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Bong Mines Entertainment (15 KP) rated Dawn by SG Lewis in Music
Jun 26, 2019
SG Lewis is a London-based songwriter, producer, and multi-instrumentalist. Not too long ago, he released his “Dawn” EP ahead of his two high profile festival appearances at North Coast Music Festival and Jay-Z’s Made In America, and a headlining tour in September.
His 6-track project, released via Casablanca and Republic Records, is the third and final chapter of his three-part concept album, entitled, Dusk, Dark, Dawn.
“I forgive, I forget all the words I’ve never spoken. I’ve been lost, I’ve been hurt, I’ve been blamed. Sitting here on the floor feels like I’ve been high forever. Coming down, falling hard, all in vain.” – lyrics
‘Easy Loving You’ tells a bittersweet tale of a heavy-hearted young man who struggles to cope with the pain after suffering an emotional breakup with his girlfriend.
Looking back in hindsight, he realizes that she wasn’t an easy person to love, and their problematic relation was doomed from the start because they were oceans apart.
Later, he admits that both of them are broken and in need of emotional repair. Also, it hurts every time he remembers that they are no longer together.
‘Easy Loving You’ contains a gloomy storyline, heartfelt vocals, and melodic instrumentation flavored with sentimental and electro-R&B elements.
“Blue, in your eyes as I fall for the night. But you’ll fade away when morning light is rising. Leave a taste lingering on my skin. Have I been here before? You touch me and I fall. I close my eyes on the horizon, me and you. I can see the lights inside my mind are glowing blue.” – lyrics
Not too long ago, SG Lewis released the psychedelic, Rainbow Road tinged music video for his EP opener, entitled, “Blue”.
The likable tune was inspired by the countless amount of hours that Lewis spent in airports while touring over the last year.
Get acquainted with his music by streaming his “Dawn” EP via Spotify.
“‘Dawn’ is the final phase of the 3-part album I have spent the last 18 months working on. ‘Dawn’ captures the energy of the end of the night, the intimacy of the quieter moments, and the emotions felt after the energetic highs of ‘Dark’. It is a more introspective phase, and is the most personal music I think I have ever released.” – SG Lewis
It’s been an impressive year for SG Lewis, with SOLD-OUT shows across North America, Asia, and Europe.
Not too long ago, Dark‘s lead single, “Hurting”, hit No.1 on the Billboard Dance/Mix Show Airplay Chart.
Also, Lewis played a prime slot at this year’s Coachella and continues to cement his status as not one of London’s hottest new talents, capable of making a splash on both sides of the Atlantic.
His 6-track project, released via Casablanca and Republic Records, is the third and final chapter of his three-part concept album, entitled, Dusk, Dark, Dawn.
“I forgive, I forget all the words I’ve never spoken. I’ve been lost, I’ve been hurt, I’ve been blamed. Sitting here on the floor feels like I’ve been high forever. Coming down, falling hard, all in vain.” – lyrics
‘Easy Loving You’ tells a bittersweet tale of a heavy-hearted young man who struggles to cope with the pain after suffering an emotional breakup with his girlfriend.
Looking back in hindsight, he realizes that she wasn’t an easy person to love, and their problematic relation was doomed from the start because they were oceans apart.
Later, he admits that both of them are broken and in need of emotional repair. Also, it hurts every time he remembers that they are no longer together.
‘Easy Loving You’ contains a gloomy storyline, heartfelt vocals, and melodic instrumentation flavored with sentimental and electro-R&B elements.
“Blue, in your eyes as I fall for the night. But you’ll fade away when morning light is rising. Leave a taste lingering on my skin. Have I been here before? You touch me and I fall. I close my eyes on the horizon, me and you. I can see the lights inside my mind are glowing blue.” – lyrics
Not too long ago, SG Lewis released the psychedelic, Rainbow Road tinged music video for his EP opener, entitled, “Blue”.
The likable tune was inspired by the countless amount of hours that Lewis spent in airports while touring over the last year.
Get acquainted with his music by streaming his “Dawn” EP via Spotify.
“‘Dawn’ is the final phase of the 3-part album I have spent the last 18 months working on. ‘Dawn’ captures the energy of the end of the night, the intimacy of the quieter moments, and the emotions felt after the energetic highs of ‘Dark’. It is a more introspective phase, and is the most personal music I think I have ever released.” – SG Lewis
It’s been an impressive year for SG Lewis, with SOLD-OUT shows across North America, Asia, and Europe.
Not too long ago, Dark‘s lead single, “Hurting”, hit No.1 on the Billboard Dance/Mix Show Airplay Chart.
Also, Lewis played a prime slot at this year’s Coachella and continues to cement his status as not one of London’s hottest new talents, capable of making a splash on both sides of the Atlantic.
Darren (1599 KP) rated One Cut of the Dead (Kamera o Tomeru na!) (2017) in Movies
Sep 13, 2019
Characters – Director Higurashi is the man trying to make this movie work, he is getting tired of his performers not showing enough fear, he pushes them to the limits with real zombies, which soon give him his perfect picture. Chinatsu is the star of the movie being made, she struggles to show the fear to start with, until she finds herself in a real zombie film. Nao is the production assistant that teaches the actors about the rumours about the area and joins in the fight against the real zombies. Ko is the lead actor in the film being made, he is meant to be the reluctant hero when the zombie attack.
Performances – This is a movie that has performances that do give the actors a lot to do, with a lot of different angles to be seen, everything is wonderful from the cast, that truly makes sense by the end of the film.
Story – The story here follows the production of the low budget zombie movie until things take a turn, from fiction to reality. This is a story that is a breath of fresh air, because it goes in a direction you won’t see coming and does seem like something we needed for the zombie genre of film. The story does however start by feeling like something we have seen before, until we go in the different direction. We do get some wall breaking moments which adds everything to this story, which will make it one of the most original and smart ideas you will ever see.
Comedy/Horror – The comedy in the film comes from most of the second half of the film, which will be constant laughs, the horror in the film does seem like a routine zombie movie, until things change, it doesn’t get as scary as it could, but then it doesn’t need to be.
Settings – The film uses the settings perfectly to add to the film, we get to see so much from the abandoned warehouse setting, which only grows in the later parts of the film.
Special Effects – The effects in the film are everything you need for a low budget production, it is used to create and add extra comedy to the film too.
Scene of the Movie – The third act.
That Moment That Annoyed Me – There really isn’t one.
Final Thoughts – This is one of the most original and ingenious by turning everything you think you know, leaving you laughing with pure enjoyment of the events of the film.
Overall: Ingenious Zombie Movie.
One Cut for the Dead will get a one-night event in the US on the 17th September.
Performances – This is a movie that has performances that do give the actors a lot to do, with a lot of different angles to be seen, everything is wonderful from the cast, that truly makes sense by the end of the film.
Story – The story here follows the production of the low budget zombie movie until things take a turn, from fiction to reality. This is a story that is a breath of fresh air, because it goes in a direction you won’t see coming and does seem like something we needed for the zombie genre of film. The story does however start by feeling like something we have seen before, until we go in the different direction. We do get some wall breaking moments which adds everything to this story, which will make it one of the most original and smart ideas you will ever see.
Comedy/Horror – The comedy in the film comes from most of the second half of the film, which will be constant laughs, the horror in the film does seem like a routine zombie movie, until things change, it doesn’t get as scary as it could, but then it doesn’t need to be.
Settings – The film uses the settings perfectly to add to the film, we get to see so much from the abandoned warehouse setting, which only grows in the later parts of the film.
Special Effects – The effects in the film are everything you need for a low budget production, it is used to create and add extra comedy to the film too.
Scene of the Movie – The third act.
That Moment That Annoyed Me – There really isn’t one.
Final Thoughts – This is one of the most original and ingenious by turning everything you think you know, leaving you laughing with pure enjoyment of the events of the film.
Overall: Ingenious Zombie Movie.
One Cut for the Dead will get a one-night event in the US on the 17th September.
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News and Magazines & Newspapers
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Race at lightning speeds across seven classic zones as Sonic the Hedgehog. Run and spin through...
Bob Mann (459 KP) rated The Wife (2017) in Movies
Sep 28, 2021 (Updated Sep 28, 2021)
Glenn Close … #robbed.
I missed “The Wife” when it came out in September, but finally caught it a few weeks ago. (Been a busy time at work so have a bit of a backlog of reviews!).
The Plot.
Joan Castleman (Glenn Close) is the doting wife of internationally renowned writer Joe Castleman (Jonathan Pryce). As we start the film, Joe has just received a call from Stockholm. No, it’s not an “amusing story about a goat” (for any MM2 fans out there). It’s notification that he is to receive the Nobel prize for literature. As Joan listens to the news on the extension, there is something in her eyes that betrays mixed emotions.
They travel to Sweden (on Concorde, obviously) with their son Max (Max Irons) – a writer at the start of his career. Max and Joe have a strained relationship.
Also in Stockholm is Nathanial Bone (Christian Slater) – the bane of Joe’s life, since he seems insistent on writing the biography of the great man. As Nathanial picks through the history of the couple, things start to unravel in unexpected ways.
What a performance!
The heart of this film, and the main reason for watching what is really a bit of a pot-boiler, is the performance by Glenn Close. It’s a remarkable demonstration of the acting craft and 110% Oscar worthy.
Don’t get me wrong…. as I watched the Oscars live in the wee-hours of Monday morning I let out a WHOOP of joy when our own national treasure Olivia Colman picked up the award. But I have to say that I think Glenn Close was rather robbed. Close can act brilliantly without saying a single word. In fact most of her best scenes are reaction shots to what she is listening to.
In comparison I found Jonathan Pryce to be a soupçon over-the-top as the feted writer, and I didn’t find the portrayal of Bone by Slater to be terribly convincing. So it’s a very mixed acting bag in my view.
Utterly gorgeous in a way that only Swedish women can be is Karin Franz Körlof as the personal photographer Linnea. She can also act!
A perfectly pleasant movie
Directed by Swedish director Björn Runge and with a screenplay by Jane Anderson, it’s a perfectly pleasant way to spend a couple of hours. The story is intriguing enough to keep your interest, although it plays its hand so early that the simmering suspense element ebbs out of the film. A final “Sixth Sense” style of reveal might have been much more effective.
But this is above all a film to relish the performance of Close: the facial acting during the speech at the awards ceremony is something that should be studied at acting schools for years to come.
The Plot.
Joan Castleman (Glenn Close) is the doting wife of internationally renowned writer Joe Castleman (Jonathan Pryce). As we start the film, Joe has just received a call from Stockholm. No, it’s not an “amusing story about a goat” (for any MM2 fans out there). It’s notification that he is to receive the Nobel prize for literature. As Joan listens to the news on the extension, there is something in her eyes that betrays mixed emotions.
They travel to Sweden (on Concorde, obviously) with their son Max (Max Irons) – a writer at the start of his career. Max and Joe have a strained relationship.
Also in Stockholm is Nathanial Bone (Christian Slater) – the bane of Joe’s life, since he seems insistent on writing the biography of the great man. As Nathanial picks through the history of the couple, things start to unravel in unexpected ways.
What a performance!
The heart of this film, and the main reason for watching what is really a bit of a pot-boiler, is the performance by Glenn Close. It’s a remarkable demonstration of the acting craft and 110% Oscar worthy.
Don’t get me wrong…. as I watched the Oscars live in the wee-hours of Monday morning I let out a WHOOP of joy when our own national treasure Olivia Colman picked up the award. But I have to say that I think Glenn Close was rather robbed. Close can act brilliantly without saying a single word. In fact most of her best scenes are reaction shots to what she is listening to.
In comparison I found Jonathan Pryce to be a soupçon over-the-top as the feted writer, and I didn’t find the portrayal of Bone by Slater to be terribly convincing. So it’s a very mixed acting bag in my view.
Utterly gorgeous in a way that only Swedish women can be is Karin Franz Körlof as the personal photographer Linnea. She can also act!
A perfectly pleasant movie
Directed by Swedish director Björn Runge and with a screenplay by Jane Anderson, it’s a perfectly pleasant way to spend a couple of hours. The story is intriguing enough to keep your interest, although it plays its hand so early that the simmering suspense element ebbs out of the film. A final “Sixth Sense” style of reveal might have been much more effective.
But this is above all a film to relish the performance of Close: the facial acting during the speech at the awards ceremony is something that should be studied at acting schools for years to come.
Debbie (52 KP) rated Zora and Me: The Cursed Ground in Books
Aug 24, 2018
Zora and Me: The Cursed Ground By: T.R. Simon
Children's Fiction Middle Grade 272 Pages Release Date September 11, 2018 Publisher: Candlewick Press
<img src="https://www.netgalley.com/badge/9a41056d7201c045d3f9e5c161f9569494687ae1"; width="80" height="80" alt="Professional Reader" title="Professional Reader"/>
#ZoraAndMe#NetGalley
Okay now that I got all the information that Net Galley wants me to put onto each of my reviews I can now review this book.
I enjoyed this book a lot. I gave it 4.5 stars.
This book is about two girls named Zora and Me(Carrie Brown). They learn a lot about their little towns history in this story. The town is called Eatonville, Florida. This town is a color town meaning only color people live here. The town was established in around 1887.
This story takes place in the summer of 1903
Carrie is staying with Zora and her family while her mom is off working with a sick baby. One night it is raining and the neighbors horses get loose. This is unusual so the girls go to check on the neighbor, Mr. Polk who is a mute. They find him beaten up and go to find the healer who people claim to be a witch. They soon discover that Mr. Polk is able to talk but in a foreign language and not very often. The healer is Old Lady Bronson.
Here is the reason why I only gave the book 4.5 stars it went into a flash back and I it took me almost half way through the book to figure out why.
The story turns to the year 1855 and talks about a little girl called Lucia. This little girl is friends with a white girl named Prisca. Prisca Dad brings them both to Florida to marry a lady Miss Caroline. Lucia is made into a slave and having to learn about a new of way life. The book keeps flashing back every now and then to keep you informed about what happened.
I could tell you about the book but then you want to read it and I highly recommend that you do. Ms. Simon does a wonderful job telling the way the country was back in that time that needs to be told.
You will enjoy the twist and turns this story tells. You will not want to put the book down.
Zora loves adventures and can get into a lot of scrapes. They see a ghost or two and that is unnerving to them. One quote that I liked is when Zora says "I know you go anyway, even though you're scared and you're right it doesn't make you a scaredy-cat. It makes you brave."
You must read this book to your children and help them learn about our history because the schools are slowly fading out this part of history.
Children's Fiction Middle Grade 272 Pages Release Date September 11, 2018 Publisher: Candlewick Press
<img src="https://www.netgalley.com/badge/9a41056d7201c045d3f9e5c161f9569494687ae1"; width="80" height="80" alt="Professional Reader" title="Professional Reader"/>
#ZoraAndMe#NetGalley
Okay now that I got all the information that Net Galley wants me to put onto each of my reviews I can now review this book.
I enjoyed this book a lot. I gave it 4.5 stars.
This book is about two girls named Zora and Me(Carrie Brown). They learn a lot about their little towns history in this story. The town is called Eatonville, Florida. This town is a color town meaning only color people live here. The town was established in around 1887.
This story takes place in the summer of 1903
Carrie is staying with Zora and her family while her mom is off working with a sick baby. One night it is raining and the neighbors horses get loose. This is unusual so the girls go to check on the neighbor, Mr. Polk who is a mute. They find him beaten up and go to find the healer who people claim to be a witch. They soon discover that Mr. Polk is able to talk but in a foreign language and not very often. The healer is Old Lady Bronson.
Here is the reason why I only gave the book 4.5 stars it went into a flash back and I it took me almost half way through the book to figure out why.
The story turns to the year 1855 and talks about a little girl called Lucia. This little girl is friends with a white girl named Prisca. Prisca Dad brings them both to Florida to marry a lady Miss Caroline. Lucia is made into a slave and having to learn about a new of way life. The book keeps flashing back every now and then to keep you informed about what happened.
I could tell you about the book but then you want to read it and I highly recommend that you do. Ms. Simon does a wonderful job telling the way the country was back in that time that needs to be told.
You will enjoy the twist and turns this story tells. You will not want to put the book down.
Zora loves adventures and can get into a lot of scrapes. They see a ghost or two and that is unnerving to them. One quote that I liked is when Zora says "I know you go anyway, even though you're scared and you're right it doesn't make you a scaredy-cat. It makes you brave."
You must read this book to your children and help them learn about our history because the schools are slowly fading out this part of history.
Goddess in the Stacks (553 KP) rated The Wrong Stars in Books
Aug 26, 2018 (Updated Aug 26, 2018)
Diversity (2 more)
World-building
Amazing alien species
I've watched my fair share of Space Opera (Firefly, Dark Matter, Farscape, Star Trek, Star Wars - don't try to tell me those last two aren't Space Opera, THEY TOTALLY ARE) - but I haven't read much of it. I picked up The Wrong Stars mostly because reviews said it had a demisexual main character, rather than because it's a Space Opera. Regardless, I am SO GLAD I DID. The book is excellent.
First off, the diversity! Over the course of the story, we meet people who are, in no particular order, gay, bisexual, demisexual, asexual, transgender, and non-binary. The story is set 500 years after Earth sends out its first colony ships, and in that time, culture has evolved. Marriage is not common, but contractually-bound relationships exist. Promiscuity and non-monogamy aren't viewed any different than monogamy, and in the same way, the distinctions between gay, straight, and bi don't carry any negative connotations. It's not a complete utopia - it's still a capitalist society, and there is still scarcity - but socially, at least, it has definitely evolved a lot from the present!
Elena, one of our main characters, was a biologist sent out on one of the first colony ships. Stocked with seeds, crude replicators, and cryo-sleep pods, a small crew was sent out, in stasis, on a five-hundred year journey to a system with probable life-supporting planets. They were called Goldilocks ships, in the hope they'd find a planet that was "just right." What humanity didn't expect was that in the intervening five hundred years, they would make contact with an alien species and be given the means for true space travel via wormholes. Some of the ships arrived at their destinations to find human colonies already thriving on their target planets! Elena, however, found something quite different, and it's a very disconcerting difference. She is rescued by the motley crew of the White Raven, and they quickly get drawn into the mystery.
I really enjoyed the world-building and characterization in The Wrong Stars. The science of it made sense to me, but I'm not very versed in science, so I can't really say how realistic it is. It was at least pretty internally consistent. I'd like to learn more about how the AIs are created, though. Luckily, there is a sequel coming! The Dreaming Stars should be coming out this September, and I'm DEFINITELY going to read it.
If you like Dark Matter, Firefly, or Farscape, you should definitely read The Wrong Stars. There's a little bit of light romance threaded into the larger plot, and one fade-to-black sex scene. It's definitely not the focus of the book. There is some violence, but nothing incredibly graphic. I would put it at about the same maturity level as Star Trek.
You can find all my reviews at http://goddessinthestacks.com
First off, the diversity! Over the course of the story, we meet people who are, in no particular order, gay, bisexual, demisexual, asexual, transgender, and non-binary. The story is set 500 years after Earth sends out its first colony ships, and in that time, culture has evolved. Marriage is not common, but contractually-bound relationships exist. Promiscuity and non-monogamy aren't viewed any different than monogamy, and in the same way, the distinctions between gay, straight, and bi don't carry any negative connotations. It's not a complete utopia - it's still a capitalist society, and there is still scarcity - but socially, at least, it has definitely evolved a lot from the present!
Elena, one of our main characters, was a biologist sent out on one of the first colony ships. Stocked with seeds, crude replicators, and cryo-sleep pods, a small crew was sent out, in stasis, on a five-hundred year journey to a system with probable life-supporting planets. They were called Goldilocks ships, in the hope they'd find a planet that was "just right." What humanity didn't expect was that in the intervening five hundred years, they would make contact with an alien species and be given the means for true space travel via wormholes. Some of the ships arrived at their destinations to find human colonies already thriving on their target planets! Elena, however, found something quite different, and it's a very disconcerting difference. She is rescued by the motley crew of the White Raven, and they quickly get drawn into the mystery.
I really enjoyed the world-building and characterization in The Wrong Stars. The science of it made sense to me, but I'm not very versed in science, so I can't really say how realistic it is. It was at least pretty internally consistent. I'd like to learn more about how the AIs are created, though. Luckily, there is a sequel coming! The Dreaming Stars should be coming out this September, and I'm DEFINITELY going to read it.
If you like Dark Matter, Firefly, or Farscape, you should definitely read The Wrong Stars. There's a little bit of light romance threaded into the larger plot, and one fade-to-black sex scene. It's definitely not the focus of the book. There is some violence, but nothing incredibly graphic. I would put it at about the same maturity level as Star Trek.
You can find all my reviews at http://goddessinthestacks.com
Gareth von Kallenbach (980 KP) rated The Equalizer (2014) in Movies
Aug 6, 2019
I’m not going to waste ANY time getting started with this one. No, you’re not daydreaming. Denzel Washington has teamed-up again with director Antoine Fuqua and once again, they’ve created another outstanding masterpiece of a movie. In fact, the film has seen such postive reviews so far that there’s already talk of a sequal and even a possible franchise. After seeing the film myself, I would not be surprised in the least if
these rumors were true. A sequel would certainly be one worth the wait.
Based on the T.V. show of the same name which ran from 1985 to 1989 and starred Edward Woodward, the movie adaption of “The Equalizer” stars Denzel Washington, Chloe Grace
Moretz, Marton Csokas, David Harbour, Haley Bennett, Melissa Leo, and Bill Pullman.
Directed by Antoine Fuqua (Training Day, The Replacement Killers), “The Equalizer” premiered at the Toronto International Film Festival on September 6th and is set for it’s
U.S. premiere on Friday the 26th.
Denzel Washington portrays McCall, a man who has recently settled down to begin a new life quietly putting his mysterious past behind him. By day, he manages a large hardware store.
His nights are spent in quiet solitude with the exception of his visits to the 24-hour diner for tea down the street from his home where he befriends Teri (Moretz), an aspiring singer forced to work as a callgirl for a group of violent Russian mobsters based in Boston.
One night Teri goes missing and McCall learns that she was severly beaten by her pimp. Unable to sit by and watch the life of his friend ruined and perhaps ended, McCall emerges from his self-imposed retirement and armed with his ‘deadly skillset’ sets out to seek revenge anyone who preys upon the weak and finds his desire for justice reawakened.
“Are The Odds Against You? Need Help? Call The Equalizer”
I’m going to call this one right now: 4 out of 5 stars. Honestly, I really couldn’t find anything about the film I DIDN’T like. Sometimes the film slowed down, then it was like a switch was hit and it speed right back up but it was always good.
When the film did move to a slow pace, it was only to give ‘insight’ into the mindset of the McCall character. Particularly in the beginning when you’re learning about him.
It’s almost immediately inferred that he’s trying put his mysterious past behind him and settle into his new, quiet life. When McCall’s friend Teri is placed in jeopordy though, it’s like listening to the engine of a race car being started and primed. You know trouble is about to go down and McCall is going to be the one who ‘deals’ with that trouble.
The film is violent. Definitely too violent for the kids. It does deliver though. A “do unto others” film, if you will. Denzel depicts the ultimate interpretation of the phrase ‘What goes around, comes around” and does it with style.
these rumors were true. A sequel would certainly be one worth the wait.
Based on the T.V. show of the same name which ran from 1985 to 1989 and starred Edward Woodward, the movie adaption of “The Equalizer” stars Denzel Washington, Chloe Grace
Moretz, Marton Csokas, David Harbour, Haley Bennett, Melissa Leo, and Bill Pullman.
Directed by Antoine Fuqua (Training Day, The Replacement Killers), “The Equalizer” premiered at the Toronto International Film Festival on September 6th and is set for it’s
U.S. premiere on Friday the 26th.
Denzel Washington portrays McCall, a man who has recently settled down to begin a new life quietly putting his mysterious past behind him. By day, he manages a large hardware store.
His nights are spent in quiet solitude with the exception of his visits to the 24-hour diner for tea down the street from his home where he befriends Teri (Moretz), an aspiring singer forced to work as a callgirl for a group of violent Russian mobsters based in Boston.
One night Teri goes missing and McCall learns that she was severly beaten by her pimp. Unable to sit by and watch the life of his friend ruined and perhaps ended, McCall emerges from his self-imposed retirement and armed with his ‘deadly skillset’ sets out to seek revenge anyone who preys upon the weak and finds his desire for justice reawakened.
“Are The Odds Against You? Need Help? Call The Equalizer”
I’m going to call this one right now: 4 out of 5 stars. Honestly, I really couldn’t find anything about the film I DIDN’T like. Sometimes the film slowed down, then it was like a switch was hit and it speed right back up but it was always good.
When the film did move to a slow pace, it was only to give ‘insight’ into the mindset of the McCall character. Particularly in the beginning when you’re learning about him.
It’s almost immediately inferred that he’s trying put his mysterious past behind him and settle into his new, quiet life. When McCall’s friend Teri is placed in jeopordy though, it’s like listening to the engine of a race car being started and primed. You know trouble is about to go down and McCall is going to be the one who ‘deals’ with that trouble.
The film is violent. Definitely too violent for the kids. It does deliver though. A “do unto others” film, if you will. Denzel depicts the ultimate interpretation of the phrase ‘What goes around, comes around” and does it with style.