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How To Get Filthy Rich in Rising Asia
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How to Get Filthy Rich in Rising Asia is Mohsin Hamid's spectacular, thought-provoking novel of...
Barcelona Map and Walks
Travel and Navigation
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Lose Yourself Without Getting Lost. This handy application presents you several self-guided walks...
There's Something About Sweetie
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The irresistible companion novel to the New York Times bestseller When Dimple Met Rishi, which...
Jamie (131 KP) rated The Darkest Lies in Books
Jul 26, 2017
Believable plot regarding child abduction (1 more)
The mystery is compelling
Frustrating protagonist, (2 more)
Extremely predictable
Good case for why civilians shouldn’t go rogue and get in the way of police work
A frustrating abduction mystery
You know that age in every teenager’s life where they start to become a little bit rebellious? Telling little white lies, sneaking out, hanging out with crowds they know the family wouldn’t approve of? It can be a scary time for parents, who knows who’s out there? The Darkest Lies is every parent’s worst nightmare and follows a mother who finds her world shattered when her daughter goes missing.
I’m going to come right out and say that this book was frustrating for me. The synopsis really caught my eye and the idea for the plot is intriguing. Unfortunately, issues with the protagonist as well as a shaky and highly predictable plot made for a mediocre experience.
The narration in this book was a little bit weird and I had a hard time getting used to it. It is primarily told using first person point of view though switches regularly to second person as Melanie speaks directly to Beth in her inner monologue. It was just uncomfortable to read.
What’s so bad about first person point of view? See the issue for me with first person narration is that it’s easy to end up alienating readers if it’s difficult to relate to the narrator, and boy did I dislike Melanie. To be blunt, she was really annoying. She was self-centered, mean-spirited, often blinded by her own hubris, and near the end has a bit of a messiah complex going which I found completely ridiculous. She was constantly complaining about the police’s incompetence, throwing herself in the way of the investigation despite being asked multiple times to back off before she could destroy their leads. “I couldn’t go home. I was too furious, too desperate to prove I was right and the police were wrong.”
I get it, she’s consumed with guilt and grief over what happened to her daughter, over not being able to protect her. Desperate people tend to lash out and do stupid things, but I just couldn’t believe anyone would be so foolish. Melanie’s antics do lead up to something important in the plot, but honestly she didn’t need any help making a fool of herself. Before all the crazy came out she was constantly breaking down every female character she encountered, often focusing in on their looks and finding ways to insult them. Neighbors, police officers working on the case, teenagers, it didn’t matter. There are numerous examples of Melanie exhibiting this jealous personality throughout the course of the book.
She spends more time going on drunken rampages pointing fingers at everyone in town, harassing the police, treating her husband like garbage while emotionally cheating with a friend, and avoiding actually seeing and being there for her daughter. While her awful actions over the course of the book is an important aspect of the plot, I just couldn’t justify it because she never learns and remains stubborn even after being told off multiple times. Add on top how stereotypically reckless she acts at the end instead of seeking help from the police because of course she doesn’t need them and I just couldn’t dig the story.
I liked the central idea around the dangers of teens sneaking out and trusting strangers, but the story meandered so much it kind of gets lost in Melanie’s mental collapse and crazed search for the culprit. The plot attempts to use some misdirection to keep the reader guessing but the construction was just sloppy, and the actual culprit isn’t even the character that Melanie cares about the most. Every “bad” character is so blatantly obvious that the advertised twist is really easy to see. I kept on reading because I wanted to know the how and the why. I think there was potential here, and if the author wanted to stick to the narrative that Mel is actually really nice and is just being manipulated then why does she remain every bit as petty and controlling? She is still unable to see past her own emotions and unable to learn from her mistakes. I wished that this could’ve ended with more character growth for the main character.
I’m going to come right out and say that this book was frustrating for me. The synopsis really caught my eye and the idea for the plot is intriguing. Unfortunately, issues with the protagonist as well as a shaky and highly predictable plot made for a mediocre experience.
The narration in this book was a little bit weird and I had a hard time getting used to it. It is primarily told using first person point of view though switches regularly to second person as Melanie speaks directly to Beth in her inner monologue. It was just uncomfortable to read.
What’s so bad about first person point of view? See the issue for me with first person narration is that it’s easy to end up alienating readers if it’s difficult to relate to the narrator, and boy did I dislike Melanie. To be blunt, she was really annoying. She was self-centered, mean-spirited, often blinded by her own hubris, and near the end has a bit of a messiah complex going which I found completely ridiculous. She was constantly complaining about the police’s incompetence, throwing herself in the way of the investigation despite being asked multiple times to back off before she could destroy their leads. “I couldn’t go home. I was too furious, too desperate to prove I was right and the police were wrong.”
I get it, she’s consumed with guilt and grief over what happened to her daughter, over not being able to protect her. Desperate people tend to lash out and do stupid things, but I just couldn’t believe anyone would be so foolish. Melanie’s antics do lead up to something important in the plot, but honestly she didn’t need any help making a fool of herself. Before all the crazy came out she was constantly breaking down every female character she encountered, often focusing in on their looks and finding ways to insult them. Neighbors, police officers working on the case, teenagers, it didn’t matter. There are numerous examples of Melanie exhibiting this jealous personality throughout the course of the book.
She spends more time going on drunken rampages pointing fingers at everyone in town, harassing the police, treating her husband like garbage while emotionally cheating with a friend, and avoiding actually seeing and being there for her daughter. While her awful actions over the course of the book is an important aspect of the plot, I just couldn’t justify it because she never learns and remains stubborn even after being told off multiple times. Add on top how stereotypically reckless she acts at the end instead of seeking help from the police because of course she doesn’t need them and I just couldn’t dig the story.
I liked the central idea around the dangers of teens sneaking out and trusting strangers, but the story meandered so much it kind of gets lost in Melanie’s mental collapse and crazed search for the culprit. The plot attempts to use some misdirection to keep the reader guessing but the construction was just sloppy, and the actual culprit isn’t even the character that Melanie cares about the most. Every “bad” character is so blatantly obvious that the advertised twist is really easy to see. I kept on reading because I wanted to know the how and the why. I think there was potential here, and if the author wanted to stick to the narrative that Mel is actually really nice and is just being manipulated then why does she remain every bit as petty and controlling? She is still unable to see past her own emotions and unable to learn from her mistakes. I wished that this could’ve ended with more character growth for the main character.
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Heather Cranmer (2721 KP) rated Hysteria in Books
Jun 7, 2018
(This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.co.uk">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
I am a HUGE fan of Megan Miranda. I love the way she writes, and I love the plot of her stories. When I saw Hysteria by her, I knew I had to read this book! I must say that she didn't disappoint me.
Mallory killed her ex-boyfriend in self defense, so she claims, but she can't really remember what happened that night. Mallory's parents ship her off to a boarding school to get her away from everything that happened back at home. However, she can't help but feel that her ex-boyfriend's ghost has followed her. She can hear his heartbeat. She has the impression of a hand indented on her shoulder from where she's being grabbed by his ghost. Not long after Mallory arrives, another pupil is found dead in her room. Mallory claims she was sleeping and can't remember anything. Could she have possibly done it? Is Mallory a killer?
The title of this book called out to me. Hysteria is a brilliant title for this book, and it suits the story rather well.
How wicked does the cover to Hysteria look!?! The cover was another aspect that made me want to read this book. Whilst the cover doesn't really let you know too much about what's going on with the story, the design is still amazing!
I loved how the setting of this book mostly took place at some old boarding school surrounded by a forest. Yes, it is a bit cliched, but it worked well for this book.
The pacing was fantastic. There was never a dull moment in this book. I kept on reading without ever wanting to put this book down. It is very action packed and thrilling!
As for the dialogue, I felt it was fantastic. I imagined it to be exactly how older teens would speak. Be warned that there are a few swear words, but they aren't overly used just for the sake of swearing. The dialogue is smooth and never once feels forced.
The characters of this story were developed quite well. I loved how Mallory seemed very down to Earth, yet was always trying to get her memories back. She just felt very real. Reid was fantastic! I loved the way he wanted to protect Mallory. Colleen was my favourite character. I loved her free spirited attitude towards everything!
Overall, I thought this story was very well executed. There weren't really any major plot twists, I thought, but the story itself was really great!! This had me on the edge of my seat...well my bed as I was laying down reading it.
I'd recommend this book to everyone aged 15+ as it's such a good book!
I am a HUGE fan of Megan Miranda. I love the way she writes, and I love the plot of her stories. When I saw Hysteria by her, I knew I had to read this book! I must say that she didn't disappoint me.
Mallory killed her ex-boyfriend in self defense, so she claims, but she can't really remember what happened that night. Mallory's parents ship her off to a boarding school to get her away from everything that happened back at home. However, she can't help but feel that her ex-boyfriend's ghost has followed her. She can hear his heartbeat. She has the impression of a hand indented on her shoulder from where she's being grabbed by his ghost. Not long after Mallory arrives, another pupil is found dead in her room. Mallory claims she was sleeping and can't remember anything. Could she have possibly done it? Is Mallory a killer?
The title of this book called out to me. Hysteria is a brilliant title for this book, and it suits the story rather well.
How wicked does the cover to Hysteria look!?! The cover was another aspect that made me want to read this book. Whilst the cover doesn't really let you know too much about what's going on with the story, the design is still amazing!
I loved how the setting of this book mostly took place at some old boarding school surrounded by a forest. Yes, it is a bit cliched, but it worked well for this book.
The pacing was fantastic. There was never a dull moment in this book. I kept on reading without ever wanting to put this book down. It is very action packed and thrilling!
As for the dialogue, I felt it was fantastic. I imagined it to be exactly how older teens would speak. Be warned that there are a few swear words, but they aren't overly used just for the sake of swearing. The dialogue is smooth and never once feels forced.
The characters of this story were developed quite well. I loved how Mallory seemed very down to Earth, yet was always trying to get her memories back. She just felt very real. Reid was fantastic! I loved the way he wanted to protect Mallory. Colleen was my favourite character. I loved her free spirited attitude towards everything!
Overall, I thought this story was very well executed. There weren't really any major plot twists, I thought, but the story itself was really great!! This had me on the edge of my seat...well my bed as I was laying down reading it.
I'd recommend this book to everyone aged 15+ as it's such a good book!
Gareth von Kallenbach (971 KP) rated Hot Rod (2007) in Movies
Aug 14, 2019
Following up their successful sting on Saturday Night Live, the video masterminds behind such hits as “Lazy Sunday, and “Dick in a Box”, the Lonely Island Boys have unleashed a wild comedy that skewers some of the best comedy standards of the last two decades.
In “Hot Rod”, Andy Samberg stars as Rod Kimble, self proclaimed stuntman who believes he is the offspring of a stunt coordinator. Rod never misses a chance to try a new death defying stunt with the help of his stunt crew. There is just one problem, Rod is probably the worst stuntman ever to grace the planet.
Armed with his trusty moped, Rod attempts to jump swimming pools, vans, and even body boards all with failed and side-splitting results.
Rod also is struggling to win the respect of his stepfather Frank, (Ian McShane), and comes to believe he can only do this by winning one of their numerous fight sessions. As is expected, Rod is even worse at fighting as he is at stunts. This is time leads to a real dilema for Rod, when Frank becomes ill and needs an operation which the family is unable to afford.
Rod decides that he must raise the money to save Frank, so he can kick his butt and gain his respect. Towards this end, Rod rent himself out as a stuntman for hire, and some very funny moments ensue as each outing is even more inept than the one that preceded it.
As if Rod did not have enough trouble in his life, he admires the newest member of his stunt team Denise (Isla Fisher), but runs afoul of her jerky boyfriend Jonathan (Will Arnett), which leads to even more mayhem as the film unfolds in an enjoyable but predictable love triangle. While the plot is not likely to set any new standards for originality, the film shines when it is sending up the numerous films from the 80’s such as “Footloose”, and “Rad” with their often over the top sendups.
While there are stretches of the film that seem to be going nowhere, the film cleverly will turn on a dime and go off in new tangents often with hysterical results which is the strength of the film. Many times I found myself watching the film thinking segments were really out there or dumb, only to erupt in laughter when the scenes played out to their conclusions.
The biggest weakness of the film is that like many other films that star Saturday Night Live cast members, some of the jokes hit and some miss, especially when sketch length bits are carried out over 90 minutes.
While the film was designed to pay homage to past films, it works suprisingly well as not only a pop culture satire, but as a physical comedy. With fine supporting work by Sissy Spacek and Jorma Taccone, “Hot Rod” rises above its stupid comedy origins and creates a fresh, if silly offering that will leave you laughing.
In “Hot Rod”, Andy Samberg stars as Rod Kimble, self proclaimed stuntman who believes he is the offspring of a stunt coordinator. Rod never misses a chance to try a new death defying stunt with the help of his stunt crew. There is just one problem, Rod is probably the worst stuntman ever to grace the planet.
Armed with his trusty moped, Rod attempts to jump swimming pools, vans, and even body boards all with failed and side-splitting results.
Rod also is struggling to win the respect of his stepfather Frank, (Ian McShane), and comes to believe he can only do this by winning one of their numerous fight sessions. As is expected, Rod is even worse at fighting as he is at stunts. This is time leads to a real dilema for Rod, when Frank becomes ill and needs an operation which the family is unable to afford.
Rod decides that he must raise the money to save Frank, so he can kick his butt and gain his respect. Towards this end, Rod rent himself out as a stuntman for hire, and some very funny moments ensue as each outing is even more inept than the one that preceded it.
As if Rod did not have enough trouble in his life, he admires the newest member of his stunt team Denise (Isla Fisher), but runs afoul of her jerky boyfriend Jonathan (Will Arnett), which leads to even more mayhem as the film unfolds in an enjoyable but predictable love triangle. While the plot is not likely to set any new standards for originality, the film shines when it is sending up the numerous films from the 80’s such as “Footloose”, and “Rad” with their often over the top sendups.
While there are stretches of the film that seem to be going nowhere, the film cleverly will turn on a dime and go off in new tangents often with hysterical results which is the strength of the film. Many times I found myself watching the film thinking segments were really out there or dumb, only to erupt in laughter when the scenes played out to their conclusions.
The biggest weakness of the film is that like many other films that star Saturday Night Live cast members, some of the jokes hit and some miss, especially when sketch length bits are carried out over 90 minutes.
While the film was designed to pay homage to past films, it works suprisingly well as not only a pop culture satire, but as a physical comedy. With fine supporting work by Sissy Spacek and Jorma Taccone, “Hot Rod” rises above its stupid comedy origins and creates a fresh, if silly offering that will leave you laughing.
Neon's Nerd Nexus (360 KP) rated Weathering with You (2019) in Movies
Feb 1, 2020 (Updated Feb 1, 2020)
Change The World
Weathering With You is such an original and blissfully delightful tale that it successfully draws you in and immerses you into its breathtakingly realistic world the moment you enter it. I think we can all safely say that when Makoto Shinkai makes a movie he turns heads because he's without a doubt up there with Studio Ghibli in regards to quality, imagination, beauty and magic. Whats great about Weathering with you is just how grounded in reality it is and as we meet our lead character we get to see/feel just how tuff life can be for a young adult trying to live/survive in the world especially with no help, guidence or someone to look up to. This really helps form an instant connection to him as a character and while some of his actions maybe considered bad you sympathies and relate to him on a personal level just the same. As the film plays out a more spiritual/fantasy like plot starts to unfold and at first I did struggle to grasp what the film was actually trying to say over all but this does become clear the further in you get. To me its a story about pressure/burdens we ourselves and the world put on our heads which eventually/inevitably will lead to anxiety, emotions running wild, stress, depression and in some cases giving a person such a warped negative outlook on life that they may be lead to believe that their existence is what is causing the pain and misery of everyone else. Surprisingly climate change is a big theme here too and this has become a huge stress in its self weighing down on not only us but on our characters heads equally. However the film does have a lovely way of looking at this issue towards the end which helps manifest a more positive way of dealing with/coming to terms with this huge problem helping to take some of that pressure off us and giving us peace of mind. As you can imagine all this does get extremely heavy at times but it gives what moments of happiness we get such power and weight that by the time they appear I guarantee you will be struggling to contain your emotions as they try to escape from you. With clear influences from the likes of Spirited Away Weathering with you is animated flawlessly and is so beautiful to watch that it even makes simple actions such as preparing food absolutely captivating. Huge cassical scores gracefully a company the striking visualls too but every so often these pices distort, fracture and skip giving them a more modern/slightly futuristic feel to them which i was really impressed by. Makoto Shinkai has done it again and its nice to see his films are getting the attention they deserve with every seat filled in our showing. Honestly go see this film it really is a perfect example of animation at its absolute finest.
Becs (244 KP) rated Again, But Better in Books
Jan 2, 2020
Trigger warnings:
a crazy amount of ableist language, cheating, grey area cheating, and sexual assault in the form of an unwanted kiss.
When you read a synopsis, you kind of expect the book to be somewhat similar and Again, but Better followed the synopsis but also, didn’t? I really wanted to like this but it just was not for me. I originally rated this 3.5 stars but I am dropping it down to 2 stars.
Again, but Better follows Shane as she makes a change to her constant everyday life and moves to London for a semester abroad. From zero friends, no social life, and a non existent romance life, Shane hopes that moving abroad will help her make college better than what she’s been experiencing. Because college is supposed to be all fun and games and parties and boys, right?
Well, once Shane gets to London, she soon finds that college there is not all it seems. She is faced with complicated realities of living outside of the bubble she has been living in. Her self-doubt also comes swooping in, helping to tear the new life Shane so desperately was trying to make for herself, fall even more apart. But, finding the right amount of courage and determination, one can conquer anything that is thrown at them. Throw in a little fate and magic, the possibilities become endless.
The writing wasn’t bad at all, but it was the plot and characters that had me feeling off. There was also little details that were repeated quite often, like we get it Europe has different laws than America. You don’t have to keep talking about it. And how some of the characters talked about their relationships. *cough* Pilot *cough* Also, can we talk about the Young Adult feels this gives off? It was classified as New Adult but doesn’t have any of the NA feels.
There was also the ending that really threw me for a loop. I was okay with the first portion of the book, but the twist at the end had me all sorts of confused. Certain parts of the story didn’t connect with other parts and I really had a hard time following along. I was also frustrated with all of the pop culture references. There were SO MANY OMG. Honestly, the book felt like it was built specifically around all of those references and it got boring, FAST.
One thing I enjoyed was the social anxiety rep and the diverse character cast. The main characters were white and straight so that was a bit of a let down, but the minor characters were of different sexualities and race. I feel Again, but Better is a bit of a hit or miss when it comes to reading. So, take my thoughts and do what you so please.
<a href="https://bookingwayreads.wordpress.com">Blog</a>; | <a href="https://https://www.instagram.com/ernest.bookingway/">Bookstagram</a>; | <a href="https://https://twitter.com/bookingwayreads">Twitter</a>;
a crazy amount of ableist language, cheating, grey area cheating, and sexual assault in the form of an unwanted kiss.
When you read a synopsis, you kind of expect the book to be somewhat similar and Again, but Better followed the synopsis but also, didn’t? I really wanted to like this but it just was not for me. I originally rated this 3.5 stars but I am dropping it down to 2 stars.
Again, but Better follows Shane as she makes a change to her constant everyday life and moves to London for a semester abroad. From zero friends, no social life, and a non existent romance life, Shane hopes that moving abroad will help her make college better than what she’s been experiencing. Because college is supposed to be all fun and games and parties and boys, right?
Well, once Shane gets to London, she soon finds that college there is not all it seems. She is faced with complicated realities of living outside of the bubble she has been living in. Her self-doubt also comes swooping in, helping to tear the new life Shane so desperately was trying to make for herself, fall even more apart. But, finding the right amount of courage and determination, one can conquer anything that is thrown at them. Throw in a little fate and magic, the possibilities become endless.
The writing wasn’t bad at all, but it was the plot and characters that had me feeling off. There was also little details that were repeated quite often, like we get it Europe has different laws than America. You don’t have to keep talking about it. And how some of the characters talked about their relationships. *cough* Pilot *cough* Also, can we talk about the Young Adult feels this gives off? It was classified as New Adult but doesn’t have any of the NA feels.
There was also the ending that really threw me for a loop. I was okay with the first portion of the book, but the twist at the end had me all sorts of confused. Certain parts of the story didn’t connect with other parts and I really had a hard time following along. I was also frustrated with all of the pop culture references. There were SO MANY OMG. Honestly, the book felt like it was built specifically around all of those references and it got boring, FAST.
One thing I enjoyed was the social anxiety rep and the diverse character cast. The main characters were white and straight so that was a bit of a let down, but the minor characters were of different sexualities and race. I feel Again, but Better is a bit of a hit or miss when it comes to reading. So, take my thoughts and do what you so please.
<a href="https://bookingwayreads.wordpress.com">Blog</a>; | <a href="https://https://www.instagram.com/ernest.bookingway/">Bookstagram</a>; | <a href="https://https://twitter.com/bookingwayreads">Twitter</a>;