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Mark @ Carstairs Considers (2357 KP) rated Mother-Daughter Murder Night in Books
Jul 5, 2024
I Enjoyed the Book, but I Wanted to Like It More
When Los Angeles based real estate mogul Lana Rubicon is diagnosed with cancer, she moves to the central California coast so her daughter, Beth, and granddaughter, Jacqueline (aka Jack) can take care of her, a scary prospect since Lana doesn’t necessarily get along with them. But when a kayak group that Jack is leading discover a dead body, Lana jumps into the case to help her granddaughter. Will this prove to be the distraction and bonding agent that three of them need?
I really wanted to like this book, and there were things I did. While a bit slow, especially at the beginning, the mystery did drawn me in. On the other hand, I figured out the killer pretty early. Lana has some rough edges, and it took quite a while to warm up to her. Since most (but not all) of the book is told from her third person point-of-view, that was an issue. It helped that I liked Beth and Jack and their relationship. I was also pretty discouraged by how most of the men in the story were portrayed. The setting came to life, and I enjoyed spending time there. Overall, the book has a serious tone and is more a traditional mystery than a cozy. It’s definitely not a thriller. As I said, this was a mixed bag. I’m glad I read it, but I will hesitate before I pick up anything else from this author.
I really wanted to like this book, and there were things I did. While a bit slow, especially at the beginning, the mystery did drawn me in. On the other hand, I figured out the killer pretty early. Lana has some rough edges, and it took quite a while to warm up to her. Since most (but not all) of the book is told from her third person point-of-view, that was an issue. It helped that I liked Beth and Jack and their relationship. I was also pretty discouraged by how most of the men in the story were portrayed. The setting came to life, and I enjoyed spending time there. Overall, the book has a serious tone and is more a traditional mystery than a cozy. It’s definitely not a thriller. As I said, this was a mixed bag. I’m glad I read it, but I will hesitate before I pick up anything else from this author.
Lyndsey Gollogly (2893 KP) rated Dark Matter in Books
May 10, 2024
91 of 220
Book
Dark Matter
By Michelle Paver
⭐️⭐️⭐️
January 1937 Clouds of war are gathering over a fogbound London. Twenty-eight year old Jack is poor, lonely and desperate to change his life. So when he's offered the chance to be the wireless operator on an Arctic expedition, he jumps at it. Spirits are high as the ship leaves Norway: five men and eight huskies, crossing the Barents Sea by the light of the midnight sun. At last they reach the remote, uninhabited bay where they will camp for the next year. Gruhuken. But the Arctic summer is brief. As night returns to claim the land, Jack feels a creeping unease. One by one, his companions are forced to leave. He faces a stark choice. Stay or go. Soon he will see the last of the sun, as the polar night engulfs the camp in months of darkness. Soon he will reach the point of no return - when the sea will freeze, making escape impossible. And Gruhuken is not uninhabited. Jack is not alone. Something walks there in the dark.
This was good I enjoyed the atmospheric feel of it and the version I have has picture of the arctic not sure if they all do. I think I was expecting something chilling and scary but this really wasn’t for me I got caught up in others reviews I think. While it was well we and I did like it I just didn’t find it as good as I was expecting.
Book
Dark Matter
By Michelle Paver
⭐️⭐️⭐️
January 1937 Clouds of war are gathering over a fogbound London. Twenty-eight year old Jack is poor, lonely and desperate to change his life. So when he's offered the chance to be the wireless operator on an Arctic expedition, he jumps at it. Spirits are high as the ship leaves Norway: five men and eight huskies, crossing the Barents Sea by the light of the midnight sun. At last they reach the remote, uninhabited bay where they will camp for the next year. Gruhuken. But the Arctic summer is brief. As night returns to claim the land, Jack feels a creeping unease. One by one, his companions are forced to leave. He faces a stark choice. Stay or go. Soon he will see the last of the sun, as the polar night engulfs the camp in months of darkness. Soon he will reach the point of no return - when the sea will freeze, making escape impossible. And Gruhuken is not uninhabited. Jack is not alone. Something walks there in the dark.
This was good I enjoyed the atmospheric feel of it and the version I have has picture of the arctic not sure if they all do. I think I was expecting something chilling and scary but this really wasn’t for me I got caught up in others reviews I think. While it was well we and I did like it I just didn’t find it as good as I was expecting.
Heather Cranmer (2721 KP) rated Morgwel Hall in Books
Feb 20, 2019
Interesting plot (1 more)
Great setting
A bit too wordy sometimes (1 more)
Hard to get an idea of the age of main character
A Lovely Ghost Story
I love books about ghost stories, so when I got the chance to read Morgwel Hall by Michael Hutchins, I didn't think twice. The synopsis definitely piqued my interest. Luckily, I was not disappointed.
I really enjoyed the plot for Morgwel Hall. Captain Williamson sees a girl dancing on the battlements of the ruined castle he is about to purchase. He is instantly mesmerized by her. He learns her name is Anna and begins to fall in love with her. The only problem is she's a ghost. However, there's a bit more paranormal happenings going on at Morgwel Hall. Desperate to learn the history of the place, he seeks out two locals who tell him of the horrible history of Morgwel Hall and of Anna's demise. I wouldn't say the plot was scary. It was spooky and a bit creepy at times, but it wasn't overly scary which I didn't mind. It was still very interesting! I didn't really read any major plot twists, but that didn't take away from the story. All of my questions and wondering were answered by the end of the book even my questions about Williamson's cat and dog which was a nice touch. I wish there was more detail as to why Anna took a shining to Captain Williamson and what made her fall in love with him though. The world building was done very well as well. The story takes place almost completely in Cornwall not long after World War I. It was definitely believable.
The characters of Morgwel Hall were very well written and realistic. Captain Williamson is a great character although sometimes it was hard to tell if he was supposed to be an older man or a younger man. It would have been nice to know his actual age in the book because I struggled to picture him in my mind age wise. Other than that, everything about Williamson was great. It was interesting learning with Williamson about Morgwell Hall. Albert and Nancy were also fantastic characters. I really liked Nancy for some reason. I guess it was just how humble she was. Dougy was my absolute favorite though. He sounded like such a sweet dog!
The pacing in Morgwel Hall was set decently. There were a few times when the story got a bit too wordy and descriptive which would slow the pacing down a little, but for the most part, the pacing stayed strong, and I was desperate to learn more about Morgwel Hall and the history.
Trigger warnings for Morgwel Hall include alcoholism (Captain Williamson came across as being addicted to whiskey), minor profanities, death, suicide, and implied murder.
Overall, Morgwel Hall is a very interesting read. The plot is written very well, and the characters are interesting to read about. I would definitely recommend Morgwel Hall by Michael Hutchins to those aged 15+ who are fans of ghost stories but don't want to be too scared.
--
(A special thank you to the author for providing me with a paperback of Morgwel Hall in exchange for an honest and unbiased review.)
I really enjoyed the plot for Morgwel Hall. Captain Williamson sees a girl dancing on the battlements of the ruined castle he is about to purchase. He is instantly mesmerized by her. He learns her name is Anna and begins to fall in love with her. The only problem is she's a ghost. However, there's a bit more paranormal happenings going on at Morgwel Hall. Desperate to learn the history of the place, he seeks out two locals who tell him of the horrible history of Morgwel Hall and of Anna's demise. I wouldn't say the plot was scary. It was spooky and a bit creepy at times, but it wasn't overly scary which I didn't mind. It was still very interesting! I didn't really read any major plot twists, but that didn't take away from the story. All of my questions and wondering were answered by the end of the book even my questions about Williamson's cat and dog which was a nice touch. I wish there was more detail as to why Anna took a shining to Captain Williamson and what made her fall in love with him though. The world building was done very well as well. The story takes place almost completely in Cornwall not long after World War I. It was definitely believable.
The characters of Morgwel Hall were very well written and realistic. Captain Williamson is a great character although sometimes it was hard to tell if he was supposed to be an older man or a younger man. It would have been nice to know his actual age in the book because I struggled to picture him in my mind age wise. Other than that, everything about Williamson was great. It was interesting learning with Williamson about Morgwell Hall. Albert and Nancy were also fantastic characters. I really liked Nancy for some reason. I guess it was just how humble she was. Dougy was my absolute favorite though. He sounded like such a sweet dog!
The pacing in Morgwel Hall was set decently. There were a few times when the story got a bit too wordy and descriptive which would slow the pacing down a little, but for the most part, the pacing stayed strong, and I was desperate to learn more about Morgwel Hall and the history.
Trigger warnings for Morgwel Hall include alcoholism (Captain Williamson came across as being addicted to whiskey), minor profanities, death, suicide, and implied murder.
Overall, Morgwel Hall is a very interesting read. The plot is written very well, and the characters are interesting to read about. I would definitely recommend Morgwel Hall by Michael Hutchins to those aged 15+ who are fans of ghost stories but don't want to be too scared.
--
(A special thank you to the author for providing me with a paperback of Morgwel Hall in exchange for an honest and unbiased review.)
BankofMarquis (1832 KP) rated Dumbo (2019) in Movies
Apr 5, 2019
In a word...bland
There are many words that you can use to describe films by Tim Burton: Gothic, Bizarre, Dark, Interesting, SteamPunk, Unique, Visual.
With the live action DUMBO, you can add another word to describe a Tim Burton film: Bland.
Based on the 1941 animated classic character of Walt Disney, DUMBO tells the tale of an animal, shamed for having a deformity...over-large ears...but when the young elephant discovers that these ears can save the circus he is in - and will help reunite him with his mother - a journey to redemption begins.
Sounds like a pretty good premise for a film, right? Unfortunately, this isn't really the theme of this film. Unlike other Disney "live action" versions of classic animated films (BEAUTY AND THE BEAST, the upcoming ALADDIN and THE LION KING), DUMBO is a live action remake only in the fact that Director Burton uses the baby elephant, separated from his mother, with over large ears who can fly. This film shows no signs of the earlier, beloved, children's film. It eliminates the songs (except as background music) and it tacks on a family drama of a returning army veteran (who's wife died while he was away) and his 2 children and a rival circus trying to steal the famed flying elephant.
Is it a children's movie? Is it a Tim Burton eerie, scary, visual delight? Well...yes...and no...on both parts and that's the problem of this film. Burton straddles a line between the two, never committing to a fun, stylistic children's film (like PADDINGTON 2) or an eerie, bizarre Tim Burton film (many, many to name but the closest I can come is BIG FISH). He restrains himself to the bland middle and it shows.
He has assembled a strong ensemble of actors to populate this world - Colin Farrell, Danny DeVito, Eva Green, Michael Keaton and Alan Arkin are all in this film - and are all bland. While, at times, this film felt every minute of it's 1 hour and 52 minute run time, I was longing for more from each of these characters, fleshing out what was the BEGINNING of interesting characters, but never getting past that. Each one of these characters are bland, bland, bland and you can see each actor trying harder and harder to push some sort of character to the screen, but never succeeding.
The only interesting characters, ironically enough, is that of Dumbo and his mother, Mrs. Jumbo. These are 2 CGI, non-speaking characters but they say more in facial expressions and movements than all of the human characters combined.
And that's the other problem with this film. Much like another Disney Live Action film, TOMORROWLAND, a large part of this film is given to showing the world that is lavishly made by the Director, Production Designer, Art Director and Cinematographer - and it is impressive indeed - but the action and characters inhabiting this world are...well...bland and that makes for a lackluster film.
One thing to note - this film is not scary, nor is it overly sad (things that I heard that this film was), so I'd be interested to hear if you have younger children (ages 7-10, say) and they saw the film - did they enjoy it? I think they just might.
I didn't, I thought this film was bland.
Letter Grade: B- (for the interesting visuals put up on the screen)
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
With the live action DUMBO, you can add another word to describe a Tim Burton film: Bland.
Based on the 1941 animated classic character of Walt Disney, DUMBO tells the tale of an animal, shamed for having a deformity...over-large ears...but when the young elephant discovers that these ears can save the circus he is in - and will help reunite him with his mother - a journey to redemption begins.
Sounds like a pretty good premise for a film, right? Unfortunately, this isn't really the theme of this film. Unlike other Disney "live action" versions of classic animated films (BEAUTY AND THE BEAST, the upcoming ALADDIN and THE LION KING), DUMBO is a live action remake only in the fact that Director Burton uses the baby elephant, separated from his mother, with over large ears who can fly. This film shows no signs of the earlier, beloved, children's film. It eliminates the songs (except as background music) and it tacks on a family drama of a returning army veteran (who's wife died while he was away) and his 2 children and a rival circus trying to steal the famed flying elephant.
Is it a children's movie? Is it a Tim Burton eerie, scary, visual delight? Well...yes...and no...on both parts and that's the problem of this film. Burton straddles a line between the two, never committing to a fun, stylistic children's film (like PADDINGTON 2) or an eerie, bizarre Tim Burton film (many, many to name but the closest I can come is BIG FISH). He restrains himself to the bland middle and it shows.
He has assembled a strong ensemble of actors to populate this world - Colin Farrell, Danny DeVito, Eva Green, Michael Keaton and Alan Arkin are all in this film - and are all bland. While, at times, this film felt every minute of it's 1 hour and 52 minute run time, I was longing for more from each of these characters, fleshing out what was the BEGINNING of interesting characters, but never getting past that. Each one of these characters are bland, bland, bland and you can see each actor trying harder and harder to push some sort of character to the screen, but never succeeding.
The only interesting characters, ironically enough, is that of Dumbo and his mother, Mrs. Jumbo. These are 2 CGI, non-speaking characters but they say more in facial expressions and movements than all of the human characters combined.
And that's the other problem with this film. Much like another Disney Live Action film, TOMORROWLAND, a large part of this film is given to showing the world that is lavishly made by the Director, Production Designer, Art Director and Cinematographer - and it is impressive indeed - but the action and characters inhabiting this world are...well...bland and that makes for a lackluster film.
One thing to note - this film is not scary, nor is it overly sad (things that I heard that this film was), so I'd be interested to hear if you have younger children (ages 7-10, say) and they saw the film - did they enjoy it? I think they just might.
I didn't, I thought this film was bland.
Letter Grade: B- (for the interesting visuals put up on the screen)
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Lee (2222 KP) rated The Curse of La Llorona (2019) in Movies
Apr 21, 2019
I've said it before, The Conjuring is my all time favourite scary movie. However, since the success of that first movie, there have been a number of spin off movies, in an bid to build what's now known as the 'Conjuring Universe'. These movies have all varied in quality, ranging from the not too bad (Annabelle Creation) to the downright awful (The Nun). With a third Annabelle movie due out this year, not to mention another Conjuring sequel and other planned universe movies such as The Crooked Man, there's no sign of them stopping anytime soon.
Which brings us to The Curse of La Llorona, the latest entry to the universe and one which is based on Mexican folklore. La Llorona, also known as "The Weeping Woman", is the ghost of a woman who drowned her children and now cries while looking for them in the river. Nowadays, children are told to be well behaved and respectful of their elders, otherwise La Llorona will come and take them away.
This movie wasn't originally billed as being part of the Conjuring universe, and featured a pretty dull first trailer. However, a subsequent trailer featured a familiar face from the Annabelle movies in the form of Father Perez (Tony Amendola), and a link to the Conjuring universe was later confirmed, despite his presence in this movie being somewhat brief.
We're in Los Angeles, 1976. Anna (Linda Cardellini) is a widow with two young kids and working in social services. She still mourns the death of her police officer husband while trying to keep her family together and maintain her demanding job. That job involves dealing with some difficult cases involving children and one such case takes her to the Alvarez home. The mother appears to have lost her mind, while her children are locked in a cupboard that has strange markings on the door. As the title of the movie suggests, there is a curse at play and it's not long before that curse, and the horror that brings with it, is passed onto Anna and her children.
Like The Nun, La Llorona is essentially just a woman with scary face makeup who shrieks at people every so often and tries to make you jump. But thankfully, there's a little more to La Llorona than just that. Some slow, effective reveals provide some pretty decent chills and scares, making this a much more solid and enjoyable movie as she begins to terrorise the children before eventually invading their home and going full on evil.
After Father Perez brings us all up to speed on the backstory of La Llorona, and a flashback to 1763 gives us a visual and graphic representation, the family are referred to an ex priest who is better suited in helping them shake off the curse. He comes to their home in order to prepare for the arrival, and hopefully the removal of, La Llorona. It all feels very formulaic, similar to countless movies we've seen before, such as Poltergeist.
The Curse of La Llorona is pretty corny at times, attempting to inject humour which doesn't always seem to work. However, I did like it. It's certainly a huge step up from last year's disappointing Nun movie and featured enough intensity and scares in its short 93 minute runtime to make it enjoyable enough.
Which brings us to The Curse of La Llorona, the latest entry to the universe and one which is based on Mexican folklore. La Llorona, also known as "The Weeping Woman", is the ghost of a woman who drowned her children and now cries while looking for them in the river. Nowadays, children are told to be well behaved and respectful of their elders, otherwise La Llorona will come and take them away.
This movie wasn't originally billed as being part of the Conjuring universe, and featured a pretty dull first trailer. However, a subsequent trailer featured a familiar face from the Annabelle movies in the form of Father Perez (Tony Amendola), and a link to the Conjuring universe was later confirmed, despite his presence in this movie being somewhat brief.
We're in Los Angeles, 1976. Anna (Linda Cardellini) is a widow with two young kids and working in social services. She still mourns the death of her police officer husband while trying to keep her family together and maintain her demanding job. That job involves dealing with some difficult cases involving children and one such case takes her to the Alvarez home. The mother appears to have lost her mind, while her children are locked in a cupboard that has strange markings on the door. As the title of the movie suggests, there is a curse at play and it's not long before that curse, and the horror that brings with it, is passed onto Anna and her children.
Like The Nun, La Llorona is essentially just a woman with scary face makeup who shrieks at people every so often and tries to make you jump. But thankfully, there's a little more to La Llorona than just that. Some slow, effective reveals provide some pretty decent chills and scares, making this a much more solid and enjoyable movie as she begins to terrorise the children before eventually invading their home and going full on evil.
After Father Perez brings us all up to speed on the backstory of La Llorona, and a flashback to 1763 gives us a visual and graphic representation, the family are referred to an ex priest who is better suited in helping them shake off the curse. He comes to their home in order to prepare for the arrival, and hopefully the removal of, La Llorona. It all feels very formulaic, similar to countless movies we've seen before, such as Poltergeist.
The Curse of La Llorona is pretty corny at times, attempting to inject humour which doesn't always seem to work. However, I did like it. It's certainly a huge step up from last year's disappointing Nun movie and featured enough intensity and scares in its short 93 minute runtime to make it enjoyable enough.
Debbiereadsbook (1454 KP) rated Badlands (Badlands #1) in Books
Apr 29, 2019
rather good!
Independent reviewer for Archaeolibrarian, I was gifted the audio copy of this book.
Simon has run to Myrtle Beach after he lost his job and his love. Vic is there after he saw something he could not explain. There have been some murders in town, and Vic, a homicide cop, comes across Simon's ghost tours and seance shop and figures it can't do any harm, right? To ask? But as Simon and Vic get closer to each other, so the killer gets closer to Simon. And Simon doesn't think anyone can stop him, except Simon, or that he will walk away alive.
I liked this! A lot!
Simon is disgraced by a disgruntled parent who says he was teaching the occult, and leaves his Folklore professor job and runs to Myrtle Beach. He finds relative happiness in town, with his shop and ghost tours. Meeting Vic makes him realise he is lonely though. Helping Vic with his murders seems a natural thing to do, but that puts Simon in the cross hairs of the murderer. And also makes Simon a suspect so Vic has to take a step back from Simon and become objective in his job. It breaks his heart that he might lose Simon before he can have him, though. Simon solves the case, and has to hope that he can stop the murderer and maybe, just maybe, he can survive.
Both Simon and Vic have a say, and I loved that was they are drawn to each other, right from the start, so powerfully! The attraction both men feel is off the charts, and it doesn't take them long to give into that attraction. Simon's abilities are a bit of a sticking point, but they do come through for Vic and his case. Vic doesn't want to believe, look how much trouble it caused him when he voiced what he saw in Pittsburgh, for crying out loud! But he knows, deep down, Simon is for real, and maybe, Simon is FOREVER for Vic. They just need get through this.
It's a bit gruesome in places, because the crime scenes are described in some, but not great, detail. Just enough to make you cringe, and wish you could un-see the picture that comes up in your head.
Sexy in places, scary in others. First of Brice I've read, and would like to read more.
Kale Williams narrates. I *thought* I had listened to something else by Williams before, but I can't find what, but no matter. I really did like his narration here. There are a lot of characters with foreign accents, and Williams delivers them very well. His reading voice is clear and even, and all the voices are distinctive enough for me to follow who was speaking, without out being told. As a person with some hearing loss, this is VITAL for me to enjoy a book!
I loved the way Williams gets the emotions of Simon and Vic across. Even when things were going down, and things were getting scary, Simon's love for Vic shone as the brightest emotion. Fabulous narrating!
4 solid stars for the book
4 solid stars for the narration
**same worded review ill appear elsewhere**
Simon has run to Myrtle Beach after he lost his job and his love. Vic is there after he saw something he could not explain. There have been some murders in town, and Vic, a homicide cop, comes across Simon's ghost tours and seance shop and figures it can't do any harm, right? To ask? But as Simon and Vic get closer to each other, so the killer gets closer to Simon. And Simon doesn't think anyone can stop him, except Simon, or that he will walk away alive.
I liked this! A lot!
Simon is disgraced by a disgruntled parent who says he was teaching the occult, and leaves his Folklore professor job and runs to Myrtle Beach. He finds relative happiness in town, with his shop and ghost tours. Meeting Vic makes him realise he is lonely though. Helping Vic with his murders seems a natural thing to do, but that puts Simon in the cross hairs of the murderer. And also makes Simon a suspect so Vic has to take a step back from Simon and become objective in his job. It breaks his heart that he might lose Simon before he can have him, though. Simon solves the case, and has to hope that he can stop the murderer and maybe, just maybe, he can survive.
Both Simon and Vic have a say, and I loved that was they are drawn to each other, right from the start, so powerfully! The attraction both men feel is off the charts, and it doesn't take them long to give into that attraction. Simon's abilities are a bit of a sticking point, but they do come through for Vic and his case. Vic doesn't want to believe, look how much trouble it caused him when he voiced what he saw in Pittsburgh, for crying out loud! But he knows, deep down, Simon is for real, and maybe, Simon is FOREVER for Vic. They just need get through this.
It's a bit gruesome in places, because the crime scenes are described in some, but not great, detail. Just enough to make you cringe, and wish you could un-see the picture that comes up in your head.
Sexy in places, scary in others. First of Brice I've read, and would like to read more.
Kale Williams narrates. I *thought* I had listened to something else by Williams before, but I can't find what, but no matter. I really did like his narration here. There are a lot of characters with foreign accents, and Williams delivers them very well. His reading voice is clear and even, and all the voices are distinctive enough for me to follow who was speaking, without out being told. As a person with some hearing loss, this is VITAL for me to enjoy a book!
I loved the way Williams gets the emotions of Simon and Vic across. Even when things were going down, and things were getting scary, Simon's love for Vic shone as the brightest emotion. Fabulous narrating!
4 solid stars for the book
4 solid stars for the narration
**same worded review ill appear elsewhere**
Darren (1599 KP) rated Slender Man (2018) in Movies
Jul 5, 2019
Director: Sylvain White
Writer: David Birke, Victor Surge (Screenplay)
Starring: Joey King, Julia Goldani Telles, Jaz Sinclair, Annalise Basso, Alex Fitzalan, Taylor Richardson, Javier Botet
Plot: In a small town in Massachusetts, a group of friends, fascinated by the internet lore of the Slender Man, attempt to prove that he doesn't actually exist - until one of them mysteriously goes missing.
Runtime: 1 Hour 33 Minutes
There may be spoilers in the rest of the review
Verdict: The Worst Horror Film of 2018
Story: Slender Man starts with four high school friends Wren (King), Hallie (Telles), Chloe (Sinclair) and Katie (Basso) decide to learn about Slender Man on the internet, they watch a video to summon him and the next morning the girls have had nightmares, before Katie vanishes.
The three remaining girls start searching for answers after the police come up with nothing and soon find themselves the latest target for the Slender Man.
Thoughts on Slender Man
Characters – Usually I would start to describe the characters here, but this film could well be the worst character development film I have ever seen, we have Wren and Hallie who are the longest surviving members of the group, who mostly just scream and think they are better than everyone else. Chloe is here too, she doesn’t listen to instructions and Katie is the one that goes missing. This is how little we learn about the characters in this film.
Performances – With terrible characters, comes no chance for the poor actresses in the main roles of the film to get anything memorable in, it is hard to give any of them any praise for their performance, mostly because it was hard to tell Joey King and Julia Goldani Telles apart too.
Story – The story follows four girls that play along with a Slender Man mystery that leaves them being terrorised by the mythical monster. The problem with this story is that we are force to follow four boring high characters that are given nothing to make them standout in a crowd, we have a internet video starting the nightmare which doesn’t create any sort of rules behind the mysterious figure. We have one person literally vanish, another one getting chased which just makes it hard to believe just what is happening with the characters will be going through. It is the most lacklustre pointless story we have seen that almost feels like everything is complete list of what not to do when making a movie.
Horror/Mystery – The horror in the film could be high tension moment, only for it to come back flat on its face not building the tension just, this is a scary moment, over. We even have a mystery which should be interesting but soon turns into nothing important.
Settings – The film is set in a city, didn’t notice which one, but it is surround by woodlands which only get to add what could be the mystery about the Slender Man who could use this area for hiding places.
Special Effects – The effects are just complete the weak attempt to make a movie here, with the Slender Man never getting anything remotely looking scary which he should be if he is literally kidnapping children.
Scene of the Movie – Ummmmmmm, the credits were good.
That Moment That Annoyed Me – The kids have nothing that makes them look different.
Final Thoughts – This is one of the weakest horror films you will ever see, it is just a terrible mess, with no scares and doesn’t give the talent a chance to shine in.
Overall: Bad is being nice.
Rating
Writer: David Birke, Victor Surge (Screenplay)
Starring: Joey King, Julia Goldani Telles, Jaz Sinclair, Annalise Basso, Alex Fitzalan, Taylor Richardson, Javier Botet
Plot: In a small town in Massachusetts, a group of friends, fascinated by the internet lore of the Slender Man, attempt to prove that he doesn't actually exist - until one of them mysteriously goes missing.
Runtime: 1 Hour 33 Minutes
There may be spoilers in the rest of the review
Verdict: The Worst Horror Film of 2018
Story: Slender Man starts with four high school friends Wren (King), Hallie (Telles), Chloe (Sinclair) and Katie (Basso) decide to learn about Slender Man on the internet, they watch a video to summon him and the next morning the girls have had nightmares, before Katie vanishes.
The three remaining girls start searching for answers after the police come up with nothing and soon find themselves the latest target for the Slender Man.
Thoughts on Slender Man
Characters – Usually I would start to describe the characters here, but this film could well be the worst character development film I have ever seen, we have Wren and Hallie who are the longest surviving members of the group, who mostly just scream and think they are better than everyone else. Chloe is here too, she doesn’t listen to instructions and Katie is the one that goes missing. This is how little we learn about the characters in this film.
Performances – With terrible characters, comes no chance for the poor actresses in the main roles of the film to get anything memorable in, it is hard to give any of them any praise for their performance, mostly because it was hard to tell Joey King and Julia Goldani Telles apart too.
Story – The story follows four girls that play along with a Slender Man mystery that leaves them being terrorised by the mythical monster. The problem with this story is that we are force to follow four boring high characters that are given nothing to make them standout in a crowd, we have a internet video starting the nightmare which doesn’t create any sort of rules behind the mysterious figure. We have one person literally vanish, another one getting chased which just makes it hard to believe just what is happening with the characters will be going through. It is the most lacklustre pointless story we have seen that almost feels like everything is complete list of what not to do when making a movie.
Horror/Mystery – The horror in the film could be high tension moment, only for it to come back flat on its face not building the tension just, this is a scary moment, over. We even have a mystery which should be interesting but soon turns into nothing important.
Settings – The film is set in a city, didn’t notice which one, but it is surround by woodlands which only get to add what could be the mystery about the Slender Man who could use this area for hiding places.
Special Effects – The effects are just complete the weak attempt to make a movie here, with the Slender Man never getting anything remotely looking scary which he should be if he is literally kidnapping children.
Scene of the Movie – Ummmmmmm, the credits were good.
That Moment That Annoyed Me – The kids have nothing that makes them look different.
Final Thoughts – This is one of the weakest horror films you will ever see, it is just a terrible mess, with no scares and doesn’t give the talent a chance to shine in.
Overall: Bad is being nice.
Rating
Sophia (Bookwyrming Thoughts) (530 KP) rated MARY: The Summoning (Bloody Mary, #1) in Books
Jan 23, 2020
I don't know the precise reason why I actually requested The Summoning in the first place. I do know that I must have been really intrigued by the idea of a retelling of Bloody Mary and maybe just wanted a break from the influx of YA books that have some type of romance running about. Or, I just wanted to measure Hillary Monahan's debut novel with a scare-a-meter.
The first in the Bloody Mary series follows Shauna O'Brien, who decides to join with her 3 friends, Jess, Anna and Kitty to summon Bloody Mary, a legend that has been around since the 1960s with rumors that the person is someone who died near the end of the Civil War by the name of Mary Worth. As a result of summoning Bloody Mary, the spirit manages to go free from its rightful place within the boundaries of a mirror and begins to haunt the 4 girls, Shauna being her main victim.
Possibly what Mary so scary is the very fact she pops out everywhere almost and locks doors/windows. As the author so puts it in a sentence...
<blockquote>Mary was appearing without a summoning, manipulating objects, haunting glass, and skipping from surface to surface.</blockquote>
I did have a problem with Mary's abilities though. While it certainly puts a wow to the scare factor, Mary seems a little... too powerful. Reflective object manipulation? That's almost everything if you ask me. Computer/Tablet screens, washers/dryers, refrigerators, windows, doorknobs, lambs, flash drives, scissors, transportation, sinks, etc. So not only does the haunted have to live in isolation to protect everyone they love, but s/he have to live smelling like poo and crap for the rest of their lives because they can't take a decent shower?
<img src="http://3.bp.blogspot.com/-nfP1y5PZpOs/U49rNV8em4I/AAAAAAAADZo/XHTD2iwNTxs/s1600/giphy.gif"; border="0">
Somehow, I don't think Mary qualifies as a ghost now. More like a demon in my humble opinion. While that may scare readers at first, eventually some will catch on and Mary won't be as scary.
The Summoning is basically the ultimate friendship test for the main characters – Jess, Anna, Kitty and Shauna have been best friends for quite awhile, so when Shauna begins to see Mary everywhere, they have to try to work together to get rid of the ghost. <spoiler>Apparently this test failed, because Anna gets taken. Once you're gone, you're technically gone. It's not like doing anything would have brought Anna back. Although I did like her, so it was actually sad to see her get taken through the mirror by a ghost.</spoiler>
So the ultimate question from the beginning: how well can Hillary Monahan scare me? Quite well, but I managed to sleep very well. While I'll certainly applaud on what a chilling twist on an urban legend The Summoning was, Mary needs to be toned down a bit to make her more believable.
----------------
Advanced Review copy provided by Disney Hyperion for review
Original Rating: 4.5 out of 5
Original Review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/08/arc-review-mary-the-summoning-by-hillary-monahan.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
The first in the Bloody Mary series follows Shauna O'Brien, who decides to join with her 3 friends, Jess, Anna and Kitty to summon Bloody Mary, a legend that has been around since the 1960s with rumors that the person is someone who died near the end of the Civil War by the name of Mary Worth. As a result of summoning Bloody Mary, the spirit manages to go free from its rightful place within the boundaries of a mirror and begins to haunt the 4 girls, Shauna being her main victim.
Possibly what Mary so scary is the very fact she pops out everywhere almost and locks doors/windows. As the author so puts it in a sentence...
<blockquote>Mary was appearing without a summoning, manipulating objects, haunting glass, and skipping from surface to surface.</blockquote>
I did have a problem with Mary's abilities though. While it certainly puts a wow to the scare factor, Mary seems a little... too powerful. Reflective object manipulation? That's almost everything if you ask me. Computer/Tablet screens, washers/dryers, refrigerators, windows, doorknobs, lambs, flash drives, scissors, transportation, sinks, etc. So not only does the haunted have to live in isolation to protect everyone they love, but s/he have to live smelling like poo and crap for the rest of their lives because they can't take a decent shower?
<img src="http://3.bp.blogspot.com/-nfP1y5PZpOs/U49rNV8em4I/AAAAAAAADZo/XHTD2iwNTxs/s1600/giphy.gif"; border="0">
Somehow, I don't think Mary qualifies as a ghost now. More like a demon in my humble opinion. While that may scare readers at first, eventually some will catch on and Mary won't be as scary.
The Summoning is basically the ultimate friendship test for the main characters – Jess, Anna, Kitty and Shauna have been best friends for quite awhile, so when Shauna begins to see Mary everywhere, they have to try to work together to get rid of the ghost. <spoiler>Apparently this test failed, because Anna gets taken. Once you're gone, you're technically gone. It's not like doing anything would have brought Anna back. Although I did like her, so it was actually sad to see her get taken through the mirror by a ghost.</spoiler>
So the ultimate question from the beginning: how well can Hillary Monahan scare me? Quite well, but I managed to sleep very well. While I'll certainly applaud on what a chilling twist on an urban legend The Summoning was, Mary needs to be toned down a bit to make her more believable.
----------------
Advanced Review copy provided by Disney Hyperion for review
Original Rating: 4.5 out of 5
Original Review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/08/arc-review-mary-the-summoning-by-hillary-monahan.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
Fred (860 KP) rated The Haunting of Bly Manor in TV
Oct 11, 2020
Yet another re-telling of The Turn of the Screw
This is a re-telling of The Turn of the Screw by Henry James, written in 1898. The last re-telling was 2020s The Turning, which was terrible. So how is this version?
In the last episode of this series, a character says, "This wasn't a ghost story, it was a love story." which is true. Sort of. It's a ghost story in the fact that it has ghosts in it. It's a love story in that two people fall in love. But it's really all about the characters. They are very good characters & acted out very well. I'll even give Henry Thomas credit for trying a British accent, even if his face contorted like someone was running a current through his face every time he talked. Entire episodes are sometimes devoted to a character. And this is the main problem. It's fine to give some character development, but this series is so stretched out. It's 9 episodes that could have been 3 or 4 episodes and worked out much better. Each person's story also jumps back in time, then forward, then back, then back again, then forward, then back. It's pacing can be real bad & quite frankly can be real boring at times.
Sometimes I think how can this story be remade 35 times now & still there's no great film version. It's a good story. It's an interesting idea. But, it's also weird & sometimes confusing & sometimes all over the place. It's got to be tight, but it's also got to be fleshed out enough that we care about the characters. Which as I said, is what it's all about.
Now, is it a ghost story? I already said yes. Is it a horror series? Well, I would say no. It's not scary. It's not creepy. It doesn't even have jump scares, which is normally good, but I would have enjoyed one or two to be honest. What it does have, as I've stated, is characters. But it also has atmosphere & great settings. The manor itself is almost it's own character. But as much as it is dark & there are things hiding in the corners or even in plain sight, it's just doesn't have that creep factor. Even the little girl shushes a ghost when it won't shut up. There's no sense of real evil or malevolence going on.
Now it sounds like I hated this series, but I didn't. I liked it. It was not what I expected, being the second season of the anthology "The Haunting" series, which started with the phenomenal "The Haunting of Hill House". But, if it had been just like Hill House, I probably would have been bored & just re-watched the first season again. So, I'm glad it was different. But like I said, it was stretched out far longer than it should have been.
Now, after we watched the entire series, my wife said that she liked it & would re-watch it maybe in 5 years. and gives it a 6 out of 10 as well. I'm sure a re-watch would be good for seeing things you did not catch the first time, but feel it'd be better to move on to something different. If you're looking for something scary to watch this Halloween series, then you can skip this. Unless you're in the mood to watch some good actors, playing good characters, with an interesting movie & have lots of free time. However, if you didn't see the first season "Hill House", then watch that instead.
In the last episode of this series, a character says, "This wasn't a ghost story, it was a love story." which is true. Sort of. It's a ghost story in the fact that it has ghosts in it. It's a love story in that two people fall in love. But it's really all about the characters. They are very good characters & acted out very well. I'll even give Henry Thomas credit for trying a British accent, even if his face contorted like someone was running a current through his face every time he talked. Entire episodes are sometimes devoted to a character. And this is the main problem. It's fine to give some character development, but this series is so stretched out. It's 9 episodes that could have been 3 or 4 episodes and worked out much better. Each person's story also jumps back in time, then forward, then back, then back again, then forward, then back. It's pacing can be real bad & quite frankly can be real boring at times.
Sometimes I think how can this story be remade 35 times now & still there's no great film version. It's a good story. It's an interesting idea. But, it's also weird & sometimes confusing & sometimes all over the place. It's got to be tight, but it's also got to be fleshed out enough that we care about the characters. Which as I said, is what it's all about.
Now, is it a ghost story? I already said yes. Is it a horror series? Well, I would say no. It's not scary. It's not creepy. It doesn't even have jump scares, which is normally good, but I would have enjoyed one or two to be honest. What it does have, as I've stated, is characters. But it also has atmosphere & great settings. The manor itself is almost it's own character. But as much as it is dark & there are things hiding in the corners or even in plain sight, it's just doesn't have that creep factor. Even the little girl shushes a ghost when it won't shut up. There's no sense of real evil or malevolence going on.
Now it sounds like I hated this series, but I didn't. I liked it. It was not what I expected, being the second season of the anthology "The Haunting" series, which started with the phenomenal "The Haunting of Hill House". But, if it had been just like Hill House, I probably would have been bored & just re-watched the first season again. So, I'm glad it was different. But like I said, it was stretched out far longer than it should have been.
Now, after we watched the entire series, my wife said that she liked it & would re-watch it maybe in 5 years. and gives it a 6 out of 10 as well. I'm sure a re-watch would be good for seeing things you did not catch the first time, but feel it'd be better to move on to something different. If you're looking for something scary to watch this Halloween series, then you can skip this. Unless you're in the mood to watch some good actors, playing good characters, with an interesting movie & have lots of free time. However, if you didn't see the first season "Hill House", then watch that instead.
Kristy H (1252 KP) rated Plain Bad Heroines in Books
Dec 17, 2020
Plain Bad Heroines was one of my most anticipated reads of the year. I am a sucker for a lesbian tale. Add in a Gothic New England boarding school for girls? Sold.
The story centers around two time periods. The first, 1902, at the Brookhants School for Girls, run by Libbie Brookhants. A book by a young writer, Mary MacLane has come out--one that's incredibly scandalous for the times. Two Brookhants girls, Flo and Clara, are obsessed with it and establish The Plain Bad Heroine Society. The two are in love, meeting in secret--until they are attacked by yellow jackets at their hiding spot, a copy of the book found with them. A few years later the school closes, but not until after more scandal and death. Now, our second period, over a hundred years later, where Merritt Emmons, a young writer, publishes a book about Flo and Clara's story. It inspires a horror film starring Harper Harper, a famous lesbian actress. Harper will be playing Flo and B-list actress Audrey Wells, Clara. Filming on-site at the abandoned Brookhants site, the three women converge. But soon, weird things start happening, and the curse of Brookhants seems back to haunt the set--and our three modern-day heroines.
This book is absolutely enthralling at times. I flew through these 619 pages, that's for sure. My notes state "very lesbian," which is, of course, a major plus for me. Believe me, we don't get a lot of books starring ourselves. And you know, where we are killed off by swarms of yellow jackets. I honestly found both storylines compelling. It's hard not to fall a bit in love with Harper Harper, the charismatic celebrity (out!) lesbian. And 1902 isn't just about Clara and Flo, but Libbie Brookhants and her life trying to run a cursed school in the early 1900s. Honestly, the pages really flew by most of the time. Though, there are certainly moments where I felt some of the story could have been cut.
And yes, the narrative style is different, though it really adds to the uniqueness of the book. It's basically told by an omnipresent narrator, talking directly to the reader. There are footnotes, often humorous ones, and the end result is something you don't often find. For the most part, I felt like Danforth pulled it off, too. I do think Libbie was a little more fully developed than Merritt, Harper, and Audrey, but that also may have been because that trio could come across as a bit spoiled at times.
Probably my two biggest issues with this book (regretfully): for a Gothic horror novel, it's not really that scary. There are a few creepy and eerie moments, especially in the beginning, but it never really builds up to that terrifying moment that you're expecting. And, somewhat related, the ending. We read and stick with our various tales for the entire time and then... poof! Everything just fizzles out. I was so bummed. The ending was such a disappointment after all I'd read and kept this from being a full-fledged 4 or 4.5-star read. I couldn't believe it after what we'd been through. It was like even the author was tired.
So, overall, this is an original and fascinating read. I'm certainly still advising you to read it (especially if you're queer or enjoy reading queer fiction). Just be prepared that the ending may not have that big scary moment you're expecting. 3.5 stars.
The story centers around two time periods. The first, 1902, at the Brookhants School for Girls, run by Libbie Brookhants. A book by a young writer, Mary MacLane has come out--one that's incredibly scandalous for the times. Two Brookhants girls, Flo and Clara, are obsessed with it and establish The Plain Bad Heroine Society. The two are in love, meeting in secret--until they are attacked by yellow jackets at their hiding spot, a copy of the book found with them. A few years later the school closes, but not until after more scandal and death. Now, our second period, over a hundred years later, where Merritt Emmons, a young writer, publishes a book about Flo and Clara's story. It inspires a horror film starring Harper Harper, a famous lesbian actress. Harper will be playing Flo and B-list actress Audrey Wells, Clara. Filming on-site at the abandoned Brookhants site, the three women converge. But soon, weird things start happening, and the curse of Brookhants seems back to haunt the set--and our three modern-day heroines.
This book is absolutely enthralling at times. I flew through these 619 pages, that's for sure. My notes state "very lesbian," which is, of course, a major plus for me. Believe me, we don't get a lot of books starring ourselves. And you know, where we are killed off by swarms of yellow jackets. I honestly found both storylines compelling. It's hard not to fall a bit in love with Harper Harper, the charismatic celebrity (out!) lesbian. And 1902 isn't just about Clara and Flo, but Libbie Brookhants and her life trying to run a cursed school in the early 1900s. Honestly, the pages really flew by most of the time. Though, there are certainly moments where I felt some of the story could have been cut.
And yes, the narrative style is different, though it really adds to the uniqueness of the book. It's basically told by an omnipresent narrator, talking directly to the reader. There are footnotes, often humorous ones, and the end result is something you don't often find. For the most part, I felt like Danforth pulled it off, too. I do think Libbie was a little more fully developed than Merritt, Harper, and Audrey, but that also may have been because that trio could come across as a bit spoiled at times.
Probably my two biggest issues with this book (regretfully): for a Gothic horror novel, it's not really that scary. There are a few creepy and eerie moments, especially in the beginning, but it never really builds up to that terrifying moment that you're expecting. And, somewhat related, the ending. We read and stick with our various tales for the entire time and then... poof! Everything just fizzles out. I was so bummed. The ending was such a disappointment after all I'd read and kept this from being a full-fledged 4 or 4.5-star read. I couldn't believe it after what we'd been through. It was like even the author was tired.
So, overall, this is an original and fascinating read. I'm certainly still advising you to read it (especially if you're queer or enjoy reading queer fiction). Just be prepared that the ending may not have that big scary moment you're expecting. 3.5 stars.