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Orphan (2009)
Orphan (2009)
2009 | Drama, Horror, Mystery
For the Coleman family the idea of adopting a beautiful little Russian orphan girl is no easy task, having overcome a number of heart breaking obstacles from alcoholism to the loss of a child. But Ester (Isabelle Fuhrman) seems to be a perfect fit for the family; she is independent, clever, and interested in the arts. When a series of dangerous yet untraceable events begin to occur whenever Ester is around, the Coleman’s wonder if their bad luck is over.

When I entered the theater I expected a creepy female version of Damien adorned in a lacey Victorian dress. But “Orphan” was surprising and interesting in ways than I ever could have expected. More like the 2002 film “He Loves Me… He Loves Me Not” than part of the “Omen” series, “Orphan” packs a punch… and a stab and a gunshot or two.

The full-bodied story starts straight from the films shocking beginning. Yes at times the plot does take some significant suspended belief, a recently recovering alcoholic adopting a child, for instance.

But “Orphan” is an emotional roller coaster splicing unexpected comedic moments with stabbing suspense.
The mix of hauntingly familiar music and color filled imagery make this not just another suspense film but a more artistic take on the genre. Film themes range from love, trust, and childhood, to the ongoing questions of good and evil.

Additionally reoccurring use of color, sex, and connection to family are well woven into the film. Not to mention the use of classic horror elements such as the creepy tree house used in conjunction with newer style choices such as some subtitling and scare turned laughter moments.

A thrilling and full-bodied story “Orphan” is a chilling tale with an interesting while not entirely believable plotline. People will talk about this one.

The DVD release offers sharp sound and picture quality and numerous bonus features including an alternate ending to the film.
  
Toy Story 4 (2019)
Toy Story 4 (2019)
2019 | Animation, Comedy, Sci-Fi
Pixar animation on point. (3 more)
All the familiar... voices?
Great story, as always(suck it Illumination)
You WILL cry
Expected... unexpected jump scare is expected. (1 more)
You WILL cry
The Necessary Unnecessary Sequel
Contains spoilers, click to show
Here is Toy Story 4. When you thought it was all over with Toy Story 3, how in the hell did we need this one. Well... lemme tell you... we did.

Quick recap, what happened at the end of Toy Story 3? Andy went off to college, and gave ALL of his toys to a little girl named Bonnie. That was it.

But was it?

So why was this story necessary? Without telling you EXACTLY how the movie goes...... what happens with toys when they go to a new owner? How about the idea of toys that are unwanted? And what about defective toys? Or those that are sitting on the shelf of an antique shop?

It also tackles the mystery of what happened to Bo Peep. Great to tie up that one loose end.

And then we come to Forkie. The "toy" that Bonnie made her first day of kindergarten. It's a spork. With pipe cleaner, popsicle stick, and googly eyes. In a parallel from the first movie, Buzz thought he was the REAL Buzz, and Woody has to help him realize he is a toy...... well... Forkie thinks he is trash... and Woody has to explain to him that he is a toy. Weird, but satisfying. And dammit... Trash!!!!

Watching this movie, made me miss Jim Varney. If you don't know who that is, lemme find an Ernest DVD box for ya, and I slap you with it. Also. Rest In Potatohead Parts, Don Rickles.

Last note... Toy Story 4 is another example of amazing animation AND story. Illumination Studios can't grasp that yet.

If you haven't seen it, go see it. Not like a "maybe you should". No... go see it.

Take some Kleenex
  
The Adventures of Pugalugs: Trick or Treat
10
10.0 (1 Ratings)
Book Rating
The Adventures of Pugalugs: Trick or Treat by Jessica Parish is the Halloween edition of Pugalugs. It is a cute story that should not scare children at all.

In this Halloween adventure Pugalugs is getting ready to go trick or treating with his siblings Dug and Bella. He starts digging through a chest full of costumes trying to find the perfect one. Unfortunately, he finds this task o be a bit on the difficult side. Pugalugs and his siblings seem to be able to find something wrong with every costume he tries out. He tries everything from a scary ghost to a silly pumpkin. Finally, at the very end, Pugalugs finds the perfect costume at the bottom of the chest. After getting dressed up Pugalugs surprise everyone with his wonderful disguise.

What I liked best was each of the costumes that Pugalugs tries on is cute in its own way. Pugalugs entertains children with his silly antics by tripping over the tail of one costume and getting all tangled up in another one. At the end, he decides the best thing to be is himself. What I didn’t like was that this book was not quite what I expected, although that is not a problem. I was expecting Pugalugs to actually be trick or treating and possibly overcoming a fear. Instead, Pugalugs is getting ready to go trick or treating but never actually leaves the house.

Animal lovers of all ages will enjoy this fun Halloween book. Toddlers and young children will enjoy having this book read to them over and over again while slightly older children will enjoy reading it themselves. I rate this book 4 out of 4. The small paragraphs accompanied by full-page pictures keep the book from being intimidating to young readers. The rhymes in this book keep it moving at a steady speed and it has a wonderful lesson for children; be your self.

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The Haunting of Alma Fielding: A True Ghost Story
The Haunting of Alma Fielding: A True Ghost Story
Kate Summerscale | 2020 | History & Politics, Mystery, Paranormal
8
8.0 (1 Ratings)
Book Rating
The Haunting of Alma Fielding is the non-fiction account of Nando Fodor and his investigation in to the haunting of a London housewife. Fodor was a Jewish-Hungarian refugee and worked for the International Institute for Psychical Research. When Fodor was tipped off about a possible poltergeist haunting, he rushed to Alma’s house to try and work out what exactly was going on. He was scrupulous. He involved trusted mediums, wrote detailed notes (lucky for us!) and whilst reading the book, it became obvious that Fodor became obsessed. His obsession however, had a deleterious effect on Alma. The more access to her that he had, the more physically ill she seemed to become and the more she seemed to be haunted.

There does seem to be a theme of obsession running through this with regards to Fodor. I was never quite sure if his obsession was with Alma’s haunting, or with Alma herself. She was an attractive woman, after all. He would certainly have been stopped a lot sooner if this had happened today (but I do wonder whether this would have happened at all).

The historical background and the build up to the Second World War was very interesting, and I enjoyed the historical detail throughout. I also liked that there was an ending. Summerscale researched up to the deaths of those involved - I appreciated that closure. But what interesting lives these people had!

This was a great story for a sceptic like me. Ghost stories fascinate me. I don’t believe that there are ghosts, but I still like that they have the ability to unnerve and scare me! And this was certainly unnerving!

Many thanks to The Pigeonhole for serialising this book. I probably would have gone on the waiting list at the library because of the (well-deserved) buzz around it, but I really do much prefer not having to wait and reading along with my fellow pigeons!
  
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Daniel Boyd (1066 KP) rated The Haunting of Hill House in TV

Nov 13, 2018 (Updated Nov 13, 2018)  
The Haunting of Hill House
The Haunting of Hill House
2018 | Horror
Predictable jumpscares (2 more)
Bad acting
Crappy script
Overhyped Garbage
The Haunting Of Hill House is a 2018 Netflix series directed by Mike Flanagan, who directed last year's fantastically creepy adaption of Stephen King's 'Gerald's Game'. Hill House even features some of the same cast members in Carla Gugino and Henry Thomas, whom I both really like. Before diving into it, I thought that this show was going to be tailor made for me, with a brilliant cast and the same subtle but terrifying horror that Flanagan used in Gerald's Game.

However, after watching the first couple of episodes, I was struggling to get into it. Due to the massive amount of hype and praise that this show was getting I decided to stick with it. By the time I got to episode 6, I was done, but then my girlfriend guilted me into watching that rest of the series because she wanted to see it and she was, "too scared to watch it alone."

What a huge waste of time that turned out to be.

If you have read any of my other reviews of horror-based media, you will know that I have a love/hate relationship with the genre. There are very few horror movies or shows that I feel indifferent about. I hate lazy, formulaic bad horror and that is exactly what Hill House is.

Every single episode consists of a jumpscare at the start of the episode, then a hard cut either forwards or backwards in the timeline. Then about 15-20 minutes of piss poor acting and boring dialogue. This is followed by another cheap jumpscare, usually a woman screaming at an obnoxiously loud volume at the camera. Then we get another hard cut back to the other timeline.

The main issue with this structure, (other than being extremely lazy and repetitive,) is that when the hard cut is made to the other timeline, the audience knows that it is done by an editor and that we are now being asked to focus on a part of the story within the other timeline, but for the characters within the show, it makes no sense. For example, two people are having a conversation when something creepy happens. They go to investigate and a screaming woman comes launching towards them or is standing at the edge of a bed or doing basically any other ghost story cliché you can think of. Then the show cuts away to show the characters as children being haunted by a different ghost, but then when we cut back to the present, we never find out how the last jumpscare was resolved. What was the aftermath of that screaming lady at the end of the bed you ask? How was that resolved? How are the character's mentalities after this happened to them? Who cares?! Say the writers, let's just move on to the next cheap jumpscare.

The script is extraordinarily lazy and the child actors are horribly bad. This is an issue that I feel that there isn't really any excuse for anymore after the brilliant child performances in shows like Stranger Things and Season 2 of the Sinner.

If you judge the quality of something based on what it sets out to do versus what it actually does, then The Haunting Of Hill House is the worst show that I have had the displeasure of sitting through this year. The scares are pathetic, the acting is atrocious in places, the script is diabolically cheesy at times, there is hardly any originality present for an, 'original series,' and the show is overflowing with clichés. Not once did a jumpscare actually scare me, because they were all either laughably predicable or they would be totally out of place just for the sake of shock value and would merit a heavy sigh rather than an legit scare. The most egregious, offensively bad example of this was when two characters were having a conversation in a car in episode 6 and a ghost randomly screams from the backseat.

Please do not waste your time with this series, 2018 had so much brilliance to offer on the small screen and despite what you might hear from big publications, this is not one of them.
  
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Lee (2222 KP) Nov 13, 2018

?... did your girlfriend enjoy it though?

Trespassers (2019)
Trespassers (2019)
2019 | Horror
6
5.5 (2 Ratings)
Movie Rating
Not Memorable In the Slightest
In Trespassers, two couples looking for a weekend respite wind up getting way more than what they bargained for when a stranger randomly shows up.

Acting: 10

Beginning: 10
Things get off to such a good start, it makes me wish they had managed to keep this intensity for the rest of the movie. Your “What the hell?” moment comes extremely early and you know it’s only a matter of time before things reach that level of craziness again. When I watched the first ten minutes, I expected to be in for a serious treat. I was wrong…

Characters: 4

Cinematography/Visuals: 1
The film is shot in such a way that doesn’t do the best job of capturing the intensity of the moment. It left me wondering what director Orson Oblowitz was going for. It was uneven at best, feeling professional in some spots and juvenile in others.

Conflict: 8
From the moment that stranger shows up, the intensity ratchets up way high. There are a number of scare moments to keep you entertained. I also appreciated the interpersonal turmoil as well between the couples. From jump, you get the feeling that something is off and slowly each layer of the onion is peeled back.

Entertainment Value: 6
I would have been way more entertained had I given two shits about the characters involved. They all felt expendable to me which made it hard to reman rooted in the story. There are some pretty solid moments to be had, but there was definitely something lacking.

Memorability: 3
As I write this review, Tresspassers is playing in the background. I’ve already found myself saying a couple times, “Oh, that’s right! That happened!” The movie as a whole lacks staying power. When it’s all said and done, it doesn’t really stick to your ribs.

Pace: 5

Plot: 2

Resolution: 7

Overall: 56
There are certain movies you can only watch once and be done with them. Then there are movies that you can avoid altogether. Kind of like Tresspassers. Save your time on this one.
  
The Fifth Avenue Story Society
The Fifth Avenue Story Society
10
10.0 (1 Ratings)
Book Rating
THIS WAS A MARVELOUS STORY!

     Rachal Hauck pulled me in right from the very beginning of this story, with her description of the character’s different situations, and the idea of random strangers becoming friends. The overall story plot was very unique and one that I have not previously read before. The perspectives of each character were given in such a realistic and easy to follow thought process, that I found myself readily engaged with the characters by the end of the first chapter, which doesn’t happen often. Every character had a unique background story, and each person had to overcome an obstacle. A true learning experience for everyone involved.

"Maybe the point is at the end of the journey and not at the beginning." - pg. 72

     I think Rachel Hauck did very well in the diversity of her characters and their hurdles to overcome. They faced overcoming fear of the past, self-worth, custody battles, fighting for marriage, the scare of losing a company, and so many more relevant topics that we all struggle with. Yet, in the midst of it all Rachel Hauck manages to tell us about the only hope in our struggles, and how one person choosing to listen to God's voice can affect so many people’s lives. A truly great reminder.

     I give this book a resounding 5 out of 5 stars for the amazing characters and their individual stories, for the story of friendships coming from nothing, and for showing how the faith of one can affect many. I highly recommend picking this book up to read.

*I will say that Rachel Hauck is known for her edgy and realistic writing and in this case, she does basically use a couple of cuss words in this book, as well as references to sex and alcohol. I am not really fond of that aspect; however, I do understand that she is showing a realistic view of people without the light of Christ in them.

**I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
  
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Nick McCabe recommended Halloween by John Carpenter in Music (curated)

 
Halloween by John Carpenter
Halloween by John Carpenter
(0 Ratings)
Album Favorite

"I grew up in the seventies – the era of the video nasty. My friend had Betamax, while we had VHS, but it seemed like Betamax had all the best horror movies. That was the time when I got exposed to quite a lot of electronic music. I was going to chuck in A Clockwork Orange's soundtrack too. It was 'Timesteps' on that that made the big impression. That and Holst's The Planets. I started to enjoy being frightened by music. My partner at the moment really doesn't understand that. She's a real soul and R&B fanatic. She doesn't get the fact that music's got to scare you. The Halloween soundtrack gives me a knot in my stomach… that's become a mark of quality for me in music over the years. Unless it's IBS [chuckles]. It's the tension. Quite a lot of my descriptions of music have little tags like ""nosebleed"". Music can induce a very physical response. I developed this theory that music was analogous to physical activity. Like sneezing; something as simple as that. It mirrors the rhythms of the body. A couple of years back I got Phantasm on DVD and the music on that had a similar effect. It's clear to me now, looking back after years and years of being a music fan, that John Carpenter's stuff in general opened up another field of things I enjoyed in music. The whole krautrock thing. There's a huge element of fear in that. And John Carpenter's work on Escape From New York… that dense, heavy atmosphere. He was consistently brilliant up until about 1988 when the novelty of synthesisers wore off. They became a kind of cheesy thing. But during that era, there wasn't that kitschy element to electronic music – it was genuinely seen as otherworldly and that still comes through to this day. The best of it transcends that kitsch vibe. Like Computer World by Kraftwerk. That sounds more modern and harder than most of the electronic music being made today. It seems weird to me really – to put this ironic slant on something that still works."

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