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LeftSideCut (3776 KP) rated Crawl (2019) in Movies
Feb 16, 2020
Crawl is silly. Like a lot of these types of horrors, it's really silly.
In short, hurricane season hits Florida, and when Haley sets of to find her father, they both end up stuck in the crawlspace under his house, trapped in by large alligators, and rapidly rising flood water.
It's straightforward, no messing around, and gets right to the characters being in peril. For the most part, it's a neat little thriller, that actually has the odd moment in tension, paired with decent performances from Kaya Scodelario and Barry Pepper.
The relationship between their two characters carry the film pretty well, and the actors resolve to stay muddy and soaked throughout is admirable.
The CGI effects are pretty terrible. Nowhere near Sharknado levels of embarrassing, but the small budget of Crawl really shows it's ugly head when it comes to the alligators. When they're in water, it doesn't look so awful, but out of water, they look ripped from a PlayStation 3 cutscenes. This includes the first time we see one, which significantly reduces the impact it could have had, especially after it comes immediately after a pretty good jump scare.
In terms of horror, Crawl isn't scary. As mentioned above, it's more a jump scare type of deal, but they're actually quite effective, and just about reigned in enough to not overdo it. The scariest thing about the movie is mother nature, with all too real stormy conditions on display.
Crawl is mostly enjoyable, buts it's not as fun as The Meg for example (5/10) and not quite as good as The Shallows (6/10) so it sits nicely somewhere in between. Worth a watch if you enjoy a silly monster horror now and again.
In short, hurricane season hits Florida, and when Haley sets of to find her father, they both end up stuck in the crawlspace under his house, trapped in by large alligators, and rapidly rising flood water.
It's straightforward, no messing around, and gets right to the characters being in peril. For the most part, it's a neat little thriller, that actually has the odd moment in tension, paired with decent performances from Kaya Scodelario and Barry Pepper.
The relationship between their two characters carry the film pretty well, and the actors resolve to stay muddy and soaked throughout is admirable.
The CGI effects are pretty terrible. Nowhere near Sharknado levels of embarrassing, but the small budget of Crawl really shows it's ugly head when it comes to the alligators. When they're in water, it doesn't look so awful, but out of water, they look ripped from a PlayStation 3 cutscenes. This includes the first time we see one, which significantly reduces the impact it could have had, especially after it comes immediately after a pretty good jump scare.
In terms of horror, Crawl isn't scary. As mentioned above, it's more a jump scare type of deal, but they're actually quite effective, and just about reigned in enough to not overdo it. The scariest thing about the movie is mother nature, with all too real stormy conditions on display.
Crawl is mostly enjoyable, buts it's not as fun as The Meg for example (5/10) and not quite as good as The Shallows (6/10) so it sits nicely somewhere in between. Worth a watch if you enjoy a silly monster horror now and again.
Hopeless 2: Cave Escape
Games, Entertainment and Stickers
App
Welcome to the new and improved Hopeless 2: Cave Escape! The blobs are back! Do you have what it...
Mr. Christmas
Book
One day Mr Christmas receives a call from his uncle asking for help. Can Mr Christmas help Father...
Make Your Own Video Games!: With the Free Tools Twine, Puzzlescript, and Scratch
Book
Making video games is a great way to express yourself, tell a funny or spooky story, and, of course,...
An Uncommon Protector
Book
Overwhelmed by the responsibilities of running a ranch on her own, Laurel Tracey decides to hire a...
Charlie Cobra Reviews (1840 KP) rated It: Chapter Two (2019) in Movies
Jul 7, 2020
Pennywise Returns - Not As Scary As Chapter 1, But Still Great
It Chapter 2 is a 2019 supernatural/horror movie directed by Andy Muschietti from a screenplay by Gary Dauberman. It was produced by New Line Cinema, Double Dream, Vertigo Entertainment, and Rideback, and distributed by Warner Bros. Pictures. The film stars Jessica Chastain, James McAvoy, Bill Hader, and Bill Skarsgard.
The evil clown Pennywise returns to terrorize the town of Derry, Maine after being defeated by the members of the Losers' Club 27 years ago. The childhood friends have long since gone their separate ways but are called home to keep their promise by Mike Harlon who never moved away. Not quite remembering everything from their past but each traumatized by their own scars, the Loser must conquer their fears and destroy Pennywise for good.
This movie was great. Personally, I think chapter 1 was better, but this film definitely didn't disappoint. Right from the beginning it set the tone with a opening scene of a gay couple being severely beaten. I really liked the casting and who they chose to portray the children of the Losers club, they did a great job. The acting from everyone was good, Jessica Chastain, James McAvoy and Bill Hader's performances were superb. I enjoyed how this movie expanded on the lore of Pennywise and his origin. Even with a long run time, it didn't feel like a super long movie. To me some of the most enjoyable parts were the flashbacks where you got to see the younger cast. It was good that they had a big part in this movie too. I give this movie an 8/10 and it also gets my "Must See Seal Of Approval".
The evil clown Pennywise returns to terrorize the town of Derry, Maine after being defeated by the members of the Losers' Club 27 years ago. The childhood friends have long since gone their separate ways but are called home to keep their promise by Mike Harlon who never moved away. Not quite remembering everything from their past but each traumatized by their own scars, the Loser must conquer their fears and destroy Pennywise for good.
This movie was great. Personally, I think chapter 1 was better, but this film definitely didn't disappoint. Right from the beginning it set the tone with a opening scene of a gay couple being severely beaten. I really liked the casting and who they chose to portray the children of the Losers club, they did a great job. The acting from everyone was good, Jessica Chastain, James McAvoy and Bill Hader's performances were superb. I enjoyed how this movie expanded on the lore of Pennywise and his origin. Even with a long run time, it didn't feel like a super long movie. To me some of the most enjoyable parts were the flashbacks where you got to see the younger cast. It was good that they had a big part in this movie too. I give this movie an 8/10 and it also gets my "Must See Seal Of Approval".
LeftSideCut (3776 KP) rated The Texas Chain Saw Massacre (1974) in Movies
May 20, 2021
Tobe Hooper's seminal The Texas Chain Saw Massacre is a straight up horror classic, that changed the face of the genre. It's influence can be seen all over the place, and it's notoriety is still prominent. To this day, TTCSM is still misunderstood by wider audiences. It's title, alongside it's "video nasty" reputation that stuck for decades, suggests that the viewer is in for a depraved gore fest, when in reality, this film borders on arthouse more often than not. Its brimming with iconic shots, and beautiful cinematography work courtesy of Daniel Pearl. In terms of gore, you don't see much of it. Pretty much all of the violent scenes are implied, and the movie shies away from showing anything explicit, a move that is incredibly effective.
Its pacing is pretty much perfect. The slow build first half is suitably uncomfortable, and full of great performances that keep it engaging. When things kick off, it grabs you by the throat and doesn't let go until the credits roll. Some incredibly well done sound design and tense music score compliment the breakneck final act, that is just an unencumbered assault on the senses. It's exhausting (in a good way).
Marilyn Burns' Sally is a badass final girl that causes the Sawyer family a whole bunch of trouble, and Leatherface is a wonderfully portrayed maniac - a genuinely terrifying MF, who has a sympathetic side. He's the main reason why TTCSM is still scary as fuck all these years later. The scares on display are all well earned, and the jump moments are startling and are far from being cheap.
What more can I say, TTCSM is truly one of the greats. It's uncomfortable, entertaining, extremely well put together, and is wholeheartedly deserving of its place in horror royalty.
Its pacing is pretty much perfect. The slow build first half is suitably uncomfortable, and full of great performances that keep it engaging. When things kick off, it grabs you by the throat and doesn't let go until the credits roll. Some incredibly well done sound design and tense music score compliment the breakneck final act, that is just an unencumbered assault on the senses. It's exhausting (in a good way).
Marilyn Burns' Sally is a badass final girl that causes the Sawyer family a whole bunch of trouble, and Leatherface is a wonderfully portrayed maniac - a genuinely terrifying MF, who has a sympathetic side. He's the main reason why TTCSM is still scary as fuck all these years later. The scares on display are all well earned, and the jump moments are startling and are far from being cheap.
What more can I say, TTCSM is truly one of the greats. It's uncomfortable, entertaining, extremely well put together, and is wholeheartedly deserving of its place in horror royalty.
Great at My Job but Crap at Numbers: Teach Yourself
Book
Does your job involve figure work that brings you out in a cold sweat? Do you increasingly have to...
ClareR (5879 KP) rated The Shape of Darkness in Books
Feb 21, 2021
The Shape of Darkness was well worth the wait! I’ve read two of Laura Purcell’s books on The Pigeonhole, so when this book came up on NetGalley, I knew that I had to read it. This has been one of my half term reads, and well worth the wait!
Agnes is a silhouette artist in Victorian Bath, and she struggles to support her sickly mother and her nephew - although his father does contribute some money to help feed and clothe him (and help Agnes and her mother too).
Shortly after one of Agnes’ clients leaves her studio, he is murdered. She then discovers that another client has also been murdered - there is an unnerving pattern forming here, because this is just the start. In order to get some insight, Agnes decides that she should consult a medium. This is where Pearl and her sister Myrtle, a mesmerist-in-training, come in. Pearl is ethereal, a child with albinism, and seems to genuinely possess the gift of communicating with the dead.
This is an unnerving, chilling and at times, quite a scary book. It’s full of the detail of Victorian life too: poverty, class distinctions, the hustle and bustle of a busy Victorian Bath. I loved the dark, gothic feel, too. It contained loads of details of life, of how technology was changing and affecting the lives of Victorians. And it was just a really excellent mystery that kept me guessing to the very end. If you’re going to read it (and I strongly suggest that you do!), just don’t read it with only the little light on if you’re spooked easily!
Many thanks to Raven Books for providing me with an e-book through NetGalley to read and review.
Agnes is a silhouette artist in Victorian Bath, and she struggles to support her sickly mother and her nephew - although his father does contribute some money to help feed and clothe him (and help Agnes and her mother too).
Shortly after one of Agnes’ clients leaves her studio, he is murdered. She then discovers that another client has also been murdered - there is an unnerving pattern forming here, because this is just the start. In order to get some insight, Agnes decides that she should consult a medium. This is where Pearl and her sister Myrtle, a mesmerist-in-training, come in. Pearl is ethereal, a child with albinism, and seems to genuinely possess the gift of communicating with the dead.
This is an unnerving, chilling and at times, quite a scary book. It’s full of the detail of Victorian life too: poverty, class distinctions, the hustle and bustle of a busy Victorian Bath. I loved the dark, gothic feel, too. It contained loads of details of life, of how technology was changing and affecting the lives of Victorians. And it was just a really excellent mystery that kept me guessing to the very end. If you’re going to read it (and I strongly suggest that you do!), just don’t read it with only the little light on if you’re spooked easily!
Many thanks to Raven Books for providing me with an e-book through NetGalley to read and review.
Hazel (2934 KP) rated The Last Thing To Burn in Books
Dec 29, 2020
Wow ... that was one heck of a powerful read and one where the characters will stay with me for some time.
Jane - named so by her "husband" Lennie - was trafficked from her native Vietnam with her younger sister, she is kept captive on an isolated farm in what can only be described as squalid and run down conditions. She is watched every minute of every day, she is not allowed to speak to anyone, she is not allowed to go anywhere - her day is regimented from start to finish and for each perceived transgression, the treasured possessions she has are slowly burned in front of her eyes.
This is a harrowing story of a desperate life of servitude and abuse; the scary thing is that it is happening to thousands of men, women and children the world over which makes it even more upsetting. However, it is also a story of hope and the desperate will and strength to survive and fight back when things appear to be hopeless.
The whole book is written from "Jane's" perspective and she is an enthralling narrator. The setting is just perfect and described scarily accurately - my job takes me into isolated farmhouses that are pretty bleak and dilapidated and this made the story even more real for me.
This is not an easy read by any stretch of the imagination but despite that, I found it very hard to put down. I was drawn into the story hook, line and sinker; it grabbed me by the throat and didn't let go until the very last page ... it lingers still in the back of my mind and there are very few books that do this.
Highly recommended.
Thank you to Hodder & Stoughton and NetGalley for my advance copy in return for an unbiased and unedited review.
Jane - named so by her "husband" Lennie - was trafficked from her native Vietnam with her younger sister, she is kept captive on an isolated farm in what can only be described as squalid and run down conditions. She is watched every minute of every day, she is not allowed to speak to anyone, she is not allowed to go anywhere - her day is regimented from start to finish and for each perceived transgression, the treasured possessions she has are slowly burned in front of her eyes.
This is a harrowing story of a desperate life of servitude and abuse; the scary thing is that it is happening to thousands of men, women and children the world over which makes it even more upsetting. However, it is also a story of hope and the desperate will and strength to survive and fight back when things appear to be hopeless.
The whole book is written from "Jane's" perspective and she is an enthralling narrator. The setting is just perfect and described scarily accurately - my job takes me into isolated farmhouses that are pretty bleak and dilapidated and this made the story even more real for me.
This is not an easy read by any stretch of the imagination but despite that, I found it very hard to put down. I was drawn into the story hook, line and sinker; it grabbed me by the throat and didn't let go until the very last page ... it lingers still in the back of my mind and there are very few books that do this.
Highly recommended.
Thank you to Hodder & Stoughton and NetGalley for my advance copy in return for an unbiased and unedited review.