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LeftSideCut (3778 KP) rated 47 Meters Down: Uncaged (2019) in Movies
May 7, 2020
47 Meters Down: Uncaged is pretty much what you would expect from a low budget shark-horror-sequel. It has ok moments, insufferable characters, dodgy CGI, buckets of nonsense - the whole package.
In all honesty, the first 25 minutes or so are actually half decent. The plot revolves around four friends getting stuck in an underwater Mayan ruin whilst cave diving. This setting is effective, providing a claustrophobic backdrop for the characters to be stalked by a great white shark. There are countless shots of sheer blackness, and it's relatively unsettling now and again.
Of course there's a hastily introduced plot kicker not long after - the shark is in fact blind, and hunts using sound, and here is where the movies big gaping issues lie....
The ladies figure this detail out immediately, but then proceed to constantly scream and shout for the test of the runtime. Not only can they hear each other talking clear as day UNDERWATER, but their incessant warbling had me rooting for the shark before long. What starts as a fairly tense underwater thriller, devolves into Hollywood silliness in a matter of minutes, complete with a set of characters that lack any relatability or likable qualities.
The sharks themselves look ok when shrouded in darkness (there are a few creepy shots, and a few fairly good jump scares), but up close, the poor CGI is easily exposed.
It's not a terrible, but you're not missing out if you give this one a pass.
In all honesty, the first 25 minutes or so are actually half decent. The plot revolves around four friends getting stuck in an underwater Mayan ruin whilst cave diving. This setting is effective, providing a claustrophobic backdrop for the characters to be stalked by a great white shark. There are countless shots of sheer blackness, and it's relatively unsettling now and again.
Of course there's a hastily introduced plot kicker not long after - the shark is in fact blind, and hunts using sound, and here is where the movies big gaping issues lie....
The ladies figure this detail out immediately, but then proceed to constantly scream and shout for the test of the runtime. Not only can they hear each other talking clear as day UNDERWATER, but their incessant warbling had me rooting for the shark before long. What starts as a fairly tense underwater thriller, devolves into Hollywood silliness in a matter of minutes, complete with a set of characters that lack any relatability or likable qualities.
The sharks themselves look ok when shrouded in darkness (there are a few creepy shots, and a few fairly good jump scares), but up close, the poor CGI is easily exposed.
It's not a terrible, but you're not missing out if you give this one a pass.
The Way to the Spring: Life and Death in Palestine
Book
This is a book about Palestine today. It is neither apologetic nor romanticized, but a powerful and...
History politics
A View to Kill
7.0
Rate It
Book
The Devil Died at Midnight The devil is in the detail. When true-crime writer Alexandria...
Marked for Life
Book
When a high-ranking head of the migration board is found shot to death in his living room, there is...
BankofMarquis (1832 KP) rated Asteroid City (2023) in Movies
Jun 30, 2023
Too "Wes Anderson" For It's Own Good
If you watched the Oscar Nominated Wes Anderson film THE GRAND BUDAPEST HOTEL back in 2014 and thought to yourself - “I want more of this type of thing - only turned up to 11”, then does the BankofMarquis have a film for you.
ASTEROID CITY is the most Wes Anderson film that Wes Anderson has ever filmed.
It is up to you to decide whether that’s a good or bad thing.
A movie within a play within a narration (yes, it’s that “meta”), ASTEROID CITY tells the tale of a group of folks congregating in a timeframe that seems to scream “1950’s America” in a very small, isolated Southwestern American town that seems to scream “Los Alamos, New Mexico” and the life, loves, adventures - and wry comments of the events therein - that these folks encounter/endure all wrapped up in the pastel colored, dry-pan delivered style that has become the signature of a Wes Anderson film.
Populated - as is always the case these days with a Wes Anderson film - by a veritable who’s who of actors who seem to be in on the joke - or at least want to appear that they are part of the “cool kids club”. Names like Anderson regulars Jason Schwartzman, Liev Schrieber, Willem Dafoe and Ed Norton mix in with Anderson newcomers like Tom Hanks, Steve Carrell and Scarlett Johansson succeed more than they fail, but the film falls down from the heights of THE GRAND BUDAPEST HOTEL by becoming “too cute” for it’s own good.
Central to the story is the relationship between Schwartzman’s War Photographer and Johansson’s movie star but this relationship fails to draw the audience in because of the presentational, deadpan style of Anderson’s delivery of the material. Same goes for Hanks’ portrayal of Schwartzman’s father, Carrell’s portrayal of the Motel Manager and Schrieber’s portrayal of another parent at the hotel.
Jeffrey Wright and Tilda Swinton are the most successful of the players as their characters are aloof and mysterious - and the style that Anderson throws at this film leans towards these types of characters…but it leaves the audience at arms’ length.
Special notice should be made of Margot Robbie’s one scene as her character is spoken of, but not seen…until she is.. and her scene is the most interesting in the film.
And…the BankofMarquis hasn’t even mentioned Edward Norton’s playwright (who writes the play that this movie is based on) and Adrian Brody as the Director of the play. The are brought on screen from time to time to archly comment and/or explain the goings-on.
This being an Anderson film, the visuals are stunning and original (but, ironically, familiar to Wes Anderson regulars) and this is the main reason to see this film, it is visually rich and interesting…and different…of a film to look at.
But…Wes Anderson needed to lean away (not into) being…Wes Anderson.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
ASTEROID CITY is the most Wes Anderson film that Wes Anderson has ever filmed.
It is up to you to decide whether that’s a good or bad thing.
A movie within a play within a narration (yes, it’s that “meta”), ASTEROID CITY tells the tale of a group of folks congregating in a timeframe that seems to scream “1950’s America” in a very small, isolated Southwestern American town that seems to scream “Los Alamos, New Mexico” and the life, loves, adventures - and wry comments of the events therein - that these folks encounter/endure all wrapped up in the pastel colored, dry-pan delivered style that has become the signature of a Wes Anderson film.
Populated - as is always the case these days with a Wes Anderson film - by a veritable who’s who of actors who seem to be in on the joke - or at least want to appear that they are part of the “cool kids club”. Names like Anderson regulars Jason Schwartzman, Liev Schrieber, Willem Dafoe and Ed Norton mix in with Anderson newcomers like Tom Hanks, Steve Carrell and Scarlett Johansson succeed more than they fail, but the film falls down from the heights of THE GRAND BUDAPEST HOTEL by becoming “too cute” for it’s own good.
Central to the story is the relationship between Schwartzman’s War Photographer and Johansson’s movie star but this relationship fails to draw the audience in because of the presentational, deadpan style of Anderson’s delivery of the material. Same goes for Hanks’ portrayal of Schwartzman’s father, Carrell’s portrayal of the Motel Manager and Schrieber’s portrayal of another parent at the hotel.
Jeffrey Wright and Tilda Swinton are the most successful of the players as their characters are aloof and mysterious - and the style that Anderson throws at this film leans towards these types of characters…but it leaves the audience at arms’ length.
Special notice should be made of Margot Robbie’s one scene as her character is spoken of, but not seen…until she is.. and her scene is the most interesting in the film.
And…the BankofMarquis hasn’t even mentioned Edward Norton’s playwright (who writes the play that this movie is based on) and Adrian Brody as the Director of the play. The are brought on screen from time to time to archly comment and/or explain the goings-on.
This being an Anderson film, the visuals are stunning and original (but, ironically, familiar to Wes Anderson regulars) and this is the main reason to see this film, it is visually rich and interesting…and different…of a film to look at.
But…Wes Anderson needed to lean away (not into) being…Wes Anderson.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Sarah (7798 KP) rated The Good Samaritan in Books
Apr 23, 2019
Not what I expected
I've read a couple of John Marrs' books now and enjoyed them, so I was looking forward to trying this one out as it has an intriguing premise. However it didnt turn out quite how I expected, and I'm not sure if that's a good thing or not.
The plot centres around Laura, a suicide helpline worker who finds victims to encourage and help plan their deaths. Laura is a nasty piece of work. It's been a long time since I've read a book with a protagonist that I've detested as much as Laura. She's horrible but in a good way, as you spend most of the book willing her to fail and get her comeuppance. The writing is very good and the other characters in this are also well developed. It's a gripping read and despite being fairly long, i struggled to put this one down.
The problem i found with this though, which I'm still a little uncertain about, is that the story unfolds in a way that I hadn't expected. Around a third of the way in, it switches courses and changes into something that although it isn't bad, it just wasn't expected. And the ending too is a little frustrating and not as satisfying as I would have liked. However if you want to read a book with a truly detestable main character that makes you want to scream (kind of in a good way), then this is definitely worth a read.
The plot centres around Laura, a suicide helpline worker who finds victims to encourage and help plan their deaths. Laura is a nasty piece of work. It's been a long time since I've read a book with a protagonist that I've detested as much as Laura. She's horrible but in a good way, as you spend most of the book willing her to fail and get her comeuppance. The writing is very good and the other characters in this are also well developed. It's a gripping read and despite being fairly long, i struggled to put this one down.
The problem i found with this though, which I'm still a little uncertain about, is that the story unfolds in a way that I hadn't expected. Around a third of the way in, it switches courses and changes into something that although it isn't bad, it just wasn't expected. And the ending too is a little frustrating and not as satisfying as I would have liked. However if you want to read a book with a truly detestable main character that makes you want to scream (kind of in a good way), then this is definitely worth a read.
Sassy Brit (97 KP) rated Cold Winter Sun in Books
Jun 5, 2019
Cold Winter Sun by Tony J. Forder is as loosely connected sequel to Scream Blue Murder, easily read as a stand-alone. I know, because I’ve not read any of his other books, but boy, oh boy, will I do now! From the first page readers will be thrown into an fast-paced, eye-opening scene, which foreshadows the exact style of writing and plot you’re going to encounter throughout.
The storyline begins with a man being tortured; who he is, and why he is there is the beginning of an adventure that will quickly throw you into the deep and hold you down until you finish and can breathe again.
When main character, Mike, gets a phone call from his ex-wife, about her new husband’s missing nephew, Vern, he and his friend Terry, decide to track him down, but it soon becomes clear there’s more to this case than they bargained. But what secrets are being hidden? Why is this happening? Who is really the guilty party in all of this?
With hostage situations, crossfires and lives at risk, Mike must do his best to save his nephew, ex-wife and daughter from danger before it’s too late.
Cold Winter Sun is a crime thriller bursting with action, and there’s many twists and turns to keep readers guessing right up until the end. If you like crime thrillers, packed with great characterisation and gut-punching shocks, you’ll enjoy this. It hit me like a bullet that won’t dislodge. Loved it!
The storyline begins with a man being tortured; who he is, and why he is there is the beginning of an adventure that will quickly throw you into the deep and hold you down until you finish and can breathe again.
When main character, Mike, gets a phone call from his ex-wife, about her new husband’s missing nephew, Vern, he and his friend Terry, decide to track him down, but it soon becomes clear there’s more to this case than they bargained. But what secrets are being hidden? Why is this happening? Who is really the guilty party in all of this?
With hostage situations, crossfires and lives at risk, Mike must do his best to save his nephew, ex-wife and daughter from danger before it’s too late.
Cold Winter Sun is a crime thriller bursting with action, and there’s many twists and turns to keep readers guessing right up until the end. If you like crime thrillers, packed with great characterisation and gut-punching shocks, you’ll enjoy this. It hit me like a bullet that won’t dislodge. Loved it!
Elli H Burton (1288 KP) rated The Hobbit Trilogy (2015) in Movies
Jun 14, 2019
Going On an Adventure
I was a late comer to J.R. Tolkien and LOTR so when The Hobbit came out I was super excited that I had more to delve into and fall in love with as I had with LOTR.
So yes - the films are super long but personally I didn't feel the length of the film (as some bad films feel twice as long and you just scream HURRY UP AND END) where as with The Hobbit at the end of Unexpected Journey I couldn't wait for the next one.
Obviously with this being made years after, the Actors from LOTR would have unfortunately aged but Sir. Ian Mckellen looks not a day older and although Orlando Bloom is obviously not in his early twenties anymore, it was easy to overlook. Bilbo Baggins had to be a different actor but I definitely think Martin Freeman was the man for the job. I also loved that in the beginning Elijah Wood made an appearance, making it genuinely feel like part of the LOTR we've all come to love.
The Battle of the Five Armies was the main film I have qualms with, after countless googles I still don't understand the Five Armies part, but that could just be me! Also, when Smaugs rain of terror is finally ended it sort of felt bittersweet and kind of Anti Climactic as it happens rather quickly into the film.
So yes - the films are super long but personally I didn't feel the length of the film (as some bad films feel twice as long and you just scream HURRY UP AND END) where as with The Hobbit at the end of Unexpected Journey I couldn't wait for the next one.
Obviously with this being made years after, the Actors from LOTR would have unfortunately aged but Sir. Ian Mckellen looks not a day older and although Orlando Bloom is obviously not in his early twenties anymore, it was easy to overlook. Bilbo Baggins had to be a different actor but I definitely think Martin Freeman was the man for the job. I also loved that in the beginning Elijah Wood made an appearance, making it genuinely feel like part of the LOTR we've all come to love.
The Battle of the Five Armies was the main film I have qualms with, after countless googles I still don't understand the Five Armies part, but that could just be me! Also, when Smaugs rain of terror is finally ended it sort of felt bittersweet and kind of Anti Climactic as it happens rather quickly into the film.
ArecRain (8 KP) rated The Measure of a Lady in Books
Jan 18, 2018
I love me some Deeanne Gist, but I have never had a novel make me as angry as this one.
Everything about this novel was so obnoxious and contradictory that I wanted to scream. Rachel is an overbearing sister who is trying to set a good example for them, but, in reality, she is just a control freak who has been uprooted from all she has ever known and clearly does not like change since she does not even try to adapt to her new surroundings. What makes her character even more frustrating is that she tends to break all the rules that she sets forth for her siblings, mainly her sister.
Her younger sister is a whole other can of worms. While the brother seems almost nonexistent in the novel, only appearing when needed for furthering the story, Rachel's sister has grasp onto to this new found freedom, since Rachel cannot control her because she is too busy breaking her rules for being a lady. The younger sister takes this freedom and runs with it, wreaking all sorts of havoc while her bad attitude ever increases.
Out of all of Gist's books, this seems to be the most sensual. In her other books, the relationship of the protagonists seems more important than their hormonal need for each other. I felt like I was reading an 80's romance novel with the way they lusted after each other.
I am giving it two starts only because of its one redeeming factor: Gist's lovely style.
Everything about this novel was so obnoxious and contradictory that I wanted to scream. Rachel is an overbearing sister who is trying to set a good example for them, but, in reality, she is just a control freak who has been uprooted from all she has ever known and clearly does not like change since she does not even try to adapt to her new surroundings. What makes her character even more frustrating is that she tends to break all the rules that she sets forth for her siblings, mainly her sister.
Her younger sister is a whole other can of worms. While the brother seems almost nonexistent in the novel, only appearing when needed for furthering the story, Rachel's sister has grasp onto to this new found freedom, since Rachel cannot control her because she is too busy breaking her rules for being a lady. The younger sister takes this freedom and runs with it, wreaking all sorts of havoc while her bad attitude ever increases.
Out of all of Gist's books, this seems to be the most sensual. In her other books, the relationship of the protagonists seems more important than their hormonal need for each other. I felt like I was reading an 80's romance novel with the way they lusted after each other.
I am giving it two starts only because of its one redeeming factor: Gist's lovely style.
ArecRain (8 KP) rated A Woman Worth Ten Coppers (Shadowed Path, #1) in Books
Jan 18, 2018
I could not put this book down. From the first chapter, I was hooked. So many secrets surround Honus and Yim, and, as the reader, I wanted so much to figure out each and every one right along with the protagonists. However, I felt like nothing ever happened.
First off, the world seemed like such a cold, dark place. Everywhere Honus and Yim traveled, there was nothing but suffering and strife. I felt as if the entire world was just this bleak place with no hope of any kind. Even when the two protagonists reached a town filled with priests and merchant, I felt the utter lack of happiness. It was actually pretty depressing to read, especially when every person the two ran across was down on their luck in some way.
I was also frustrated with the secret keeping. I wanted so much to scream their secrets at each other that it was one of the things that drove me to keep reading. However, whenever any secrets were revealed, it was so anticlimactic that I was just happy it was finally out.
The more I read the novel, the more I couldn't wait for Honus and Yim to reach their destination. When they did, the suffering still continued. Then the novel ended so suddenly that I immediately bought the second one to see what happened.
If you are looking for any romance, look somewhere else. If you want some action, you won't find it hear. However, if you want a dark novel riddled with secrets and unknown futures, Morgan Howell delivers.
First off, the world seemed like such a cold, dark place. Everywhere Honus and Yim traveled, there was nothing but suffering and strife. I felt as if the entire world was just this bleak place with no hope of any kind. Even when the two protagonists reached a town filled with priests and merchant, I felt the utter lack of happiness. It was actually pretty depressing to read, especially when every person the two ran across was down on their luck in some way.
I was also frustrated with the secret keeping. I wanted so much to scream their secrets at each other that it was one of the things that drove me to keep reading. However, whenever any secrets were revealed, it was so anticlimactic that I was just happy it was finally out.
The more I read the novel, the more I couldn't wait for Honus and Yim to reach their destination. When they did, the suffering still continued. Then the novel ended so suddenly that I immediately bought the second one to see what happened.
If you are looking for any romance, look somewhere else. If you want some action, you won't find it hear. However, if you want a dark novel riddled with secrets and unknown futures, Morgan Howell delivers.