"The autobiographical essays in this collection cover faith and family, booze, men, and self-love. They’re full of the small moments in Lamott’s life, the observations that make you laugh really hard and make you bawl really fast—two of my favorite activities. She talks about how the most popular prayers are ‘Help me, help me, help me’ and ‘Thank you, thank you, thank you.’ I’ve read all her work, and she continually surprises me and speaks to me. One of the lines from this book that I love is: ‘All you can do is show up for someone in crisis. Your there-ness…can be life giving, because often everyone else is in hiding.’ That’s just killer."

"In which Peter Falk and John Cassavetes play two broken goons who bond, bicker, and ultimately level each other during one rough night in Philadelphia. May made this just a few years after The Heartbreak Kid—a perfect movie, and one that I hope Criterion can add to its catalog someday!—and while the two films couldn’t be more different in terms of tone, they both zero in on a kind of self-defeating, self-aggrandizing male psychology that’s a little too relatable at times. And Falk and Cassavetes are so remarkable here that you can’t help but wonder which two modern actors would play these roles today."