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The Hunt for Red October (1990)
The Hunt for Red October (1990)
1990 | Action, Mystery
Boring
I spent a minute trying to figure out a logline for this movie and I couldn’t quite get a grasp on how to put it into words. Something about a submarine led by a defective Soviet commander headed for American soil and special agent Jack Ryan (Alec Baldwin) having to hunt him down. That’s the best I can do.

Acting: 10
Performances were strong across the board and is not where the movie fell flat in the slightest. Alec Baldwin delivers as Ryan with a sharp charisma that makes the movie just slightly more bearable. I was also impressed with Sean Connery’s role as villain Marko Ramius. Definitely the type of guy you love to hate and Connery did a solid job of bringing him to life.

Beginning: 8
Wasn’t 100% bought in after the first ten minutes, but enough happened to make me want to watch more. While I have seen way better movies in my day, I have definitely seen way worse beginnings too. It gives you a bit of story while creating excitement and intrigue for the story.

Characters: 5
The acting was fine. The characters, on the other hand, bored the absolute hell out of me. None of their storylines or backgrounds compelled me to ultimately care about the story as a whole. How many times have I said bad characters breed bad movies? Couldn’t be truer here.

Cinematography/Visuals: 5
This movie relies a lot on smoke and mirrors. First you see a submarine, then it disappears. You see a missile, then it’s gone. After awhile the parlor trick gets old and so does the story. It felt like their action sequences suffered from a lower budget.

Conflict: 5
The action was mediocre at best. For this to be a movie about dueling submarines, there certainly aren’t a lot of dueling submarines. I can’t think of a better way to say this: This movie is really boring. There is way too much close-quarters talk and not enough actually happening.

Entertainment Value: 6
For every solid moment The Hunt For Red October brings, it gives you more scenes of people just sitting around discussing strategy. The high points were few and far between. It’s not a total dumpster fire, but I was certainly hoping for more.

Memorability: 4

Pace: 2

Plot: 10

Resolution: 2

Overall: 57
Contrary to what you might think, I hate shitting on movies. Sometimes, as is the case for The Hunt For Red October, it’s unavoidable. With such a stellar cast, I was hoping for more.
  
Dr. No (1962)
Dr. No (1962)
1962 | Action, Classics, Mystery
Characters – James Bond is on his first mission on the big screen, the resourceful British Spy that always seems to stay one step ahead of the enemies as he looks for answers to a colleague’s disappearance. We see how he is the womaniser we all know now and just how he can handle himself in a fight. Honey Ryder appears one hour into the film with one of the most iconic entrances in the franchise history, she assistance Bond on the mission with her knowledge of the island. Dr No is the mastermind behind the island plot, he keeps his plans secret and will get his men to eliminate any problems that come his way.

Performances – Sean Connery is great in his first outing as Bond, he uses the charm his character is famous for to make us want to come back for the next adventure. Ursula Andress is solid enough, she looks the part even if the character is mostly just made to be the damsel in distress. Joseph Wiseman does make for a good villain by the time we see him, he helps us reach the levels we know we can expect in the franchise.

Story – James Bond is one his first film mission, needing to show his skills to find a missing colleague against the first villain. This story is a simple one, it is designed to show us what James is capable off when it comes to save the world from a terrorist plot. This might not be the one everyone remembers because it does just introduce him without going too far with the difficulties of a mission that would need to be topped next time out. This is one that shows the style that he must work, the slow investigation before coming face to face with the villain.

Action/Adventure – The action gives us James the fight sequences needed to show how quickly he can get the job done when needed. The adventure takes our spy across the world to a tropical island, this time Jamaica to fight a villain.

Settings – The film is set in Jamaica, it gives us a tropical feeling from start to finish where we get to see the islands off the mainland as an early sign of where the bases for the masterminds will be.

 

Scene of the Movie – Base battle.

That Moment That Annoyed Me – We don’t meet the Bond girl till an hour into the film.

Final Thoughts –This is a great start to the Bond franchise, we get to learn Bond’s skills face a villain that has enough menace to be a threat and keep us ready for more.

 

Overall: Great start to the franchise.
  
On Her Majesty's Secret Service (1969)
On Her Majesty's Secret Service (1969)
1969 | Action, Mystery, Romance
Characters – James Bond is back, he is still a womaniser only now he doesn’t have the same spark of charisma that he had been showing in previous films, he still must go head to head with Blofeld, but he just doesn’t feel right this time around. Tracey is the Bond girl this time around, she isn’t as easy as the previous one showing a higher intelligence to stay ahead of Bond and not following the traditions that her father wants. Blofeld returns and for some reason doesn’t recognise Bond even after meeting him in the last film, so that is strange. He has a masterplan to take over the world or at least put money in his pocket, well bank account. Draco is the connection to locate Blofeld with him being Tracy’s father it also helps with the locating as part of a deal.

Performances – George Lazenby doesn’t have the same level of charisma or charm that Sean Connery brings, this only disappoints and takes us away from the film in places. Diana Rigg does bring class the to Bond girl role, showing more commitment to this role that Lazenby. Telly Savalas struggles to step into Donald Pleasence’s shoes in the Blofeld role almost being a parody of the character.

Story – The story here takes James on his latest mission which is to capture Blofeld after his escape last time out, this takes him in a new direction away from the tropical islands and into the snow-covered mountain ranges as Blofeld is working on his next plan to become rich. The story is a way too long compared to previous films and does drag at times, the fact Blofeld doesn’t remember James is a big issue for me because them coming face to face was a big moment in You Only Live Twice. The highlight of the story comes from the fact we get a surprise ending which does show us that we are ready to continue the battle.

Action/Adventure – The action is a complete mixed bag because certain fights are good, but then the horrible green screen moments just don’t work. The adventure takes James to a new location which is all we want at times.

Settings – We are set in the Swiss Alps on top of one of the mountains which shows us a base that isn’t easy to escape from and away from the bikinis we have been seeing too often.


Scene of the Movie – Ski escape.

That Moment That Annoyed Me – Blofeld not remember Bond.

Final Thoughts – This is the weakest in the series to date, we just don’t get drawn in like before and the attempted new technology use only hinders the film.

 

Overall: Weakest Bond film to date.
  
Goldfinger (1964)
Goldfinger (1964)
1964 | Action, Classics, Mystery
Characters – James Bond is the guy we know, he breaks into hotel rooms to sleep with women, uses his charm to seduce others. This time he starts his own investigation into a mysterious smuggler, getting up close and personal to him hoping to let the rest of team to follow the trails he leaves. Goldfinger is a competitive gold smuggler who has grabbed the attention of the governments across the globe, we learn early on that he will kill the people that cross him including leaving his trademark gold paint behind, his latest job will see him take on the world’s biggest gold reserve. Pussy Galore is a pilot that is instrumentally to Goldfinger’s plans which will includes her skill set. Oddjob is the henchman for Goldfinger, he uses his hat to kill people, making him one of the first and most memorable of all of the henchmen.

Performances –Sean Connery in the leading role once again is good for the most part, he has the charm needed for the whole film. Gert Frobe brings us a different type of villain to the franchise, he makes the character seem likable on the outside while having his motive kept below a smile. Honor Blackman does a solid job even if for some reason we get a total of three bond girls in this film. Harold Sakata brings us the first truly memorable henchman which soon became the key to the success of the Bond franchise.

Story – The story here puts James Bond on his latest mission, this time there isn’t a connection to the previous two like the last two and this is refreshing because this being a solo story we get to see how James operates. The negatives in the story come from seeing him so close to the villain for most of the film with most of the film being him trying to get a message out about where he is. It is strange though because I did enjoy this one more than the last two because this is one that can be picked up without needing to see anything in the franchise before. Simply put this is one that can be enjoyed as a casual viewer because of how simple the story unfolds.

Action/Adventure – The action in this film does feel toned down from the previous films, simple enough action related material, while the adventure does take Bond around the world next to the Goldfinger.

Settings – We get plenty of settings which all relate to the idea of where you would find gold, this is perfect for the idea the film is needed.


Scene of the Movie – Oddjob.

That Moment That Annoyed Me – The final twist

Final Thoughts – This is one of the fun James Bond movies, it isn’t connected to the rest of the franchise which does help make it enjoyable.

 

Overall: Fun Bond movie.
  
Thunderball (1965)
Thunderball (1965)
1965 | Action, Classics, Drama
Characters – James Bond is back once again, forcing himself on women while trying to recover missing warheads. He gets to do the sneaking around, while alluding capture from the people who know he is after them. We don’t learn much that we haven’t already seen from James in this movie. Domino is the woman on the side of Largo, one that James is trying to seduce to help uncover the location of the missiles and one that won’t give into his charm. Largo is number two in SPECTRE who is the mastermind behind this latest plan is he can pull of the plan he will help fund the criminal group. Fiona is another one of the women that Bond tries his best to get his hands on, another one of the women working for Largo.

Performances – Sean Connery continues to be strong in the leading role of the film, he is starting to have more fun with his performance too. When it comes to the Bond girls, they each have their own beauty while just being written as traditional, will sleep with Bond and more often than not, just pawns in the bigger game. Adolfo Celi is solid in the villainous role, even though it is his look that makes him more memorable than any of his actions.

Story – The story here follows James Bond on his latest mission to stop SPECTRE and their criminal actions against the world, now this is good to see the big villain return and yes, once again we don’t take on the head of SPECTRE as we continue to see plans for the organisation to bring terror on the world. the only negative is that we just glossed over them not being around in the last film and now suddenly they are back. As for the actual mission, we get the normal idea of Bond versus villain that will use weapons of mass destruction against the world with a limited time frame to stop them. This barely bring anything new to the world we are seeing Bond operate in and only continues the long running story against SPECTRE.

Action/Adventure – The action here is very unique and ambitious, we get most of the fight sequences happening underwater, something we rarely see even in this day of cinema, making the action the highlight of the film. the adventure gets to see James in another exotic location to save the day once again.

Settings – The film is set in the Bahamas for the most part, this gives us the beauty shots and as all Bond movies need, the women in bikinis. It shows how the remote islands can easily be used to harbour fugitives too.


Scene of the Movie – Mass underwater fight.

That Moment That Annoyed Me – It is more of the same.

Final Thoughts – This is another Bond movie that brings him against the criminal organisation known as SPECTRE once again as we continue to world build, it is easy to watch even if it isn’t going to be the most memorable in the series.

 

Overall: Simple Bond Film
  
You Only Live Twice (1967)
You Only Live Twice (1967)
1967 | Action, Mystery
Characters – James Bond has been gaining a lot of heat from his missions, now he must fake his own death to go underground. His latest mission takes him to Japan where he must uncover the truth about mission rockets, he is the same womaniser we know this being his biggest weakness, however we do learn how skilled he is when he can jump into any vehicle and know how to operate it and handle himself in any fight. Aki is the Bond girl here, she helps him around Tokyo meeting his connections and turning up just in time to rescue him from danger. Kissy is the fake wife that James must take while searching the island, could easily be considered one of the Bond girls in the movie. Blofeld is the cat stroking leader of SPECTRE Bond suspects he is involved and this will be the first meeting between the two.

Performances – Sean Connery is still good in this role, we continues to make this role the iconic on we all know and remember. Donald Pleasence in his role becomes the most iconic of all the Bond villains which is what we need this far into the franchise. When it comes to the Bond girls we get the beautiful women that don’t get too much to do other than to look great next to Bond.

Story – The story here follow James Bond on his latest mission after faking his death which takes him into battle against SPECTRE once again, by having a returning villainous threat is good for this franchise because we don’t need to keep establishing a new villain which does take time for any film, with the returning villain we can focus on Bond and just how difficult it is to keep his identity secret from the threats to the world. the story does follow the usual movements as we follow Bond meet allies, defeat enemies and save the world from potential world war three. This is one story that is the one I always remember with the final battle which happens to be my favourite for the whole franchise.

Action/Adventure – The action is mostly Bond battle enemies, be in hand to hand, helicopter to make shift helicopter, right down to the mass final battle which is one of the biggest in the franchise. The adventure does take Bond across the world again to Japan on his latest mission.

Settings – The film uses the settings well, we always see Bond in new locations and this takes him to Japan, the amount of small islands there helps add mystery to everything which is all we want as fans of the franchise.


Scene of the Movie – Base battle.

That Moment That Annoyed Me – She is sexiful, like this is a word.

Final Thoughts – This is easily one of my favourite Bond films, it is one I grew up watching the most, it does have flaws but we can’t help that, otherwise this is one you can enjoy and gets better as we go along.

 

Overall: One of the most fun Bond films.
  
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Robert Englund recommended East of Eden (1955) in Movies (curated)

 
East of Eden (1955)
East of Eden (1955)
1955 | Classics, Drama

"I also love Elia Kazan and it was a toss up for me between On the Waterfront, which I saw as a child, and East of Eden, which I saw as a young kid, and also rediscovered as an adult. But I do remember more recently a beautiful print that was struck — maybe by UCLA archives, maybe by AFI; I’m not sure who — and they had a screening of it at a theater that’s the longer one there in Century City, beautiful theater. At one time I think it was the state of the art theater in the country, with the first reclining seats and all that. They had [screened it] somehow, in conjunction with the LA city school system and the English department of LA city schools. And I believe that the matinee that I saw was predominantly schools… And the kids have to read East of Eden or Steinbeck, Travels with Charley or something in school, and you could tell this was going to be their Steinbeck assignment, so it was a field trip. But this… wasn’t a movie for young people, and I was a little worried that the noise, the kicking of the seats, and the high jinx that were prevailing in the auditorium before the lights went down would keep going. And I remember about five minutes into the film there’s a shot of James Dean hopping a freight — he jumps this train, near Monterey and he goes to Salinas, or vice versa — he hops the train and is on his way to Monterey to visit his mother, to find his mother in a brothel. And it’s cold, it’s evening — he pulls his little sweater over his head like a hoodie and he bundles up almost in a fetal position on the top of this train, snaking it’s way through the country side in Monterey county. And the entire audience shut up and you could hear a pin drop. It was the power of a true movie star. It was the first American teenager, James Dean, on the screen. And it didn’t matter that it was a predominantly… junior high school to high school kids — they got it. They got his angst, they got his beauty, they got his rebellion, all in literally 30 seconds’ worth of him exuding teen angst in the film and it was just this great moment. It reminded me of the power of stardom, of light and shadow on the screen, of a Greta Garbo, of a great screen kiss between — God rest her soul — the late Maureen O’Hara and John Wayne in The Quiet Man, or John Travolta strutting down the sidewalk in Saturday Night Fever— it’s just this great thing. And I love that movie anyway. There’s sequences and scenes in that movie, and James Dean, his grace in that movie — I think his movement in that movie is only matched by one or two Lee Marvin performances, and maybe one or two Sean Connery performances that I’ve seen in terms of just male physical grace. Really a great film, and I had to put Kazan on my list. So Kazan would be my number five for East of Eden starring James Dean."

Source
  
The Hitman's Wife's Bodyguard (2021)
The Hitman's Wife's Bodyguard (2021)
2021 | Action, Comedy, Crime
5
6.8 (13 Ratings)
Movie Rating
Some great laugh out loud moments (0 more)
No tension in the thriller elements (1 more)
Some shoddy special effects.
A movie that’s a pain in the A-double-dollar sign.
Struck-off bodyguard Michael Bryce (Ryan Reynolds) is plagued with nightmares about his failures, brought about by his nemesis Darius Kincaid (Samuel L Jackson) and his potty-mouthed wife Sonia (Salma Hayek). On doctor’s orders, he ‘retires’ from the business. But when Europe’s infrastructure is threatened by Greek megalomaniac Aristotle Papdopolous (Antonio Banderas) he is rudely dragged away from his briefly peaceful life and pitched back into utter mayhem.

Positives:
- As a comedy thriller, it does pass the '6 laughs test' in terms of the 'comedy' element. Some of these are minor chuckles. A few are really good belly laughs.

- Among these are some of the outrageous tirades of Salma Hayek: her accent makes some of the dialogue unintelligible, but given its X-rated nature, that's not necessarily a bad thing! As a mid-50's actress (Oh God - - don't tell her I mentioned her age!), Ms Hayek indeed has an arrestingly attractive form.

- Seeing Antonio Banderas and Morgan Freeman on the screen is never anything other than a positive. (Although Banderas is like Sean Connery in failing to tailor his natural accent to any role he's ever in!)

Negatives:
- A general problem I have with 'comedy thrillers' is that the comedy nearly always negates any of the thrills. Ryan Reynolds is not playing Deadpool in this one, although he might as well be doing so based on the number of times he is hit by cars and other solid objects. The result is that although it has the trappings of a Bond or a Bourne - exotic locations (here, mostly Italian ones) ; exotic woman; car chases; heavily-armed henchmen; huge explosions - it delivers none of the tension or excitement. When matched with some rather dodgy post-shoot special effects, the effect is generally underwhelming.

- If there was an award for the clumsiest movie title of 2021, we may already have a winner.

Summary Thoughts on "The Hitman's Wife's Bodyguard": Sequels are very occasionally better. Often they are much worse. This one, I have to say, delivers very much "more of the same". Given that the writer/director team of Tom O'Connor and Patrick Hughes are in the driving seat, that's not much of a surprise. The shtick is mildly diverting, occasionally downright funny, but quickly outstays its welcome. The 100 minute run time felt, for me, much longer.

Looking back at my 2017 review of the first film, I think I was being over-kind giving it 6/10. I think this is neither better nor worse. So if you want to average the two and give each 5/10, I wouldn't object! But, again, it's one I will struggle to remember much about in a few month's time.

(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/06/22/the-hitmans-wifes-bodyguard-a-movie-thats-a-pain-in-the-a-double-dollar-sign/. Thanks).
  
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JT (287 KP) rated Skyfall (2012) in Movies

Mar 10, 2020  
Skyfall (2012)
Skyfall (2012)
2012 | Action, Mystery
I wondered recently who my favourite Bond is? Do I enjoy the comical quips of Roger Moore or the smooth suave debonair approach of Sean Connery. But everytime I think about it, I keep coming full circle to Daniel Craig, in particularly Skyfall.

After the somewhat disappointment of Quantum of Solace Oscar winning director Sam Mendes has taken Bond 23 and given it a grittier more emotional look while paying homage to some of the past Bond classics. The opening credits are an explosive introduction as we see Bond give chase through a Turkish bazaar which includes an impressive motor bike pursuit and a brilliantly choreographed fist fight on top of a moving train.

After being shot Bond is seen falling to his certain death and the film explodes into its trademark opening credits, complete with Adele’s powerful voice, a song that really evokes everything Bond. When 007 finally returns from the grave having spent time away partaking in scorpion drinking games, post shag Heineken’s and ultimately ’enjoying death’ he comes back to find that MI6 has moved deep into subterranean London after an attack on MI6.

He’s unshaven, disheveled and is a shadow of the former agent, not even able to shoot straight or do a succession of chin-ups without collapsing. Skyfall scratches deep beneath the emotional undertones of both Bond and M as their pasts are dragged up for all to see. Judi Dench in her seventh Bond outing gets a much bigger slice of the action, she is without question the main Bond girl here. Joined by Naomie Harris and Bérénice Marlohe who both take a relative back seat.

The Bond franchise has always had a rich tradition of producing menacing and iconic villains, Bloefeld, Scaramanga and Goldfinger to name a few, but the introduction of Javier Bardem will now have a place in Bond folk-law as one of the best modern day baddies.

His entrance was perfect, with Bond tied to a chair Bardem’s Silva (himself a former agent) entered from an elevator at the far side of the room, and in one take slowly walked forward as he produced a monologue about rats in a barrel, proceeding to taunt 007 about his own past and the connections that they both have with M.

The last few films have also lacked any real gadgetry in terms of Q branch, something which after being around for so long was definitely missing. Ben Wishaw’s appearance as a much younger Q, “you’ve still got spots” points out 007, was a much needed injection as he hands out Bond his new Walter PPK and radio transmitter (they don’t go in for exploding pens anymore).

It’s simple stuff but it was great to see that character back where he belongs.

There is subtle humour throughout and light hearted moments, Bond himself throwing a few winks here and there as Roger Moore used to do so well back in the day. The action of course is another high point, believable or not it’s stunning but then this is what we have come to expect from one of the longest running franchises in film history.

The locations and cinematography were sublime, from the depths of the London underground to the Scottish highlands in the film’s pulsating climax; Skyfall brought Bond back to Britain. The scenes set in Shanghai where also exceptional, the highlight for me, the neon lit skyscraper fight in which Bond fails to hang onto the information he needs, quite literally.

Ralph Fiennes bureaucratic Mallory is another casting masterstroke, Albert Finney ads some touching moments of his own, while MI6 agent Eve who after shooting 007 by mistake and takes a back seat from active duty will no doubt please many fans with her new role.

Skyfall, of which I was not sure what on earth the title meant at the time is all the more clear in the third act. Bond chooses to revisit his child hood home and use that against Silva in a make shift home defense that even MacAulay Culkin would be proud of. It is fantastically shot and is the perfect ending to a film that has been top draw all the way through.

Some comparisons have been drawn to this and The Dark Knight in that the main characters are lost and then re-born in some way, both have a past that haunts them as well as dead parents. Mendes and the writers have taken this film down a darker route but an emotive one as well and that is credit to them, it all made sense and the story flowed well.

Skyfall is nothing short of a triumph and has given Bond fans everything they could have asked for and so much more.
  
Indiana Jones and the Kingdom of the Crystal Skull (2008)
Indiana Jones and the Kingdom of the Crystal Skull (2008)
2008 | Action, Adventure, Fantasy
After 17 years away from the big screen, Indiana Jones has dusted off his trusty fedora and bullwhip in one of the most eagerly awaited returns to the screen in cinema history. Harrison Ford once again plays the rough and rugged archeologist who is as equally adept in the classroom as he is in the depths of an ancient trap laden chamber.

In “Indiana Jones and the Kingdom of the Crystal Skull”, audience are re-introduced to Jones, who is by now an older, and wiser man who spent the years of WWII as a special operative which earned him not only the rank of Colonel, but numerous medals and citations.

The film opens with a group of bad guys forcing Indiana to locate an object from a gigantic storage area in the infamous Area 51. Since Jones was part of a team that examined said object nearly a decade earlier, his services are greatly desired, and he is forced to play along with his captors.

Of course Indiana Jones is still a man of action, and soon turns the tables on his captors in a daring and humor filled action sequence that quickly answers those that doubted Ford could pull off his charismatic character in his 60’s.

The events of the situation do not go unnoticed by the U.S. government who suspect Jones of collaborating with the enemy, and in the Red Scare America of the 1950’s Jones soon finds himself suspended from his teaching position and looking to head overseas.

As Indy’s train heads out of town, he is approached by a motorcycle riding messenger who says his name is Mutt (Shia LaBeouf), and he has been sent to find Indy by a former college of Indy’s Professor Oxle (John Hurt). Intrigued, Jones listens to the tale Mutt tells him that people have kidnapped Oxley and his mother, and he shows him a letter that Oxley instructed him to pass along to Indy should anything happen to him.

Before Indy can dig further into the mystery, he and Mutt are accosted by thugs and after a daring race through traffic on Mutt’s motorcycle, find themselves on a plane to South America in search of Oxley and Mutt’s mother as well as the fabled Crystal Skull that legend says will grant amazing powers to anyone who returns it to the fabled Golden City.

Thinking that his old friend Oxley may have succeeded where Indy was unable to many years earlier, Jones takes up the cause of locating the fabled artifact and the city as he believes that they are also the keys to locating his missing friend. The film really slows down here and devotes a good amount of time to advancing the story and characters and thanks to the amazingly detailed sets and enjoyable characters; you may find yourself not minding the change of pace.

Of course there are plenty of bad guys to add to the mix, including the evil Irinia Spalko (Cate Blanchett), who is leading a team of Russian soldiers who also have designs on the skull, as it would give them the power to read and control the minds of the leaders the world over, amongst other powers that would be used for their aggressive agendas.

What follows is an effects-laden adventure leading to a grand finale that is not as spectacular as past films in the series, but enjoyable nonetheless. When the action comes it is solid, and while some of it seems to be a retread of some of the classic moments of the series, it does deliver enough thrills to keep fans happy. There are some very welcome moments in the film such as a nice tribute to Sean Connery and the Late Denholm Elliot as well as a cleverly placed cameo early in the film during the warehouse fight.

Shia LaBeouf is an interesting addition to the series and his scenes with Ford are very enjoyable. They have a natural chemistry and do not seem forced like the Short Round character from “Indiana Jones and the Temple of Doom”. I was also very happy to see Karen Allen return to the series as Marion Ravenwood. She has truly proven to be the only love interest in the series that truly measures up to Indy, and her fiery temper with a girl next door charm is the perfect foil for Jones.

The effects in the film are not groundbreaking, but solid, however some may find that the films plot is a bit to complex and takes too long to setup. There were funny moments in the film to go along with the action and viewers who pay close attention will catch some very subtle nods to other moments in the series.

I was pleased with the sets in the film as Director Steven Speilberg and Producer George Lucas clearly paid attention to details in the look of the film. The tombs and exotic chambers depicted in the film had a very immersive nature to them much the same way that classic Disneyland rides like Pirates of the Caribbean and The Haunted Mansion place guests right in the middle of the spooky and exotic locales. From cobwebs, skeletons, and insects and well as treasures galore, it was like being in on the adventure with Indy.
The series does have some life in it and while the film does not measure up with the first film in the series, I would say it is on par with “Temple of Doom” and was for me, more enjoyable than “The Last Crusade.” The film leaves the door open for yet another adventure, and if comments from Speilberg and Lucas are to be taken seriously, we may see the beloved archeologist back on the big screen in the not too distant future.