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Kara Skinner (332 KP) rated The Robber Knight in Books
Sep 10, 2019
When you are fighting for the freedom of your people, falling in love with your enemy is not a great idea. Or is it? Ayla has to defend her castle and her people all on her own, with nobody to help her but a dark warrior she hates with all her heart.
Sir Reuben, the dreaded robber knight, has long been Ayla’s deadliest enemy. He has prayed on her and her people ever since her father fell ill, and she swore he would hang for his crimes. Now they are both trapped in her castle as the army of a far greater enemy approaches, and they have only one chance: stand together, or fall.
This book wasn’t bad, honestly. I’m a huge fan of historical fiction, and it had been awhile since I’ve read a medieval love story, so that was a nice change of pace.
The author is a historian, so there are a lot of little things in this book that you don’t see in a lot of other historical romance books. For instance,you can’t pull out arrows because there are often barbs attached to cause fatal wounds if pulled out. I did like learning about all of these facts. But sometimes Thier lets the historian in him gets the best of him, but more on that later.
Lady Ayla was a pretty interesting character. Headstrong and wise for her years, she is very noble and progressive. She has all of the makings for a great leader– with the exception of knowledge. I loved how kind and committed she was to her people and I love the fact that she has some spunk. I mean, if I’m getting robbed in the forest by this random stranger, then I hope I would swear him out too (of course, if I could beat him up and get away, then that’s even better, but Ayla doesn’t have much self-defense skills). But there were many times that she was annoying, like her insistence on being near battles, even before she started treating the sick. And how she tried to manage Sir Isenbard during battle. She had called on him for help because he was an experienced knight, and now she was questioning his commands and strategies in the heat of battle!
Mostly, though, I really did like Ayla. She defines the idea of nobility. With war inevitable, she’s willing to ride personally to the edges of her land to warn her subjects and she is always at the outskirts of battle to help care for the wounded. She invites everyone into the castle for their safety and rations herself as well as the others to conserve food. She’s even willing to corrupt herself to save her people.
Reuben is an excellent character as well, although it did take me awhile to like him. In the beginning he fell a little flat. It’s clear that he used to be a knight but something happened and now he robs people for his own greed. A near-death experience and being saved by Lady Ayla reawakens the humanity in him. And apparently also some depth.
In the beginning of the book he spends a lot of his time admiring his loot and laughing about his victims, who thought they had a right to steal from him. But that’s all he does. We have no real insight into his character or backstory until after he’s in Ayla’s care. Only then are there hints of a bad history where he had been arrested many times, been tortured, and had at one point been a member of respectable society. If it weren’t for the fact that I liked Ayla’a character and the plot so far, I probably would have stopped reading.
Thier is a writer who has really good potential in becoming a great romance writer, especially for historical fiction. The plots have some unique twists that are augmented by his knowledge of history and after Reuben’s character shaped up, he was an excellent love interest. But there is one huge problem with this story: the footnotes.
There are so many footnotes throughout most of the book that I feel like I’m reading a history textbook, which is not good when I usually read romance novels to take a break from homework. Not only are they distracting and unnecessary, but they are also rude and condescending. Sure, sometimes they were useful, like in explaining the references to the seven princes of hell. Another one was a pretty funny anecdote about how one of his readers had actually confirmed that lard burns and that burning arrows work because they had actually done it. There is also a lot of wit throughout the footnotes which is pretty amusing. But most of the time, they were annoying.
For instance, Robert Thier thought it was necessary to include a footnote about how witches were considered bad during medieval times. Seriously? Even if someone failed history, we know that witches are not considered fine, upstanding citizens. Or maybe he thinks all of us have been locked in our rooms with no books, internet or television for our entire lives and for the month of October we all miraculously fell into a coma so we couldn’t see the giant blow-up witch in the neighbor’s yard. And then we’d all wake up singing Christmas carols after the month long coma without a care in the world because this happens every year so we don’t know what a witch is. (I’m developing a conspiracy theory about how these strange comas was caused by witchcraft.)
Maybe Thier assumed that instead of us thinking Reuben was scared of witches when he wondered if Ayla was one, we just thought he was commenting on how much Ayla looked like Sandra Bullock.
And one of the footnotes was just plain offensive. Here is the line of text that the footnote is attached to: “Heel! Abominable villain! You dare defy me?” (page 74)
Now, here’s the footnote: “Sorry to disappoint the ladies, but this doesn’t refer to high heels. It is a medieval term for a very nasty person.”
Excuse me? Did you just assume that I thought it meant high heels and that would make me excited? What world do you live in?
Apparently he thinks “the ladies” are so dumb that we are incapable of taking context clues and we immediately think everything relates back to fashion. Maybe I didn’t know it meant “very nasty person”, but it’s pretty clear it’s a swear or insult of sometime, not a freaking Jimmy Choo. Does he just imagine us thinking high heel every time we hear the word?
“She broke his nose with the heel of her hand.” Oh. High heel!
“Heel, fido! I said heel!” Oh. High heel!
“It will take one or two days for your cut to heal.” Oh. High heel! (Because if he thinks we don’t understand the difference between uncomfortable footwear and an insult, then he probably thinks we can’t spell, either).
But hey, at least Robert Thier thinks women can memorize stuff, because the footnote links stop as the vocabulary is repeated instead of new terms being introduced.
Aside from the footnotes, I really do like this book, and I can’t wait to read the second part of it, which I’ll read soon. Thier still has a long way to go, but I think after he has more experience, he’ll write some great books.
Sir Reuben, the dreaded robber knight, has long been Ayla’s deadliest enemy. He has prayed on her and her people ever since her father fell ill, and she swore he would hang for his crimes. Now they are both trapped in her castle as the army of a far greater enemy approaches, and they have only one chance: stand together, or fall.
This book wasn’t bad, honestly. I’m a huge fan of historical fiction, and it had been awhile since I’ve read a medieval love story, so that was a nice change of pace.
The author is a historian, so there are a lot of little things in this book that you don’t see in a lot of other historical romance books. For instance,you can’t pull out arrows because there are often barbs attached to cause fatal wounds if pulled out. I did like learning about all of these facts. But sometimes Thier lets the historian in him gets the best of him, but more on that later.
Lady Ayla was a pretty interesting character. Headstrong and wise for her years, she is very noble and progressive. She has all of the makings for a great leader– with the exception of knowledge. I loved how kind and committed she was to her people and I love the fact that she has some spunk. I mean, if I’m getting robbed in the forest by this random stranger, then I hope I would swear him out too (of course, if I could beat him up and get away, then that’s even better, but Ayla doesn’t have much self-defense skills). But there were many times that she was annoying, like her insistence on being near battles, even before she started treating the sick. And how she tried to manage Sir Isenbard during battle. She had called on him for help because he was an experienced knight, and now she was questioning his commands and strategies in the heat of battle!
Mostly, though, I really did like Ayla. She defines the idea of nobility. With war inevitable, she’s willing to ride personally to the edges of her land to warn her subjects and she is always at the outskirts of battle to help care for the wounded. She invites everyone into the castle for their safety and rations herself as well as the others to conserve food. She’s even willing to corrupt herself to save her people.
Reuben is an excellent character as well, although it did take me awhile to like him. In the beginning he fell a little flat. It’s clear that he used to be a knight but something happened and now he robs people for his own greed. A near-death experience and being saved by Lady Ayla reawakens the humanity in him. And apparently also some depth.
In the beginning of the book he spends a lot of his time admiring his loot and laughing about his victims, who thought they had a right to steal from him. But that’s all he does. We have no real insight into his character or backstory until after he’s in Ayla’s care. Only then are there hints of a bad history where he had been arrested many times, been tortured, and had at one point been a member of respectable society. If it weren’t for the fact that I liked Ayla’a character and the plot so far, I probably would have stopped reading.
Thier is a writer who has really good potential in becoming a great romance writer, especially for historical fiction. The plots have some unique twists that are augmented by his knowledge of history and after Reuben’s character shaped up, he was an excellent love interest. But there is one huge problem with this story: the footnotes.
There are so many footnotes throughout most of the book that I feel like I’m reading a history textbook, which is not good when I usually read romance novels to take a break from homework. Not only are they distracting and unnecessary, but they are also rude and condescending. Sure, sometimes they were useful, like in explaining the references to the seven princes of hell. Another one was a pretty funny anecdote about how one of his readers had actually confirmed that lard burns and that burning arrows work because they had actually done it. There is also a lot of wit throughout the footnotes which is pretty amusing. But most of the time, they were annoying.
For instance, Robert Thier thought it was necessary to include a footnote about how witches were considered bad during medieval times. Seriously? Even if someone failed history, we know that witches are not considered fine, upstanding citizens. Or maybe he thinks all of us have been locked in our rooms with no books, internet or television for our entire lives and for the month of October we all miraculously fell into a coma so we couldn’t see the giant blow-up witch in the neighbor’s yard. And then we’d all wake up singing Christmas carols after the month long coma without a care in the world because this happens every year so we don’t know what a witch is. (I’m developing a conspiracy theory about how these strange comas was caused by witchcraft.)
Maybe Thier assumed that instead of us thinking Reuben was scared of witches when he wondered if Ayla was one, we just thought he was commenting on how much Ayla looked like Sandra Bullock.
And one of the footnotes was just plain offensive. Here is the line of text that the footnote is attached to: “Heel! Abominable villain! You dare defy me?” (page 74)
Now, here’s the footnote: “Sorry to disappoint the ladies, but this doesn’t refer to high heels. It is a medieval term for a very nasty person.”
Excuse me? Did you just assume that I thought it meant high heels and that would make me excited? What world do you live in?
Apparently he thinks “the ladies” are so dumb that we are incapable of taking context clues and we immediately think everything relates back to fashion. Maybe I didn’t know it meant “very nasty person”, but it’s pretty clear it’s a swear or insult of sometime, not a freaking Jimmy Choo. Does he just imagine us thinking high heel every time we hear the word?
“She broke his nose with the heel of her hand.” Oh. High heel!
“Heel, fido! I said heel!” Oh. High heel!
“It will take one or two days for your cut to heal.” Oh. High heel! (Because if he thinks we don’t understand the difference between uncomfortable footwear and an insult, then he probably thinks we can’t spell, either).
But hey, at least Robert Thier thinks women can memorize stuff, because the footnote links stop as the vocabulary is repeated instead of new terms being introduced.
Aside from the footnotes, I really do like this book, and I can’t wait to read the second part of it, which I’ll read soon. Thier still has a long way to go, but I think after he has more experience, he’ll write some great books.
Acanthea Grimscythe (300 KP) rated Repo! The Genetic Opera (2008) in Movies
May 12, 2018
Contains spoilers, click to show
Repo! The Genetic Opera is perhaps one of the most underrated films I’ve ever watched. The first time I watched it was at the behest of the elder of my younger brothers during my senior year of high school. At that time, I thought it was alright. The characters were hauntingly beautiful and the costumes delightfully dark, but beyond its appeal to my horror loving heart, I had little interest in re-watching it. The other day, I was browsing Shudder and came across it and decided to watch it for the sake of nostalgia. It was then that I picked up on the parody that my seventeen-year-old self missed entirely: for-profit healthcare.
Repo! takes place in 2056, where a planet-wide organ failure epidemic has led to drastic measures. In a time of need, a company by the name of GeneCo has come to the rescue. Offering payment plans to those that cannot afford their new organs, GeneCo saves the lives of those unfortunate souls. But what happens when they can’t meet their payments? Well, that’s what repo men are for, isn’t it?
So where does the parody come in? A similar system already exists in the way the American health care system is presently structured with its for-profit health insurance. Most insurance companies, like GeneCo, are not there for the benefit of their consumers, but for the filling of their pockets. As long as you can pay the premium (or the payment), your coverage remains intact and you’re able to get treatment and medication (or keep your organs in the world of Repo!). The moment you’re not able to do that, your coverage is often revoked (or your organs are repossessed). Of course, in the real world, this isn’t as brutal as it is in Repo! At least, not in most cases, but it can be just as scary. For myself, it’s often quite terrifying as I struggle to stay in remission from ulcerative pancolitis.
Moving on from the parody, there are other aspects of the movie that I feel are also accurate representations of today’s society – things that I feel Repo! was a bit ahead of its time on. The Largo family seems to represent the manner by which the wealthy feed upon the powerlessness of the poor. Also, am I the only one that, upon re-watching this film, can’t help but think of Trump when I’m looking at Rotti Largo? As a villain, Rotti is largely incompetent. He uses others to do what he can’t and often resorts to bullying to get what he wants, as can be seen in the blood contract with Blind Mag. Another example is how he manipulated Nathan and later Shiloh to break and control them, in hopes of controlling them. While it worked for the former of the two, Shiloh was not susceptible to his manipulation – yet another reference to something we’re seeing in today’s society in regards to Shiloh’s generation (that is present-day millennials) and the older generation, which is more mixed politically.
I think it’s also important that we take a moment to focus on Shiloh as a character. She is, perhaps, my least favorite character in this film. Then again, she was also in her rebellious teenage years and was, naturally, horrendously stereotyped. She loathed her father for keeping her bound to her room, even though she understood why and, even when she found out his sins and the lies he told her, she failed to turn against him – paying homage to the saying that “blood is thicker than water.” The end comics only state that she went into hiding, hinting that she was never to be heard from again – which is a shame. I’d like to think she’d become an activist, but… I guess that wasn’t her future.
One of my favorite things about this musical is the haunting and unearthly qualities that linger around Blind Mag and the Graverobber. This is a film I will watch again and again, even if others loathe it for being campy and over the top. In fact, I plan to show it to my Dad’s girlfriend’s kid.
Repo! takes place in 2056, where a planet-wide organ failure epidemic has led to drastic measures. In a time of need, a company by the name of GeneCo has come to the rescue. Offering payment plans to those that cannot afford their new organs, GeneCo saves the lives of those unfortunate souls. But what happens when they can’t meet their payments? Well, that’s what repo men are for, isn’t it?
So where does the parody come in? A similar system already exists in the way the American health care system is presently structured with its for-profit health insurance. Most insurance companies, like GeneCo, are not there for the benefit of their consumers, but for the filling of their pockets. As long as you can pay the premium (or the payment), your coverage remains intact and you’re able to get treatment and medication (or keep your organs in the world of Repo!). The moment you’re not able to do that, your coverage is often revoked (or your organs are repossessed). Of course, in the real world, this isn’t as brutal as it is in Repo! At least, not in most cases, but it can be just as scary. For myself, it’s often quite terrifying as I struggle to stay in remission from ulcerative pancolitis.
Moving on from the parody, there are other aspects of the movie that I feel are also accurate representations of today’s society – things that I feel Repo! was a bit ahead of its time on. The Largo family seems to represent the manner by which the wealthy feed upon the powerlessness of the poor. Also, am I the only one that, upon re-watching this film, can’t help but think of Trump when I’m looking at Rotti Largo? As a villain, Rotti is largely incompetent. He uses others to do what he can’t and often resorts to bullying to get what he wants, as can be seen in the blood contract with Blind Mag. Another example is how he manipulated Nathan and later Shiloh to break and control them, in hopes of controlling them. While it worked for the former of the two, Shiloh was not susceptible to his manipulation – yet another reference to something we’re seeing in today’s society in regards to Shiloh’s generation (that is present-day millennials) and the older generation, which is more mixed politically.
I think it’s also important that we take a moment to focus on Shiloh as a character. She is, perhaps, my least favorite character in this film. Then again, she was also in her rebellious teenage years and was, naturally, horrendously stereotyped. She loathed her father for keeping her bound to her room, even though she understood why and, even when she found out his sins and the lies he told her, she failed to turn against him – paying homage to the saying that “blood is thicker than water.” The end comics only state that she went into hiding, hinting that she was never to be heard from again – which is a shame. I’d like to think she’d become an activist, but… I guess that wasn’t her future.
One of my favorite things about this musical is the haunting and unearthly qualities that linger around Blind Mag and the Graverobber. This is a film I will watch again and again, even if others loathe it for being campy and over the top. In fact, I plan to show it to my Dad’s girlfriend’s kid.
Kristy H (1252 KP) rated The Princess Diarist in Books
Feb 8, 2018
Carrie Fisher's latest memoir details a behind the scenes look of the first <i>Star Wars</i> film. Motivated by the recent discovery of the journals she wrote while filming <i>Star Wars</i> in the late 1970s, Fisher discusses her naive nineteen-year-old self: not yet famous (though with famous parents) and unprepared for the juggernaut that would become the <i>Star Wars</i> franchise. She also covers her now famous co-star, Harrison Ford, and their relationship during the three months of filming. Fisher presents excerpts from her discovered journals and ponders on her life and the fame and notoriety that playing Princess Leia has brought her.
I am new to the <i>Star Wars</i> fandom, having only recently discovered the films myself in the past two years or so. My four-year-old daughters love them (and Leia), so I was intrigued by the idea of Fisher's memoir. While I like the films, I don't consider myself a fanatic by any stretch of the imagination. Still, I was interested in hearing some behind the scenes tidbits about filming. And Fisher starts out with such facts, explaining how an early scene was re-written due to the physical limitations of Peter Mayhew, who played Chewbacca. It's that sort of information that I find fascinating--and imagine other <i>Star Wars</i> fans would as well.
And, I won't lie, I was also fascinated by Fisher's reported relationship with Harrison Ford, who is about 15 years her senior (and was married while they were filming). Her portrayal of Harrison in the book seems spot on and is actually quite humorous at times. Unfortunately, her actual detail of the relationship is scant at best, and we really don't get much insight into their romance. What we do get is a lot of particulars about Fisher's own insecurities about herself, her body, her acting, etc.
She includes actual excerpts of the journals she found in the middle of the book, and I confess, I eventually started skimming them, because they were just agony to read. I can understand how they resonate from the perspective of a lovestruck teenager (because, truly, she was just that at the time), but so many years later, they just seem like a lot of bad poetry and ramblings that make no sense out of context. And beyond a few stories about Harrison, we really get nothing in the book that explains them, which is unfortunate, as Fisher seems witty and interesting (albeit insecure, but hey, so am I). I understand her angst from the journals, I really do, but I'm not honestly sure I wanted to read it in such form.
Plus, after that section of the book, we move on to Fisher discussing her fans and how "being Leia" has affected her life. And, again, I get it: we all forget how no one expected <i>Star Wars</i> to be so big. You wouldn't at nineteen realize what you were getting into, and I'm sure this character has absorbed much of her identity. And maybe it was reading this on the heel of Anna Kendrick's memoir, but I can only take so much of celebrities complaining about their fame and lives. The second half of Fisher's book, basically, is her capturing "conversations" with awestruck fans explaining how much Leia and <i>Star Wars</i> meant to them. But, really, it's mocking them and illustrating how tiresome the "lap dance" (her words) of signing autographs and appearing at various conventions can be. But, you know, as she states, it's worth it for the money. You can't help but feel a little offended on the part of these devoted, crazy fans, and a little less sorry for Fisher, even if she was not included on merchandising shares for <i>Star Wars</i>.
Sigh. Overall, I'm a bit conflicted on this one. Bits and pieces were very interesting. But I would have enjoyed hearing more about the actual set and her interactions with the other actors beyond Harrison Ford. While I also didn't mind hearing about Fisher's impressions of how Leia impacted her life, the fandom sections just rubbed me the wrong way. 2.5 stars.
I am new to the <i>Star Wars</i> fandom, having only recently discovered the films myself in the past two years or so. My four-year-old daughters love them (and Leia), so I was intrigued by the idea of Fisher's memoir. While I like the films, I don't consider myself a fanatic by any stretch of the imagination. Still, I was interested in hearing some behind the scenes tidbits about filming. And Fisher starts out with such facts, explaining how an early scene was re-written due to the physical limitations of Peter Mayhew, who played Chewbacca. It's that sort of information that I find fascinating--and imagine other <i>Star Wars</i> fans would as well.
And, I won't lie, I was also fascinated by Fisher's reported relationship with Harrison Ford, who is about 15 years her senior (and was married while they were filming). Her portrayal of Harrison in the book seems spot on and is actually quite humorous at times. Unfortunately, her actual detail of the relationship is scant at best, and we really don't get much insight into their romance. What we do get is a lot of particulars about Fisher's own insecurities about herself, her body, her acting, etc.
She includes actual excerpts of the journals she found in the middle of the book, and I confess, I eventually started skimming them, because they were just agony to read. I can understand how they resonate from the perspective of a lovestruck teenager (because, truly, she was just that at the time), but so many years later, they just seem like a lot of bad poetry and ramblings that make no sense out of context. And beyond a few stories about Harrison, we really get nothing in the book that explains them, which is unfortunate, as Fisher seems witty and interesting (albeit insecure, but hey, so am I). I understand her angst from the journals, I really do, but I'm not honestly sure I wanted to read it in such form.
Plus, after that section of the book, we move on to Fisher discussing her fans and how "being Leia" has affected her life. And, again, I get it: we all forget how no one expected <i>Star Wars</i> to be so big. You wouldn't at nineteen realize what you were getting into, and I'm sure this character has absorbed much of her identity. And maybe it was reading this on the heel of Anna Kendrick's memoir, but I can only take so much of celebrities complaining about their fame and lives. The second half of Fisher's book, basically, is her capturing "conversations" with awestruck fans explaining how much Leia and <i>Star Wars</i> meant to them. But, really, it's mocking them and illustrating how tiresome the "lap dance" (her words) of signing autographs and appearing at various conventions can be. But, you know, as she states, it's worth it for the money. You can't help but feel a little offended on the part of these devoted, crazy fans, and a little less sorry for Fisher, even if she was not included on merchandising shares for <i>Star Wars</i>.
Sigh. Overall, I'm a bit conflicted on this one. Bits and pieces were very interesting. But I would have enjoyed hearing more about the actual set and her interactions with the other actors beyond Harrison Ford. While I also didn't mind hearing about Fisher's impressions of how Leia impacted her life, the fandom sections just rubbed me the wrong way. 2.5 stars.
Cyn Armistead (14 KP) rated Fire Study (Study, #3) in Books
Mar 1, 2018
I strongly recommend reading <i>Poison Study</i>, <i>Assassin Study</i>, <i>Magic Study</i>, and <i>Power Study</i> all at a go. The two novellas are optional, but canonical and fun.
Snyder's world seems to be made up of just two countries: Ixia and Sitia. Ixia has been ruled by Commander Ambrose and his generals for about a decade when <i>Poison Study</i> starts, after a military coup overthrew the old monarchy. There are no beggars, every child is entitled to an education, nobody has to go hungry or homeless, and promotions are based solely on skill, with no gender or racial discrimination—but every citizen also has to wear a uniform declaring his or her proper location and job function, government approval is required for marrying, moving to a new home, or changing jobs, and anybody identified as having magic talent is killed immediately. Everyone is subject to the Code of Behavior, and there are no exceptions for any kind of extenuating circumstances. If you kill someone, you are sentenced to death, even if you were defending yourself or another.
Yelena has been in the Commander's dungeon for most of a year after killing the son of General Brazell. Valek, Ambrose's spymaster, gives her a choice: go to the gallows, or become the Commander's food taster. The job doesn't have a long life expectancy, as poisoning attempts are fairly common, but Yelena sees a chance at life better than immediate death, and takes the job.
Yelena manages to survive several attempts to murder her. The fact that Brazell wants her dead is understandable, but the other attempts are mysterious. Why would a Sitian master magician try to kill her? Who would slip poison into her wine?
<i>Magic Study</i> finds Yelena in Sitia, learning to cope with a very different way of life. Magic is almost taken for granted, and a strong family/clan structure forms the backbone of the government. But why are there beggars in the streets, and why is it that only those who can afford it are educated? Everyone in Sitia believes that life in Ixia must be horrific, but looking around her, Yelena sees that Ambrose's rule does have its benefits.
<i>Fire Study</i> moves between Sitia and Ixia, involving the leaders of both nations and intriguers who want to bring both of them down by pitching them against each other. Yelena and her friends are trying to prevent a war and reveal the traitors, but they've been declared outlaw and have to sneak around trying to figure out what's going on.
Another reviewer found Yelena too talented for belief, but I found her fairly realistic. She certainly isn't good at everything—she could use a lot of help in terms of social skills!—and the skills that she begins with and gains over the course of the trilogy do make sense. She trained as an acrobat when she was a child, so it does make sense that she is able to learn some types of self-defense without too much trouble. Some of her aptitudes make more sense after she learns more about her family background. She does find that she has magical abilities, but she isn't good at everything, and indeed, cannot seem to master some tasks that other magicians consider rudimentary.
I did find some of the betrayals to be difficult to comprehend, as some of the traitors would have no defense against mental scans. There's a Sitian Ethical Code of Conduct that prohibits non-consensual scans, but it doesn't apply to criminals, and in a war situation, I found it hard to believe that nobody ever did a little telepathic peeking at the people around them.
These were fun books, and they could be useful in looking at the pros and cons of different types of governments with teens. There's some sex in the books, but nothing terribly explicit. The violence is more troublesome, but the author never dwells on it.
Snyder's world seems to be made up of just two countries: Ixia and Sitia. Ixia has been ruled by Commander Ambrose and his generals for about a decade when <i>Poison Study</i> starts, after a military coup overthrew the old monarchy. There are no beggars, every child is entitled to an education, nobody has to go hungry or homeless, and promotions are based solely on skill, with no gender or racial discrimination—but every citizen also has to wear a uniform declaring his or her proper location and job function, government approval is required for marrying, moving to a new home, or changing jobs, and anybody identified as having magic talent is killed immediately. Everyone is subject to the Code of Behavior, and there are no exceptions for any kind of extenuating circumstances. If you kill someone, you are sentenced to death, even if you were defending yourself or another.
Yelena has been in the Commander's dungeon for most of a year after killing the son of General Brazell. Valek, Ambrose's spymaster, gives her a choice: go to the gallows, or become the Commander's food taster. The job doesn't have a long life expectancy, as poisoning attempts are fairly common, but Yelena sees a chance at life better than immediate death, and takes the job.
Yelena manages to survive several attempts to murder her. The fact that Brazell wants her dead is understandable, but the other attempts are mysterious. Why would a Sitian master magician try to kill her? Who would slip poison into her wine?
<i>Magic Study</i> finds Yelena in Sitia, learning to cope with a very different way of life. Magic is almost taken for granted, and a strong family/clan structure forms the backbone of the government. But why are there beggars in the streets, and why is it that only those who can afford it are educated? Everyone in Sitia believes that life in Ixia must be horrific, but looking around her, Yelena sees that Ambrose's rule does have its benefits.
<i>Fire Study</i> moves between Sitia and Ixia, involving the leaders of both nations and intriguers who want to bring both of them down by pitching them against each other. Yelena and her friends are trying to prevent a war and reveal the traitors, but they've been declared outlaw and have to sneak around trying to figure out what's going on.
Another reviewer found Yelena too talented for belief, but I found her fairly realistic. She certainly isn't good at everything—she could use a lot of help in terms of social skills!—and the skills that she begins with and gains over the course of the trilogy do make sense. She trained as an acrobat when she was a child, so it does make sense that she is able to learn some types of self-defense without too much trouble. Some of her aptitudes make more sense after she learns more about her family background. She does find that she has magical abilities, but she isn't good at everything, and indeed, cannot seem to master some tasks that other magicians consider rudimentary.
I did find some of the betrayals to be difficult to comprehend, as some of the traitors would have no defense against mental scans. There's a Sitian Ethical Code of Conduct that prohibits non-consensual scans, but it doesn't apply to criminals, and in a war situation, I found it hard to believe that nobody ever did a little telepathic peeking at the people around them.
These were fun books, and they could be useful in looking at the pros and cons of different types of governments with teens. There's some sex in the books, but nothing terribly explicit. The violence is more troublesome, but the author never dwells on it.
Heather Cranmer (2721 KP) rated Beautiful Disaster (Beautiful, #1) in Books
Jun 7, 2018
(This review can also be found on my blog: <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
A friend of mine had recommended this book back when it first came out. While I was definitely intrigued, I kept putting off buying it. However, with Walking Disaster coming out, I thought I'd give it a read. I'm super happy I did. I loved it!
Abby Abernathy is a reformed good girl. She moved to another state to get away from her horrible past. However, when she meets Travis, a self-professed womanizer, she struggles to continue being that good girl she so desperately wants to be. Travis is violent and sleeps with almost any woman. The more Abby tries to stay away, the more she finds herself drawn to Travis. Will Abby be able to keep up her good girl image or will she succumb to Travis' charms?
I love this title!! It definitely suits this book because it describes, perfectly, the relationship between Travis and Abby. It's even mentioned in the book!
I like the cover. In fact, I think it's really pretty. I'm sure it's symbolic of Travis and Abby with Abby being the butterfly, but I just can't figure it out. I don't see how Abby is a trapped butterfly.
For the most part, the world building was alright. There were times, while reading, were I felt like I was more in a high school setting then a college setting. Also, there was hardly any mention of time going by. For example, Abby and Travis would say about 4 or 5 sentences to each other, and three hours had passed by. That happened quite a few times in the book which I found annoying. Other than that, everything about the world was great.
The pacing was perfect in Beautiful Disaster! I couldn't get enough of the action. The chapters flowed beautifully into each other, and I found that I couldn't read the pages fast enough. Every sentence left me wanting more!
The characters were fantastic and well written! I loved how Abby was trying to turn her life around. I didn't think she had as bad of a life as she let on although I would've loved to learn more about her past. Abby had a sweet vulnerability to her which I liked. I thought Travis was quite romantic, and I loved how crazy he was about Abby. At some points, I felt that he was a little too crazy about Abby, but I still found myself wishing I had someone like Travis to look after me (except not as violent). Like Abby, I would've loved to find out more about Travis' background. I really hope I will learn more about him in Walking Disaster. I loved America although I kept picturing her differently to the blonde girl that she is. Shep is great when it comes to America and his cousin Travis. He's also great to Abby. Shep has a good heart, and I loved how willing he was to help those he loved.
The dialogue was a bit intense but in a good way. I loved reading how Abby and Travis interacted with each other. These two were super funny and at times would drive me crazy with how they acted towards each other when they would argue. As for the language, there is A LOT of swearing so if you don't like cuss words, this isn't your type of book.
Beautiful Disaster by Jamie McGuire was definitely an enjoyable and intense read. I was also appreciative that the sex scenes were done quite tastefully instead of being graphic. I didn't really like the way it ended as I felt it was a rush decision on the characters' part. (Don't worry, I won't go into detail). Other than that, I thoroughly enjoyed this book.
I'd recommend this book to everyone aged 17+ who is seeking a bit of a bad boy or a bit of a thrill. Please be aware that there is a lot of violence and swearing within this book.
Beautiful Disaster (Beautiful #1) by Jamie McGuire gets a 4.25 out of 5 from me.
A friend of mine had recommended this book back when it first came out. While I was definitely intrigued, I kept putting off buying it. However, with Walking Disaster coming out, I thought I'd give it a read. I'm super happy I did. I loved it!
Abby Abernathy is a reformed good girl. She moved to another state to get away from her horrible past. However, when she meets Travis, a self-professed womanizer, she struggles to continue being that good girl she so desperately wants to be. Travis is violent and sleeps with almost any woman. The more Abby tries to stay away, the more she finds herself drawn to Travis. Will Abby be able to keep up her good girl image or will she succumb to Travis' charms?
I love this title!! It definitely suits this book because it describes, perfectly, the relationship between Travis and Abby. It's even mentioned in the book!
I like the cover. In fact, I think it's really pretty. I'm sure it's symbolic of Travis and Abby with Abby being the butterfly, but I just can't figure it out. I don't see how Abby is a trapped butterfly.
For the most part, the world building was alright. There were times, while reading, were I felt like I was more in a high school setting then a college setting. Also, there was hardly any mention of time going by. For example, Abby and Travis would say about 4 or 5 sentences to each other, and three hours had passed by. That happened quite a few times in the book which I found annoying. Other than that, everything about the world was great.
The pacing was perfect in Beautiful Disaster! I couldn't get enough of the action. The chapters flowed beautifully into each other, and I found that I couldn't read the pages fast enough. Every sentence left me wanting more!
The characters were fantastic and well written! I loved how Abby was trying to turn her life around. I didn't think she had as bad of a life as she let on although I would've loved to learn more about her past. Abby had a sweet vulnerability to her which I liked. I thought Travis was quite romantic, and I loved how crazy he was about Abby. At some points, I felt that he was a little too crazy about Abby, but I still found myself wishing I had someone like Travis to look after me (except not as violent). Like Abby, I would've loved to find out more about Travis' background. I really hope I will learn more about him in Walking Disaster. I loved America although I kept picturing her differently to the blonde girl that she is. Shep is great when it comes to America and his cousin Travis. He's also great to Abby. Shep has a good heart, and I loved how willing he was to help those he loved.
The dialogue was a bit intense but in a good way. I loved reading how Abby and Travis interacted with each other. These two were super funny and at times would drive me crazy with how they acted towards each other when they would argue. As for the language, there is A LOT of swearing so if you don't like cuss words, this isn't your type of book.
Beautiful Disaster by Jamie McGuire was definitely an enjoyable and intense read. I was also appreciative that the sex scenes were done quite tastefully instead of being graphic. I didn't really like the way it ended as I felt it was a rush decision on the characters' part. (Don't worry, I won't go into detail). Other than that, I thoroughly enjoyed this book.
I'd recommend this book to everyone aged 17+ who is seeking a bit of a bad boy or a bit of a thrill. Please be aware that there is a lot of violence and swearing within this book.
Beautiful Disaster (Beautiful #1) by Jamie McGuire gets a 4.25 out of 5 from me.
Darren (1599 KP) rated 40 Days and 40 Nights (2002) in Movies
Jun 20, 2019
Story: 40 Days and 40 Nights starts as we meet Matt (Hartnett) who has been struggling with his break up from Nicole (Shaw), this has led Matt to a string of one night stands that lead to him having visions of a black hole. Matt’s brother John (Tree) is in training to become a priest where Matt learns about lent and vows to give up all sexual activity for 40 days and 40 nights.
When his roommate Ryan (Costanzo) decides to spread the news about the vow a betting pool opens up and to make Matt’s life more difficult when he finally meets the perfect woman Erica (Sossamon). Matt has to learn to balance his vow while starting a new relationship where sex is out of the question.
40 Days and 40 Nights is a film I did enjoy watching even if I can see big flaws in the story, this mostly comes from the idea that it is written that every guy is obsessed with sex and couldn’t possible go 40 days without having it. The problems comes where everyone is against Matt rather than having even just one person supporting him through his self-improvement idea. I do however feel the story works for what it is trying to be even if it comes off unbelievable throughout.
Actor Review
Josh Hartnett: Matt Sullivan is a struggling man who can’t get over his ex-girlfriend Nicole. Running through a string of one night stands he wakes from these with a vision of the world coming to an end. Coming up with the idea to give up sexual activity for lent his life becomes a game for people around the world who has bet on when it will end and the perfect woman come into his life his whole life becomes difficult. Josh shows with this performance he can handle comedy.
Shannyn Sossamon: Erica has been struggling to find the right guy and her job doesn’t help. She meets Matt and see him as a different guy to the normal ones she meets but doesn’t fully understand the vow. Shannyn is good in this role being a strong leading lady.
Paulo Costanzo: Ryan is Matt’s roommate who is always looking to go out and meet girls for sex. He keeps watch over Matt after telling everyone about the vow. Paulo is solid as this supporting friend even if this generic.
Adam Tree: John Sullivan is the priest in training brother of Matt’s who doesn’t believe he can achieve his vow because he knows how difficult it is to go through. Adam is solid but in the end is just another supporting character.
Support Cast: 40 Days and 40 Nights has a supporting cast which includes plenty of different characters that are trying to make Matt break his vow with not a single person actually supporting him.
Director Review: Michael Lehmann – Michael gives us a fun comedy even if it is very one sided with the reactions and mind set people are meant to be in.
Comedy: 40 Days and 40 Nights has moments of comedy which mostly surround people trying to make Matt break the vow.
Romance: 40 Days and 40 Nights does try to tackle relationships by trying to make it more about how sex isn’t the most important part of the relationship.
Settings: 40 Days and 40 Nights keeps the settings around San Francisco which is always a great visual location for a film.
Suggestion: 40 Days and 40 Nights is one to try it does have good moments of good comedy but it also has a story which seems to be very much sex is all people think about. (Try It)
Best Part: Hartnett works for comedy.
Worst Part: Not everyone is sex obsessed.
Romantic Moment: No contact date.
Believability: The way things go I would say no.
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Budget: $17 Million
Runtime: 1 Hour 36 Minutes
Tagline: It’s Easy to Say But Harder To Do!
Overall: Simple comedy that does work well for what it is trying to achieve.
https://moviesreview101.com/2017/07/25/40-days-and-40-nights-2002/
When his roommate Ryan (Costanzo) decides to spread the news about the vow a betting pool opens up and to make Matt’s life more difficult when he finally meets the perfect woman Erica (Sossamon). Matt has to learn to balance his vow while starting a new relationship where sex is out of the question.
40 Days and 40 Nights is a film I did enjoy watching even if I can see big flaws in the story, this mostly comes from the idea that it is written that every guy is obsessed with sex and couldn’t possible go 40 days without having it. The problems comes where everyone is against Matt rather than having even just one person supporting him through his self-improvement idea. I do however feel the story works for what it is trying to be even if it comes off unbelievable throughout.
Actor Review
Josh Hartnett: Matt Sullivan is a struggling man who can’t get over his ex-girlfriend Nicole. Running through a string of one night stands he wakes from these with a vision of the world coming to an end. Coming up with the idea to give up sexual activity for lent his life becomes a game for people around the world who has bet on when it will end and the perfect woman come into his life his whole life becomes difficult. Josh shows with this performance he can handle comedy.
Shannyn Sossamon: Erica has been struggling to find the right guy and her job doesn’t help. She meets Matt and see him as a different guy to the normal ones she meets but doesn’t fully understand the vow. Shannyn is good in this role being a strong leading lady.
Paulo Costanzo: Ryan is Matt’s roommate who is always looking to go out and meet girls for sex. He keeps watch over Matt after telling everyone about the vow. Paulo is solid as this supporting friend even if this generic.
Adam Tree: John Sullivan is the priest in training brother of Matt’s who doesn’t believe he can achieve his vow because he knows how difficult it is to go through. Adam is solid but in the end is just another supporting character.
Support Cast: 40 Days and 40 Nights has a supporting cast which includes plenty of different characters that are trying to make Matt break his vow with not a single person actually supporting him.
Director Review: Michael Lehmann – Michael gives us a fun comedy even if it is very one sided with the reactions and mind set people are meant to be in.
Comedy: 40 Days and 40 Nights has moments of comedy which mostly surround people trying to make Matt break the vow.
Romance: 40 Days and 40 Nights does try to tackle relationships by trying to make it more about how sex isn’t the most important part of the relationship.
Settings: 40 Days and 40 Nights keeps the settings around San Francisco which is always a great visual location for a film.
Suggestion: 40 Days and 40 Nights is one to try it does have good moments of good comedy but it also has a story which seems to be very much sex is all people think about. (Try It)
Best Part: Hartnett works for comedy.
Worst Part: Not everyone is sex obsessed.
Romantic Moment: No contact date.
Believability: The way things go I would say no.
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Budget: $17 Million
Runtime: 1 Hour 36 Minutes
Tagline: It’s Easy to Say But Harder To Do!
Overall: Simple comedy that does work well for what it is trying to achieve.
https://moviesreview101.com/2017/07/25/40-days-and-40-nights-2002/
A Bibliophagist (113 KP) rated Thunderhead (Arc of a Scythe #2) in Books
Feb 5, 2020
Characters (4 more)
Plot
Pacing
Worldbuilding
That ending
A great sequel
I picked up Scythe in a challenge to myself to read something I wasn't interested in, and I chose two books popular on my feeds. One with a cover I hated (Throne of Glass) and one with a cover I liked (Scythe). I really didn't expect to love Scythe as much as I did (check out its review through my profile!) but I did! So I immediately picked up the even prettier Thunderhead. This cover is just beautiful, and as an illustrator, seeing her thank her cover artist on one of the first pages was wonderful. This review may contain minor spoilers for Scythe, so don't read it unless you've read Scythe!
We pick up where Scythe left off, after Citra gives Rowan immunity, sparing him from being gleaned even though she is chosen and takes the name, Scythe Anastasia. He goes on the run instead of being imprisoned by the Scythdom until his immunity runs out. After leaving his self imposed exile with Scythe Faraday, Rowan dons a cloak of his own, becoming a vigilante and killing (and burning) Scythes who abuse their power. The world dubs him Scythe Lucifer and everyone is trying to find him. Scythe Anastasia is learning her place in the Scythedom, a beacon of hope for the old guard, they hope she will inspire the new Scythes to turn away from the new order. Following Rowan's disposal of Scythe Goddard, the new order has made a martyr of him. The Schism amongst the Scythedom continues to grow, and all is not well. Scythe Curie and Scythe Anastasia are targetted by unknowns, attempting to kill them (permanently). Meanwhile, the Thunderhead reflects on its choice to be separate from the Scythes, Fearing what is becoming of the Scythedom, but unable to do anything, it inlists a boy, Greyson, who was essentially raised by it, to act as a liaison, never telling him to do anything in particular, but implying enough that Greyson sacrifices everything to try and help Scythe Curie and Anastasia and fulfill the Thunderhead's goals. This sacrifice doesn't go unnoticed, as a reader it felt palpable, I felt for him. On top of all this, something is stirring, ghosts are coming back to haunt the Scythedom and a shift of power puts Anastasia and Marie in the crosshairs of danger, forcing them to not only stand up for MidMerica but the entire Scythedom, even if that means facing the Grandslayers.
Shusterman does a wonderful job of continuing the story. Sticking to the world that he previously laid out and delving deeper with new perspectives like Greyson, and rather than the Scythe Journal interludes we have Thunderhead interludes which are exceptionally interesting. We learn more about this "perfect world" they now live in, and we see actual character development as both Rowan and Citra come to terms with their new lives. On top of this, the plot just continues to thicken and brew, building upon itself until it finally explodes in the finale. Holy Moley the finale. I let out an audible noise at that cliffhanger, so audible my partner checked to makes sure I was okay. I also IMMEDIATELY bought the next book. That was the cliffhangers of cliffhangers.
One of the things I applaud in these books is the romance between Citra and Rowan, it's so understated (at times, too understated) not lusting after each other, or thinking about how hot each other are. This is just an honest two people coming together who have been through crap together. It's a deep connection, and while I found it eh and slightly too understated in the first book, I grew to appreciate it's the subtlety in the second.
At times this book had larger than life moments, but even these Shusterman was able to write so well I didn't mind them, they didn't make me roll my eyes. He made his world believable, even if it sounds ridiculous when I try and explain the plot to others. This book made me cry, it made me gasp and it made me feel a full gamut of emotions. Things I didn't know a YA book could make me feel. Also, did I mention that freakin CLIFF HANGER?
Good job Shusterman, Good Job.
We pick up where Scythe left off, after Citra gives Rowan immunity, sparing him from being gleaned even though she is chosen and takes the name, Scythe Anastasia. He goes on the run instead of being imprisoned by the Scythdom until his immunity runs out. After leaving his self imposed exile with Scythe Faraday, Rowan dons a cloak of his own, becoming a vigilante and killing (and burning) Scythes who abuse their power. The world dubs him Scythe Lucifer and everyone is trying to find him. Scythe Anastasia is learning her place in the Scythedom, a beacon of hope for the old guard, they hope she will inspire the new Scythes to turn away from the new order. Following Rowan's disposal of Scythe Goddard, the new order has made a martyr of him. The Schism amongst the Scythedom continues to grow, and all is not well. Scythe Curie and Scythe Anastasia are targetted by unknowns, attempting to kill them (permanently). Meanwhile, the Thunderhead reflects on its choice to be separate from the Scythes, Fearing what is becoming of the Scythedom, but unable to do anything, it inlists a boy, Greyson, who was essentially raised by it, to act as a liaison, never telling him to do anything in particular, but implying enough that Greyson sacrifices everything to try and help Scythe Curie and Anastasia and fulfill the Thunderhead's goals. This sacrifice doesn't go unnoticed, as a reader it felt palpable, I felt for him. On top of all this, something is stirring, ghosts are coming back to haunt the Scythedom and a shift of power puts Anastasia and Marie in the crosshairs of danger, forcing them to not only stand up for MidMerica but the entire Scythedom, even if that means facing the Grandslayers.
Shusterman does a wonderful job of continuing the story. Sticking to the world that he previously laid out and delving deeper with new perspectives like Greyson, and rather than the Scythe Journal interludes we have Thunderhead interludes which are exceptionally interesting. We learn more about this "perfect world" they now live in, and we see actual character development as both Rowan and Citra come to terms with their new lives. On top of this, the plot just continues to thicken and brew, building upon itself until it finally explodes in the finale. Holy Moley the finale. I let out an audible noise at that cliffhanger, so audible my partner checked to makes sure I was okay. I also IMMEDIATELY bought the next book. That was the cliffhangers of cliffhangers.
One of the things I applaud in these books is the romance between Citra and Rowan, it's so understated (at times, too understated) not lusting after each other, or thinking about how hot each other are. This is just an honest two people coming together who have been through crap together. It's a deep connection, and while I found it eh and slightly too understated in the first book, I grew to appreciate it's the subtlety in the second.
At times this book had larger than life moments, but even these Shusterman was able to write so well I didn't mind them, they didn't make me roll my eyes. He made his world believable, even if it sounds ridiculous when I try and explain the plot to others. This book made me cry, it made me gasp and it made me feel a full gamut of emotions. Things I didn't know a YA book could make me feel. Also, did I mention that freakin CLIFF HANGER?
Good job Shusterman, Good Job.
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Gareth von Kallenbach (980 KP) rated The Space Between Us (2017) in Movies
Jul 12, 2019
Gardner Elliot (Asa Butterfield) is a 16 year old boy who has never set foot on Earth. His mother found out she was pregnant on while on a mission to live on Mars for four years. Just after arriving on the red planet his mother gave birth and then sadly passed away. Since his birth was an unplanned surprise to his mother, NASA and Genesis, the private company that made the trip to Mars possible, they all decide to keep his existence a classified secret. So for the next 16 years he was raised on Mars by a revolving crew of a dozen or so scientist who stayed on the space station called East Texas. Gardner relishes the chance to be known and to travel to Earth. On Mars all he has is his self-proclaimed best friend is an artificial intelligent robot named Centaur (voiced by Peter Chelsom) and a couple of people who he can call friends. One is Kendra (Carla Gugino), a mother figure who watches over and tries to protect him. The other is Tulsa (Britt Robertson), a teenage school girl from Earth, who he chats online with every chance he gets and desperately wants to meet.
Gardner finds a box of his mother’s things in a storage room and a photo of who he believes to be his father. His urge to go to Earth and meet his father and Tulsa is to the point he will do almost anything. Kendra seeing the pain that Gardner is in she decides to reach out to Genesis Director Chen (BD Wong) and founder Nathaniel Shepherd (Gary Oldman) and requests they allow him to come to Earth. Shepherd is against it. Pointing out that, due to the reduced gravity of Mars, Gardner’s bones will be weaker and more brittle and his heart will be enlarged. Almost assuredly making living on Earth impossible. Determined to make it to Gardner goes through painful operations to strengthen his bones and intense training to improve his muscles. After 16 years he is finally allowed to travel to Earth. Only to be quarantined and battered with tests upon arrival. Undeterred, he breaks out of the facility and heads out to find Tulsa. He finds her and convinces her to help him find his father. So they head out cross country to find his family and seem to be finding love along the way. But Kendra and Shepherd are hot on their heels. They rush to track Gardner down before his health deteriorates and is unable to survive in Earth’s environment.
The Sci-Fi story is a heartwarming one in The Space Between Us. It is a futuristic love story of two teens who are worlds apart, literally in this instance, but both find the one person in the universe who is meant for them. Butterfield does a good job of playing Gardner and showing how someone removed from this world can be awkward and out of place but also be amazingly honest and forthright. Robertson performance is okay as the tough product of a foster system teen that has a rough exterior but longs for a family. The love story and interaction between these two characters is definitely the bright spot. The rest of the cast is good and the overall story had some original concepts, such as the first human born on Mars. But there are times that are a little cheesy for my personal taste. Also the ending in my opinion was predictable and a forgone conclusion. How the film was presented visually was hit and miss for me. There would be beautiful shots of mountain passes, the ocean or the desert that really captured the beauty of Earth as if they were being seen for the first time. Then there were times when the shot was blurry and you could tell the people, vehicles or aircraft was out of place. The shots of space were very much the same some good some bad.
Overall the movie was good but not really something I would want to go back and see again. It definitely had the feel of a movie you could take the whole family to, very wholesome. I wish it was more constant visually.
Gardner finds a box of his mother’s things in a storage room and a photo of who he believes to be his father. His urge to go to Earth and meet his father and Tulsa is to the point he will do almost anything. Kendra seeing the pain that Gardner is in she decides to reach out to Genesis Director Chen (BD Wong) and founder Nathaniel Shepherd (Gary Oldman) and requests they allow him to come to Earth. Shepherd is against it. Pointing out that, due to the reduced gravity of Mars, Gardner’s bones will be weaker and more brittle and his heart will be enlarged. Almost assuredly making living on Earth impossible. Determined to make it to Gardner goes through painful operations to strengthen his bones and intense training to improve his muscles. After 16 years he is finally allowed to travel to Earth. Only to be quarantined and battered with tests upon arrival. Undeterred, he breaks out of the facility and heads out to find Tulsa. He finds her and convinces her to help him find his father. So they head out cross country to find his family and seem to be finding love along the way. But Kendra and Shepherd are hot on their heels. They rush to track Gardner down before his health deteriorates and is unable to survive in Earth’s environment.
The Sci-Fi story is a heartwarming one in The Space Between Us. It is a futuristic love story of two teens who are worlds apart, literally in this instance, but both find the one person in the universe who is meant for them. Butterfield does a good job of playing Gardner and showing how someone removed from this world can be awkward and out of place but also be amazingly honest and forthright. Robertson performance is okay as the tough product of a foster system teen that has a rough exterior but longs for a family. The love story and interaction between these two characters is definitely the bright spot. The rest of the cast is good and the overall story had some original concepts, such as the first human born on Mars. But there are times that are a little cheesy for my personal taste. Also the ending in my opinion was predictable and a forgone conclusion. How the film was presented visually was hit and miss for me. There would be beautiful shots of mountain passes, the ocean or the desert that really captured the beauty of Earth as if they were being seen for the first time. Then there were times when the shot was blurry and you could tell the people, vehicles or aircraft was out of place. The shots of space were very much the same some good some bad.
Overall the movie was good but not really something I would want to go back and see again. It definitely had the feel of a movie you could take the whole family to, very wholesome. I wish it was more constant visually.