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Purple Phoenix Games (2266 KP) rated The Quest Kids in Tabletop Games
Mar 26, 2021
Have you heard of The Quest Kids? It’s a YouTube channel featuring six young adventurers as they use powerful “Tolk Gems” to help complete quests and protect the city of Treasure Falls. These kids are always striving for good and understanding, and are not afraid to do what is right in all scenarios. These Quest Kids are ideal role models for young children, and when I heard of board games based on the IP I knew my kids and I would love the games. Was my Faith Tolk Gem pointing me in the right direction, or has it gone dark for me? SPOILER: This game is great!
The Quest Kids is a dungeon crawler style board game for players as young as five years of age. Yes, FIVE! In it, players are acting as one of these Quest Kids, attempting to explore the cave of Tolk the Wise. The Quest Kids will find abilities to enhance their own, treasures to collect, and silly bad guys to scare away within, and the player with the most stars (VP) at the end will win the game!
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy from the publisher online or from your FLGS. -T
To setup, place the large game board on the table and populate it with the green, gray, and red Dungeon Tiles according to the rules. Also prepare the card decks and place them appropriately in their spaces on the board. The Treasure Tokens are placed in the Treasure Bag. Each player will receive one Quest Kid Player Mat and matching figurine. In addition each player will receive three starting Health Cards, one Quest Card, and one appropriate starting Ability Card. The game may now begin from the entrance to the cave!
On a turn players will be able to have free movement around the board exploring tiles and resolving them in turns. Green tiles are always good for the players, Gray tiles may have some bad guys but are predominantly good, and Red tiles are littered with those silly bad guys that will need to be scared away. A player will travel to a board location and encounter a Dungeon Tile by flipping it over and collecting the resources shown or attempting to scare away the bad guys. Bad guys can be scared by discarding the printed Ability Cards on their tile. Once discarded, the player collects the tile to their Player Mat for stars at game end.
Sometimes players will encounter a bad guy they do not possess enough Ability Cards to scare away. In these scenarios the player may ask the other players for help. Nonactive players may then offer Ability Cards from their stash in order to help achieve the goal. For every Ability Card donated to the cause the donating Quest Kid will receive one Kind Kid Card. Kind Kid Cards are always great and can be resolved at ANY time during the game. Should a player encounter a bad guy they cannot scare away and other Quest Kids cannot help with Ability Cards, the active player will suffer a loss of one of their Health Cards (worth two stars).
Some tiles or Quest cards will instruct the player to draw one or more treasures from the Treasure Bag. Most treasures are good and provide stars, but some are blobs that eat stars. Each Treasure Token also has two values. The top value is for the normal amount of stars. However, the bottom value is worth more stars if the controlling player matches the Quest Kid printed on the token. Some treasure may be worth just one star unless the Quest Kid is a match, in which case it is then worth three stars, for example.
Turns continue in this fashion until all Dungeon Tiles have been resolved or a stalemate reached. At this point all players count up their stars they have collected from various sources and the player with the most stars is the winner!
Components. This is a kids’ game, can we all agree? THIS kids’ game, however, boasts some of the most interesting and wonderful components I have seen. The board is huge and depicts a magical cave. Super cool. The tiles are easy to read and understand, as with all the iconography. The Quest Kids themselves all have the same abilities (unless the expansion is added – and the review for that is coming soon), so that smaller children are not burdened with having to remember their special abilities. There are these plastic Tolk Gems that can be collected during the game and children absolutely flip for these things. And did you see those colorful and very big minis? I mean, come on! It’s a kids’ game! They LOVE minis! The game also comes with cardboard standees in case your children cannot handle the minis carefully enough.
Here is the deal. I absolutely adore these Quest Kids games. They are absolutely the perfect difficulty for young gamers who are ready to step up from the Candy Lands and Chutes & Ladders. Now, the box suggests 5+ but my 4-year-old did just fine with it, so take that with a grain of salt. Having had him already familiarize himself with The Quest Kids characters in The Quest Kids: Matching Adventure, this was an easier process getting this game to the table for us.
The game gives an exciting dungeon crawl experience for younger children, and it’s honestly something I never really knew I needed in my life until I now have it. It is so simple to teach and play and definitely encourages helping other players, if even just because you receive those Kind Kid cards in return. Anything to create that helpful player atmosphere to prepare them for heavier cooperative games is much appreciated.
Please do not misunderstand me. The Quest Kids is targeting younger players, but I do believe that any aged gamer could appreciate and have a good time with this. It certainly will not fill the void of other dungeon crawlers, but if you need a fix and would like to spend 20-45 minutes playing something to scratch that itch, then pull out your copy of The Quest Kids. It is super-light, colorful, and is a perfect stepping stone to bigger cooperative games. Purple Phoenix Games (with special guest Finley) gives this one a Kind 11/12. Please visit the publisher’s website to pick up your copy, and have a great time introducing your children (or partners, in-laws, grannies, pets, whomever) to cooperative dungeon crawls that will have you leaving the table in a much better mood than when you sat down.
The Quest Kids is a dungeon crawler style board game for players as young as five years of age. Yes, FIVE! In it, players are acting as one of these Quest Kids, attempting to explore the cave of Tolk the Wise. The Quest Kids will find abilities to enhance their own, treasures to collect, and silly bad guys to scare away within, and the player with the most stars (VP) at the end will win the game!
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy from the publisher online or from your FLGS. -T
To setup, place the large game board on the table and populate it with the green, gray, and red Dungeon Tiles according to the rules. Also prepare the card decks and place them appropriately in their spaces on the board. The Treasure Tokens are placed in the Treasure Bag. Each player will receive one Quest Kid Player Mat and matching figurine. In addition each player will receive three starting Health Cards, one Quest Card, and one appropriate starting Ability Card. The game may now begin from the entrance to the cave!
On a turn players will be able to have free movement around the board exploring tiles and resolving them in turns. Green tiles are always good for the players, Gray tiles may have some bad guys but are predominantly good, and Red tiles are littered with those silly bad guys that will need to be scared away. A player will travel to a board location and encounter a Dungeon Tile by flipping it over and collecting the resources shown or attempting to scare away the bad guys. Bad guys can be scared by discarding the printed Ability Cards on their tile. Once discarded, the player collects the tile to their Player Mat for stars at game end.
Sometimes players will encounter a bad guy they do not possess enough Ability Cards to scare away. In these scenarios the player may ask the other players for help. Nonactive players may then offer Ability Cards from their stash in order to help achieve the goal. For every Ability Card donated to the cause the donating Quest Kid will receive one Kind Kid Card. Kind Kid Cards are always great and can be resolved at ANY time during the game. Should a player encounter a bad guy they cannot scare away and other Quest Kids cannot help with Ability Cards, the active player will suffer a loss of one of their Health Cards (worth two stars).
Some tiles or Quest cards will instruct the player to draw one or more treasures from the Treasure Bag. Most treasures are good and provide stars, but some are blobs that eat stars. Each Treasure Token also has two values. The top value is for the normal amount of stars. However, the bottom value is worth more stars if the controlling player matches the Quest Kid printed on the token. Some treasure may be worth just one star unless the Quest Kid is a match, in which case it is then worth three stars, for example.
Turns continue in this fashion until all Dungeon Tiles have been resolved or a stalemate reached. At this point all players count up their stars they have collected from various sources and the player with the most stars is the winner!
Components. This is a kids’ game, can we all agree? THIS kids’ game, however, boasts some of the most interesting and wonderful components I have seen. The board is huge and depicts a magical cave. Super cool. The tiles are easy to read and understand, as with all the iconography. The Quest Kids themselves all have the same abilities (unless the expansion is added – and the review for that is coming soon), so that smaller children are not burdened with having to remember their special abilities. There are these plastic Tolk Gems that can be collected during the game and children absolutely flip for these things. And did you see those colorful and very big minis? I mean, come on! It’s a kids’ game! They LOVE minis! The game also comes with cardboard standees in case your children cannot handle the minis carefully enough.
Here is the deal. I absolutely adore these Quest Kids games. They are absolutely the perfect difficulty for young gamers who are ready to step up from the Candy Lands and Chutes & Ladders. Now, the box suggests 5+ but my 4-year-old did just fine with it, so take that with a grain of salt. Having had him already familiarize himself with The Quest Kids characters in The Quest Kids: Matching Adventure, this was an easier process getting this game to the table for us.
The game gives an exciting dungeon crawl experience for younger children, and it’s honestly something I never really knew I needed in my life until I now have it. It is so simple to teach and play and definitely encourages helping other players, if even just because you receive those Kind Kid cards in return. Anything to create that helpful player atmosphere to prepare them for heavier cooperative games is much appreciated.
Please do not misunderstand me. The Quest Kids is targeting younger players, but I do believe that any aged gamer could appreciate and have a good time with this. It certainly will not fill the void of other dungeon crawlers, but if you need a fix and would like to spend 20-45 minutes playing something to scratch that itch, then pull out your copy of The Quest Kids. It is super-light, colorful, and is a perfect stepping stone to bigger cooperative games. Purple Phoenix Games (with special guest Finley) gives this one a Kind 11/12. Please visit the publisher’s website to pick up your copy, and have a great time introducing your children (or partners, in-laws, grannies, pets, whomever) to cooperative dungeon crawls that will have you leaving the table in a much better mood than when you sat down.
Gareth von Kallenbach (980 KP) rated Slender: The Arrival in Video Games
Jul 4, 2019
An Awful Experience All Around
A brief history for those who are not aware (courtesy of Wikipedia):
“The Slender Man (also known as Slenderman) is a fictional supernatural character that originated as a creepypasta internet meme… Stories of Slender Man commonly feature him stalking, abducting or traumatizing people, particularly children. The Slender Man is no confined to a single narrative, but appears in many works of fiction, typically composed online.”
Slender: The Arrival (which we’ll just refer to as The Arrival moving forward) is the official video game adaptation of Slender Man. Blue Isle studios developed the game to bring us improved visuals, great replay value, and a brand new storyline. These should combine into survival horror at its best. But sadly, it does not. The Arrival encourages exploration and the philosophy of scaring the living daylights out of you. It just doesn’t. Now, truth be told this genre is not typically my bread and butter, but I came into this game with hopeful expectations, but soon found myself wanting more than the game could offer.
First, you are thrown into the game without any instruction or opening. Just head down the road, though. It seems easy enough. I did appreciate the way they worked credits into this opening sequence though, as you are shown the developers and the team that worked on the game. Once you get through this, you come upon a house where you will explore the rooms to find notes scattered throughout the house giving you more information on your back story. Sparing spoilers, essentially the story revolves around a shared trauma from your youth. Once you leave the house, you press on, turning on some generators along your path.
You’ll come across the second house after crossing a river, where I encountered some of the strangeness I assume is part of the experience. Glitching visuals, weird creatures that seemed to disappear when you shine your flashlight upon them, that sort of thing. It could have been a bug, or bugs, but doing a little digging online it seems I was not the only one to experience the same. There wasn’t really any action to be had. A little disheartening.
There’s not much challenge with The Arrival. You will, at some point, encounter the Slender Man in the game. I went straight toward him, and nothing really happened. Unfortunately, it’s a bad byproduct of these games. If it doesn’t scare you, even in the slightest, you’re just left with a stagnant experience while you are running from point to point to read lore.
It took me nearly 2 hours to finish the game, though I suspect those without toddler twins may get through it a bit faster. Suffice it to say, I wish I had those 2 hours back. I never really felt the tension that would cause fear or even nervousness. The shaky cam visual of the game certainly didn’t help. Essentially, you are playing through the eyes of the camera you are holding, complete with “recording” indicator and battery level (you can turn this off). As you walk the camera bobs back and forth a little bit, and as you run it does so a little faster. I understand what they were trying to accomplish here, but it was executed so poorly. I found myself constantly trying to correct this with the joycon thinking it was simply drift. It was super distracting.
Slender: The Arrival failed to give a complete game worthy of the price tag, even at its current price tag of $9.99 on the eShop. That’s not to say you won’t enjoy it, especially if you scare VERY easily or are just a fan of the Slender Man himself. It’s just that combine a wonky control system, very little instruction, and no real tension building moments, and you have a dud of game in my book.
1 out of 5
http://sknr.net/2019/06/28/slender-the-arrival-for-nintendo-switch/
“The Slender Man (also known as Slenderman) is a fictional supernatural character that originated as a creepypasta internet meme… Stories of Slender Man commonly feature him stalking, abducting or traumatizing people, particularly children. The Slender Man is no confined to a single narrative, but appears in many works of fiction, typically composed online.”
Slender: The Arrival (which we’ll just refer to as The Arrival moving forward) is the official video game adaptation of Slender Man. Blue Isle studios developed the game to bring us improved visuals, great replay value, and a brand new storyline. These should combine into survival horror at its best. But sadly, it does not. The Arrival encourages exploration and the philosophy of scaring the living daylights out of you. It just doesn’t. Now, truth be told this genre is not typically my bread and butter, but I came into this game with hopeful expectations, but soon found myself wanting more than the game could offer.
First, you are thrown into the game without any instruction or opening. Just head down the road, though. It seems easy enough. I did appreciate the way they worked credits into this opening sequence though, as you are shown the developers and the team that worked on the game. Once you get through this, you come upon a house where you will explore the rooms to find notes scattered throughout the house giving you more information on your back story. Sparing spoilers, essentially the story revolves around a shared trauma from your youth. Once you leave the house, you press on, turning on some generators along your path.
You’ll come across the second house after crossing a river, where I encountered some of the strangeness I assume is part of the experience. Glitching visuals, weird creatures that seemed to disappear when you shine your flashlight upon them, that sort of thing. It could have been a bug, or bugs, but doing a little digging online it seems I was not the only one to experience the same. There wasn’t really any action to be had. A little disheartening.
There’s not much challenge with The Arrival. You will, at some point, encounter the Slender Man in the game. I went straight toward him, and nothing really happened. Unfortunately, it’s a bad byproduct of these games. If it doesn’t scare you, even in the slightest, you’re just left with a stagnant experience while you are running from point to point to read lore.
It took me nearly 2 hours to finish the game, though I suspect those without toddler twins may get through it a bit faster. Suffice it to say, I wish I had those 2 hours back. I never really felt the tension that would cause fear or even nervousness. The shaky cam visual of the game certainly didn’t help. Essentially, you are playing through the eyes of the camera you are holding, complete with “recording” indicator and battery level (you can turn this off). As you walk the camera bobs back and forth a little bit, and as you run it does so a little faster. I understand what they were trying to accomplish here, but it was executed so poorly. I found myself constantly trying to correct this with the joycon thinking it was simply drift. It was super distracting.
Slender: The Arrival failed to give a complete game worthy of the price tag, even at its current price tag of $9.99 on the eShop. That’s not to say you won’t enjoy it, especially if you scare VERY easily or are just a fan of the Slender Man himself. It’s just that combine a wonky control system, very little instruction, and no real tension building moments, and you have a dud of game in my book.
1 out of 5
http://sknr.net/2019/06/28/slender-the-arrival-for-nintendo-switch/
Katie (868 KP) rated Mad Monster Party? (1967) in Movies
Jun 16, 2018
Excellent character design (3 more)
Overall look of the film
Francesca is a style icon
Little Tibia and the Fibias!!
Slow paced (1 more)
Very little substance
Tons of style, very little substance
I went into this one really expecting to love it and I did love aspects of it. The character design, sets, and cinematography were great and Rankin/Bass fans will not be disappointed by those things. The music was fine, especially the opening sequence, but also left much to be desired. There weren't really any catchy, unforgettable songs that one usually finds on a Rankin/Bass production.
While there were some funny moments and some parts of the story were interesting, it seems that the film was mostly a series of kooky gags. Don't get me wrong, I love that kind of humor, but it needed to be supported by more plot than was provided. Often it was easy to forget that there even was one. I think Mad Monster Party would have benefited from cutting some scenes to make it a 45 minute special rather than feature length.
I went into this movie wondering why I hadn't heard of it until recently and why it wasn't a Halloween staple of my youth like "Santa Clause is Coming to Town" or "Rudolph the Red-Nosed Reindeer" were for Christmas. After finishing it I had my answer. It was a little too grown up for children (and maybe a bit too boring) and didn't have enough substance for adults.
While it's hard to recommend this one to anyone I probably will be watching it again. The good parts are good enough to bring me back and the bad isn't bad enough to scare me away (and now I know which scenes to avoid).
I also realize that this has a lot of jokes directed at the readers of Mad Magazine, which I am not. So feel free to prove me wrong about this movie. I really want to love it!
While there were some funny moments and some parts of the story were interesting, it seems that the film was mostly a series of kooky gags. Don't get me wrong, I love that kind of humor, but it needed to be supported by more plot than was provided. Often it was easy to forget that there even was one. I think Mad Monster Party would have benefited from cutting some scenes to make it a 45 minute special rather than feature length.
I went into this movie wondering why I hadn't heard of it until recently and why it wasn't a Halloween staple of my youth like "Santa Clause is Coming to Town" or "Rudolph the Red-Nosed Reindeer" were for Christmas. After finishing it I had my answer. It was a little too grown up for children (and maybe a bit too boring) and didn't have enough substance for adults.
While it's hard to recommend this one to anyone I probably will be watching it again. The good parts are good enough to bring me back and the bad isn't bad enough to scare me away (and now I know which scenes to avoid).
I also realize that this has a lot of jokes directed at the readers of Mad Magazine, which I am not. So feel free to prove me wrong about this movie. I really want to love it!
Steven Sklansky (231 KP) rated Overlord (2018) in Movies
Nov 8, 2018
Action (2 more)
Great Acting
Intense
F******* Insane
Holy crap, this movie was amazing in IMAX, so you have the chance go see it there. On to the review. From the begin of this movie it was absolutely amazing. The film opens with the paratroops in the the plane getting ready to jump out in France to knock out a radio tower to let the planes know when to make their bombing run. This opening scene was done so well. It made you feel like you were in the plane being shot at and trying to get blown out of the sky. The soldiers getting ready to jump, you could really feel their fear and not wanting to die. It was edge of your seat fun wait to see what was going to happen.
Once they hit the ground the action did not stop, you had Germans shoot at you and explosions and wondering who was going to survive. This really did start like every other war movies, except for some reason I felt more invested the characters and not knowing what was going to happen. Once they arrived to the small town to take out the radio tower you just knew something strange was going on. There was a curfew and if you were out after dark you got taken to the church.
Now this was a really good plot about the Nazis and the crazy science experiments that Hitler was known for working on during the war. Now Nazi-zombies aren't necessarily new but I was a good take. This movie really had the feel of the video game Wolfenstein which was really cool.
Overall the action and scare factor was there on display, props to the crew for making this a great movie. If you are a fan of war and horror and not know what is going to happen. Get out there and enjoy the show.
Once they hit the ground the action did not stop, you had Germans shoot at you and explosions and wondering who was going to survive. This really did start like every other war movies, except for some reason I felt more invested the characters and not knowing what was going to happen. Once they arrived to the small town to take out the radio tower you just knew something strange was going on. There was a curfew and if you were out after dark you got taken to the church.
Now this was a really good plot about the Nazis and the crazy science experiments that Hitler was known for working on during the war. Now Nazi-zombies aren't necessarily new but I was a good take. This movie really had the feel of the video game Wolfenstein which was really cool.
Overall the action and scare factor was there on display, props to the crew for making this a great movie. If you are a fan of war and horror and not know what is going to happen. Get out there and enjoy the show.
Gareth von Kallenbach (980 KP) rated Orphan (2009) in Movies
Aug 9, 2019
For the Coleman family the idea of adopting a beautiful little Russian orphan girl is no easy task, having overcome a number of heart breaking obstacles from alcoholism to the loss of a child. But Ester (Isabelle Fuhrman) seems to be a perfect fit for the family; she is independent, clever, and interested in the arts. When a series of dangerous yet untraceable events begin to occur whenever Ester is around, the Coleman’s wonder if their bad luck is over.
When I entered the theater I expected a creepy female version of Damien adorned in a lacey Victorian dress. But “Orphan” was surprising and interesting in ways than I ever could have expected. More like the 2002 film “He Loves Me… He Loves Me Not” than part of the “Omen” series, “Orphan” packs a punch… and a stab and a gunshot or two.
The full-bodied story starts straight from the films shocking beginning. Yes at times the plot does take some significant suspended belief, a recently recovering alcoholic adopting a child, for instance.
But “Orphan” is an emotional roller coaster splicing unexpected comedic moments with stabbing suspense.
The mix of hauntingly familiar music and color filled imagery make this not just another suspense film but a more artistic take on the genre. Film themes range from love, trust, and childhood, to the ongoing questions of good and evil.
Additionally reoccurring use of color, sex, and connection to family are well woven into the film. Not to mention the use of classic horror elements such as the creepy tree house used in conjunction with newer style choices such as some subtitling and scare turned laughter moments.
A thrilling and full-bodied story “Orphan” is a chilling tale with an interesting while not entirely believable plotline. People will talk about this one.
The DVD release offers sharp sound and picture quality and numerous bonus features including an alternate ending to the film.
When I entered the theater I expected a creepy female version of Damien adorned in a lacey Victorian dress. But “Orphan” was surprising and interesting in ways than I ever could have expected. More like the 2002 film “He Loves Me… He Loves Me Not” than part of the “Omen” series, “Orphan” packs a punch… and a stab and a gunshot or two.
The full-bodied story starts straight from the films shocking beginning. Yes at times the plot does take some significant suspended belief, a recently recovering alcoholic adopting a child, for instance.
But “Orphan” is an emotional roller coaster splicing unexpected comedic moments with stabbing suspense.
The mix of hauntingly familiar music and color filled imagery make this not just another suspense film but a more artistic take on the genre. Film themes range from love, trust, and childhood, to the ongoing questions of good and evil.
Additionally reoccurring use of color, sex, and connection to family are well woven into the film. Not to mention the use of classic horror elements such as the creepy tree house used in conjunction with newer style choices such as some subtitling and scare turned laughter moments.
A thrilling and full-bodied story “Orphan” is a chilling tale with an interesting while not entirely believable plotline. People will talk about this one.
The DVD release offers sharp sound and picture quality and numerous bonus features including an alternate ending to the film.
MasterSolace (19 KP) rated Toy Story 4 (2019) in Movies
Jun 30, 2019
Pixar animation on point. (3 more)
All the familiar... voices?
Great story, as always(suck it Illumination)
You WILL cry
Expected... unexpected jump scare is expected. (1 more)
You WILL cry
The Necessary Unnecessary Sequel
Contains spoilers, click to show
Here is Toy Story 4. When you thought it was all over with Toy Story 3, how in the hell did we need this one. Well... lemme tell you... we did.
Quick recap, what happened at the end of Toy Story 3? Andy went off to college, and gave ALL of his toys to a little girl named Bonnie. That was it.
But was it?
So why was this story necessary? Without telling you EXACTLY how the movie goes...... what happens with toys when they go to a new owner? How about the idea of toys that are unwanted? And what about defective toys? Or those that are sitting on the shelf of an antique shop?
It also tackles the mystery of what happened to Bo Peep. Great to tie up that one loose end.
And then we come to Forkie. The "toy" that Bonnie made her first day of kindergarten. It's a spork. With pipe cleaner, popsicle stick, and googly eyes. In a parallel from the first movie, Buzz thought he was the REAL Buzz, and Woody has to help him realize he is a toy...... well... Forkie thinks he is trash... and Woody has to explain to him that he is a toy. Weird, but satisfying. And dammit... Trash!!!!
Watching this movie, made me miss Jim Varney. If you don't know who that is, lemme find an Ernest DVD box for ya, and I slap you with it. Also. Rest In Potatohead Parts, Don Rickles.
Last note... Toy Story 4 is another example of amazing animation AND story. Illumination Studios can't grasp that yet.
If you haven't seen it, go see it. Not like a "maybe you should". No... go see it.
Take some Kleenex
Quick recap, what happened at the end of Toy Story 3? Andy went off to college, and gave ALL of his toys to a little girl named Bonnie. That was it.
But was it?
So why was this story necessary? Without telling you EXACTLY how the movie goes...... what happens with toys when they go to a new owner? How about the idea of toys that are unwanted? And what about defective toys? Or those that are sitting on the shelf of an antique shop?
It also tackles the mystery of what happened to Bo Peep. Great to tie up that one loose end.
And then we come to Forkie. The "toy" that Bonnie made her first day of kindergarten. It's a spork. With pipe cleaner, popsicle stick, and googly eyes. In a parallel from the first movie, Buzz thought he was the REAL Buzz, and Woody has to help him realize he is a toy...... well... Forkie thinks he is trash... and Woody has to explain to him that he is a toy. Weird, but satisfying. And dammit... Trash!!!!
Watching this movie, made me miss Jim Varney. If you don't know who that is, lemme find an Ernest DVD box for ya, and I slap you with it. Also. Rest In Potatohead Parts, Don Rickles.
Last note... Toy Story 4 is another example of amazing animation AND story. Illumination Studios can't grasp that yet.
If you haven't seen it, go see it. Not like a "maybe you should". No... go see it.
Take some Kleenex
Night Reader Reviews (683 KP) rated The Adventures of Pugalugs: Trick or Treat in Books
Jan 9, 2020
The Adventures of Pugalugs: Trick or Treat by Jessica Parish is the Halloween edition of Pugalugs. It is a cute story that should not scare children at all.
In this Halloween adventure Pugalugs is getting ready to go trick or treating with his siblings Dug and Bella. He starts digging through a chest full of costumes trying to find the perfect one. Unfortunately, he finds this task o be a bit on the difficult side. Pugalugs and his siblings seem to be able to find something wrong with every costume he tries out. He tries everything from a scary ghost to a silly pumpkin. Finally, at the very end, Pugalugs finds the perfect costume at the bottom of the chest. After getting dressed up Pugalugs surprise everyone with his wonderful disguise.
What I liked best was each of the costumes that Pugalugs tries on is cute in its own way. Pugalugs entertains children with his silly antics by tripping over the tail of one costume and getting all tangled up in another one. At the end, he decides the best thing to be is himself. What I didnt like was that this book was not quite what I expected, although that is not a problem. I was expecting Pugalugs to actually be trick or treating and possibly overcoming a fear. Instead, Pugalugs is getting ready to go trick or treating but never actually leaves the house.
Animal lovers of all ages will enjoy this fun Halloween book. Toddlers and young children will enjoy having this book read to them over and over again while slightly older children will enjoy reading it themselves. I rate this book 4 out of 4. The small paragraphs accompanied by full-page pictures keep the book from being intimidating to young readers. The rhymes in this book keep it moving at a steady speed and it has a wonderful lesson for children; be your self.
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In this Halloween adventure Pugalugs is getting ready to go trick or treating with his siblings Dug and Bella. He starts digging through a chest full of costumes trying to find the perfect one. Unfortunately, he finds this task o be a bit on the difficult side. Pugalugs and his siblings seem to be able to find something wrong with every costume he tries out. He tries everything from a scary ghost to a silly pumpkin. Finally, at the very end, Pugalugs finds the perfect costume at the bottom of the chest. After getting dressed up Pugalugs surprise everyone with his wonderful disguise.
What I liked best was each of the costumes that Pugalugs tries on is cute in its own way. Pugalugs entertains children with his silly antics by tripping over the tail of one costume and getting all tangled up in another one. At the end, he decides the best thing to be is himself. What I didnt like was that this book was not quite what I expected, although that is not a problem. I was expecting Pugalugs to actually be trick or treating and possibly overcoming a fear. Instead, Pugalugs is getting ready to go trick or treating but never actually leaves the house.
Animal lovers of all ages will enjoy this fun Halloween book. Toddlers and young children will enjoy having this book read to them over and over again while slightly older children will enjoy reading it themselves. I rate this book 4 out of 4. The small paragraphs accompanied by full-page pictures keep the book from being intimidating to young readers. The rhymes in this book keep it moving at a steady speed and it has a wonderful lesson for children; be your self.
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First Films of the Holocaust: Soviet Cinema and the Genocide of the Jews, 1938-46
Book
Most early Western perceptions of the Holocaust were based on newsreels filmed during the Allied...
ClareR (5779 KP) rated The Haunting of Alma Fielding: A True Ghost Story in Books
Oct 5, 2020 (Updated Oct 5, 2020)
The Haunting of Alma Fielding is the non-fiction account of Nando Fodor and his investigation in to the haunting of a London housewife. Fodor was a Jewish-Hungarian refugee and worked for the International Institute for Psychical Research. When Fodor was tipped off about a possible poltergeist haunting, he rushed to Alma’s house to try and work out what exactly was going on. He was scrupulous. He involved trusted mediums, wrote detailed notes (lucky for us!) and whilst reading the book, it became obvious that Fodor became obsessed. His obsession however, had a deleterious effect on Alma. The more access to her that he had, the more physically ill she seemed to become and the more she seemed to be haunted.
There does seem to be a theme of obsession running through this with regards to Fodor. I was never quite sure if his obsession was with Alma’s haunting, or with Alma herself. She was an attractive woman, after all. He would certainly have been stopped a lot sooner if this had happened today (but I do wonder whether this would have happened at all).
The historical background and the build up to the Second World War was very interesting, and I enjoyed the historical detail throughout. I also liked that there was an ending. Summerscale researched up to the deaths of those involved - I appreciated that closure. But what interesting lives these people had!
This was a great story for a sceptic like me. Ghost stories fascinate me. I don’t believe that there are ghosts, but I still like that they have the ability to unnerve and scare me! And this was certainly unnerving!
Many thanks to The Pigeonhole for serialising this book. I probably would have gone on the waiting list at the library because of the (well-deserved) buzz around it, but I really do much prefer not having to wait and reading along with my fellow pigeons!
There does seem to be a theme of obsession running through this with regards to Fodor. I was never quite sure if his obsession was with Alma’s haunting, or with Alma herself. She was an attractive woman, after all. He would certainly have been stopped a lot sooner if this had happened today (but I do wonder whether this would have happened at all).
The historical background and the build up to the Second World War was very interesting, and I enjoyed the historical detail throughout. I also liked that there was an ending. Summerscale researched up to the deaths of those involved - I appreciated that closure. But what interesting lives these people had!
This was a great story for a sceptic like me. Ghost stories fascinate me. I don’t believe that there are ghosts, but I still like that they have the ability to unnerve and scare me! And this was certainly unnerving!
Many thanks to The Pigeonhole for serialising this book. I probably would have gone on the waiting list at the library because of the (well-deserved) buzz around it, but I really do much prefer not having to wait and reading along with my fellow pigeons!
Daniel Boyd (1066 KP) rated The Haunting of Hill House in TV
Nov 13, 2018 (Updated Nov 13, 2018)
Predictable jumpscares (2 more)
Bad acting
Crappy script
Overhyped Garbage
The Haunting Of Hill House is a 2018 Netflix series directed by Mike Flanagan, who directed last year's fantastically creepy adaption of Stephen King's 'Gerald's Game'. Hill House even features some of the same cast members in Carla Gugino and Henry Thomas, whom I both really like. Before diving into it, I thought that this show was going to be tailor made for me, with a brilliant cast and the same subtle but terrifying horror that Flanagan used in Gerald's Game.
However, after watching the first couple of episodes, I was struggling to get into it. Due to the massive amount of hype and praise that this show was getting I decided to stick with it. By the time I got to episode 6, I was done, but then my girlfriend guilted me into watching that rest of the series because she wanted to see it and she was, "too scared to watch it alone."
What a huge waste of time that turned out to be.
If you have read any of my other reviews of horror-based media, you will know that I have a love/hate relationship with the genre. There are very few horror movies or shows that I feel indifferent about. I hate lazy, formulaic bad horror and that is exactly what Hill House is.
Every single episode consists of a jumpscare at the start of the episode, then a hard cut either forwards or backwards in the timeline. Then about 15-20 minutes of piss poor acting and boring dialogue. This is followed by another cheap jumpscare, usually a woman screaming at an obnoxiously loud volume at the camera. Then we get another hard cut back to the other timeline.
The main issue with this structure, (other than being extremely lazy and repetitive,) is that when the hard cut is made to the other timeline, the audience knows that it is done by an editor and that we are now being asked to focus on a part of the story within the other timeline, but for the characters within the show, it makes no sense. For example, two people are having a conversation when something creepy happens. They go to investigate and a screaming woman comes launching towards them or is standing at the edge of a bed or doing basically any other ghost story cliché you can think of. Then the show cuts away to show the characters as children being haunted by a different ghost, but then when we cut back to the present, we never find out how the last jumpscare was resolved. What was the aftermath of that screaming lady at the end of the bed you ask? How was that resolved? How are the character's mentalities after this happened to them? Who cares?! Say the writers, let's just move on to the next cheap jumpscare.
The script is extraordinarily lazy and the child actors are horribly bad. This is an issue that I feel that there isn't really any excuse for anymore after the brilliant child performances in shows like Stranger Things and Season 2 of the Sinner.
If you judge the quality of something based on what it sets out to do versus what it actually does, then The Haunting Of Hill House is the worst show that I have had the displeasure of sitting through this year. The scares are pathetic, the acting is atrocious in places, the script is diabolically cheesy at times, there is hardly any originality present for an, 'original series,' and the show is overflowing with clichés. Not once did a jumpscare actually scare me, because they were all either laughably predicable or they would be totally out of place just for the sake of shock value and would merit a heavy sigh rather than an legit scare. The most egregious, offensively bad example of this was when two characters were having a conversation in a car in episode 6 and a ghost randomly screams from the backseat.
Please do not waste your time with this series, 2018 had so much brilliance to offer on the small screen and despite what you might hear from big publications, this is not one of them.
However, after watching the first couple of episodes, I was struggling to get into it. Due to the massive amount of hype and praise that this show was getting I decided to stick with it. By the time I got to episode 6, I was done, but then my girlfriend guilted me into watching that rest of the series because she wanted to see it and she was, "too scared to watch it alone."
What a huge waste of time that turned out to be.
If you have read any of my other reviews of horror-based media, you will know that I have a love/hate relationship with the genre. There are very few horror movies or shows that I feel indifferent about. I hate lazy, formulaic bad horror and that is exactly what Hill House is.
Every single episode consists of a jumpscare at the start of the episode, then a hard cut either forwards or backwards in the timeline. Then about 15-20 minutes of piss poor acting and boring dialogue. This is followed by another cheap jumpscare, usually a woman screaming at an obnoxiously loud volume at the camera. Then we get another hard cut back to the other timeline.
The main issue with this structure, (other than being extremely lazy and repetitive,) is that when the hard cut is made to the other timeline, the audience knows that it is done by an editor and that we are now being asked to focus on a part of the story within the other timeline, but for the characters within the show, it makes no sense. For example, two people are having a conversation when something creepy happens. They go to investigate and a screaming woman comes launching towards them or is standing at the edge of a bed or doing basically any other ghost story cliché you can think of. Then the show cuts away to show the characters as children being haunted by a different ghost, but then when we cut back to the present, we never find out how the last jumpscare was resolved. What was the aftermath of that screaming lady at the end of the bed you ask? How was that resolved? How are the character's mentalities after this happened to them? Who cares?! Say the writers, let's just move on to the next cheap jumpscare.
The script is extraordinarily lazy and the child actors are horribly bad. This is an issue that I feel that there isn't really any excuse for anymore after the brilliant child performances in shows like Stranger Things and Season 2 of the Sinner.
If you judge the quality of something based on what it sets out to do versus what it actually does, then The Haunting Of Hill House is the worst show that I have had the displeasure of sitting through this year. The scares are pathetic, the acting is atrocious in places, the script is diabolically cheesy at times, there is hardly any originality present for an, 'original series,' and the show is overflowing with clichés. Not once did a jumpscare actually scare me, because they were all either laughably predicable or they would be totally out of place just for the sake of shock value and would merit a heavy sigh rather than an legit scare. The most egregious, offensively bad example of this was when two characters were having a conversation in a car in episode 6 and a ghost randomly screams from the backseat.
Please do not waste your time with this series, 2018 had so much brilliance to offer on the small screen and despite what you might hear from big publications, this is not one of them.
