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Dork_knight74 (881 KP) rated The Captive (2014) in Movies
Jul 28, 2018
Found this one on Netflix. It stars Ryan Reynolds, Scott Speedman and Rosario Dawson. It's a movie about a couple whose daughter is kidnapped by a group of people who like to watch children online being abused. The game her for 8yrs and use her to lure other children online to meet them. This movie is an excellent crime drama. They don't show anything graphic but there's mild violence and cursing. I would say kids could watch this to see the dangers of meeting strangers on line. All around the acting, cinematography and storyline are great. This one is really worth a watch!
Matthew Krueger (10051 KP) rated Dark Blue (2003) in Movies
Feb 25, 2021
Intimidation and Corruption
Dark Blue- is a good crime thriller.
The plot: Set in the Los Angeles Police Department in 1992, "Dark Blue" is a thriller that takes place just days before the acquittal of four white officers in the beating of black motorist Rodney King and the subsequent L.A. riots. In this racially charged climate, the LAPD's elite Special Investigations Squad is assigned a quadruple homicide. As they work the case, detective Eldon (Kurt Russell), tutors SIS rookie Bobby (Scott Speedman) in the realities of police intimidation and corruption.
I would highly recordmed watching it.
The plot: Set in the Los Angeles Police Department in 1992, "Dark Blue" is a thriller that takes place just days before the acquittal of four white officers in the beating of black motorist Rodney King and the subsequent L.A. riots. In this racially charged climate, the LAPD's elite Special Investigations Squad is assigned a quadruple homicide. As they work the case, detective Eldon (Kurt Russell), tutors SIS rookie Bobby (Scott Speedman) in the realities of police intimidation and corruption.
I would highly recordmed watching it.
Matthew Krueger (10051 KP) rated The Strangers (2008) in Movies
May 15, 2021 (Updated May 15, 2021)
This House Isnt A Home
The Strangers- is a slow pace horror film, it doesnt get good until the 30 minute mark. Than slowly it get good, but it takes its time. The best moments of this film was the last 30 minutes of this film.
The plot: Kristen (Liv Tyler) and James (Scott Speedman) are expecting a relaxing weekend at a family vacation home, but their stay turns out to be anything but peaceful. First, a mysterious and dangerous woman arrives at the door while James is out on an errand. When he returns, he accidentally kills his friend Mike (Glenn Howerton), mistaking him for an intruder. And then real danger does show up -- in the form of three masked torturers, leaving Kristen and James struggling for survival.
Its slow and overall a decent film.
The plot: Kristen (Liv Tyler) and James (Scott Speedman) are expecting a relaxing weekend at a family vacation home, but their stay turns out to be anything but peaceful. First, a mysterious and dangerous woman arrives at the door while James is out on an errand. When he returns, he accidentally kills his friend Mike (Glenn Howerton), mistaking him for an intruder. And then real danger does show up -- in the form of three masked torturers, leaving Kristen and James struggling for survival.
Its slow and overall a decent film.
Gareth von Kallenbach (968 KP) rated Underworld: Evolution (2006) in Movies
Aug 14, 2019
The battle between the Death Dealers (Vampires) and Lychans (Werewolves) continues in Underworld Evolution, the sequel to the smash “Underworld” that detailed the battles between the two horror mainstays. The sequel picks up shortly after the film and deals with Selene (Kate Beckinsale), and Michael (Scott Speedman), on the run after Selene was forced to turn on the Vampires following events at the conclusion of the previous film.
Of course being a Vampire traveling with a Vampire/Werewolves hybrid is not an easy thing, especially when Selene can only move around at night and must seek refuge from daylight. Through a series of flashbacks, we learn that the war between Lychans and Death Dealers began centuries ago, when two brothers each heading one faction of the conflict were drawn to a decisive battle. The losing Lychan brother, William, is imprisoned for all ages in a specially designed tomb, thanks to his brother Marcus’s insistence that he would only help capture him, if he were to remain alive.
Since William is capable of utter destruction, his location is a closely guarded secret for centuries that is until Marcus re-emerges and seeks to locate Selene. Marcus upon emerging from hibernation learns what Selene has done, and is convinced she has betrayed her own kind, unaware of the real reasons behind her actions. In short order, Marcus, Selene, and Michael play a deadly game of cat and mouse with each trying to unlock the mystery of Williams’s location. Marcus wants to exploit the power of William while Selene to protect the world from the evil that William and his followers would represent.
Along the way, there are plenty of battles, odd characters, and romance to keep most viewers entertained, which leads up to an action packed finale, that for me was the high point of the film. The plot has its share of holes but also deals with a series of complexities as it attempts to take the topics of bloodlines, centuries of history, and mythos in a tight 100 minute package. The two leads work well with one another though their do not have the most dynamic chemistry ever seen on screen. For this type of film, it does work as one does not come to a monster film expecting great acting, story, or characterization.
What Underworld Evolution has going for it, are good effects, a few good action moments and a plot, that at times tricky for the casual viewer to follow, more than surpasses the average storyline for the genre. The tight pacing of the film by Director Len Wiseman keeps the film moving a clip that was much brisker than the original and allowed the film to get to the highlights quickly and not be weighed down by fluff.
The finale as I mentioned was the highlight for me, as the buildup to that point was at times, slow, and had me wishing for more. That being said, the final 15 minutes of the film more than saved it, and got more than a few cheers from the audience at my press screening.
While it would be easy to find faults with the film, the important thing to remember is the spirit and intention of the film. They were not out to make classic cinema, they were out to make a fun and entertaining monster film, blemishes and all. In that, Underworld Evolution succeeds.
Of course being a Vampire traveling with a Vampire/Werewolves hybrid is not an easy thing, especially when Selene can only move around at night and must seek refuge from daylight. Through a series of flashbacks, we learn that the war between Lychans and Death Dealers began centuries ago, when two brothers each heading one faction of the conflict were drawn to a decisive battle. The losing Lychan brother, William, is imprisoned for all ages in a specially designed tomb, thanks to his brother Marcus’s insistence that he would only help capture him, if he were to remain alive.
Since William is capable of utter destruction, his location is a closely guarded secret for centuries that is until Marcus re-emerges and seeks to locate Selene. Marcus upon emerging from hibernation learns what Selene has done, and is convinced she has betrayed her own kind, unaware of the real reasons behind her actions. In short order, Marcus, Selene, and Michael play a deadly game of cat and mouse with each trying to unlock the mystery of Williams’s location. Marcus wants to exploit the power of William while Selene to protect the world from the evil that William and his followers would represent.
Along the way, there are plenty of battles, odd characters, and romance to keep most viewers entertained, which leads up to an action packed finale, that for me was the high point of the film. The plot has its share of holes but also deals with a series of complexities as it attempts to take the topics of bloodlines, centuries of history, and mythos in a tight 100 minute package. The two leads work well with one another though their do not have the most dynamic chemistry ever seen on screen. For this type of film, it does work as one does not come to a monster film expecting great acting, story, or characterization.
What Underworld Evolution has going for it, are good effects, a few good action moments and a plot, that at times tricky for the casual viewer to follow, more than surpasses the average storyline for the genre. The tight pacing of the film by Director Len Wiseman keeps the film moving a clip that was much brisker than the original and allowed the film to get to the highlights quickly and not be weighed down by fluff.
The finale as I mentioned was the highlight for me, as the buildup to that point was at times, slow, and had me wishing for more. That being said, the final 15 minutes of the film more than saved it, and got more than a few cheers from the audience at my press screening.
While it would be easy to find faults with the film, the important thing to remember is the spirit and intention of the film. They were not out to make classic cinema, they were out to make a fun and entertaining monster film, blemishes and all. In that, Underworld Evolution succeeds.