Search
What the Hell Did I Just Read: A Novel of Cosmic Horror
8.0
Rate It
Book
It's the story "They" don't want you to read. Though, to be fair, "They" are probably right about...
Comedy science fiction fantasy
Falling Upwards: How We Took to the Air
Book
'Nominally a history of the hot air balloon, 'Falling Upwards' is really a history of hope and...
Becs (244 KP) rated Ready Player One in Books
Oct 2, 2019
Genre: Sci-Fi, Fiction, Dystopia, Fantasy
Audience: Young Adult
Reading level: High School +
Interests: science fiction, fantasy, video games, 80’s
Style: Sci-Fi
Point of view: First person.
Difficulty reading: It started off great and I flew through the first half of the book. It’s towards the 55%-75% mark that was a bore for me. But the ending was great!
Promise: Dystopian Sci-Fi video game world
Quality: Minus the 20% that was pretty darn boring and long, the book as a whole was a great read.
Insights: I’m not a huge gaming geek, so without Cline explaining half the time what these gaming terms are, I’d be as lost as a pig in a supermarket. For that, I thank him. It was nice seeing a Dystopian world set in the future that was still in our lifetime. I have never read anything like that – cool to see how Cline wrote it.
Ah-Ha Moment: SPOILERS AHEAD!
Okay, I knew Aech was hiding something. But I could not figure out what it was for the life of me. But when Aech and Parzival first met, in real life, face to face, I WAS NOT EXPECTING him to actually be a ‘her’.
This was me:
Favorite Quotes: “Going outside is highly overrated.” – Yea, I feel ya too. I just want to stay in and read all day every day. Who needs a job, who needs to eat, all we need are books. Am I right?
“You’d be amazed how much research you can get done when you have no life whatsoever.” – I mean, you’re not wrong.
“One person can keep a secret, but not two.” – Secrets, secrets are no fun. Secrets, secrets hurt someone.
Aesthetics: The whole book is an 80’s aesthetic that I love. Plus, it gives a brief inside scoop on the whole “if we don’t care for the planet now, there will be nothing in the future” debate. Which is true, we should care for the planet more than what we do now. I mean we only live on Earth just as much as everybody else. The copy of Ready Player One that I have, is a 2015 Special Edition copy – I love the cover on it.
“People are more than just the way they look.”
Audience: Young Adult
Reading level: High School +
Interests: science fiction, fantasy, video games, 80’s
Style: Sci-Fi
Point of view: First person.
Difficulty reading: It started off great and I flew through the first half of the book. It’s towards the 55%-75% mark that was a bore for me. But the ending was great!
Promise: Dystopian Sci-Fi video game world
Quality: Minus the 20% that was pretty darn boring and long, the book as a whole was a great read.
Insights: I’m not a huge gaming geek, so without Cline explaining half the time what these gaming terms are, I’d be as lost as a pig in a supermarket. For that, I thank him. It was nice seeing a Dystopian world set in the future that was still in our lifetime. I have never read anything like that – cool to see how Cline wrote it.
Ah-Ha Moment: SPOILERS AHEAD!
Okay, I knew Aech was hiding something. But I could not figure out what it was for the life of me. But when Aech and Parzival first met, in real life, face to face, I WAS NOT EXPECTING him to actually be a ‘her’.
This was me:
Favorite Quotes: “Going outside is highly overrated.” – Yea, I feel ya too. I just want to stay in and read all day every day. Who needs a job, who needs to eat, all we need are books. Am I right?
“You’d be amazed how much research you can get done when you have no life whatsoever.” – I mean, you’re not wrong.
“One person can keep a secret, but not two.” – Secrets, secrets are no fun. Secrets, secrets hurt someone.
Aesthetics: The whole book is an 80’s aesthetic that I love. Plus, it gives a brief inside scoop on the whole “if we don’t care for the planet now, there will be nothing in the future” debate. Which is true, we should care for the planet more than what we do now. I mean we only live on Earth just as much as everybody else. The copy of Ready Player One that I have, is a 2015 Special Edition copy – I love the cover on it.
“People are more than just the way they look.”
TP
The Proper Pirate: Robert Louis Stevenson's Quest for Identity
Book
Exploring the life and times of author Robert Louis Stevenson, The Proper Pirate takes readers on a...
Walton Ford: Pancha Tantra
Book
This book features a natural selection: Ford's beautifully savage beasts and birds. Walton Ford's...
Lyndsey Gollogly (2893 KP) rated The Vine Witch in Books
Mar 6, 2023
27 of 235
Kindle
The Vine Witch ( book 1)
By Luanne G.Smith
⭐️⭐️⭐️⭐️
A young witch emerges from a curse to find her world upended in this gripping fantasy set in turn-of-the-century France.
For centuries, the vineyards at Château Renard have depended on the talent of their vine witches, whose spells help create the world-renowned wine of the Chanceaux Valley. Then the skill of divining harvests fell into ruin when sorcière Elena Boureanu was blindsided by a curse. Now, after breaking the spell that confined her to the shallows of a marshland and weakened her magic, Elena is struggling to return to her former life. And the vineyard she was destined to inherit is now in the possession of a handsome stranger.
Vigneron Jean-Paul Martel naively favors science over superstition, and he certainly doesn’t endorse the locals’ belief in witches. But Elena knows a hex when she sees one, and the vineyard is covered in them. To stay on and help the vines recover, she’ll have to hide her true identity, along with her plans for revenge against whoever stole seven winters of her life. And she won’t rest until she can defy the evil powers that are still a threat to herself, Jean-Paul, and the ancient vine-witch legacy in the rolling hills of the Chanceaux Valley.
I really liked it! The style was a little different compared to what I normally read and I love that she starts off as a frog. It moved quickly and was a really good story.
The characters were fun to get to know and it had a lovely romance blooming.
Kindle
The Vine Witch ( book 1)
By Luanne G.Smith
⭐️⭐️⭐️⭐️
A young witch emerges from a curse to find her world upended in this gripping fantasy set in turn-of-the-century France.
For centuries, the vineyards at Château Renard have depended on the talent of their vine witches, whose spells help create the world-renowned wine of the Chanceaux Valley. Then the skill of divining harvests fell into ruin when sorcière Elena Boureanu was blindsided by a curse. Now, after breaking the spell that confined her to the shallows of a marshland and weakened her magic, Elena is struggling to return to her former life. And the vineyard she was destined to inherit is now in the possession of a handsome stranger.
Vigneron Jean-Paul Martel naively favors science over superstition, and he certainly doesn’t endorse the locals’ belief in witches. But Elena knows a hex when she sees one, and the vineyard is covered in them. To stay on and help the vines recover, she’ll have to hide her true identity, along with her plans for revenge against whoever stole seven winters of her life. And she won’t rest until she can defy the evil powers that are still a threat to herself, Jean-Paul, and the ancient vine-witch legacy in the rolling hills of the Chanceaux Valley.
I really liked it! The style was a little different compared to what I normally read and I love that she starts off as a frog. It moved quickly and was a really good story.
The characters were fun to get to know and it had a lovely romance blooming.
BankofMarquis (1832 KP) rated Interstellar (2014) in Movies
Aug 9, 2018
Another top notch cinematic experience by the best director of our time
2014's INTERSTELLAR is one of Christopher Nolan's most ambitious works - and that is saying alot. It also is one of his best. Nolan - and his brother, the screenwriter of this film, Jonathan Nolan - wanted to make a "real" science fiction film, with the emphasis on the science, so they enlisted the help of noted theoretical physicist, Dr. Kip Thorne to ensure that they were not violating any established physical laws and that all speculations would spring from science and not fantasy.
And, for the most part, they succeed.
Following the adventures of "everyman" Cooper (if you call a farmer who is also a top notch astronaut, pilot and engineer an everyman), Interstellar tells of an Earth of the not-too-distant future that is running out of food and mankind must find a new planet to inhabit or else face extinction. Talked into leaving his family and heading into space, Cooper must face the challenges of his mission while fighting the emotions of leaving his family behind on a dying world.
As Cooper, Matthew McConaughey (at the height of his "McConnaissance") is perfectly cast as this "everyman". He brings the right balance of charisma, heroism, emotional maturity, intelligence and a "down to earth" behavior that has us rooting for him from the start. His acting is at the highest level and is matched, beat by beat by Jessica Chastain and (surprisingly to me at the time) Anne Hathaway as a fellow astronaut/scientist.
The special effects, worlds, circumstances, narrow escapes and deflating defeats are all handled in typical top-notch Nolan fashion, but it is the emotional stakes - specifically between McConaughey and Chastain (as his grown up daughter) are what keeps this film "grounded" and rises it above the standard sci-fi fair.
Nolan regular Michael Caine, the always great John Lithgow, Wes Bentley, Ellen Burstyn, a "before he was famous" Timothee Chalamet, another "before he was famous" David Oyelowo, Casey Affleck and a "surprise apperance" by a very famous "A" lister (who I will not name, so as not to ruin it) are all equally as good and give the proceedings the gravitas it needs.
Special notice needs to be made of the performance of Bill Irwin as the robot TARS (all space movies need a robot, right?). He performs the puppetry of the robot (Nolan wished to do everything as "practical" as possible) and adds large doses of humanity - and humor - to this non-human.
Another bit of special notice needs to be given to frequent Nolan collaborator - the brilliant Composer Hans Zimmer. He was tasked by Nolan to create a "unique" score - one that does not rely heavily on crescendoing strings and horns - and he succeeds tremendously with a hauntingly, melodic and driving score that heightens - but never overpowers - the scenes playing on the screen.
The decision as to whether or not you like this film will hinge on your "believability" of the final chapter - one where I "went with the flow" and was all right with, but (I'm sure) others will struggle with.
All in all, another top notch film by the best director of our day. If you have never seen INTERSTELLAR - or if you haven't seen it in awhile - I suggest you check it out, you'll be glad you did.
Letter Grade: A
9 (out of 10) stars and you can take that to the Bank (ofMarquis)
And, for the most part, they succeed.
Following the adventures of "everyman" Cooper (if you call a farmer who is also a top notch astronaut, pilot and engineer an everyman), Interstellar tells of an Earth of the not-too-distant future that is running out of food and mankind must find a new planet to inhabit or else face extinction. Talked into leaving his family and heading into space, Cooper must face the challenges of his mission while fighting the emotions of leaving his family behind on a dying world.
As Cooper, Matthew McConaughey (at the height of his "McConnaissance") is perfectly cast as this "everyman". He brings the right balance of charisma, heroism, emotional maturity, intelligence and a "down to earth" behavior that has us rooting for him from the start. His acting is at the highest level and is matched, beat by beat by Jessica Chastain and (surprisingly to me at the time) Anne Hathaway as a fellow astronaut/scientist.
The special effects, worlds, circumstances, narrow escapes and deflating defeats are all handled in typical top-notch Nolan fashion, but it is the emotional stakes - specifically between McConaughey and Chastain (as his grown up daughter) are what keeps this film "grounded" and rises it above the standard sci-fi fair.
Nolan regular Michael Caine, the always great John Lithgow, Wes Bentley, Ellen Burstyn, a "before he was famous" Timothee Chalamet, another "before he was famous" David Oyelowo, Casey Affleck and a "surprise apperance" by a very famous "A" lister (who I will not name, so as not to ruin it) are all equally as good and give the proceedings the gravitas it needs.
Special notice needs to be made of the performance of Bill Irwin as the robot TARS (all space movies need a robot, right?). He performs the puppetry of the robot (Nolan wished to do everything as "practical" as possible) and adds large doses of humanity - and humor - to this non-human.
Another bit of special notice needs to be given to frequent Nolan collaborator - the brilliant Composer Hans Zimmer. He was tasked by Nolan to create a "unique" score - one that does not rely heavily on crescendoing strings and horns - and he succeeds tremendously with a hauntingly, melodic and driving score that heightens - but never overpowers - the scenes playing on the screen.
The decision as to whether or not you like this film will hinge on your "believability" of the final chapter - one where I "went with the flow" and was all right with, but (I'm sure) others will struggle with.
All in all, another top notch film by the best director of our day. If you have never seen INTERSTELLAR - or if you haven't seen it in awhile - I suggest you check it out, you'll be glad you did.
Letter Grade: A
9 (out of 10) stars and you can take that to the Bank (ofMarquis)
Hazel (1853 KP) rated The Last Dragonslayer (The Last Dragonslayer, #1) in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
The recent dramatisation on Sky1 over the Christmas period (which I have not watched) has prompted the release of a new edition of Jasper Fforde’s <i>The Last Dragonslayer</i>, which originally appeared in bookstores six years ago. Fforde is perhaps best known for his <i>Thursday Next</i> series, a comical science-fiction story, but he proves he can equally tackle fantasy with this tale about an intrepid, young dragonslayer.
In the slightly fictional Kingdom of Hereford, part of the Ununited Kingdom, is a home and employment agency for mystical artisans. Over the past decades, magic has begun to diminish, leaving soothsayers and sorcerers struggling to find jobs. Jennifer Strange, although only fifteen, is temporarily in charge of running the agency, Kazam, and looking after the building’s cantankerous inhabitants. Although competent with her position, Jennifer soon finds herself out of her depth when wizards begin having prescient visions of the death of the last living dragon.
Able to ignore the prophecy at first, Jennifer becomes deeply involved once it is revealed that she is the foretold dragonslayer. Being both helped and hindered by friends and obdurate sorcerers, Jennifer desperately tries to prevent the shocking prediction from coming true. However, as she quickly discovers, it is impossible to outrun your own fate, especially if Big Magic is involved.
<i>The Last Dragonslayer</i> is a fun book to read that, despite the slow build up to the promised dragon story, is humorous and engaging throughout. Jasper Fforde is a particularly witty writer who uses genuine, intelligent, and often subtle, puns rather than demeaning himself by resorting to crude jokes. Although some may dismiss dragons, magic and fantasy as fatuous nonsense, it is clear Fforde is writing for the more intellectual reader.
The way in which the story is executed, particularly the conclusion, borders on genius and deserves to be highly praised. Magic is a concept that has been written about thousands of times, and also mocked in parodies of well-known literature. <i>The Last Dragonslayer</i> successfully combines fantasy and humour in a way that avoids ridicule.
Some may argue that <i>The Last Dragonslayer</i> is a young adult novel due to the age of the protagonist and the less highfaluting content in comparison to Fforde’s other works. On the other hand, Jennifer Strange is a character that appears a lot older than she actually is, and is involved in events and satire that a younger audience may not be able to fully appreciate. Therefore, there is nothing to prevent readers of all ages from enjoying this book, and the rest of the series, of course.
I particularly enjoyed reading Jasper Fforde’s <i>The Last Dragonslayer</i>. I found it engaging and amusing, loved the characters, and was slightly disheartened when the book ended earlier than I expected – that is the downside of having sneak peak chapters at the rear of the paperback! Of all the Jasper Fforde books I have read (<i>The Eyre Affair</i>, 2001 and <i>Shades of Grey</i>, 2009) <i>The Last Dragonslayer</i> has been my favourite. Perhaps the potential younger target audience prevented me from getting lost, unlike in the complexity of the other stories. As long as you can forgive the author for his fish fetish and preoccupation with marzipan, you will absolutely love this book.
The recent dramatisation on Sky1 over the Christmas period (which I have not watched) has prompted the release of a new edition of Jasper Fforde’s <i>The Last Dragonslayer</i>, which originally appeared in bookstores six years ago. Fforde is perhaps best known for his <i>Thursday Next</i> series, a comical science-fiction story, but he proves he can equally tackle fantasy with this tale about an intrepid, young dragonslayer.
In the slightly fictional Kingdom of Hereford, part of the Ununited Kingdom, is a home and employment agency for mystical artisans. Over the past decades, magic has begun to diminish, leaving soothsayers and sorcerers struggling to find jobs. Jennifer Strange, although only fifteen, is temporarily in charge of running the agency, Kazam, and looking after the building’s cantankerous inhabitants. Although competent with her position, Jennifer soon finds herself out of her depth when wizards begin having prescient visions of the death of the last living dragon.
Able to ignore the prophecy at first, Jennifer becomes deeply involved once it is revealed that she is the foretold dragonslayer. Being both helped and hindered by friends and obdurate sorcerers, Jennifer desperately tries to prevent the shocking prediction from coming true. However, as she quickly discovers, it is impossible to outrun your own fate, especially if Big Magic is involved.
<i>The Last Dragonslayer</i> is a fun book to read that, despite the slow build up to the promised dragon story, is humorous and engaging throughout. Jasper Fforde is a particularly witty writer who uses genuine, intelligent, and often subtle, puns rather than demeaning himself by resorting to crude jokes. Although some may dismiss dragons, magic and fantasy as fatuous nonsense, it is clear Fforde is writing for the more intellectual reader.
The way in which the story is executed, particularly the conclusion, borders on genius and deserves to be highly praised. Magic is a concept that has been written about thousands of times, and also mocked in parodies of well-known literature. <i>The Last Dragonslayer</i> successfully combines fantasy and humour in a way that avoids ridicule.
Some may argue that <i>The Last Dragonslayer</i> is a young adult novel due to the age of the protagonist and the less highfaluting content in comparison to Fforde’s other works. On the other hand, Jennifer Strange is a character that appears a lot older than she actually is, and is involved in events and satire that a younger audience may not be able to fully appreciate. Therefore, there is nothing to prevent readers of all ages from enjoying this book, and the rest of the series, of course.
I particularly enjoyed reading Jasper Fforde’s <i>The Last Dragonslayer</i>. I found it engaging and amusing, loved the characters, and was slightly disheartened when the book ended earlier than I expected – that is the downside of having sneak peak chapters at the rear of the paperback! Of all the Jasper Fforde books I have read (<i>The Eyre Affair</i>, 2001 and <i>Shades of Grey</i>, 2009) <i>The Last Dragonslayer</i> has been my favourite. Perhaps the potential younger target audience prevented me from getting lost, unlike in the complexity of the other stories. As long as you can forgive the author for his fish fetish and preoccupation with marzipan, you will absolutely love this book.
Phillip McSween (751 KP) rated The Shape of Water (2017) in Movies
Mar 29, 2019
A True Classic
A deaf woman working for a secret government agency finds a friend (and then some) when she stumbles across the creature the agency is hiding.
Acting; 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
Strickland (played by Michael Shannon) ensured that strong action and tension remained throughout the film. Every scene he is a part of leaves you waiting for something bad to happen. The two opposing sides, those wishing to destroy the creature and those wishing to save it, are locked in a game of cat-and-mouse until the last twenty minutes when it’s more like a head-on collision. There were quite a few close calls that had me wondering whether or not the protagonists would make it.
Genre: 10
Just a beautiful film for the ages. Call it a drama. Call it fantasy or even science fiction. Wherever it’s classified, it hangs up there as one of the very best. Checks all the boxes and does so many things extremely well.
Memorability: 10
Guillermo Del Toro has a way of leaving an impression on your brain with his visual imagery. The movie is just stunning to look at in so many ways with a number of shots that you can’t forget. Del Toro has created a home for the weirdo here, a place of comfort for those that are different from the norm. It’s a movie so unique in its charm that it’s near impossible to shake.
Pace: 10
Plot: 10
Resolution: 10
Overall: 100
The Shape of Water has a charm you can’t get away from. When it won Best Picture, I was shocked and upset. That was, of course, before I had actually seen the movie. I get it now. A true classic.
Acting; 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
Strickland (played by Michael Shannon) ensured that strong action and tension remained throughout the film. Every scene he is a part of leaves you waiting for something bad to happen. The two opposing sides, those wishing to destroy the creature and those wishing to save it, are locked in a game of cat-and-mouse until the last twenty minutes when it’s more like a head-on collision. There were quite a few close calls that had me wondering whether or not the protagonists would make it.
Genre: 10
Just a beautiful film for the ages. Call it a drama. Call it fantasy or even science fiction. Wherever it’s classified, it hangs up there as one of the very best. Checks all the boxes and does so many things extremely well.
Memorability: 10
Guillermo Del Toro has a way of leaving an impression on your brain with his visual imagery. The movie is just stunning to look at in so many ways with a number of shots that you can’t forget. Del Toro has created a home for the weirdo here, a place of comfort for those that are different from the norm. It’s a movie so unique in its charm that it’s near impossible to shake.
Pace: 10
Plot: 10
Resolution: 10
Overall: 100
The Shape of Water has a charm you can’t get away from. When it won Best Picture, I was shocked and upset. That was, of course, before I had actually seen the movie. I get it now. A true classic.
ClareR (5721 KP) rated The Quiet at the End of the World in Books
May 29, 2019
A gentle end to humankind.
Another YA book, where I don’t honestly know why it has been labelled YA. Perhaps unless there’s rampant sex and violence in a book, only children will want to read it. Except I’m 45 (for now!). I love a bit of sex and violence as much as the next Science Fiction/ Fantasy reader, but I also acknowledge that a book can be a damn good read without those things - and this IS a damn good read.
It’s a ‘soft apocalypse’. A drift into the end of human kind. An exploration into what it is to be human, and ultimately: would the earth be better off without us on it? We all know the answer to that really, don’t we?
Lowrie and Shen are the two youngest and last born humans on Earth. A seemingly harmless virus rendered the entire human race infertile, although some already fertilised embryos remained. Lowrie and Shen are the last two babies born from those embryos. And there has been no cure discovered for the virus.
I really enjoyed this book. It was a refreshingly gentle take on apocalypse - no one is killed, no cannibalism, there are no murderous dictators. In fact everyone gets along and works together as a community.
There are some great characters other than the main ones: Mitch, the lifeguard robot who communicates using flashing colours is one in particular. I loved the records of Lowrie and Shen’s found objects at the start of each chapter as well. A real mix of the ancient (to the reader as well) and the modern (to the reader alone!).
A very thought provoking read in these times of climate crisis, and told in a way that makes it accessible to both young and old.
It’s a ‘soft apocalypse’. A drift into the end of human kind. An exploration into what it is to be human, and ultimately: would the earth be better off without us on it? We all know the answer to that really, don’t we?
Lowrie and Shen are the two youngest and last born humans on Earth. A seemingly harmless virus rendered the entire human race infertile, although some already fertilised embryos remained. Lowrie and Shen are the last two babies born from those embryos. And there has been no cure discovered for the virus.
I really enjoyed this book. It was a refreshingly gentle take on apocalypse - no one is killed, no cannibalism, there are no murderous dictators. In fact everyone gets along and works together as a community.
There are some great characters other than the main ones: Mitch, the lifeguard robot who communicates using flashing colours is one in particular. I loved the records of Lowrie and Shen’s found objects at the start of each chapter as well. A real mix of the ancient (to the reader as well) and the modern (to the reader alone!).
A very thought provoking read in these times of climate crisis, and told in a way that makes it accessible to both young and old.