Search
Brown Girl Dreaming
Book
Jacqueline Woodson, the acclaimed author of Another Brooklyn, tells the moving story of her...
Phillip McSween (751 KP) rated The King of Staten Island (2020) in Movies
Jan 25, 2021
Incredible
An amateur tattoo artist is forced to grow up when his mom (who he is living with) falls in love with a new boo.
Acting: 10
Beginning: 7
The very first few moments sees main character Scott Carlin (Pete Davidson) driving on the highway with his eyes closed, seemingly trying to off himself. It’s a powerful scene followed quickly by Scott and his friends tripping out with the typical hilarious banter you find in a Judd Apatow movie. While both great scenes, you still don’t get a full sense of where the story is going after the first ten minutes hence the score.
Characters: 10
Cinematography/Visuals: 9
Shot in a memorable style that brings out the best and worst of Staten Island at the same time. Director Apatow has a knack for capturing extremely impactful moments, especially the awkward ones. Every scene, no matter how short makes the most of its time and tells its own story. It’s such a hard thing to do yet Apatow finds a way to do it repeatedly.
Conflict: 10
It’s funny, I can’t look at Scott’s character without thinking about my 16-year-old son. He’s kind of drifting about in the same aimless way and, like Scott, doesn’t seem to understand how his now actions will affect his later. The beauty of having a character like this is the ability to be able to drive external conflict through Scott’s internal growth. He is struggling for selfish reasons. He wants his mom to be happy, but not at his expense. The dynamic of conflict is perfect.
Entertainment Value: 9
Memorability: 10
Pace: 8
The story flows along pretty smoothly, although I wasn’t happy with the 147-minute runtime. That’s a bit extensive for a comedy in my opinion. Again, I was impressed about how time was maximized for the most part, but there were a few spots where I felt things could have been trimmed.
Plot: 7
The movie does cheat to meet its end, but I was ultimately ok with it because the rest of the story was pretty incredible. The cheat is a blip on an otherwise quality story that really enhances the growth of the characters. Every scene really does come together well to tell a great story.
Resolution: 10
Overall: 90
From jump, The King of Staten Island hits you in the mouth and keeps you entertained. I enjoyed this movie for multiple reasons, but mostly because it checks all the boxes. Even the things it falls short on is just slightly missing the mark. Highly recommended.
Acting: 10
Beginning: 7
The very first few moments sees main character Scott Carlin (Pete Davidson) driving on the highway with his eyes closed, seemingly trying to off himself. It’s a powerful scene followed quickly by Scott and his friends tripping out with the typical hilarious banter you find in a Judd Apatow movie. While both great scenes, you still don’t get a full sense of where the story is going after the first ten minutes hence the score.
Characters: 10
Cinematography/Visuals: 9
Shot in a memorable style that brings out the best and worst of Staten Island at the same time. Director Apatow has a knack for capturing extremely impactful moments, especially the awkward ones. Every scene, no matter how short makes the most of its time and tells its own story. It’s such a hard thing to do yet Apatow finds a way to do it repeatedly.
Conflict: 10
It’s funny, I can’t look at Scott’s character without thinking about my 16-year-old son. He’s kind of drifting about in the same aimless way and, like Scott, doesn’t seem to understand how his now actions will affect his later. The beauty of having a character like this is the ability to be able to drive external conflict through Scott’s internal growth. He is struggling for selfish reasons. He wants his mom to be happy, but not at his expense. The dynamic of conflict is perfect.
Entertainment Value: 9
Memorability: 10
Pace: 8
The story flows along pretty smoothly, although I wasn’t happy with the 147-minute runtime. That’s a bit extensive for a comedy in my opinion. Again, I was impressed about how time was maximized for the most part, but there were a few spots where I felt things could have been trimmed.
Plot: 7
The movie does cheat to meet its end, but I was ultimately ok with it because the rest of the story was pretty incredible. The cheat is a blip on an otherwise quality story that really enhances the growth of the characters. Every scene really does come together well to tell a great story.
Resolution: 10
Overall: 90
From jump, The King of Staten Island hits you in the mouth and keeps you entertained. I enjoyed this movie for multiple reasons, but mostly because it checks all the boxes. Even the things it falls short on is just slightly missing the mark. Highly recommended.
Expositor's Bible & Strong's
Book and Reference
App
"Where the word of a king is, there is power" (Ecclesiastes 8:4). You have just found the best tool...
Holy Bible KJV Version
Book and Reference
App
"Where the word of a king is, there is power" (Ecclesiastes 8:4). You have just found the best tool...
Movie Metropolis (309 KP) rated Aladdin (2019) in Movies
Jun 10, 2019
Don't let us down Guy Ritchie
Along with Beauty & The Beast and The Lion King, Aladdin is one of Disney’s most-loved animated films. With Disney’s penchant for remaking their classic cartoons over the last few years, it was always going to be the case that Aladdin was going to be on the cards.
Director Bill Condon’s Beauty & The Beast was an enchanting ride that just fell short of living up to its predecessor and The Jungle Book director Jon Favreau has been tasked with bringing The Lion King back to life in live-action. We’ll find out how he gets on in July.
After Dumbo’s less than stellar performance with both critics and audiences in March, dark clouds were circling around the House of Mouse’s live-action arm. Hoping to inject a shot of hope to this ambitious release schedule was Guy Ritchie’s remake of Aladdin. Things didn’t look good from the marketing with poor CGI and seemingly wooden acting, so what does the finished film end up like?
Young Aladdin (Mena Massoud) embarks on a magical adventure after finding a lamp that releases a wisecracking genie (Will Smith). In his efforts to impress the wonderful Princess Jasmine (Naomi Scott), Aladdin embarks on a battle between good and evil against the wicked Jafar (Marwan Kenzari).
To look at, this live-action remake is absolutely packed full of colour and excitement, helped in part by Guy Ritchie’s frenetic filming style. Like Tim Burton before him, I was concerned about Ritchie’s appointment as director of this universally adored film, but unlike Burton, Ritchie gets it absolutely spot on. There are some absolutely stunning shot choices dotted throughout and the action is filmed with typical aplomb by a film-maker who has proven himself to be adept in this area.
The music, with original songs and updates of old classics is superb. Will Smith’s take on Friend Like Me is lip-smackingly good and will have you wanting to dance around the aisles, while A Whole New World really takes flight in this new, CGI-enhanced environment. Brand-new song, Speechless, written by Benj Pasek and Justin Paul and sang by Naomi Scott is Let It Go levels of awesome with Scott singing it exquisitely.
Will Smith’s take on Friend Like Me is lip-smackingly good
The special effects are on the whole very good and not as jarring as those in Dumbo. It’s unfortunate then that there are instances in which the green-screen is all too obvious and the CGI all too artificial. This is a shame, as the rest of the picture is extraordinarily well-filmed and feels, for want of a better word, incredibly opulent, dripping in gold hues. Again, Disney tests the limits of CGI and these limits are becoming more and more obvious as film-makers pursue more extravagant sequences.
Elsewhere, the cast is both a highlight and a hindrance. Mena Massoud plays the titular character with a cocky charm that makes this Aladdin very likeable indeed, while Naomi Scott is so much better than the trailers made her look. The film however belongs to Will Smith. He’s a brave man taking on a role that has become synonymous with Robin Williams but he brings depth, charisma and some of that old-fashioned Will Smith charm to the role – it’s the best we’ve seen him in years, even if he is doused in blue CGI for the majority of the film’s runtime.
Unfortunately, this modern reimagining hasn’t got everything right. Marwan Kenzari is severely miscast as Jafar. Bringing absolutely no menace to the role whatsoever, he proves to be a disappointing antagonist and the film’s only major black mark. The clunky CGI can be forgiven but this unfortunate characterisation can’t. Jafar is one of Disney’s best villains and for him to fall flat here is unacceptable.
Nevertheless, poor marketing aside, Aladdin is an absolute blast from start to finish. Well-paced, nicely acted (for the most part) and packed full of stunning music, this live-action remake has proven that Dumbo may have just been a disappointing sidestep in Disney’s ambitious live-action schedule.
That’s two out of the three. Don’t let us down Jon Favreau!
https://moviemetropolis.net/2019/05/22/aladdin-review-dont-let-us-down-guy-ritchie/
Director Bill Condon’s Beauty & The Beast was an enchanting ride that just fell short of living up to its predecessor and The Jungle Book director Jon Favreau has been tasked with bringing The Lion King back to life in live-action. We’ll find out how he gets on in July.
After Dumbo’s less than stellar performance with both critics and audiences in March, dark clouds were circling around the House of Mouse’s live-action arm. Hoping to inject a shot of hope to this ambitious release schedule was Guy Ritchie’s remake of Aladdin. Things didn’t look good from the marketing with poor CGI and seemingly wooden acting, so what does the finished film end up like?
Young Aladdin (Mena Massoud) embarks on a magical adventure after finding a lamp that releases a wisecracking genie (Will Smith). In his efforts to impress the wonderful Princess Jasmine (Naomi Scott), Aladdin embarks on a battle between good and evil against the wicked Jafar (Marwan Kenzari).
To look at, this live-action remake is absolutely packed full of colour and excitement, helped in part by Guy Ritchie’s frenetic filming style. Like Tim Burton before him, I was concerned about Ritchie’s appointment as director of this universally adored film, but unlike Burton, Ritchie gets it absolutely spot on. There are some absolutely stunning shot choices dotted throughout and the action is filmed with typical aplomb by a film-maker who has proven himself to be adept in this area.
The music, with original songs and updates of old classics is superb. Will Smith’s take on Friend Like Me is lip-smackingly good and will have you wanting to dance around the aisles, while A Whole New World really takes flight in this new, CGI-enhanced environment. Brand-new song, Speechless, written by Benj Pasek and Justin Paul and sang by Naomi Scott is Let It Go levels of awesome with Scott singing it exquisitely.
Will Smith’s take on Friend Like Me is lip-smackingly good
The special effects are on the whole very good and not as jarring as those in Dumbo. It’s unfortunate then that there are instances in which the green-screen is all too obvious and the CGI all too artificial. This is a shame, as the rest of the picture is extraordinarily well-filmed and feels, for want of a better word, incredibly opulent, dripping in gold hues. Again, Disney tests the limits of CGI and these limits are becoming more and more obvious as film-makers pursue more extravagant sequences.
Elsewhere, the cast is both a highlight and a hindrance. Mena Massoud plays the titular character with a cocky charm that makes this Aladdin very likeable indeed, while Naomi Scott is so much better than the trailers made her look. The film however belongs to Will Smith. He’s a brave man taking on a role that has become synonymous with Robin Williams but he brings depth, charisma and some of that old-fashioned Will Smith charm to the role – it’s the best we’ve seen him in years, even if he is doused in blue CGI for the majority of the film’s runtime.
Unfortunately, this modern reimagining hasn’t got everything right. Marwan Kenzari is severely miscast as Jafar. Bringing absolutely no menace to the role whatsoever, he proves to be a disappointing antagonist and the film’s only major black mark. The clunky CGI can be forgiven but this unfortunate characterisation can’t. Jafar is one of Disney’s best villains and for him to fall flat here is unacceptable.
Nevertheless, poor marketing aside, Aladdin is an absolute blast from start to finish. Well-paced, nicely acted (for the most part) and packed full of stunning music, this live-action remake has proven that Dumbo may have just been a disappointing sidestep in Disney’s ambitious live-action schedule.
That’s two out of the three. Don’t let us down Jon Favreau!
https://moviemetropolis.net/2019/05/22/aladdin-review-dont-let-us-down-guy-ritchie/
It's Ok to be Gay: Celebrity Coming out Stories
Diversity Role Models and Alison Stokes
Book
Celebrities share their coming out stories Launched to coincide with National Coming Out Day, It's...
Beast (Six Stories, #4)
10.0
Rate It
Book
A frozen girl A haunted town A deadly challenge Six Stories Which one is true? In the wake of...
Joe Goodhart (27 KP) rated Batman: Detective Comics, Volume 7: Batmen Eternal in Books
Nov 30, 2020
Well, boys and girls (and all non-gender folks as well), I have made to the last entry in James Tynion IV's run on DETECTIVE COMICS! Wowwowwoweeewow! What an amazing run it was!!
Following the beginnings of "Rebirth", I was excited, as it was doing away with much of the New52 stuff that was just crap, helping to restructure the DCU. Unfortunately, my initial excitement was partially crushed by Tom King, as he left me, for want of a better word, <i><b>hating</i></b> the Dark Knight!
That was the general feeling until I read Scott Snyder's BATMAN run (OMG! The Court of Owls is such a cool concept! I could totally see Faction Paradox involving themselves with the Court!) and then Tynion's run on DETECTIVE! Both writers have helped me to remember why I always liked the character of Batman, and what goes into making him cool and interesting!
This final volume, BATMAN ETERNAL, brings all of the plotlines together: the stuff with Tim Drake, angst-y Steph Brown/Spoiler (who, actually, was less angst-y, so that was great) and all her issues, Batman "vs." Batwoman, the Belfry, Cassandra Cain/Orphan and her role in the world going forward, as well as what became of [Spoiler!]. The answers given were well-thought out and fitting to the whole arc overall. Everything Tynion presented made sense, and really helped to restore Batman to being a great character, with depth and emotion. Definitely a better Batman than in the Tom King-helmed BATMAN book!
All the artists, even Eddy Barrows (who, normally, I kinda like, but the last two volumes he felt off), were top notch! Perfectly suited to the mood, environment running through this final Tynion 'TEC arc! So, let me just give a hearty applause for all their effort to Javier Fernandez, Eddy Barrows, Alvaro Martinez, Philippe Briones, Scot Eaton, Raul Fernandez, Eber Ferreira, and Wayne Faucher! Brilliant work, lads, absolutely brilliant!
Yes, I recommend this book, but more than that, I recommend you read all seven of the volumes of DETECTIVE COMICS! Some of the best, most Batman-like Batman stuff you will read!
Following the beginnings of "Rebirth", I was excited, as it was doing away with much of the New52 stuff that was just crap, helping to restructure the DCU. Unfortunately, my initial excitement was partially crushed by Tom King, as he left me, for want of a better word, <i><b>hating</i></b> the Dark Knight!
That was the general feeling until I read Scott Snyder's BATMAN run (OMG! The Court of Owls is such a cool concept! I could totally see Faction Paradox involving themselves with the Court!) and then Tynion's run on DETECTIVE! Both writers have helped me to remember why I always liked the character of Batman, and what goes into making him cool and interesting!
This final volume, BATMAN ETERNAL, brings all of the plotlines together: the stuff with Tim Drake, angst-y Steph Brown/Spoiler (who, actually, was less angst-y, so that was great) and all her issues, Batman "vs." Batwoman, the Belfry, Cassandra Cain/Orphan and her role in the world going forward, as well as what became of [Spoiler!]. The answers given were well-thought out and fitting to the whole arc overall. Everything Tynion presented made sense, and really helped to restore Batman to being a great character, with depth and emotion. Definitely a better Batman than in the Tom King-helmed BATMAN book!
All the artists, even Eddy Barrows (who, normally, I kinda like, but the last two volumes he felt off), were top notch! Perfectly suited to the mood, environment running through this final Tynion 'TEC arc! So, let me just give a hearty applause for all their effort to Javier Fernandez, Eddy Barrows, Alvaro Martinez, Philippe Briones, Scot Eaton, Raul Fernandez, Eber Ferreira, and Wayne Faucher! Brilliant work, lads, absolutely brilliant!
Yes, I recommend this book, but more than that, I recommend you read all seven of the volumes of DETECTIVE COMICS! Some of the best, most Batman-like Batman stuff you will read!
Macbeth
William Shakespeare and Robert S. Miola
8.2
Rate It
Book
The Norton Critical Edition is again based on the First Folio (1623), the only authoritative text of...