"I don’t really read Stephen King—I just can’t read scary things because it stays with me too long—but I truly liked his memoir of the craft of writing. It’s the most accurate depiction of what writing is like and it’s not necessarily glamorous the way we’ve seen it on “Sex and the City,” where you sit down and bang out an article in 30 minutes. He’s good at mining his personal life and letting that inspire his creativity. That’s the ideal way to go about writing, to be informed by your life and use it in a way that can entertain other people."

"Jaws was the first scary movie I ever saw. Even though I did hate it and it made me scared of sharks, it stuck with me. Every time it’s on, I do have to watch it. Especially now that you know the behind the scenes stuff. The shark didn’t work. So then it became a creative choice to just not show the shark until two-thirds in. It was freezing cold and these people had to be in the ocean. Then, the ocean was freezing so these people were freezing cold and raining and all of that kind of stuff. It just made it more movie magic for me."

"I remember this movie winning everything right around the time I was starting to pay attention to film. Seeing it as a little kid, I thought it was scary and thrilling and very “adult.” Now that I’m an actual adult, I find that the film remarkably hasn’t aged at all, and that there are new things to appreciate each time I return to it. The filmmaking is so masterful it’s become a kind of blueprint, and the way Demme is able to use his craft to transform the pulpy, lurid material at the core of the film into something so serious and artful is really incredible"

"Directed by the Danish master Carl Theodor Dreyer, Ordet is yet another film made in 1955 to which I’m deeply indebted. There is a stunning scene of literal resurrection that inspired my own visual approach to The Exorcist and gave me the courage to stage a supernatural event as if it were actually happening, without scary lighting or weird angles. Like many of Dreyer’s other films, including Vampyr and The Passion of Joan of Arc, Ordet is based on literary source material (in this case, a play). But all his films are deeply spiritual in their examinations of the mystery of faith, and purely cinematic."