The Eragon Series
I was provided with a complimentary copy of this book so I could give an honest review. The opinions are entirely my own, and any quotes are taken from the ARC and may be different in the final published copy.

Having read and thoroughly enjoyed Christopher Paolini's Eragon series, I looked forward to listening to the audiobook of his latest novel, To Sleep in a Sea of Stars.

Paolini did not disappoint. His work on this space opera spanned for nearly a decade. The research completed to make it accurate as possible shows he did not rush his writing.

Do not expect to read/listen to this in one sitting. The run time is 32 hours, 29 minutes, and the book is 880 pages. The book could have been released into a trilogy but do not let that scare you. The story may be long, but it is well built and full of completely fleshed out characters and worlds. My favorite character is Gregorovich, a ship mind. Paolini's sarcastic words and the narrator's voice makes him a character as memorable as paranoid Marvin from H2G2.
 
In 2013, the narrator, Jennifer Hale, was recognized by Guinness World Records as "the most prolific video game voice actor (female)." Her voice is instantly recognizable, and the array of voices she uses in the audiobook are separate and distinct from each other.

Paolini's story and Hale's voices make this an enjoyable story to remember.

This 200-word review was published on Philomathinphila.com on 9/15/20.
  
Brawl In Cell Block 99 (2017)
Brawl In Cell Block 99 (2017)
2017 | Action, Thriller
Cold, hard filmmaking at some of its most insatiably cruel. My coveted "I told you so" moment for anyone who said Vince Vaughn couldn't act and one hell of a provocation in the process (Zahler might be the closest thing we have right now to a grindhouse Neil LaBute). The film equivalent of a rusted pair of brass knuckles of dubious origin with dried blood on them. Realistically could have skimmed 10 or so minutes off of itself but I think the gruelingly elongated scenes aid in the merciless hellscape this paints, and the fights don't waste a single second - Vaughn (who is God-tier in this, plays the role like one giant piece of battered meat) eats barbell swings, nightsticks, debilitating electric zaps, and brute punches like a champ. And that gore? I verbally screamed out loud multiple times, here I'd thought I'd seen it all but to quote Mark Wahlberg's dad from ๐˜›๐˜ฆ๐˜ฅ (which I routinely do) "Jesus H Fuck!" A trillion times better than ๐˜‰๐˜ฐ๐˜ฏ๐˜ฆ ๐˜›๐˜ฐ๐˜ฎ๐˜ข๐˜ฉ๐˜ข๐˜ธ๐˜ฌ and even that was wildly good in its own right. One thing I love about the guy is how successfully he subverts the "feel-horrible filmmaking for the sake of feel-horrible filmmaking" junk that has seen a bit of a resurgence lately. When he's bleak, he fucking means it. Guaranteed this will scare you away from even the most petty crime, you'll flinch in fear if you even think about littering. Plus it's funny as fuck. Unique and unflinchingly nasty - almost exactly what you'd want out of a movie with this title.
  
Thriller (2018)
Thriller (2018)
2018 | Horror
4
4.0 (1 Ratings)
Movie Rating
A group of children decide to play a prank on a boy called chauncey from school. He is tricked into entering an empty house where they chase him around wearing masks to scare him, he retaliates by pushing one of the kids and sends her over the balcony to her death, but rather than confessing that it was a prank gone wrong the children all tell the police that chauncey killed her and he is sent to prison.
4 years later Chauncey is released from prison and the friends have gone their desperate ways. We see how they are coping now, some are still struggling whilst others are living a normal life, that is until they find out that Chauncey is back. It turns out they have every right to be worried as he is understandably very angry and wants revenge.
In theory the movie sounds good and in some parts it is good, but unfortunately not enough to keep me gripped. In many parts the acting wasn't great, you could see it was a low budget movie and the music they used in scenes just didn't work with what was happening, its almost as if a random piece of music was picked and they thought "that will do". I also found I didn't feel any kind of connection to the characters, they didn't have much of a storyline and I didn't care really care if they lived or died. Sadly I won't be watching this movie again.
  
Midsommar (2019)
Midsommar (2019)
2019 | Drama, Horror, Mystery
Just saw Midsommar. This is a very artsy horror movie, as is expected from A24 and Ari Aster. The cinematography for this movie was unreal. I really felt like I was sinking into a trip and almost felt nauseated a few times. So, bravo on the camera work. It's a visually stunning film, very beautifully shot. Aside from the opening scene, which gives a disturbing surprise start to things that I didn't see coming, the rest of the film becomes fairly predictable as the festival gets in motion. I'm not saying that as a bad thing though, this isn't really one of those trying to surprise and scare you type of movies. It's a, how can I put it, let's go on this trip and really horrific experience together type of movie. After the movie several of us, not knowing each other, that had just watched Midsommar together gathered out in the bright lights of the theater hallway and we immediately felt like family. We stared at each other for a moment, was half expecting to hug, and we were all like what just happened? I broke the ice and said I feel like we all just tripped really hard together. We kinda laughed and agreed and pretty much everyone was just stating in their own words that they were trying process what a weirdly, disturbing, trip of a movie that was. Then we all parted ways and danced back into the real world. I've never been happier to see the sunset on my drive back home.
  
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