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Steph Freeman (26 KP) rated The Shape of Water (2017) in Movies
Mar 5, 2018
Cinematography was excellent. (1 more)
Character development was perfect, not a lot of detail but enough to fall into their lives.
The Shape of Water - Visually Stunning
The Shape of Water, as discussed in other reviews, follows Eliza Esposito through a snapshot of her life. She has a clear love of water from the beginning, bordering on a fetish, and she connects with few people due to her mutism. The people around her are flawed. Her neighbor is fighting through a new advertising world that no longer values true artwork, her coworker Zelda has a painful home life with a husband that won't participate. Even the characters that are not part of Eliza's life have their struggles depicted within this movie. We see snapshots, just enough to understand these people are flawed, their lives are flawed, their relationships are flawed. Everyone in this movie is struggling towards a goal, though Eliza is the clear focus.
The cinematography reflects the 60's, from the lighting, to the sets and even how the cameras move with the characters. It's a world that engulfs the viewer, suspension of disbelief is a guarantee. The majority of the film is shot in drab, dark colors to reflect the loneliness of the characters, and the fear of the era. It's extremely effective at creating the unspoken sense of unease the country would have felt during the height of the communist scare.
As the movie moves towards the conclusion it becomes more fairy tale than reality. It was still beautiful, and the story still riveting, however, the transition to the more fantastic style was abrupt and could have been handled with more grace. I did appreciate the open ended conclusion, it's rare in American cinema to see, as most American film-goers prefer the ending tied up in a pretty bow.
The cinematography reflects the 60's, from the lighting, to the sets and even how the cameras move with the characters. It's a world that engulfs the viewer, suspension of disbelief is a guarantee. The majority of the film is shot in drab, dark colors to reflect the loneliness of the characters, and the fear of the era. It's extremely effective at creating the unspoken sense of unease the country would have felt during the height of the communist scare.
As the movie moves towards the conclusion it becomes more fairy tale than reality. It was still beautiful, and the story still riveting, however, the transition to the more fantastic style was abrupt and could have been handled with more grace. I did appreciate the open ended conclusion, it's rare in American cinema to see, as most American film-goers prefer the ending tied up in a pretty bow.
Steve Fearon (84 KP) rated Insidious: Chapter 2 (2013) in Movies
Sep 7, 2018
Some good tension ramping (1 more)
Jump Scares are on point
The 'Baddies' in this lack the pure sinister power of the demon from the first. (1 more)
Its a little 'straightforward haunted house movie' for my tastes
Decent Tension, but disappointingly predictable
Contains spoilers, click to show
Straight off the bat, if you liked the first Insidious, you will likely like the second.
Following straight on from the end of the first film, we are straight back with Wan's favourite boy Patrick Wilson and family, and the plot is a solid continuation of the themes explored in the first movie.
The camerawork in this movie, the framing of some of the shots etc is phenomenal and genuinely half of the tension of this film is generated by clever angles, and the lurching movement of the camera itself.
But where Insidious always began to struggle for me was in the mythos and the 'spirit realm' where it went a bit 'poltergeist' and took me out of the tension build in both films, though some of the ideas were interesting.
This film's antagonists never reach the same level of intimidation and fear as represented by the brilliant 'Darth Maul' Demon of the initial flick, but there are some interesting dynamics introduced using a serial killer and his relationship with his mother.
The biggest disappointment is probably just that Insidious 2 doesn't really ever expand on the first, leaving us with a nicely wrapped up story, but without really expanding our understanding or excitement for what a 3rd installment could offer.
That being said, it does enough right to make it an enjoyable watch, and the class of Wan and Whannell is evident throughout.
A polished, decent scare fest with plenty of strengths, but lacking in a truly memorable antagonist.
Following straight on from the end of the first film, we are straight back with Wan's favourite boy Patrick Wilson and family, and the plot is a solid continuation of the themes explored in the first movie.
The camerawork in this movie, the framing of some of the shots etc is phenomenal and genuinely half of the tension of this film is generated by clever angles, and the lurching movement of the camera itself.
But where Insidious always began to struggle for me was in the mythos and the 'spirit realm' where it went a bit 'poltergeist' and took me out of the tension build in both films, though some of the ideas were interesting.
This film's antagonists never reach the same level of intimidation and fear as represented by the brilliant 'Darth Maul' Demon of the initial flick, but there are some interesting dynamics introduced using a serial killer and his relationship with his mother.
The biggest disappointment is probably just that Insidious 2 doesn't really ever expand on the first, leaving us with a nicely wrapped up story, but without really expanding our understanding or excitement for what a 3rd installment could offer.
That being said, it does enough right to make it an enjoyable watch, and the class of Wan and Whannell is evident throughout.
A polished, decent scare fest with plenty of strengths, but lacking in a truly memorable antagonist.
Rob P (30 KP) rated Dog Soldiers (2002) in Movies
Jan 23, 2019
Great British cast (3 more)
Black/dark humour throughout
Great one liners
One of the last films I remember to use makeup, costumes, and what looks like actual sausages for special effects and gore.
There is no Spoon
Contains spoilers, click to show
This is just one of those films from my youth that will never look back on with anything but pure joy.
The plot has already been laid out here, the reasons to watch this movie aren't really based around storyline. It's more that a group of "everyman" type British soldiers are thrust into a bat sh*t crazy situation, fighting off seven foot werewolves inside an abandoned farmhouse in the Scottish highlands. Comedy is of course going to come with that.
If the premise doesn't grab you, come for Liam Cunningham (AKA Ser Davos Seaworth) playing a bad guy, it's such a brilliant thing to see his range. If that doesn't do it, come to hear Sean Pertwee say "We are now up against live, hostile targets. So, if Little Red Riding Hood should show up with a bazooka and a bad attitude, I expect you to chin the bitch."
The jokes and quotables are thick and fast, the makeup and costumes of the werewolves is still analogue, and the work put into them must have been immense. They are genuinely menacing, and it's nice to remind yourself that not everything needs to be computer generated to have impact.
As a last point, Id like to point out that besides the great cast, the comedy, and the quotes, this isn't really jump scare, or torture p*rn, it's just an old fashioned run and gun, action comedy horror. It also ends in a way I just haven't seen before, with the use of photographs in a particular "action shot" kind of way, set up during the movie. Excellent.
- Rob
The plot has already been laid out here, the reasons to watch this movie aren't really based around storyline. It's more that a group of "everyman" type British soldiers are thrust into a bat sh*t crazy situation, fighting off seven foot werewolves inside an abandoned farmhouse in the Scottish highlands. Comedy is of course going to come with that.
If the premise doesn't grab you, come for Liam Cunningham (AKA Ser Davos Seaworth) playing a bad guy, it's such a brilliant thing to see his range. If that doesn't do it, come to hear Sean Pertwee say "We are now up against live, hostile targets. So, if Little Red Riding Hood should show up with a bazooka and a bad attitude, I expect you to chin the bitch."
The jokes and quotables are thick and fast, the makeup and costumes of the werewolves is still analogue, and the work put into them must have been immense. They are genuinely menacing, and it's nice to remind yourself that not everything needs to be computer generated to have impact.
As a last point, Id like to point out that besides the great cast, the comedy, and the quotes, this isn't really jump scare, or torture p*rn, it's just an old fashioned run and gun, action comedy horror. It also ends in a way I just haven't seen before, with the use of photographs in a particular "action shot" kind of way, set up during the movie. Excellent.
- Rob
James Koppert (2698 KP) rated Starve Acre in Books
Nov 24, 2019
His others were good. This is exceptional
I have enjoyed Andrew Michael Hurley's previous books very much but he has surpassed himself with Starve Acre. This is a dark and suturing read that gives you the same feels as Iain Banks' masterpiece The Wasp Factory. Anyone who was fans of the exceptional read as well as possibly Neil Gaimen's folk horror will find pleasure in this read.
I love it when you are so into a book you sprint upstairs when you get in from work to read a few pages before starting the evenings cooking etc, as I did with Starve Acre.
It's hard to tell you what happens in the story without giving away plot twists but this is a book of the supernatural, of a future dictated to by the past and of a family grieving trying to rationalise feelings and hurt. It is a place where they will remain outsiders and a tree that holds the mystery of it all.
Everything about this book should make it a classic. Its presentation and cover is beautiful. Michael-Hurley's writing is beautiful capturing the darkness in a way that is delicate and sweet which only makes the horror more shocking. The Lonely and Devil's Day were very good, but the writing here is some f the best I have ever read and the story is incredible. He has now become of a level that the next book he releases I standing outside the book shop at 9am and taking a day off work to read it, he is simply that good.
Miss this book at your peril, this is better than Stephen King and the rest. Andrew Michael-Hurley is now the true king!
I love it when you are so into a book you sprint upstairs when you get in from work to read a few pages before starting the evenings cooking etc, as I did with Starve Acre.
It's hard to tell you what happens in the story without giving away plot twists but this is a book of the supernatural, of a future dictated to by the past and of a family grieving trying to rationalise feelings and hurt. It is a place where they will remain outsiders and a tree that holds the mystery of it all.
Everything about this book should make it a classic. Its presentation and cover is beautiful. Michael-Hurley's writing is beautiful capturing the darkness in a way that is delicate and sweet which only makes the horror more shocking. The Lonely and Devil's Day were very good, but the writing here is some f the best I have ever read and the story is incredible. He has now become of a level that the next book he releases I standing outside the book shop at 9am and taking a day off work to read it, he is simply that good.
Miss this book at your peril, this is better than Stephen King and the rest. Andrew Michael-Hurley is now the true king!
The Man Who Saw the Future: A Biography of William Lilly
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Winter, 1643. Astrologer William Lilly is gazing at a pot of piss. Parliament has asked him to help:...
Calling the Horses: A Racing Autobiography
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For decades Peter O'Sullevan was one of the iconic sports commentators, providing the sound track...
The Queen of Wishful Thinking
Book
THE QUEEN OF FEEL-GOOD FICTION! 'Every time you discover a new Milly book, it's like finding a pot...
Anuvahood (2011)
8.0
Rate It
Movie
The story follows Kenneth (Adam Deacon) who likes to call himself "K". He has an ambition of...
Merissa (13178 KP) created a post
Apr 7, 2021
Fred (860 KP) rated Hubie Halloween (2020) in Movies
Oct 10, 2020
A new Halloween classic?
First question: Is this a good movie? No
Second question: Is this movie funny? Yes
You can't go into this movie expecting it to be any more than it is. A comedy with Adam Sandler & his friends acting silly.
The story is silly, the characters are silly. It's typical Sandler. People are mean to him but he keeps on keeping on until he's the hero. At the end, I didn't feel his bullies got what they deserved, but Hubie, Sandler's character, gets what he deserves. And that's fine.
His movies are all about his character. The out-of-place loser that everyone hates or makes fun of. So, how does Hubie stack up? He's great. He's the Water Boy character but instead of water, he's into safety, especially during Halloween. But the thing that I really liked is that he was scared of everything, screaming at every little jump scare & some not even that. And every time he screamed, I laughed out loud. In fact, there were lots of things making me laugh at. Every shirt that Hubie's mother & her friend wore had me laugh like a kid. I think the part that made me laugh the loudest was the cat's reaction when Violet insults it. The secondary characters were all funny as well.
There were throw backs & Easter eggs to his other movies too, like the O'Doyles from Billy Madison or Ben Stiller from Happy Gillmore. But I don't want to give away any more of them, including the cameos from famous people.
So, in ending, yeah, it's not actually art, but it's damn funny. I was laughing throughout the whole thing. I could see myself watching this every Halloween. It's a new classic in my house.
Second question: Is this movie funny? Yes
You can't go into this movie expecting it to be any more than it is. A comedy with Adam Sandler & his friends acting silly.
The story is silly, the characters are silly. It's typical Sandler. People are mean to him but he keeps on keeping on until he's the hero. At the end, I didn't feel his bullies got what they deserved, but Hubie, Sandler's character, gets what he deserves. And that's fine.
His movies are all about his character. The out-of-place loser that everyone hates or makes fun of. So, how does Hubie stack up? He's great. He's the Water Boy character but instead of water, he's into safety, especially during Halloween. But the thing that I really liked is that he was scared of everything, screaming at every little jump scare & some not even that. And every time he screamed, I laughed out loud. In fact, there were lots of things making me laugh at. Every shirt that Hubie's mother & her friend wore had me laugh like a kid. I think the part that made me laugh the loudest was the cat's reaction when Violet insults it. The secondary characters were all funny as well.
There were throw backs & Easter eggs to his other movies too, like the O'Doyles from Billy Madison or Ben Stiller from Happy Gillmore. But I don't want to give away any more of them, including the cameos from famous people.
So, in ending, yeah, it's not actually art, but it's damn funny. I was laughing throughout the whole thing. I could see myself watching this every Halloween. It's a new classic in my house.