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Gareth von Kallenbach (980 KP) rated State of Play (2009) in Movies
Aug 14, 2019
In the corridors of the nation’s capital, Washington D.C. alliances and wheeling and dealing are the name of the game. With billions if not trillions of dollars hinging on new laws and policy, corporations clearly have an interest in which way the political winds are leaning and how it will affect their all important bottom line.
In the political thriller “State of Play”, Director Kevin MacDonald has combined a stellar cast with a strong script from Tony Gilroy, Billy Ray, and Matthew Michael Carnahan to craft one of the best dramas since Gilroy’s “Michael Clayton”.
When the lead researcher of Congressman Stephen Collins (Ben Affleck), dies in an accident, it is a devastating blow to the young Congressman as he prepares for a series of hearings intended to cull the growth of a private security firm.
What is at first listed as an accident raises suspicion in veteran news reporter Cal McAffrey (Russell Crowe), who has had a long friendship, with Collins. Despite tension in recent years, Collins turns to Cal when it is revealed that he had an affair with his researcher. As Cal looks into the story he is under pressure from his editor (Helen Mirren), to deliver a story to keep the papers new owners happy. If this was not bad enough, Cal is also dogged by an online reporter for the paper named Della (Rachael McAdams), who is looking to make a name for herself at the paper.
Cal soon learns that the assistant was killed in what was made to look like an accident, and that a shooting incident that occurred prior to the death may be related to the murder.
Cal teams up with Della and soon learns that some very big players may be involved and that they will stop at nothing to protect their secret.
In a race against time, Cal and Della must get to the bottom of the mystery and stay alive. Unsure who to trust and which way their leads will follow, Cal and Della look for the answers that unaware that the quest they have undertaken will affect the halls of power as well as the very nation itself.
“State of Play” is a very tight thriller that is filled with twists and turns. The characters are interesting and well developed and the performances are first rate. Crowe is powerful as the determined Cal and works well with Affleck and Adams. Robin Wright Penn and Helen Mirren also give very strong performances.
The story of the film seems ripped from the headlines and has an eerie sense of reality to it, and works much better than “The International” attempted to do with its conspiracy premise.
While I have avoided as many spoilers as I could, suffice it to say that the film does have a deep plot that twists and turns to a rewarding conclusion and will keep your attention. I would hope that the fine work in this film is not forgotten when the Oscars come up next.
In the political thriller “State of Play”, Director Kevin MacDonald has combined a stellar cast with a strong script from Tony Gilroy, Billy Ray, and Matthew Michael Carnahan to craft one of the best dramas since Gilroy’s “Michael Clayton”.
When the lead researcher of Congressman Stephen Collins (Ben Affleck), dies in an accident, it is a devastating blow to the young Congressman as he prepares for a series of hearings intended to cull the growth of a private security firm.
What is at first listed as an accident raises suspicion in veteran news reporter Cal McAffrey (Russell Crowe), who has had a long friendship, with Collins. Despite tension in recent years, Collins turns to Cal when it is revealed that he had an affair with his researcher. As Cal looks into the story he is under pressure from his editor (Helen Mirren), to deliver a story to keep the papers new owners happy. If this was not bad enough, Cal is also dogged by an online reporter for the paper named Della (Rachael McAdams), who is looking to make a name for herself at the paper.
Cal soon learns that the assistant was killed in what was made to look like an accident, and that a shooting incident that occurred prior to the death may be related to the murder.
Cal teams up with Della and soon learns that some very big players may be involved and that they will stop at nothing to protect their secret.
In a race against time, Cal and Della must get to the bottom of the mystery and stay alive. Unsure who to trust and which way their leads will follow, Cal and Della look for the answers that unaware that the quest they have undertaken will affect the halls of power as well as the very nation itself.
“State of Play” is a very tight thriller that is filled with twists and turns. The characters are interesting and well developed and the performances are first rate. Crowe is powerful as the determined Cal and works well with Affleck and Adams. Robin Wright Penn and Helen Mirren also give very strong performances.
The story of the film seems ripped from the headlines and has an eerie sense of reality to it, and works much better than “The International” attempted to do with its conspiracy premise.
While I have avoided as many spoilers as I could, suffice it to say that the film does have a deep plot that twists and turns to a rewarding conclusion and will keep your attention. I would hope that the fine work in this film is not forgotten when the Oscars come up next.
Gareth von Kallenbach (980 KP) rated Paul Blart: Mall Cop (2009) in Movies
Aug 14, 2019
Paul Blart (Kevin James) is a man with a dream. Paul dreams of being an officer with the New Jersey police, but thanks to his hypoglycemia, and weight, he has had a difficult time passing his requirements.
After his latest failure which concluded with him passing out inches from an obstacle course finish line, Paul has hit rock bottom. His daughter and mother encourage him to get on with his life, and look for a woman who will make him happy, (It is learned that his ex-wife only wanted him in her life so she could gain citizenship), and that new opportunities will arise.
The fact that the holidays are coming up is of little consolation, as Paul focuses on his career as a security guard at a local mall where he has worked from the past ten years, With the Black Friday shopping day upcoming, Paul attempts to get closer to the lovely Amy (Jayma Mays), who works at one of the mall’s boutiques.
The fact that Paul is shy and awkward does not help his cause, but in time, he is able to form a friendship with Amy that survives some real obstacles such as a very out of character wild night out which ends in disaster for Paul as his intolerance of alcohol leads to some truly outrageous behavior which embarrasses Amy.
As Paul attempts to recover from his fiasco at the workplace party, he returns to patrol at the mall astride his ever present Segway while a group of thieves secretly plot to take over the mall and rob the various stores.
When the bad guys make their move, Paul is indisposed and is easily overlooked, which in turn keeps him in the dark about what is really happening. When Paul eventually learns what is going on and that Amy is amongst the hostages, he must muster up the courage and abilities he never knew he had in order to save the day and rescue Amy.
What follows is a madcap though slight romp which while not big on over the top laughs has more than enough smiles to keep you amused along the way.
Kevin James is entertaining as the hapless Blart, but he is not given much to work with in his first starring role as the story is very formulaic and restrained which does not allow him to fully display his comedic skills as he did in The King of Queens.
The film was produced by Adam Sandler’s Happy Madison company and was co written by James and Nick Bakay. While it is not a bad film, I had hoped for more as the premise is rife with possibilities and the film comes across as playing it safe rather than taking chances. There is very little offensive in the film so it is appropriate for most families, which despite the flaws, makes the film a pleasant if not memorable diversion.
After his latest failure which concluded with him passing out inches from an obstacle course finish line, Paul has hit rock bottom. His daughter and mother encourage him to get on with his life, and look for a woman who will make him happy, (It is learned that his ex-wife only wanted him in her life so she could gain citizenship), and that new opportunities will arise.
The fact that the holidays are coming up is of little consolation, as Paul focuses on his career as a security guard at a local mall where he has worked from the past ten years, With the Black Friday shopping day upcoming, Paul attempts to get closer to the lovely Amy (Jayma Mays), who works at one of the mall’s boutiques.
The fact that Paul is shy and awkward does not help his cause, but in time, he is able to form a friendship with Amy that survives some real obstacles such as a very out of character wild night out which ends in disaster for Paul as his intolerance of alcohol leads to some truly outrageous behavior which embarrasses Amy.
As Paul attempts to recover from his fiasco at the workplace party, he returns to patrol at the mall astride his ever present Segway while a group of thieves secretly plot to take over the mall and rob the various stores.
When the bad guys make their move, Paul is indisposed and is easily overlooked, which in turn keeps him in the dark about what is really happening. When Paul eventually learns what is going on and that Amy is amongst the hostages, he must muster up the courage and abilities he never knew he had in order to save the day and rescue Amy.
What follows is a madcap though slight romp which while not big on over the top laughs has more than enough smiles to keep you amused along the way.
Kevin James is entertaining as the hapless Blart, but he is not given much to work with in his first starring role as the story is very formulaic and restrained which does not allow him to fully display his comedic skills as he did in The King of Queens.
The film was produced by Adam Sandler’s Happy Madison company and was co written by James and Nick Bakay. While it is not a bad film, I had hoped for more as the premise is rife with possibilities and the film comes across as playing it safe rather than taking chances. There is very little offensive in the film so it is appropriate for most families, which despite the flaws, makes the film a pleasant if not memorable diversion.
Gareth von Kallenbach (980 KP) rated The Astronaut Farmer (2006) in Movies
Aug 14, 2019
Charles Farmer (Billy Bob Thornton) is a man with a dream. Unlike some men, he does not dream of wealth, fame, or material goods, instead he dreams simply of traveling into space. While to most who share Charles’s dream would be resigned to simply leave it at that, Charles is not like most men and is determined to make his dream a reality.
While Charles too many is a simple rancher, his past is anything but simple thanks in part to his past career at N.A.S.A.
While N.A.S.A. has forgotten about Charles, who left to care for his family after the passing of his father, Charles never lost site of his desire to travel into space, and has decided to do something about it.
Towards that end, Charles has decided to use his aerospace training and education to construct his own rocket in his barn.
His family is supportive, especially his loving wife Audrey (Virginia Madsen), who believes that since Jim gave up his dreams for his family when they needed him most, and he should be supported now.
Of course many of the locales in his small Texas town do not share his vision and too many Charles is the locale oddity who is borderline crazy. This fact is also shared by the bank that is close to foreclosing on his ranch.
Despite the skeptics, Charles is close to his dream, but he lacks the needed fuel to power his rocket. While his efforts have largely gone under the radar, the moment Charles attempts to purchase fuel, he lands high on the watch list for the government, who now consider him a threat to national security, as well as N.A.S.A. who are determined to keep him grounded.
In an effort to sound him out, N.A.S.A. sends a Colonel (Bruce Willis), to Charles to inspect his rocket and offer him a chance to ride on a future shuttle mission if he abandons his efforts.
Undaunted, Charles continues to follow his dream and soon finds himself the center of a media circus and under constant surveillance from Government agents.
As the tensions mount so does the pending foreclosure as well as concern in the family that they are possibly going to lose everything they cherish due to Charles determination to see his dream out at all costs.
Billy Bob Thornton and Virginia Madsen are great together and have a real chemistry that not only helps the audience connect to their characters but makes it easy to root for them.
The duo drives this solid and highly entertaining film from the Polish Brothers who are quickly making a name for themselves with their solid body of work. The story could in some hands be dismissed as fluff but under the guidance of the Polish Brothers and the easygoing charm of Thornton and Madsen, the film soars and is a very pleasant and enjoyable surprise.
While Charles too many is a simple rancher, his past is anything but simple thanks in part to his past career at N.A.S.A.
While N.A.S.A. has forgotten about Charles, who left to care for his family after the passing of his father, Charles never lost site of his desire to travel into space, and has decided to do something about it.
Towards that end, Charles has decided to use his aerospace training and education to construct his own rocket in his barn.
His family is supportive, especially his loving wife Audrey (Virginia Madsen), who believes that since Jim gave up his dreams for his family when they needed him most, and he should be supported now.
Of course many of the locales in his small Texas town do not share his vision and too many Charles is the locale oddity who is borderline crazy. This fact is also shared by the bank that is close to foreclosing on his ranch.
Despite the skeptics, Charles is close to his dream, but he lacks the needed fuel to power his rocket. While his efforts have largely gone under the radar, the moment Charles attempts to purchase fuel, he lands high on the watch list for the government, who now consider him a threat to national security, as well as N.A.S.A. who are determined to keep him grounded.
In an effort to sound him out, N.A.S.A. sends a Colonel (Bruce Willis), to Charles to inspect his rocket and offer him a chance to ride on a future shuttle mission if he abandons his efforts.
Undaunted, Charles continues to follow his dream and soon finds himself the center of a media circus and under constant surveillance from Government agents.
As the tensions mount so does the pending foreclosure as well as concern in the family that they are possibly going to lose everything they cherish due to Charles determination to see his dream out at all costs.
Billy Bob Thornton and Virginia Madsen are great together and have a real chemistry that not only helps the audience connect to their characters but makes it easy to root for them.
The duo drives this solid and highly entertaining film from the Polish Brothers who are quickly making a name for themselves with their solid body of work. The story could in some hands be dismissed as fluff but under the guidance of the Polish Brothers and the easygoing charm of Thornton and Madsen, the film soars and is a very pleasant and enjoyable surprise.
BankofMarquis (1832 KP) rated Richard Jewell (2019) in Movies
Feb 2, 2020
Mellow paced - nothing special
89 year old Director/Actor Clint Eastwood has mellowed with age. He seems at peace with himself and prefers to work at a pace that he sets. His latest Directing effort - RICHARD JEWELL - has that sort of mellowness. It takes it time to tell it's story with no real urgency to it.
It could have used some life to be injected in it.
Based on the true events of the pipe bombing in Centennial Park in Atlanta during the 1996 Summer Olympics, RICHARD JEWELL tells the story of...well...Richard Jewell - the Security Guard who was hailed as a hero for warning people about the bomb, saving many lives, while also being listed as the #1 suspect in the bombing.
Director Eastwood and Writer Billy Ray do not spend much time making the audience guess at to whether or not they think that Jewell committed the crime (he did not - the real bomber was caught in 2006), rather they spend their time showing a person who's being railroaded by the FBI and who's life is caught up in the scramble by the press to "get the story." Again...this would be more interesting if Director Eastwood would show some sort of urgency to the proceedings, but this film is paced on an even keel from start to finish, and I never got caught up, emotionally, in the events that were transpiring in front of me.
Paul Walter Hauser (Shawn Eckhardt in I, TONYA) does a "fine enough" job as the titular character - but it isn't anything special and since the viewer is spending almost every scene with him "fine enough" isn't good enough. Adding to my disappointment are the portrayals by John Hamm (as an FBI Agent) and Olivia Wilde (as a Newspaper Reporter). Both of these performances border on caricature (especially Wilde's performance). I'm disappointed in Eastwood for letting this happen.
Injecting "some" life into this film is Kathy Bates - who was nominated for an Academy Award for Best Supporting Actress for her portrayal of Richard Jewell's mother - and she delivers better than the others...but not "Oscar Worthy". She does nail her "Oscar moment", but I don't think the script gives her much else to do.
The brightest spot in this film - by far - is the portrayal of Richard Jewell's lawyer, Watson Bryant, by Sam Rockwell and the performance of Nina Ariande as Bryant's Secretary/Girlfriend. If anyone should have been nominated for an Oscar for their performance in this film, it is Rockwell - his is the best one in the film and Ariande plays off him wonderfully well. I sat up a little taller in my seat whenever these two had a scene together.
But that's about it. It's a pretty "meh" movie - professionally made and paced deliberately and mellowly - like Clint Eastwood. But not like an Oscar contending film.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
It could have used some life to be injected in it.
Based on the true events of the pipe bombing in Centennial Park in Atlanta during the 1996 Summer Olympics, RICHARD JEWELL tells the story of...well...Richard Jewell - the Security Guard who was hailed as a hero for warning people about the bomb, saving many lives, while also being listed as the #1 suspect in the bombing.
Director Eastwood and Writer Billy Ray do not spend much time making the audience guess at to whether or not they think that Jewell committed the crime (he did not - the real bomber was caught in 2006), rather they spend their time showing a person who's being railroaded by the FBI and who's life is caught up in the scramble by the press to "get the story." Again...this would be more interesting if Director Eastwood would show some sort of urgency to the proceedings, but this film is paced on an even keel from start to finish, and I never got caught up, emotionally, in the events that were transpiring in front of me.
Paul Walter Hauser (Shawn Eckhardt in I, TONYA) does a "fine enough" job as the titular character - but it isn't anything special and since the viewer is spending almost every scene with him "fine enough" isn't good enough. Adding to my disappointment are the portrayals by John Hamm (as an FBI Agent) and Olivia Wilde (as a Newspaper Reporter). Both of these performances border on caricature (especially Wilde's performance). I'm disappointed in Eastwood for letting this happen.
Injecting "some" life into this film is Kathy Bates - who was nominated for an Academy Award for Best Supporting Actress for her portrayal of Richard Jewell's mother - and she delivers better than the others...but not "Oscar Worthy". She does nail her "Oscar moment", but I don't think the script gives her much else to do.
The brightest spot in this film - by far - is the portrayal of Richard Jewell's lawyer, Watson Bryant, by Sam Rockwell and the performance of Nina Ariande as Bryant's Secretary/Girlfriend. If anyone should have been nominated for an Oscar for their performance in this film, it is Rockwell - his is the best one in the film and Ariande plays off him wonderfully well. I sat up a little taller in my seat whenever these two had a scene together.
But that's about it. It's a pretty "meh" movie - professionally made and paced deliberately and mellowly - like Clint Eastwood. But not like an Oscar contending film.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Emma @ The Movies (1786 KP) rated Richard Jewell (2019) in Movies
Mar 2, 2020
Richard longs to work in law enforcement, but his eagerness to make the best impression doesn't endear him to his employers or the people he's bound to protect.
As the Olympics come to Atlanta he manages to get a job working security, he's keen and overly vigilant but when he spots a suspicious package he acts without hesitation. He's the hero and his actions saved countless lives. Looking for any new angles to report the story a local paper identifies Jewell as the main suspect in the case and his life is suddenly turned upside down.
Looking at the state of the media today, films like this highlight just how long people have been suffering for the sake of a story. Innocent until proven guilty doesn't always matter in the court of public opinion when what we're fed is presented as fact. But that's a whole other story we could debate on for years.
This film was made by its actors. Paul Walter Hauser in the lead gave a stellar performance. The naivety and trust he managed to get across had a sincerity that really helped you connect with the film.
Inter-personal relationships also added so much to it overall. His back and forth with Watson Bryant (Sam Rockwell) is amusing without breaking the seriousness of what's happening, this odd friendship borders on a brotherly bond and Rockwell's acting gets across the feat, exasperation and determination when we need to feel it.
Kathy Bates may well have been my favourite though. Bobi Jewell, the loving mother torn apart by the actions of the press and police, and literally having her dirty laundry aired in public. the journey of emotions she goes through is striking and again, it's such a genuine feeling that I was completely taken aback when she broke down.
There's also strong talent in the support cast. Olivia Wilde as Kathy Scruggs giving us a rollercoaster too. She shows us the determined journalist who's willing to stowaway in cars for the chance of an interview, to a more vulnerable and redemptive investigative journalist. Her confidence to doubt was well handled by Wilde and the moment she breaks is understated but touching.
The locations and wardrobe give the perfect setting for the film, to actually film in Centennial Park must have been a challenging but motivating opportunity.
Paul Walter Hauser gets a powerful moment near the end of the film that really brought Jewell out of the cocoon we saw in him throughout the film, it was a great end to a wonderfully acted piece of cinema.
While I've praised a lot here it's a film that feels a little heavy at times, the way that law enforcement pile on Jewell every time they interact makes it a tense watch, I don't think there was really any way to lighten that, and actually, I don't think I'd have wanted them to if there was.
Originally posted on: http://emmaatthemovies.blogspot.com/2020/03/richard-jewell-movie-review.html
As the Olympics come to Atlanta he manages to get a job working security, he's keen and overly vigilant but when he spots a suspicious package he acts without hesitation. He's the hero and his actions saved countless lives. Looking for any new angles to report the story a local paper identifies Jewell as the main suspect in the case and his life is suddenly turned upside down.
Looking at the state of the media today, films like this highlight just how long people have been suffering for the sake of a story. Innocent until proven guilty doesn't always matter in the court of public opinion when what we're fed is presented as fact. But that's a whole other story we could debate on for years.
This film was made by its actors. Paul Walter Hauser in the lead gave a stellar performance. The naivety and trust he managed to get across had a sincerity that really helped you connect with the film.
Inter-personal relationships also added so much to it overall. His back and forth with Watson Bryant (Sam Rockwell) is amusing without breaking the seriousness of what's happening, this odd friendship borders on a brotherly bond and Rockwell's acting gets across the feat, exasperation and determination when we need to feel it.
Kathy Bates may well have been my favourite though. Bobi Jewell, the loving mother torn apart by the actions of the press and police, and literally having her dirty laundry aired in public. the journey of emotions she goes through is striking and again, it's such a genuine feeling that I was completely taken aback when she broke down.
There's also strong talent in the support cast. Olivia Wilde as Kathy Scruggs giving us a rollercoaster too. She shows us the determined journalist who's willing to stowaway in cars for the chance of an interview, to a more vulnerable and redemptive investigative journalist. Her confidence to doubt was well handled by Wilde and the moment she breaks is understated but touching.
The locations and wardrobe give the perfect setting for the film, to actually film in Centennial Park must have been a challenging but motivating opportunity.
Paul Walter Hauser gets a powerful moment near the end of the film that really brought Jewell out of the cocoon we saw in him throughout the film, it was a great end to a wonderfully acted piece of cinema.
While I've praised a lot here it's a film that feels a little heavy at times, the way that law enforcement pile on Jewell every time they interact makes it a tense watch, I don't think there was really any way to lighten that, and actually, I don't think I'd have wanted them to if there was.
Originally posted on: http://emmaatthemovies.blogspot.com/2020/03/richard-jewell-movie-review.html
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