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James Dean Bradfield recommended Alice In Chains by Alice In Chains in Music (curated)
You'll never want to fly again! ;)
Mina is a flight attendant scheduled for the inaugural non-stop flight from London to Sydney. There is much press and fanfare for the big flight, but Mina is mostly relieved it gets her a few days away from Adam, her estranged husband. The two have been torn apart by his cheating and the difficulties of parenting their young daughter. However, once the plane takes off, Mina receives a note telling her that she must make a terrifying decision, one that forces her to choose between her job and her family.
"Everyone wants a piece of Flight 79. Everyone wants to make history."
Whew, what a tense and stressful thriller! It had a slow start to building up all the drama--it is a lie that it all takes place on a plane, as we get some backstory to Mina and Adam's relationship before Mina steps on said fateful plane. For me, that part dragged a bit. Once she's on the plane, things pick up and it's a fairly twisty and taut journey.
The book flips between Mina and Adam's perspectives, along with some of the plane's passengers. It's a little hard to keep everyone straight, though it's clear from the passenger's narration that something is not right with this flight. Mackintosh, as always, is great at building up the uneasiness. Adam is not the most sympathetic of characters, and I wanted to yell and scream at him during many of his chapters. Their poor child--what parents she has!
It's a unique idea here, and for the most part, it's executed well. Mackintosh gives us a lot to think about, between Mina's situation and some of her other plot points. The story is stressful and intense, leaving you to wonder what on earth will happen next (and perhaps question any desire to take a plane ever again). The ending, too, is excellent. 4 stars.
"Everyone wants a piece of Flight 79. Everyone wants to make history."
Whew, what a tense and stressful thriller! It had a slow start to building up all the drama--it is a lie that it all takes place on a plane, as we get some backstory to Mina and Adam's relationship before Mina steps on said fateful plane. For me, that part dragged a bit. Once she's on the plane, things pick up and it's a fairly twisty and taut journey.
The book flips between Mina and Adam's perspectives, along with some of the plane's passengers. It's a little hard to keep everyone straight, though it's clear from the passenger's narration that something is not right with this flight. Mackintosh, as always, is great at building up the uneasiness. Adam is not the most sympathetic of characters, and I wanted to yell and scream at him during many of his chapters. Their poor child--what parents she has!
It's a unique idea here, and for the most part, it's executed well. Mackintosh gives us a lot to think about, between Mina's situation and some of her other plot points. The story is stressful and intense, leaving you to wonder what on earth will happen next (and perhaps question any desire to take a plane ever again). The ending, too, is excellent. 4 stars.
Kim Pook (101 KP) rated Fractured (2019) in Movies
Sep 20, 2020
A family are driving home after visiting the wives parents, the couple are arguing and are nearly ran off the road as a result of not paying attention. A little while later they pull to a rest stop so their daughter peri can use the toilet, however, upon returning to the car Ray spills his coffee in peris car seat whilst looking for her toy. Whilst he's cleaning up, peri wanders off and falls from a ledge after being scared by a dog. Thankfully she's fine but has severely hurt her arm so Ray drives her to the emergency room as fast as he can. It took a long time and many strange questions to get Peri seen, but after finally being examined the Dr insists on Peri having a CT scan. Ray's wife goes with Peri for her scan whilst Ray stays in the waiting room and that's the last time they are seen.
When Ray wakes up from a nap in the waiting room he asks at the desk how long the scan will be, only to be told that there is no record of Peri ever been at the hospital and not only that, but staff are adamant Ray came in alone. Things get stranger from there as Ray frantically looks for his family.
The movie is quite dark from the hospital scenes onwards and can be quite difficult to see what's happening at times, but it gives atmosphere to the scenes and works well. For a movie full of actors I'd never heard of, the acting was very good too apart from one scene where Peri is falling,you hear her scream but her face is expressionless, that could be an editing error maybe? Who knows?
The movie had lots of moments where I gasped and wondered what was real and what wasn't. At first the ending seemed a little too easy but there is a very shocking twist which left me feeling a little uneasy.
When Ray wakes up from a nap in the waiting room he asks at the desk how long the scan will be, only to be told that there is no record of Peri ever been at the hospital and not only that, but staff are adamant Ray came in alone. Things get stranger from there as Ray frantically looks for his family.
The movie is quite dark from the hospital scenes onwards and can be quite difficult to see what's happening at times, but it gives atmosphere to the scenes and works well. For a movie full of actors I'd never heard of, the acting was very good too apart from one scene where Peri is falling,you hear her scream but her face is expressionless, that could be an editing error maybe? Who knows?
The movie had lots of moments where I gasped and wondered what was real and what wasn't. At first the ending seemed a little too easy but there is a very shocking twist which left me feeling a little uneasy.
Mark @ Carstairs Considers (2103 KP) rated A Legacy of Murder in Books
Oct 9, 2019
Kate Finds a Christmastime Murder
Kate Hamilton has traveled to the small village of Long Barston in England. Her daughter, Christine, is spending her semester break working at Finchley Hall as one of several college aged interns who work on the premises, and Kate can visit Christine and her new friend Tom Mallory, a policeman she met in Scotland and is falling for, before heading back home to Ohio to spend Christmas with her mother. On her first day, Kate is taking a tour of Finchley Hall. The guide is talking about the murders that have taken place on the estate when a scream interrupts her. Kate and several others run to find one of the interns dead. The police are quick to label it murder. With Tom on the case, it is cutting into the time Kate thought they would have together. But she can’t help but worry. Is Christine in danger since she is an intern?
I’ve just teased the first couple of chapters, so things obviously get off to a fast start. However, the pace is uneven, especially early on in the story. I know part of that is me since Kate loves England much more than I do, and her wonder at spending time there didn’t translate to me. However, there is a good mystery here, with some decent twists and surprises. The climax is page turning and perfect logical. The characters are absolutely wonderful. We have a rather large cast, but I never had any issue keeping everyone and their relationship to the events unfolding around Kate straight. While the book is set in December, there is so much going on we don’t get lots of scenes directly related to Christmas, although I certainly enjoyed the references to the season we did see. This book isn’t quite as strong as the first one, but I’m glad I read it. This is a series that anyone who loves the British Isles needs to pick up today.
I’ve just teased the first couple of chapters, so things obviously get off to a fast start. However, the pace is uneven, especially early on in the story. I know part of that is me since Kate loves England much more than I do, and her wonder at spending time there didn’t translate to me. However, there is a good mystery here, with some decent twists and surprises. The climax is page turning and perfect logical. The characters are absolutely wonderful. We have a rather large cast, but I never had any issue keeping everyone and their relationship to the events unfolding around Kate straight. While the book is set in December, there is so much going on we don’t get lots of scenes directly related to Christmas, although I certainly enjoyed the references to the season we did see. This book isn’t quite as strong as the first one, but I’m glad I read it. This is a series that anyone who loves the British Isles needs to pick up today.
Rabbids Big Bang
Games
App
Forget the Milky Way! This is the Rabbids Way! Rabbids Big Bang is the first Rabbids physic-based...
Kyera (8 KP) rated There's Someone In Your House in Books
Feb 1, 2018
This young adult thriller brings the feeling of Scream to a captivating if a bit on the nose book. I liked the characterization in the book, as each person felt unique but they weren't developed in any meaningful way. As a result, it was an enjoyable and quick read but you're likely to not connect strongly with any of the characters.
One of the toughest things in a book versus a visual story when building suspense is that everything needs to be laid out for the reader. You can't just expect the reader to notice an out of place egg timer as they might when watching a tv show, you need to expressly tell your reader that it keeps moving to strange locations. I feel like this could have been executed more smoothly in the book, but as I am not an experienced thriller writer (nor reader), I don't feel I have enough knowledge to know for sure. It just seemed like the author tended to tell, rather than show throughout the narrative. The clues and scares were shoved in your face, rather than letting the creep factor build on its own.
A lot of readers have mentioned knowing "whodunnit" the moment that character appeared on the page, but I did not have that same experience. I felt that there was enough misdirection thrown your way and too-obvious clues pointing to certain characters that it was able to remain a mystery for a while. The only problem I had with the reveal is that it seemed to occur much too early in the book. It seemed to be about halfway into the story and we already knew who the killer was. As this was an incredibly short, easy read that makes the reveal feel premature.
I would be a little hesitant to recommend this book to younger readers or anyone who is squeamish about gory scenes because there were a number of them in the book. In general, she wasn't vividly descriptive but her clinical detachment while describing the scenes might be off-putting to some. Some of the murders are incredibly violent and others are just very stabby.
One of the toughest things in a book versus a visual story when building suspense is that everything needs to be laid out for the reader. You can't just expect the reader to notice an out of place egg timer as they might when watching a tv show, you need to expressly tell your reader that it keeps moving to strange locations. I feel like this could have been executed more smoothly in the book, but as I am not an experienced thriller writer (nor reader), I don't feel I have enough knowledge to know for sure. It just seemed like the author tended to tell, rather than show throughout the narrative. The clues and scares were shoved in your face, rather than letting the creep factor build on its own.
A lot of readers have mentioned knowing "whodunnit" the moment that character appeared on the page, but I did not have that same experience. I felt that there was enough misdirection thrown your way and too-obvious clues pointing to certain characters that it was able to remain a mystery for a while. The only problem I had with the reveal is that it seemed to occur much too early in the book. It seemed to be about halfway into the story and we already knew who the killer was. As this was an incredibly short, easy read that makes the reveal feel premature.
I would be a little hesitant to recommend this book to younger readers or anyone who is squeamish about gory scenes because there were a number of them in the book. In general, she wasn't vividly descriptive but her clinical detachment while describing the scenes might be off-putting to some. Some of the murders are incredibly violent and others are just very stabby.
JT (287 KP) rated Ready or Not (2019) in Movies
Mar 3, 2020
Original story (1 more)
Solid tension
White wedding goes full bloodshed
Grace (Samara Weaving) is about to marry the man of her dreams, Alex Le Domas (Mark O’Brien). But her new in-laws, as it turns out, are going to be a real nightmare.
After a long sweeping shot through a gothic house 30-years earlier which sets up the back story to what is going to unfold, Grace is tasked with drawing a card from a mysterious mechanical box.
The premise is simple, whatever game is on the card she has to play in order to be accepted into the family – a tradition which must be accepted.
Innocently believing that it is just a harmless game of Hide-and-Seek Grace sets off to hide. The family, however, arming themselves with a variety of antique weaponry, must kill poor Grace before sunrise or they will all perish.
The family is an eclectic mix of batshit crazed parents, eccentric grandparents, troublesome daughters and drunken sons. When merged they come across as a psychopath’s answer to the Keystone Cops, all flair but no clue whatsoever.
Ready or Not manages to balance horror and comedy nicely. It is gory when it needs to be with several grotesque and humorous scenes that will leave viewers squirming in their seats.
The remainder of the film is a tense game of cat and mouse with Grace now realising what the real motives of the family are. She must hold her nerve to see out the night and make it to morning.
The setting is perfect for this type of caper and the gothic mansion provides plenty of twists and turns; from secret doors and passages to outhouses filled with decaying corpses.
Grace turns from the bride in white to the bride in blood as she battles the family – the tension rarely lets up for a second. Ready or Not gets just about everything spot on and it never suffers from horror cliches or boredom.
Weaving gives a good account of herself as a modern-day scream queen turned badass, running around in a torn wedding dress and trainers dispelling the myth ‘till death do us part‘.
After a long sweeping shot through a gothic house 30-years earlier which sets up the back story to what is going to unfold, Grace is tasked with drawing a card from a mysterious mechanical box.
The premise is simple, whatever game is on the card she has to play in order to be accepted into the family – a tradition which must be accepted.
Innocently believing that it is just a harmless game of Hide-and-Seek Grace sets off to hide. The family, however, arming themselves with a variety of antique weaponry, must kill poor Grace before sunrise or they will all perish.
The family is an eclectic mix of batshit crazed parents, eccentric grandparents, troublesome daughters and drunken sons. When merged they come across as a psychopath’s answer to the Keystone Cops, all flair but no clue whatsoever.
Ready or Not manages to balance horror and comedy nicely. It is gory when it needs to be with several grotesque and humorous scenes that will leave viewers squirming in their seats.
The remainder of the film is a tense game of cat and mouse with Grace now realising what the real motives of the family are. She must hold her nerve to see out the night and make it to morning.
The setting is perfect for this type of caper and the gothic mansion provides plenty of twists and turns; from secret doors and passages to outhouses filled with decaying corpses.
Grace turns from the bride in white to the bride in blood as she battles the family – the tension rarely lets up for a second. Ready or Not gets just about everything spot on and it never suffers from horror cliches or boredom.
Weaving gives a good account of herself as a modern-day scream queen turned badass, running around in a torn wedding dress and trainers dispelling the myth ‘till death do us part‘.
City Trails - London
Lonely Planet Kids, Moira Butterfield and Dynamo Ltd.
Book
Here's a book about London that's seriously streetwise! Let Marco and Amelia, our Lonely Planet...
LeftSideCut (3778 KP) rated Spider-Man 3 (2007) in Movies
Sep 24, 2020 (Updated Sep 24, 2020)
The third and final entry in the Sam Raimi trilogy of Spider-Man films is arguably the most well known, unfortunately for all the wrong reasons, and it's a real shame as there are flashes of greatness, but the finished product is a hot mess.
One of the main issues is of course the three big villains all battling for screentime. Sandman (Thomas Haden Church) is a great villain to add to the series, but his story is executed poorly, and includes a dumb retcon in a half arsed attempt to link him to the original film. It's just unnecessary and soils something that could have been good. And then there's Venom - A huge fan favourite villain who Sam Raimi apparently doesn't like, and it's evident. Eddie Brock (Topher Grace) is rushed into the narrative, and his reasons for hating Peter Parker feel forced as a result. Venoms inclusion feels a bit tacked on, and unfortunately reaks of studio meddling.
Other than that, there's also the issue of over confidence - the assumption that an audience wants to watch an edgy version of Tobey Maguire's Peter Parker swanning and dancing down a street is bold to say the least - I could even forgive the infamous scene if it wasn't immediately followed up with a second dance number in a jazz bar. I get that it's designed to portray the symbiote suits hold over Peter and his deteriorating character attributes, buts it's a massive shitty swing and a miss (much like the whole movie in general) that makes me want to scream.
It's not all bad though. All of the cast, new and familiar, are good. I think Bryce Dallas Howard is a great Gwen Stacy. It has some decent set pieces as well - the scene where Sandman is discovering his new powers is brilliant, as is the fight between him and black suit Spider-Man in the underground. I also quite enjoy the final showdown when we (finally) get to see Venom properly.
It's not enough though, and Spider-Man 3 ultimately is a flawed if ambitious comic book sequel.
One of the main issues is of course the three big villains all battling for screentime. Sandman (Thomas Haden Church) is a great villain to add to the series, but his story is executed poorly, and includes a dumb retcon in a half arsed attempt to link him to the original film. It's just unnecessary and soils something that could have been good. And then there's Venom - A huge fan favourite villain who Sam Raimi apparently doesn't like, and it's evident. Eddie Brock (Topher Grace) is rushed into the narrative, and his reasons for hating Peter Parker feel forced as a result. Venoms inclusion feels a bit tacked on, and unfortunately reaks of studio meddling.
Other than that, there's also the issue of over confidence - the assumption that an audience wants to watch an edgy version of Tobey Maguire's Peter Parker swanning and dancing down a street is bold to say the least - I could even forgive the infamous scene if it wasn't immediately followed up with a second dance number in a jazz bar. I get that it's designed to portray the symbiote suits hold over Peter and his deteriorating character attributes, buts it's a massive shitty swing and a miss (much like the whole movie in general) that makes me want to scream.
It's not all bad though. All of the cast, new and familiar, are good. I think Bryce Dallas Howard is a great Gwen Stacy. It has some decent set pieces as well - the scene where Sandman is discovering his new powers is brilliant, as is the fight between him and black suit Spider-Man in the underground. I also quite enjoy the final showdown when we (finally) get to see Venom properly.
It's not enough though, and Spider-Man 3 ultimately is a flawed if ambitious comic book sequel.
Kristina (502 KP) rated All About You (Love & Hate, #1) in Books
Dec 7, 2020
Contains spoilers, click to show
Let me just say, I'm so freaking pi$$ed! First off, I gave the book a 2 star rating because I felt like the writing was bad. I trudged through the first 2-3 chapters because I've realized that, sometimes it takes a book a few chapters to "loosen up". Unfortunately for me, the storyline was too interesting to stop reading. When I first understood what was happening, I was instantly angry. I know entering college doesn't make a person automatically mature, but do people seriously still continue to bully at that part of their life? At first, I didn't care for India, because she bullied Oliver; I felt awful when I found out what Christian had done to her, but I still don't feel like that excused the way she treated Oliver. Anyway, I was glad she wanted to apologize and make amends, though it's easier to say you forgive someone than to actually forgive them when it comes to bullying. So, I was literally sick of watching India get tortured and made fun of -do these kids not have anything better to do with their lives?? I kept reading because I wanted Oliver to shove his foot up his rear when he found out what his brother did to her. Then they became friends. I was immediately, like, "No, no. India, don't do it. No!" Of course, a book character can't hear the reader screaming at them, so she didn't listen. By the end, after Oliver's final attempt to tear India down and break her spirit, I had to do one of two things: gently set down my tablet and bite my pillow or throw my tablet against the wall and scream bloody murder. I love my tablet too much to abuse it, so my pillow took the brunt of my anger. Heck, I'm still angry and it's been 6 days! Part of me doesn't want to spend the money on the next 2 or 3 books in this series - like I said, I didn't care for the writing. But, at the same time, I HAVE to know what's going to happen. I don't know about India, but Oliver could save her life and I still wouldn't forgive him.