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LeftSideCut (3778 KP) rated Ready or Not (2019) in Movies
Sep 3, 2019
I saw Ready or Not earlier this evening as part of Odeon's Scream Unseen - so we went in with no idea of what movie we were about to see (apart from my friend @Neon's Nerd Nexus being bang on with his guess), and hadn't really seen much promo before hand.
And I'm glad he was right, because I found it to be a pretty good horror film (it reminded me of You're Next at times) with generous lashings of black comedy.
It made me laugh a good few times throughout whilst simultaneously making me wince at some of the gore on display.
Samara Weaving is really likable and easy to root for. In fact, I actually liked pretty much every character on display.
It's not the best horror movie you will see by a long way, but above all, Ready or Not is just extremely fun.
And I'm glad he was right, because I found it to be a pretty good horror film (it reminded me of You're Next at times) with generous lashings of black comedy.
It made me laugh a good few times throughout whilst simultaneously making me wince at some of the gore on display.
Samara Weaving is really likable and easy to root for. In fact, I actually liked pretty much every character on display.
It's not the best horror movie you will see by a long way, but above all, Ready or Not is just extremely fun.
Sound (The Last Note #1)
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A deadly curse. A young woman determined to survive. A mysterious stranger willing to do anything to...
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If you open your door to the Midnight Man, hide with a candle wherever you can. Try not to scream as...
Matthew Krueger (10051 KP) rated The Tingler (1959) in Movies
Dec 5, 2020
Vincent Price (1 more)
William Castle
When You Scream
The Tingler- is a excellent movie and if you havent watched it than go watch it.
The plot: Dr. Warren Chapin (Vincent Price) has made a surprising discovery -- the spine-chilling sensation that people get when scared is due to a parasite that he dubs the "tingler." Chapin concludes that in extreme circumstances, prolonged fear can cause the creature to damage a person's spine and even cause death if the victim can't scream, a theory that Oliver Higgins (Philip Coolidge) uses to deadly effect on his wife (Judith Evelyn). Soon the tingler that killed the woman is on the loose.
Castle used gimmicks to sell the film. The Tingler remains most well known for a gimmick called "Percepto!", a vibrating device in some theater chairs which activated with the onscreen action.
In a similar manner as Universal's Frankenstein (1931), Castle opened the film with an on-screen warning to the audience:
"I am William Castle, the director of the motion picture you are about to see. I feel obligated to warn you that some of the sensations—some of the physical reactions which the actors on the screen will feel—will also be experienced, for the first time in motion picture history, by certain members of this audience. I say 'certain members' because some people are more sensitive to these mysterious electronic impulses than others. These unfortunate, sensitive people will at times feel a strange, tingling sensation; other people will feel it less strongly. But don't be alarmed—you can protect yourself. At any time you are conscious of a tingling sensation, you may obtain immediate relief by screaming. Don't be embarrassed about opening your mouth and letting rip with all you've got, because the person in the seat right next to you will probably be screaming too. And remember—a scream at the right time may save your life."
William Castle was famous for his movie gimmicks, and The Tingler featured one of his best: "Percepto!". Previously, he had offered a $1,000 life insurance policy against "Death by Fright" for Macabre (1958) and sent a skeleton flying above the audiences' heads in the auditorium in House on Haunted Hill (1959).
"Percepto!" was a gimmick where Castle attached electrical "buzzers" to the underside of some seats in theaters where The Tingler was screened. The buzzers were small surplus airplane wing deicing motors left from World War II. The cost of this equipment added $250,000 to the film's budget. It was used predominantly in larger theaters.
During the climax of the film, The Tingler was unleashed in the movie theater, while the audience watched Tol'able David (1921), in which a young woman escapes the unwanted advances of her boyfriend and is targeted. In the real-life theater, a woman screamed and then pretended to faint; she was then taken away in a stretcher, all part of the show arranged by Castle. From the screen, the voice of Price mentioned the fainted lady and asked the rest of the audience to remain seated. The film-within-a-film resumed and was interrupted again. The projected film appeared to break as the silhouette of the tingler moved across the projection beam. The image of the film went dark, all lights in the auditorium (except fire exit signs) went off, and Price's voice warned the audience, "Ladies and gentlemen, please do not panic. But scream! Scream for your lives! The tingler is loose in this theater!" This cued the theater projectionist to activate the Percepto! buzzers, giving some audience members an unexpected jolt, followed by a highly visible physical reaction. The voices of scared patrons were heard from the screen, replaced by the voice of Price, who explained that the tingler was paralyzed and the danger was over. At this point, the film resumed its normal format, which was used for its epilogue
An alternate warning was recorded for drive-in theaters; this warning advised the audience the tingler was loose in the drive-in. Castle's voice was substituted for Price's in this version.
Castle's autobiography, Step Right Up!: I'm Gonna Scare the Pants off America, erroneously stated that "Percepto!" delivered electric shocks to the theater seats.
To enhance the climax even more, Castle hired fake "screamers and fainters" planted in the audience There were fake nurses stationed in the foyer and an ambulance outside of the theater. The "fainters" would be carried out on a gurney and whisked away in the ambulance, to return for the next showing.
Although The Tingler was filmed in black-and-white, a short color sequence was spliced into the film. It showed a sink (in black-and-white) with bright-red "blood" flowing from the taps and a black-and-white Evelyn watching a bloody red hand rising from a bathtub, likewise filled with the bright red "blood". Castle used color film for the effect. The scene was accomplished by painting the set white, black and gray and applying gray makeup to the actress to simulate monochrome.
Excellent Film.
The plot: Dr. Warren Chapin (Vincent Price) has made a surprising discovery -- the spine-chilling sensation that people get when scared is due to a parasite that he dubs the "tingler." Chapin concludes that in extreme circumstances, prolonged fear can cause the creature to damage a person's spine and even cause death if the victim can't scream, a theory that Oliver Higgins (Philip Coolidge) uses to deadly effect on his wife (Judith Evelyn). Soon the tingler that killed the woman is on the loose.
Castle used gimmicks to sell the film. The Tingler remains most well known for a gimmick called "Percepto!", a vibrating device in some theater chairs which activated with the onscreen action.
In a similar manner as Universal's Frankenstein (1931), Castle opened the film with an on-screen warning to the audience:
"I am William Castle, the director of the motion picture you are about to see. I feel obligated to warn you that some of the sensations—some of the physical reactions which the actors on the screen will feel—will also be experienced, for the first time in motion picture history, by certain members of this audience. I say 'certain members' because some people are more sensitive to these mysterious electronic impulses than others. These unfortunate, sensitive people will at times feel a strange, tingling sensation; other people will feel it less strongly. But don't be alarmed—you can protect yourself. At any time you are conscious of a tingling sensation, you may obtain immediate relief by screaming. Don't be embarrassed about opening your mouth and letting rip with all you've got, because the person in the seat right next to you will probably be screaming too. And remember—a scream at the right time may save your life."
William Castle was famous for his movie gimmicks, and The Tingler featured one of his best: "Percepto!". Previously, he had offered a $1,000 life insurance policy against "Death by Fright" for Macabre (1958) and sent a skeleton flying above the audiences' heads in the auditorium in House on Haunted Hill (1959).
"Percepto!" was a gimmick where Castle attached electrical "buzzers" to the underside of some seats in theaters where The Tingler was screened. The buzzers were small surplus airplane wing deicing motors left from World War II. The cost of this equipment added $250,000 to the film's budget. It was used predominantly in larger theaters.
During the climax of the film, The Tingler was unleashed in the movie theater, while the audience watched Tol'able David (1921), in which a young woman escapes the unwanted advances of her boyfriend and is targeted. In the real-life theater, a woman screamed and then pretended to faint; she was then taken away in a stretcher, all part of the show arranged by Castle. From the screen, the voice of Price mentioned the fainted lady and asked the rest of the audience to remain seated. The film-within-a-film resumed and was interrupted again. The projected film appeared to break as the silhouette of the tingler moved across the projection beam. The image of the film went dark, all lights in the auditorium (except fire exit signs) went off, and Price's voice warned the audience, "Ladies and gentlemen, please do not panic. But scream! Scream for your lives! The tingler is loose in this theater!" This cued the theater projectionist to activate the Percepto! buzzers, giving some audience members an unexpected jolt, followed by a highly visible physical reaction. The voices of scared patrons were heard from the screen, replaced by the voice of Price, who explained that the tingler was paralyzed and the danger was over. At this point, the film resumed its normal format, which was used for its epilogue
An alternate warning was recorded for drive-in theaters; this warning advised the audience the tingler was loose in the drive-in. Castle's voice was substituted for Price's in this version.
Castle's autobiography, Step Right Up!: I'm Gonna Scare the Pants off America, erroneously stated that "Percepto!" delivered electric shocks to the theater seats.
To enhance the climax even more, Castle hired fake "screamers and fainters" planted in the audience There were fake nurses stationed in the foyer and an ambulance outside of the theater. The "fainters" would be carried out on a gurney and whisked away in the ambulance, to return for the next showing.
Although The Tingler was filmed in black-and-white, a short color sequence was spliced into the film. It showed a sink (in black-and-white) with bright-red "blood" flowing from the taps and a black-and-white Evelyn watching a bloody red hand rising from a bathtub, likewise filled with the bright red "blood". Castle used color film for the effect. The scene was accomplished by painting the set white, black and gray and applying gray makeup to the actress to simulate monochrome.
Excellent Film.
Kim Pook (101 KP) rated Fear Street Part One: 1994 (2021) in Movies
Jul 26, 2021
A young teen, Heather, is finishing her last shift of the day in the mall, upon closing time she agrees to meet her friend Ryan outside so they can walk home together. Once Ryan leaves to gather his things, Heather is chased through the mall by a masked stranger and murdered in an almost identical way to casey becker in scream! When the credits start, the 1994 is blood red and someone screams as it is splattered against the screen, again just like scream! Either purely coincidental or the writers are a fan of the movie.
Anyway, the next day we see a number of teens talking and apparently this isn't the first murder in this town, in fact almost every decade has had a massacre, which many of the teens believe is the result of a witches curse. After a fight breaks out at a vigil held for Heather and Ryan, the rival schools threaten to kill each other and a killing spree starts shortly after. However, it is not the teens going through with their threats, in fact the killers aren't even alive! The teens must find a way to stop these creatures.
The movie is filled with so many feels of the 90s, as someone who was a teen in that decade herself I enjoyed all the nostalgia, from the mention of AOL to calling someone a dilweed. I liked the fact that the teens in the movie actually did look like teens unlike many other movies, though it did the almost sex scenes seem wrong. I enjoyed the teen Slasher part of the story as Slashers are my fav movie genre and we don't get many of those anymore, what ruined I for me though was the addition of Supernatural beings, I really wanted a teen Slasher with a big reveal at the end but sadly that isn't what I got. Still a good film though.
Anyway, the next day we see a number of teens talking and apparently this isn't the first murder in this town, in fact almost every decade has had a massacre, which many of the teens believe is the result of a witches curse. After a fight breaks out at a vigil held for Heather and Ryan, the rival schools threaten to kill each other and a killing spree starts shortly after. However, it is not the teens going through with their threats, in fact the killers aren't even alive! The teens must find a way to stop these creatures.
The movie is filled with so many feels of the 90s, as someone who was a teen in that decade herself I enjoyed all the nostalgia, from the mention of AOL to calling someone a dilweed. I liked the fact that the teens in the movie actually did look like teens unlike many other movies, though it did the almost sex scenes seem wrong. I enjoyed the teen Slasher part of the story as Slashers are my fav movie genre and we don't get many of those anymore, what ruined I for me though was the addition of Supernatural beings, I really wanted a teen Slasher with a big reveal at the end but sadly that isn't what I got. Still a good film though.
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Mark @ Carstairs Considers (2171 KP) rated It All Began with a Scream in Books
Nov 11, 2021 (Updated Nov 11, 2021)
Uneven History of the Scream Franchise
This book covers the history and production of all four movies released to date in the franchise. With new interviews and research into previously released articles, Padraic dives into what went into the creation of each movie in the franchise. He starts with the origins behind Kevin Williamson writing the first script and covers casting, production, releases, and everything in between for all of the films.
Despite my normal cozy mystery reads, I am obsessed with the Scream franchise, so as soon as I learned about this book, I knew I had to get it. I appreciated the interviews and research that went into this book. There were fewer bits of trivia I didn’t know about the original movie, but the sections on Screams 3 and 4 made me understand some of my issues with those films better. I did feel that the writing lacked a bit of passion that kept me out, and many of the quotes could have been cleaned up for clarity to make the reading better. I would have really appreciated it if the author had included a person’s full name and their position in the crew more than the first time he mentioned them. There are a handful of typos throughout the book, and that wouldn’t bother me, except that each time my alma mater was mentioned by name, it was listed as Santa Rosa high school instead of Santa Rosa High School. Yes, it’s silly, but it bugged me. I also take exception to the producer interviewed about that controversy saying not getting to film at the school was censorship. While there is much to be said on the subject (and both sides behaved poorly during the controversy), it was never censorship. Overall, the writing issues keep me from giving the book a full recommendation, but I am glad I read it.
Despite my normal cozy mystery reads, I am obsessed with the Scream franchise, so as soon as I learned about this book, I knew I had to get it. I appreciated the interviews and research that went into this book. There were fewer bits of trivia I didn’t know about the original movie, but the sections on Screams 3 and 4 made me understand some of my issues with those films better. I did feel that the writing lacked a bit of passion that kept me out, and many of the quotes could have been cleaned up for clarity to make the reading better. I would have really appreciated it if the author had included a person’s full name and their position in the crew more than the first time he mentioned them. There are a handful of typos throughout the book, and that wouldn’t bother me, except that each time my alma mater was mentioned by name, it was listed as Santa Rosa high school instead of Santa Rosa High School. Yes, it’s silly, but it bugged me. I also take exception to the producer interviewed about that controversy saying not getting to film at the school was censorship. While there is much to be said on the subject (and both sides behaved poorly during the controversy), it was never censorship. Overall, the writing issues keep me from giving the book a full recommendation, but I am glad I read it.
