"Pulp Fiction was a very big deal for me. That was the first film I remember seeing where I felt compelled to have a conversation afterwards with anyone who saw it. Prior to that, I was still a young kid; I was still in high school, and I would see movies and I would be like, “Oh that was great,” and move on. But that was one that stuck with me for so long; the performances and the dialogue were just so memorable. I just wanted to talk to whoever had seen it. I just felt like it was something you needed to talk about. And obviously that was a film that really changed the direction of film history for a great many people, myself included."

"The classic Led Zeppelin record. Again I got into that much later, 1995 or something. A guy who used to work at our studio was really into them. 'Stairway To Heaven' I knew because we used to play that at our guitar club. They were almost a precursor to The Sex Pistols, except they were better musicians, it was just very heavy rock & roll. We never had a synth club at school. What happened was when Depeche started I was playing guitar, Fletcher was playing bass and we had a drum machine. Then all these electronic bands started like Gary Numan and OMD, and we thought, ""you know what, maybe we can enter into that world instead"". Our guitar playing wasn't up to scratch, probably."

"I’m going for a bit film school-y one, because I love Akira Kurosawa films, but I don’t want to go for Seven Samurai, so i’ll go for Yojimbo or Sanjuro, those ones that all the spaghetti westerns were based on. I know it’s not fair, but that clump of Japanese samurai films were just beautiful films. Toshiro Mifune was such an elegant hero and there’s something really empathetic about him. There’s this lovely thing with his face where you really can just tell everything that he’s thinking. He doesn’t have to do much at all; you can just sense what’s going on with him. So I love those films, anything with Mifune in actually, but that period in particular, he was the best hero ever."

"Classical music reminds me a lot of when I was growing up. I learned violin and trumpet in school, and I sang; my mum listened to classical music a lot, too. All of it I discarded at thirteen, of course, when I became a teenager, as you do. But Bach, Mozart and Beethoven were always there at home. They were this incredible musical wallpaper.

I didn't know Chopin's Nocturnes, though, until my wife introduced me to them about twenty years ago. Because of that, they're very dear to me. This music is properly of the night in its melodies, and the sparseness of its arrangements. The playing by Ashkenazy is incredible, too. It's music that goes straight through you, in the best possible way.
"

"What else? Waiting for Guffman! Stop already, right? Christopher Guest and all of his tomfoolery. Of course, there was Spinal Tap, but in more recent years…I think the storyline of [Guffman] was so relatable to any actor who’s ever done community theater in their hometown. Here were all these egos, in a small town, where it just didn’t matter. I come from Indiana, and when you’re doing stage productions in high school, or in your community theater, or on the college stage, you think you’re Broadway bound, for sure. You’re all going to be stars! It’s delusional theater, is what it is. But that whole cast of people, having their basic storyline, and then vamping on their own brilliance, was just golden. Just golden."