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Sonic The Hedgehog Classic
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The Sonic game that started it all is now free-to-play and optimized for mobile devices! Race at...
City Centre
Simon J. Halliday and Clive Woodward
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Simon Halliday has tackled everything that life has thrown at him, be it on the rugby field, or in...
Mein Rant - A Summary in Light Verse of 'Mein Kampf'
R.F. Patterson and Heath Robinson
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R F Paterson was a great fan of Gilbert and Sullivan, and when Germany invaded Poland on 1st...
Bong Mines Entertainment (15 KP) rated Dawn by SG Lewis in Music
Jun 26, 2019
SG Lewis is a London-based songwriter, producer, and multi-instrumentalist. Not too long ago, he released his “Dawn” EP ahead of his two high profile festival appearances at North Coast Music Festival and Jay-Z’s Made In America, and a headlining tour in September.
His 6-track project, released via Casablanca and Republic Records, is the third and final chapter of his three-part concept album, entitled, Dusk, Dark, Dawn.
“I forgive, I forget all the words I’ve never spoken. I’ve been lost, I’ve been hurt, I’ve been blamed. Sitting here on the floor feels like I’ve been high forever. Coming down, falling hard, all in vain.” – lyrics
‘Easy Loving You’ tells a bittersweet tale of a heavy-hearted young man who struggles to cope with the pain after suffering an emotional breakup with his girlfriend.
Looking back in hindsight, he realizes that she wasn’t an easy person to love, and their problematic relation was doomed from the start because they were oceans apart.
Later, he admits that both of them are broken and in need of emotional repair. Also, it hurts every time he remembers that they are no longer together.
‘Easy Loving You’ contains a gloomy storyline, heartfelt vocals, and melodic instrumentation flavored with sentimental and electro-R&B elements.
“Blue, in your eyes as I fall for the night. But you’ll fade away when morning light is rising. Leave a taste lingering on my skin. Have I been here before? You touch me and I fall. I close my eyes on the horizon, me and you. I can see the lights inside my mind are glowing blue.” – lyrics
Not too long ago, SG Lewis released the psychedelic, Rainbow Road tinged music video for his EP opener, entitled, “Blue”.
The likable tune was inspired by the countless amount of hours that Lewis spent in airports while touring over the last year.
Get acquainted with his music by streaming his “Dawn” EP via Spotify.
“‘Dawn’ is the final phase of the 3-part album I have spent the last 18 months working on. ‘Dawn’ captures the energy of the end of the night, the intimacy of the quieter moments, and the emotions felt after the energetic highs of ‘Dark’. It is a more introspective phase, and is the most personal music I think I have ever released.” – SG Lewis
It’s been an impressive year for SG Lewis, with SOLD-OUT shows across North America, Asia, and Europe.
Not too long ago, Dark‘s lead single, “Hurting”, hit No.1 on the Billboard Dance/Mix Show Airplay Chart.
Also, Lewis played a prime slot at this year’s Coachella and continues to cement his status as not one of London’s hottest new talents, capable of making a splash on both sides of the Atlantic.
His 6-track project, released via Casablanca and Republic Records, is the third and final chapter of his three-part concept album, entitled, Dusk, Dark, Dawn.
“I forgive, I forget all the words I’ve never spoken. I’ve been lost, I’ve been hurt, I’ve been blamed. Sitting here on the floor feels like I’ve been high forever. Coming down, falling hard, all in vain.” – lyrics
‘Easy Loving You’ tells a bittersweet tale of a heavy-hearted young man who struggles to cope with the pain after suffering an emotional breakup with his girlfriend.
Looking back in hindsight, he realizes that she wasn’t an easy person to love, and their problematic relation was doomed from the start because they were oceans apart.
Later, he admits that both of them are broken and in need of emotional repair. Also, it hurts every time he remembers that they are no longer together.
‘Easy Loving You’ contains a gloomy storyline, heartfelt vocals, and melodic instrumentation flavored with sentimental and electro-R&B elements.
“Blue, in your eyes as I fall for the night. But you’ll fade away when morning light is rising. Leave a taste lingering on my skin. Have I been here before? You touch me and I fall. I close my eyes on the horizon, me and you. I can see the lights inside my mind are glowing blue.” – lyrics
Not too long ago, SG Lewis released the psychedelic, Rainbow Road tinged music video for his EP opener, entitled, “Blue”.
The likable tune was inspired by the countless amount of hours that Lewis spent in airports while touring over the last year.
Get acquainted with his music by streaming his “Dawn” EP via Spotify.
“‘Dawn’ is the final phase of the 3-part album I have spent the last 18 months working on. ‘Dawn’ captures the energy of the end of the night, the intimacy of the quieter moments, and the emotions felt after the energetic highs of ‘Dark’. It is a more introspective phase, and is the most personal music I think I have ever released.” – SG Lewis
It’s been an impressive year for SG Lewis, with SOLD-OUT shows across North America, Asia, and Europe.
Not too long ago, Dark‘s lead single, “Hurting”, hit No.1 on the Billboard Dance/Mix Show Airplay Chart.
Also, Lewis played a prime slot at this year’s Coachella and continues to cement his status as not one of London’s hottest new talents, capable of making a splash on both sides of the Atlantic.
Darren (1599 KP) rated One Cut of the Dead (Kamera o Tomeru na!) (2017) in Movies
Sep 13, 2019
Characters – Director Higurashi is the man trying to make this movie work, he is getting tired of his performers not showing enough fear, he pushes them to the limits with real zombies, which soon give him his perfect picture. Chinatsu is the star of the movie being made, she struggles to show the fear to start with, until she finds herself in a real zombie film. Nao is the production assistant that teaches the actors about the rumours about the area and joins in the fight against the real zombies. Ko is the lead actor in the film being made, he is meant to be the reluctant hero when the zombie attack.
Performances – This is a movie that has performances that do give the actors a lot to do, with a lot of different angles to be seen, everything is wonderful from the cast, that truly makes sense by the end of the film.
Story – The story here follows the production of the low budget zombie movie until things take a turn, from fiction to reality. This is a story that is a breath of fresh air, because it goes in a direction you won’t see coming and does seem like something we needed for the zombie genre of film. The story does however start by feeling like something we have seen before, until we go in the different direction. We do get some wall breaking moments which adds everything to this story, which will make it one of the most original and smart ideas you will ever see.
Comedy/Horror – The comedy in the film comes from most of the second half of the film, which will be constant laughs, the horror in the film does seem like a routine zombie movie, until things change, it doesn’t get as scary as it could, but then it doesn’t need to be.
Settings – The film uses the settings perfectly to add to the film, we get to see so much from the abandoned warehouse setting, which only grows in the later parts of the film.
Special Effects – The effects in the film are everything you need for a low budget production, it is used to create and add extra comedy to the film too.
Scene of the Movie – The third act.
That Moment That Annoyed Me – There really isn’t one.
Final Thoughts – This is one of the most original and ingenious by turning everything you think you know, leaving you laughing with pure enjoyment of the events of the film.
Overall: Ingenious Zombie Movie.
One Cut for the Dead will get a one-night event in the US on the 17th September.
Performances – This is a movie that has performances that do give the actors a lot to do, with a lot of different angles to be seen, everything is wonderful from the cast, that truly makes sense by the end of the film.
Story – The story here follows the production of the low budget zombie movie until things take a turn, from fiction to reality. This is a story that is a breath of fresh air, because it goes in a direction you won’t see coming and does seem like something we needed for the zombie genre of film. The story does however start by feeling like something we have seen before, until we go in the different direction. We do get some wall breaking moments which adds everything to this story, which will make it one of the most original and smart ideas you will ever see.
Comedy/Horror – The comedy in the film comes from most of the second half of the film, which will be constant laughs, the horror in the film does seem like a routine zombie movie, until things change, it doesn’t get as scary as it could, but then it doesn’t need to be.
Settings – The film uses the settings perfectly to add to the film, we get to see so much from the abandoned warehouse setting, which only grows in the later parts of the film.
Special Effects – The effects in the film are everything you need for a low budget production, it is used to create and add extra comedy to the film too.
Scene of the Movie – The third act.
That Moment That Annoyed Me – There really isn’t one.
Final Thoughts – This is one of the most original and ingenious by turning everything you think you know, leaving you laughing with pure enjoyment of the events of the film.
Overall: Ingenious Zombie Movie.
One Cut for the Dead will get a one-night event in the US on the 17th September.
SnapBridge
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With the SnapBridge app, downloading photos from Nikon cameras is easy. Supported Digital Cameras...
Popular Science
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Popular Science is the magazine for anyone curious about what’s new and next. With a readership...
Sonic the Hedgehog™ Classic
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Race at lightning speeds across seven classic zones as Sonic the Hedgehog. Run and spin through...
Bob Mann (459 KP) rated The Wife (2017) in Movies
Sep 28, 2021 (Updated Sep 28, 2021)
Glenn Close … #robbed.
I missed “The Wife” when it came out in September, but finally caught it a few weeks ago. (Been a busy time at work so have a bit of a backlog of reviews!).
The Plot.
Joan Castleman (Glenn Close) is the doting wife of internationally renowned writer Joe Castleman (Jonathan Pryce). As we start the film, Joe has just received a call from Stockholm. No, it’s not an “amusing story about a goat” (for any MM2 fans out there). It’s notification that he is to receive the Nobel prize for literature. As Joan listens to the news on the extension, there is something in her eyes that betrays mixed emotions.
They travel to Sweden (on Concorde, obviously) with their son Max (Max Irons) – a writer at the start of his career. Max and Joe have a strained relationship.
Also in Stockholm is Nathanial Bone (Christian Slater) – the bane of Joe’s life, since he seems insistent on writing the biography of the great man. As Nathanial picks through the history of the couple, things start to unravel in unexpected ways.
What a performance!
The heart of this film, and the main reason for watching what is really a bit of a pot-boiler, is the performance by Glenn Close. It’s a remarkable demonstration of the acting craft and 110% Oscar worthy.
Don’t get me wrong…. as I watched the Oscars live in the wee-hours of Monday morning I let out a WHOOP of joy when our own national treasure Olivia Colman picked up the award. But I have to say that I think Glenn Close was rather robbed. Close can act brilliantly without saying a single word. In fact most of her best scenes are reaction shots to what she is listening to.
In comparison I found Jonathan Pryce to be a soupçon over-the-top as the feted writer, and I didn’t find the portrayal of Bone by Slater to be terribly convincing. So it’s a very mixed acting bag in my view.
Utterly gorgeous in a way that only Swedish women can be is Karin Franz Körlof as the personal photographer Linnea. She can also act!
A perfectly pleasant movie
Directed by Swedish director Björn Runge and with a screenplay by Jane Anderson, it’s a perfectly pleasant way to spend a couple of hours. The story is intriguing enough to keep your interest, although it plays its hand so early that the simmering suspense element ebbs out of the film. A final “Sixth Sense” style of reveal might have been much more effective.
But this is above all a film to relish the performance of Close: the facial acting during the speech at the awards ceremony is something that should be studied at acting schools for years to come.
The Plot.
Joan Castleman (Glenn Close) is the doting wife of internationally renowned writer Joe Castleman (Jonathan Pryce). As we start the film, Joe has just received a call from Stockholm. No, it’s not an “amusing story about a goat” (for any MM2 fans out there). It’s notification that he is to receive the Nobel prize for literature. As Joan listens to the news on the extension, there is something in her eyes that betrays mixed emotions.
They travel to Sweden (on Concorde, obviously) with their son Max (Max Irons) – a writer at the start of his career. Max and Joe have a strained relationship.
Also in Stockholm is Nathanial Bone (Christian Slater) – the bane of Joe’s life, since he seems insistent on writing the biography of the great man. As Nathanial picks through the history of the couple, things start to unravel in unexpected ways.
What a performance!
The heart of this film, and the main reason for watching what is really a bit of a pot-boiler, is the performance by Glenn Close. It’s a remarkable demonstration of the acting craft and 110% Oscar worthy.
Don’t get me wrong…. as I watched the Oscars live in the wee-hours of Monday morning I let out a WHOOP of joy when our own national treasure Olivia Colman picked up the award. But I have to say that I think Glenn Close was rather robbed. Close can act brilliantly without saying a single word. In fact most of her best scenes are reaction shots to what she is listening to.
In comparison I found Jonathan Pryce to be a soupçon over-the-top as the feted writer, and I didn’t find the portrayal of Bone by Slater to be terribly convincing. So it’s a very mixed acting bag in my view.
Utterly gorgeous in a way that only Swedish women can be is Karin Franz Körlof as the personal photographer Linnea. She can also act!
A perfectly pleasant movie
Directed by Swedish director Björn Runge and with a screenplay by Jane Anderson, it’s a perfectly pleasant way to spend a couple of hours. The story is intriguing enough to keep your interest, although it plays its hand so early that the simmering suspense element ebbs out of the film. A final “Sixth Sense” style of reveal might have been much more effective.
But this is above all a film to relish the performance of Close: the facial acting during the speech at the awards ceremony is something that should be studied at acting schools for years to come.