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365Flicks (235 KP) rated Dead Rising: Endgame (2016) in Movies
Nov 20, 2019
There are a plethora of really shitty movies based on Games being released each year. None of them holding a candle to the source material it is based on. However each and every time I get suckered in because I want to be impressed by these attempts, as a movie fan and a gamer I need to be impressed. Lets be honest the premise of the Dead Rising games is just about absurd enough to work as a movie and with this being the second outing well have they learnt.
Based on the worldwide smash-hit video game series, Dead Rising: Endgame is the sequel to Dead Rising: Watchtower. Directed by Pat Williams (Continuum), written by Michael Ferris (Terminator Salvation) and Tim Carter (Mortal Kombat: Legacy) and starring Jesse Metcalfe, Marie Avgeropoulos and Dennis Haysbert.
Journalist Chase Carter Heads back into a quarantine zone to find the truth as to what happened to his partner. He and a small group of Journalists want to expose the creators of the outbreak. What he is going to find is a huge cover up that is going to threaten everything. General Lyons (Dennis Haysbert, President Palmer in 24 “Yaaaay”), is a Military officer who will never let anyone get in his way. Racing against the clock, Chase and crew must slice, hack and use any weapon at there disposal to find there way through the zombie hordes and out of the quarantine zone.
I really couldn’t figure out where I stood with this movie at first. I felt like I maybe should of been on the side of thinking it was hot trash. However the Dialogue all though Cheesy at times suits the world its in. The acting although not exactly Andrew Lincoln levels is pretty damn good for this type of flick. Budget and effects wise I had no complaints you could see they hadn’t cheaped out on the practical or the FX on the Zombies they were genuinely scary and brought a certain amount of originality.
I would recommend you see this movie. Go into expecting a fun action packed romp of a movie. Brad Pitts World War Z this movie is not, Zack Snyder’s Dawn of the Dead Remake this movie also is not, but the best thing is that it knows its not those movies, it knows its a Dead Rising tie-in and it brings all of that together in this glorious fun time at the movies. Who knew Jesse Metcalfe was a total Bad Ass????
Based on the worldwide smash-hit video game series, Dead Rising: Endgame is the sequel to Dead Rising: Watchtower. Directed by Pat Williams (Continuum), written by Michael Ferris (Terminator Salvation) and Tim Carter (Mortal Kombat: Legacy) and starring Jesse Metcalfe, Marie Avgeropoulos and Dennis Haysbert.
Journalist Chase Carter Heads back into a quarantine zone to find the truth as to what happened to his partner. He and a small group of Journalists want to expose the creators of the outbreak. What he is going to find is a huge cover up that is going to threaten everything. General Lyons (Dennis Haysbert, President Palmer in 24 “Yaaaay”), is a Military officer who will never let anyone get in his way. Racing against the clock, Chase and crew must slice, hack and use any weapon at there disposal to find there way through the zombie hordes and out of the quarantine zone.
I really couldn’t figure out where I stood with this movie at first. I felt like I maybe should of been on the side of thinking it was hot trash. However the Dialogue all though Cheesy at times suits the world its in. The acting although not exactly Andrew Lincoln levels is pretty damn good for this type of flick. Budget and effects wise I had no complaints you could see they hadn’t cheaped out on the practical or the FX on the Zombies they were genuinely scary and brought a certain amount of originality.
I would recommend you see this movie. Go into expecting a fun action packed romp of a movie. Brad Pitts World War Z this movie is not, Zack Snyder’s Dawn of the Dead Remake this movie also is not, but the best thing is that it knows its not those movies, it knows its a Dead Rising tie-in and it brings all of that together in this glorious fun time at the movies. Who knew Jesse Metcalfe was a total Bad Ass????
Sophia (Bookwyrming Thoughts) (530 KP) rated The Rampart Guards (The Adventures of Jason Lex, #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Roger Charlie in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<p style="text-align: left;"><i>The Rampart Guards</i> basically made me realize that I'm definitely growing out of middle grade books and I should move on. This is an extremely scary thought, because what if I get tired of young adult books next?! That probably won't happen for a good while, and I've yet to actually read an adult novel that isn't from the cause of required reading.
<p style="text-align: left;">The first book in the <i>Chronicles of Jason Lex</i> starts out extremely slow, but picks up pace as the story progresses. Jason's mom suddenly goes missing, and Jason (along with his family) suddenly gets forced to move to a small town with their grandmother to get away from the painful memories of their mom. And to top it off, Jason sees weird blue electricity-like wisps coming out from his hands and eels in the sky later revealed as Skyfish. He's also a little whiny at the beginning of the novel, but eventually drops it as he realizes, "Oh, hey. Cryptids are real. Someone is hoping to expose these creatures and kill millions in the process, and if I don't get my act together, I might lose everything as well."
Wendy Terrien's debut novel is right up my alley in regards to concept <i>The Rampart Guards</i> is about cryptozoology, the study of creatures that may or may not exist. It's not everyday Big Foot, Loch Ness, and other creatures play a critical role in the plot of a novel, and it's the primary reason why <i>The Rampart Guards</i> caught my eye the moment the book was pitched to me.
I adored learning about all kinds of different creatures I've never heard of until I read this book, and if I do decide to continue on with the series, learning more about the cryptids and how this entire world works is going to be one thing I'll be extremely excited for.
Even though I didn't enjoy it as much as I hoped I would, <i>The Rampart Guards</i> will be a fantastic read for younger audiences.
<a href="https://bookwyrmingthoughts.com/review-the-rampart-guards-by-wendy-terrien/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<p style="text-align: left;"><i>The Rampart Guards</i> basically made me realize that I'm definitely growing out of middle grade books and I should move on. This is an extremely scary thought, because what if I get tired of young adult books next?! That probably won't happen for a good while, and I've yet to actually read an adult novel that isn't from the cause of required reading.
<p style="text-align: left;">The first book in the <i>Chronicles of Jason Lex</i> starts out extremely slow, but picks up pace as the story progresses. Jason's mom suddenly goes missing, and Jason (along with his family) suddenly gets forced to move to a small town with their grandmother to get away from the painful memories of their mom. And to top it off, Jason sees weird blue electricity-like wisps coming out from his hands and eels in the sky later revealed as Skyfish. He's also a little whiny at the beginning of the novel, but eventually drops it as he realizes, "Oh, hey. Cryptids are real. Someone is hoping to expose these creatures and kill millions in the process, and if I don't get my act together, I might lose everything as well."
Wendy Terrien's debut novel is right up my alley in regards to concept <i>The Rampart Guards</i> is about cryptozoology, the study of creatures that may or may not exist. It's not everyday Big Foot, Loch Ness, and other creatures play a critical role in the plot of a novel, and it's the primary reason why <i>The Rampart Guards</i> caught my eye the moment the book was pitched to me.
I adored learning about all kinds of different creatures I've never heard of until I read this book, and if I do decide to continue on with the series, learning more about the cryptids and how this entire world works is going to be one thing I'll be extremely excited for.
Even though I didn't enjoy it as much as I hoped I would, <i>The Rampart Guards</i> will be a fantastic read for younger audiences.
<a href="https://bookwyrmingthoughts.com/review-the-rampart-guards-by-wendy-terrien/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
LeftSideCut (3776 KP) rated The Invisible Man (2020) in Movies
Mar 11, 2020
I've always found the premise of The Invisible Man damn scary. Someone watching you, stood next to you, whilst you carry on obliviously. It's the kind of scariness that gets under the skin, honestly, just like this movie does. For the first time in a while, I felt truly uncomfortable and genuinely scared throughout a fair chunk of the run time.
The movie starts with leading lady Cecilia (Elisabeth Moss) quietly and frantically leaving her house in the dead of night, to get away from her abusive relationship with partner Adrian (Oliver Jackson-Cohen).
This opening scene sets the tone nicely. It's dimly lit, it's mostly silent, it's tense, and climaxes frantically with a swelling of orchestral score (the original score by Benjamin Wallfisch is fantastic throughout).
Finally free and living with friends, Cecilia is somewhat comforted by the news that Adrian has subsequently committed suicide, and is no longer a threat to her.
Before long though, she is being stalked by an unseen presence, and she quickly becomes convinced that Adrian as alive and well, and has perfected his work in the optics field to turn himself invisible, and systematically ruin her life.
Once it becomes apparent that Cecilia is not alone is where the movie really shines. We're subjected to wide shot after wide shot of her going about her daily routines, with plenty of empty camera space, where we as the audience are prompted to search the shot for clues, to see if we can see where The Invisible Man is in the moment. It's a simple and hugely effective tactic that had me squirming. The constant under current of dread is really quite horrible.
Elisabeth Moss is great from start to finish. The torment that she is out through is portrayed really well, and it doesn't take a lot to sympathise with her, and the yearning for everyone else to see she isn't crazy is strong.
Towards the final act, the tension predictably takes a bit of a backseat for a more fast faced finale, which mostly works, but it's hard to ignore a few glaring plot holes, and a late twist that feels like it was thrown in just for the sake of it. It's not enough to ruin what is undoubtedly a pretty solid edge-of-your-seat thriller though.
If Universal had perhaps approached The Mummy with a similar style, then we could be in the midst of a great Dark Universe franchise, but if all the seperate entries end up being as strong as The Invisible Man, then it's no loss.
The movie starts with leading lady Cecilia (Elisabeth Moss) quietly and frantically leaving her house in the dead of night, to get away from her abusive relationship with partner Adrian (Oliver Jackson-Cohen).
This opening scene sets the tone nicely. It's dimly lit, it's mostly silent, it's tense, and climaxes frantically with a swelling of orchestral score (the original score by Benjamin Wallfisch is fantastic throughout).
Finally free and living with friends, Cecilia is somewhat comforted by the news that Adrian has subsequently committed suicide, and is no longer a threat to her.
Before long though, she is being stalked by an unseen presence, and she quickly becomes convinced that Adrian as alive and well, and has perfected his work in the optics field to turn himself invisible, and systematically ruin her life.
Once it becomes apparent that Cecilia is not alone is where the movie really shines. We're subjected to wide shot after wide shot of her going about her daily routines, with plenty of empty camera space, where we as the audience are prompted to search the shot for clues, to see if we can see where The Invisible Man is in the moment. It's a simple and hugely effective tactic that had me squirming. The constant under current of dread is really quite horrible.
Elisabeth Moss is great from start to finish. The torment that she is out through is portrayed really well, and it doesn't take a lot to sympathise with her, and the yearning for everyone else to see she isn't crazy is strong.
Towards the final act, the tension predictably takes a bit of a backseat for a more fast faced finale, which mostly works, but it's hard to ignore a few glaring plot holes, and a late twist that feels like it was thrown in just for the sake of it. It's not enough to ruin what is undoubtedly a pretty solid edge-of-your-seat thriller though.
If Universal had perhaps approached The Mummy with a similar style, then we could be in the midst of a great Dark Universe franchise, but if all the seperate entries end up being as strong as The Invisible Man, then it's no loss.
Gareth von Kallenbach (980 KP) rated The Purge: Election Year (2016) in Movies
Aug 6, 2019
Sen Roan (Elizabeth Mitchell) was the only member of her family to survive the Purge as a youth. Years later she runs on the platform of ending the Purge and exposing the various factors and rationale in its implementation and continuance. She and many others see the Purge as nothing more than a way for the powers that be and the wealthy to stay in power at the expense of the poor and people of color. As the Purge approaches, the American people are being torn as to the direction that their nation should take. The New Founding Fathers of America (NFFA) see the threat that Sen. Roan poses and seek out to use the annual purge as a way to rid themselves of her and those that seek to change the system that they have put into place.
Purge: Election Year is not about mindless killing as those who are unfamiliar with the series would assume. The films are a mirror being held back on American Society to make us think about what we would do in similar situations if faced with them. The horror of the film is not in the shocking scenes, violence, or gore. What we can find to be truly scary is that many people only need to be given the option of financial gain or the removal of any repercussions in order to engage in such nefarious activity. The Purge: Election Year allows us to live vicariously through the trauma presented on-screen and the ability to leave at any time that we feel too uncomfortable with what is being presented. The films, especially this third iteration demonstrates to its audience what class warfare looks like and what happens when the populace is truly deceived by its media and politicians. It is a true dystopian reality that some people might welcome for all the wrong reasons.
The action of the film is inventive. The plot is on par with what you would expect for an action-horror film. It is the touch of reality and characters that are not limited to two dimensions that truly allows the film to create a deeper connection with the audience so they find themselves rooting for the “good guys” to not just win, but to survive the night. Viewers and fans of action, horror, political drama, and suspense will all be satisfied with The Purge: Election Year. Fans new and old of this franchise will leave theaters hoping for this to become a lasting franchise that has fresh ideas and storylines each time.
Purge: Election Year is not about mindless killing as those who are unfamiliar with the series would assume. The films are a mirror being held back on American Society to make us think about what we would do in similar situations if faced with them. The horror of the film is not in the shocking scenes, violence, or gore. What we can find to be truly scary is that many people only need to be given the option of financial gain or the removal of any repercussions in order to engage in such nefarious activity. The Purge: Election Year allows us to live vicariously through the trauma presented on-screen and the ability to leave at any time that we feel too uncomfortable with what is being presented. The films, especially this third iteration demonstrates to its audience what class warfare looks like and what happens when the populace is truly deceived by its media and politicians. It is a true dystopian reality that some people might welcome for all the wrong reasons.
The action of the film is inventive. The plot is on par with what you would expect for an action-horror film. It is the touch of reality and characters that are not limited to two dimensions that truly allows the film to create a deeper connection with the audience so they find themselves rooting for the “good guys” to not just win, but to survive the night. Viewers and fans of action, horror, political drama, and suspense will all be satisfied with The Purge: Election Year. Fans new and old of this franchise will leave theaters hoping for this to become a lasting franchise that has fresh ideas and storylines each time.
BankofMarquis (1832 KP) rated Young Frankenstein (1974) in Movies
Apr 20, 2020
My All Time Favorite Comedy
There are certain films that I can revisit time and time again and the effects of the film do not diminish for me and I would argue that they get better with age...and with repeated viewings.
Such is the case with Mel Brooks' Universal Horror film spoof/satire YOUNG FRANKENSTEIN from 1974. It is a work of comedic genius and features some of the most memorable characters in motion picture comedy history.
Co-Writen by Brooks and Gene Wilder, Directed by Brooks and starring Wilder, Marty Feldman, Peter Boyle, Teri Garr, Cloris Leachman and the great Madeline Kahn, this film sends up the black and white Universal Horror films of the 1930's not by making fun of them, but by lovingly recreating them and then exaggerating the scenes/circumstances.
Wilder is at his manic best as Dr. Frederick Frankenstein - the grandson of the original Frankenstein - who is brought to Transylvania and soon takes up his grandfather's work. He works through a controlled rage throughout the film until such times where the rage (and his hair) comes bursting forth in maniacal energy that is a comic tour-de-force.
He is surrounded by an outstanding collection of misfits, most notably Marty Feldman's servant/assistant Igor who is game for just about anything. Under-rated is the comedic performance of Teri Garr as Frankenstein's lab assistant Inga who not only has good looks ("what knockers") but can hold her own with Wilder and Feldman in a scene. Peter Boyle is earnest and scary and vulnerable (all at the same time) in his portrayal of "the Monster" who just wants to be understood - the "Puttin' on the Ritz" scene shows some fine comedic chops in an actor that up to this point had not really done comedy (his Emmy nominated work in EVERYONE LOVES RAYMOND is years in the future).
But it is the work of 2 female comediennes that drives this film to another level. Madeline Kahn as Frederick's fiance, Elizabeth, commands (and steals) every scene she is in while the inscrutable Cloris Leachman is deadpan perfection as castle housekeeper Frau Bleucher (horse whinny).
Director Brooks keeps the jokes coming at a fast a furious pace, but keeps the pace and the story going as well. This is much more than "just a collection of jokes" - it is a very good movie.
This film falls squarely in my "Top 10 All Time Favorite Films" - and my #1 comedy of all time.
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with Mel Brooks' Universal Horror film spoof/satire YOUNG FRANKENSTEIN from 1974. It is a work of comedic genius and features some of the most memorable characters in motion picture comedy history.
Co-Writen by Brooks and Gene Wilder, Directed by Brooks and starring Wilder, Marty Feldman, Peter Boyle, Teri Garr, Cloris Leachman and the great Madeline Kahn, this film sends up the black and white Universal Horror films of the 1930's not by making fun of them, but by lovingly recreating them and then exaggerating the scenes/circumstances.
Wilder is at his manic best as Dr. Frederick Frankenstein - the grandson of the original Frankenstein - who is brought to Transylvania and soon takes up his grandfather's work. He works through a controlled rage throughout the film until such times where the rage (and his hair) comes bursting forth in maniacal energy that is a comic tour-de-force.
He is surrounded by an outstanding collection of misfits, most notably Marty Feldman's servant/assistant Igor who is game for just about anything. Under-rated is the comedic performance of Teri Garr as Frankenstein's lab assistant Inga who not only has good looks ("what knockers") but can hold her own with Wilder and Feldman in a scene. Peter Boyle is earnest and scary and vulnerable (all at the same time) in his portrayal of "the Monster" who just wants to be understood - the "Puttin' on the Ritz" scene shows some fine comedic chops in an actor that up to this point had not really done comedy (his Emmy nominated work in EVERYONE LOVES RAYMOND is years in the future).
But it is the work of 2 female comediennes that drives this film to another level. Madeline Kahn as Frederick's fiance, Elizabeth, commands (and steals) every scene she is in while the inscrutable Cloris Leachman is deadpan perfection as castle housekeeper Frau Bleucher (horse whinny).
Director Brooks keeps the jokes coming at a fast a furious pace, but keeps the pace and the story going as well. This is much more than "just a collection of jokes" - it is a very good movie.
This film falls squarely in my "Top 10 All Time Favorite Films" - and my #1 comedy of all time.
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
Phillip McSween (751 KP) rated Haunt (2019) in Movies
Feb 15, 2020
Not Thought-Provoking But Fun!
In Haunt, a group of friends experience terror like no other when they go to a haunted house expecting a scare. For a movie that wasn’t done by a major studio, I have to say it ain’t half bad.
Acting: 10
Beginning: 3
If it wasn’t for such a slow start, I would definitely have put Haunt on the great level. Things don’t get moving nearly as fast as you like making me wonder if the rest of the movie was going to be like this. Fortunately things do pick up and, once things get rolling, the movie is good to go.
Characters: 7
The antagonists in this movie are super creepy, creepy enough to keep you entertained the whole movie. Meanwhile, the friends that are stalked can be pretty cardboard and plain, although I did appreciate how character development was worked in with a select few. It ultimately kept the story interesting.
Cinematography/Visuals: 8
Conflict: 10
The creepiness level is on 1,000 here as there is danger around every turn. The movie definitely keeps you guessing, building on intensity scene after scene like a true-to-form horror movie. I loved that I was scared when I didn’t need to be. I also appreciated that, once the movie kicks into gear, no shot is wasted from that point on. Conflict abounds consistently throughout.
Entertainment Value: 7
Memorability: 8
The movie succeeds by providing a lot of different setpieces that remain etched in your memory. The kills aren’t half bad either. Sure, it’s not the most thought-provoking film, but not bad as slashers go.
Pace: 10
Plot: 5
Resolution: 10
This movie ramps up the intensity right up to its thrilling conclusion where probably one of the most awesome kills in the film happens. I always gripe about the payoff in scary movies and how they can sometimes end abruptly so as to preserve a sequel. Haunt avoids that pitfall and goes all in with its ending that’s both engaging and fun.
Overall: 78
I would say this isn’t a bad movie to watch if it’s October and you’re tired of the same old Krueger and Jason song and dance. Had the characters been a twinge more interesting and the beginning hit with a little more boom, I would be leaning more towards the side of great horror to watch anytime. I love when independent horror and sci-fi hit the mark.
Acting: 10
Beginning: 3
If it wasn’t for such a slow start, I would definitely have put Haunt on the great level. Things don’t get moving nearly as fast as you like making me wonder if the rest of the movie was going to be like this. Fortunately things do pick up and, once things get rolling, the movie is good to go.
Characters: 7
The antagonists in this movie are super creepy, creepy enough to keep you entertained the whole movie. Meanwhile, the friends that are stalked can be pretty cardboard and plain, although I did appreciate how character development was worked in with a select few. It ultimately kept the story interesting.
Cinematography/Visuals: 8
Conflict: 10
The creepiness level is on 1,000 here as there is danger around every turn. The movie definitely keeps you guessing, building on intensity scene after scene like a true-to-form horror movie. I loved that I was scared when I didn’t need to be. I also appreciated that, once the movie kicks into gear, no shot is wasted from that point on. Conflict abounds consistently throughout.
Entertainment Value: 7
Memorability: 8
The movie succeeds by providing a lot of different setpieces that remain etched in your memory. The kills aren’t half bad either. Sure, it’s not the most thought-provoking film, but not bad as slashers go.
Pace: 10
Plot: 5
Resolution: 10
This movie ramps up the intensity right up to its thrilling conclusion where probably one of the most awesome kills in the film happens. I always gripe about the payoff in scary movies and how they can sometimes end abruptly so as to preserve a sequel. Haunt avoids that pitfall and goes all in with its ending that’s both engaging and fun.
Overall: 78
I would say this isn’t a bad movie to watch if it’s October and you’re tired of the same old Krueger and Jason song and dance. Had the characters been a twinge more interesting and the beginning hit with a little more boom, I would be leaning more towards the side of great horror to watch anytime. I love when independent horror and sci-fi hit the mark.
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