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Fiend Without a Face (1958)
Fiend Without a Face (1958)
1958 | Horror, Sci-Fi
6.0 (2 Ratings)
Movie Favorite

"Anyone who has ever had the pleasure of meeting Richard Gordon and his brother Alex (who passed away a few years ago) knows what a rich vein of film history the brothers represent. A conversation with either might include stories of producing films with the likes of Ed Wood, Gene Autry, Bela Lugosi, Boris Karloff, and B-movie director Eddie Cahn, to name just a few. As a producer, Dick’s best-known work is the fondly remembered low-budget science-fiction staple Fiend Without a Face. It’s a great tribute to the Gordon brothers that Criterion has released not only Fiend but also the four films included in the Monsters and Madmen box set."

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Sebastian Lelio recommended Solaris (1972) in Movies (curated)

 
Solaris (1972)
Solaris (1972)
1972 | Sci-Fi

"This is one of my favorite science fiction films ever. It feels like everything in Solaris is transcendent and so deep. It’s hypnotic. It has so many sequences that are unique and unforgettable, like the part where the characters float in the library or when the wife comes back to life and then breaks apart as if she were made of glass. And there’s the idea of this spaceship floating on top of a strange ocean that seems to have some form of consciousness. All of those ideas are so strange and beautiful. It’s remarkable that Tarkovsky was able to make a film this spiritual in the Communist era. I don’t know how he did it."

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Star Wars: Episode IV - A New Hope (1977)
Star Wars: Episode IV - A New Hope (1977)
1977 | Fantasy, Sci-Fi

"Star Wars reminds me of my mother, who didn’t let me see color movies until I was 12. I was raised on Alexander Nevsky and Chaplin and all of these insane movies that would just put a 10-year-old to sleep quicker than a shack of sheep. But Star Wars was my first departure from that rule, and it just blew my mind. It was the first color film I saw, and it just knocked me out. I don’t think I ever forgave my mother after I saw that film. But also just the kind of iconoclastic myth retelling that combined with science fiction, which has always been huge to me."

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