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Night of the Living Dead (1968)
Night of the Living Dead (1968)
1968 | Horror

"I saw this movie when it first came out and at that point I’d never see a horror film, believe it or not! I had a girlfriend at the time, she was an anthropology student, and she said, ‘I heard there’s this new film called Night of the Living Dead, c’mon lets go.’ Eventually we left and when we got there the theatre was buzzing before the film even started. And then it starts, and we’re in the cemetery with the brothers and sisters bickering and then the zombie lurches towards them! Some people are screaming, some were saying the lines of the characters and suddenly I was swept into it and jumping and laughing and afraid, and I realised that this guy Romero was incredible. “It also made me realise that with a genre film, as long as it scared you, you could say anything; about politics, about psychology. It made me realise as well that fear is one of the primary thresholds you experience things through. Fear of anything – even sex – is scary! The first time you do it you’re like, ‘Oh my God, what am I doing? Am I going to fail?’ And you get through it and you realise it’s a wonderful thing. That’s what’s great about the horror genre is that you’re getting a load of people together in the cinema at the same place and the same time, having them all experience extreme fear, and come out alive at the end. It’s an uplifting experience and there’s a sense of elation."

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Brett Anderson recommended Low by David Bowie in Music (curated)

 
Low by David Bowie
Low by David Bowie
1977 | Rock
9.3 (4 Ratings)
Album Favorite

"I have a weird relationship with David Bowie. There's a part of me that didn't want to include him out of bloody-mindedness, not out of any disrespect to him but because I get sick of talking about David Bowie, what with all those comparisons we drew. People said that Suede were like a mixture of The Smiths and Bowie, when actually there are all these other comparisons that could have been made. But I can't get away from the fact that he is a huge influence on what I do, and you can't get away from the fact that he simply is one of the greatest artists of all time and he made some of the greatest music of the 1970s, and six or seven unbelievably good records. Low is just one of them, I could have chosen Hunky Dory, Space Oddity, Scary Monsters, Young Americans. But I've chosen Low because I love the mystery of it, even though it's not his best song album - there's no 'Quicksand' or anything like that. You can tell that he's shifting, and looking for something else. My favourite track on it is 'Warszawa', with its amazing Wagnerian stirring in the music. Suede's 'Europe Is Our Playground' had a sense that it was a version of that. I love the way Low doesn't explain itself, and that it's a really odd record. I love the chronology of it, the fact that three of my favourite records ever were all made around the same time: Low, Never Mind The Bollocks and Music For Airports."

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Fear Street Part One: 1994 (2021)
Fear Street Part One: 1994 (2021)
2021 | Horror
From it's very Scream-esque cold open, to it's Intruder style finale, Fear Street: 1994 is an unabashed love letter to the slasher genre that benefits from a cast of likable characters, and doesn't shy away from the gory stuff.
The group of friends that the narrative revolves around share some decent chemistry. The vibe that surrounds them isn't to dissimilar to the characters in Scary Stories or even Stranger Things. They're written to be rooted for, which makes all the more impact when the final third comes knocking and the body count piles up. The various killers on the loose are clearly inspired by other slasher icons, but the multiple-killer aspect makes them interesting enough, even if it's just surface level, and the overarching narrative to do with witchcraft is intriguing.
Unfortunately, the pacing is a bit off. 1994 really takes it's time to get to where it wants to be, and the first half drags in places. It also falls into the Suicide Squad trap of spaffing out well known songs, one after another, without any reprieve. One of my absolute pet peeves in modern movies by the way, but thankfully, this doesn't last for the whole runtime.

Overall, 1994 is a fun, if flawed horror ride, with some solid gore to boot, that will surely offer something for any slasher fans out there. Genuinely looking forward to the next two installments over the coming weeks, and it's always a bonus when horror in general gets a big push from the likes of Netflix.
  
Spiral: From the Book of Saw (2021)
Spiral: From the Book of Saw (2021)
2021 | Horror, Thriller
That final trap is as heart-stopping and clever a piece of political commentary that's been put into any horror film this decade thus far - but the rest (I'm immeasurably disappointed to report) is a bland, run-of-the-mill police procedural which only occasionally resembles a 𝘚𝘢𝘸 movie. Don't know whose idea it was to have less gore and crappier traps but fire them immediately. I think outside of that grievous oversight the other major problem is that this tries to be both a Saw movie as well as a modern movie - way less of the 2000s scary crackhead camerawork + editing, much fewer unnerving layers of overexposed shots, and now a clean frame replaces what was once a grimy sheen of iconic dilapidation. If you want this franchise to stay ahead of the pack in a day in age where even the cheapest indie flicks can have solid gore, you can't be this polished. No cutting away from the action right as it happens, and don't be afraid to cling onto what worked during its inception just because the passage of time may have left those trends behind - with this kind of cleanliness it's too easy to see the inherent seams of these things. Also you'd have to be an idiot not to see this 'twist' coming from a mile away. But Chris Rock is awesome in the last 20 minutes when he's snapping at everybody. Without a shadow of a doubt the worst film in the series.
  
Annabelle Comes Home (2019)
Annabelle Comes Home (2019)
2019 | Horror, Mystery, Thriller
At first, the start of the movie didn't make much sense to me. A middle aged couple purchase Annabelle and on their way home their car breaks down, they witness what Annabelle can do but yet they're still willing to get back in the car with the doll and take her home! I'd have been burning that thing but hey ho! Anyway, it turns out this couple 'the warrens' collect possessed artifacts and keep them under lock and key, and Annabelle is no exception, the Warren's lock her away in a glass cabinet and have her blessed every week to keep the evil away.
One day a friend of the Warren's babysitter comes over to hang out, keen to see the cursed artifacts, and when she's left alone she goes wandering into the locked room where she comes across Annabelle. She unlocks the cabinet to prop her back up after she falls forward and is scared by the kitchen smoke alarm causing her to flee back to the kitchen leaving the cabinet unlocked. Low and behold Annabelle falls out of the cabinet which I found pretty amusing. After that, strange things start happening such as a child asking for annabelle to come out and play, people seing ghosts and annabelle appearing in random places, nothing overly scary really. The movie finally gets going after about an hour with a few jump scares, evil ghosts and a rabid wolf to name a few, but it was over quicker than it started and in quite an abrupt way too.
  
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Christine A. (965 KP) rated Broken in Books

Sep 16, 2020  
Broken
Broken
John Rector | 2020 | Mystery
6
6.0 (1 Ratings)
Book Rating
I was provided with a complimentary copy of this book so I could give an honest review. The opinions are entirely my own, and any quotes are taken from the ARC and may be different in the final published copy.

Magnolia (Maggie) is not surprised when her estranged twin sister is murdered by her abusive husband. She travels to Beaumont Cove, the town where her sister and Mike lived. Mike protests his innocence, and, at first, she does not believe him. Wandering around town and looking into her sister's time there, she begins to have doubts. Hiring a local PI, Maggie looks into her sister's murder and wonders if Mike is telling the truth.

Broken by John Rector is a short, quick read. It is 284 pages. The story flows well, but I did not connect with the characters. The town is supposed to feel creepy, but it came across as similar to a New Jersey tourist town during the off-season, devoid of tourists. The "big reveal" from one of the characters' past was not surprising, although it did explain his actions.

The cover and description of the book made it seem as if the story was going to be scary or suspenseful. It was neither. While it was worth reading, the book felt too short and not fully fleshed out.

According to Goodreads, Rector's short fiction won several awards, including the International Thriller Award for his novella, Lost Things.

This 200-word review was published on Philomathinphila.com on 9/15/20.
  
Darkest Before Dawn (The Veil, #3)
Darkest Before Dawn (The Veil, #3)
6
6.0 (1 Ratings)
Book Rating
Charlie is now working as an independent enforcer for the Institute; meaning she gets her own space and can be away from the series of warehouses that once held her captive. In her new place, she's getting over the fact that Stefan has pretty much shunned her when Akil comes knocking on her door bearing a young half blood demon, Dawn, that he tells her to protect before disappearing into the night.

Unfortunately, it seems that Dawn is hot property in the Netherworld and wanted by the Princes so they don't stay hidden away for long. She gets recaptured by Charlie's half brother, Valenti, and spirited back to the Netherworld. Charlie finally learns just why Dawn is being kept as a slave and it's because she girls demon is so scary powerful.

Then there's also Stefan who still hasn't regained control of his demon fully yet but is coming around to face the fact that Muse wasn't entirely to blame for what happened in the last book.

We also see a bit of a softer side to Akil in this one when, for a time, the world believes Muse to be dead. He doesn't take the news well.

It all gets a little more complicated and, if I'm honest, my attention has began to waver with this series. I still like Muse/Charlie and Stefan and sometimes Akil isn't so bad either but their complicated relationships are maybe getting a little TOO complicated for me to keep up with.

I'm not sure if I'll continue the series at this point.
  
The Lords of Salem (2013)
The Lords of Salem (2013)
2013 | Horror, Mystery
Backmasking
Does any remember if you play any of the beatles songs backwards their are hidden messages. Same some of queens songs.

The term is called backmasking is a recording technique in which a sound or message is recorded backward onto a track that is meant to be played forward. Backmasking is a deliberate process, whereas a message found through phonetic reversal may be unintentional.

So how does tie into the movie, well in the movie, the main person gets a mysterious cd and once she plays it, it has hidden messages, the measages are the notes and the notes in the song keep on repeating themself.

The Plot: A radio DJ (Sheri Moon Zombie) in Salem, Mass., is plagued by nightmarish visions of vengeful witches after she plays a record by a mysterious group known only as "The Lords."

Heidi the main charcter- has a vision of women who worship Satan, at an unspecified time in the past, ritually birthing a baby then damning the child. The vision stops once Whitey turns the record off.

If you play some of the beatles songs and queens songs backwards their are satanic messages, same with the cd the heidi plays, but itstead of words its just notes/the insturmentis. Hedi gets really invested of the cd, same with people who thought if you played a beatles song backwards you hear hidden satanic messages.

This movie is very underrated. Its scary, mysterious, horrorfying, thrilling and more.

I would highly reccordmend this movie.