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Sophia (Bookwyrming Thoughts) (530 KP) rated Morrigan in Books
Jan 23, 2020
Original Review Posted on <a href="http://bookwyrming-thoughts.blogspot.com/2013/02/blog-tour-morrigan-by-laura-deluca-review-and-guest-post.html">Bookwyrming Thoughts</a>.
Note: Formatting has been lost due to copy and pasting.
<i><b>Disclaimer:</b> I received this book from YANR Blog Tours for free in exchange for an honest for the blog tour. This does not influence my review in any way.</i>
I think 3 words grabbed my attention: Tir na NOg. Only because the place was familiar from another series (I'll leave it for you guys to ponder on that). Okay, not just Tir na NOg. The blurb grabbed me as well. *o* So with that concept, I thought it might have something to do with faeries and would you be glad to know I was wrong.
I haven't read anything about Celtic mythology, or any books about it (I usually stick to Greek and Roman myths...), so Morrigan was made much more interesting to read knowing that fact. I love the fact that the author placed a glossary at the very beginning of the book - it was very helpful (hey, I'm pretty sure I'll be pronouncing everything foreign-like wrong in the end anyways, regardless of glossary there or not. But I'm sure it'll be helpful for the majority of us).
Here, we have a girl named Morrigan, who's an orphan and moving from home to home constantly. Until one day, she finds out her world isn't what it seems... AND she's different than what she thought she was. She can control fire, read the future (at least a glimpse), and move things... with her mind.
I find Morrigan an enchanting read. Like any fantasy book, we enter a different world that's "parallel" to our modern day world. I love the way Tiarn reacts to Morrigan's technological knowledge/use of modern items in Tir na NOg. However, I did find some things a bit confusing and didn't really make sense. I also loved the choice of words, especially in transitions.
I also loved the way the villains are formed. The author is descriptive and detailed with them (trust me... I had the shudders. No Nightmares though). Just when you think someone is a villain, it ends up being another... (which is a good thing, in my humble opinion). I'm also curious if there's going to be a sequel... due to the way the book ends. ;)
By the way, just because there's a werewolf, does not mean this story is going to be Twilight fashioned. It's not. ;)
Note: Formatting has been lost due to copy and pasting.
<i><b>Disclaimer:</b> I received this book from YANR Blog Tours for free in exchange for an honest for the blog tour. This does not influence my review in any way.</i>
I think 3 words grabbed my attention: Tir na NOg. Only because the place was familiar from another series (I'll leave it for you guys to ponder on that). Okay, not just Tir na NOg. The blurb grabbed me as well. *o* So with that concept, I thought it might have something to do with faeries and would you be glad to know I was wrong.
I haven't read anything about Celtic mythology, or any books about it (I usually stick to Greek and Roman myths...), so Morrigan was made much more interesting to read knowing that fact. I love the fact that the author placed a glossary at the very beginning of the book - it was very helpful (hey, I'm pretty sure I'll be pronouncing everything foreign-like wrong in the end anyways, regardless of glossary there or not. But I'm sure it'll be helpful for the majority of us).
Here, we have a girl named Morrigan, who's an orphan and moving from home to home constantly. Until one day, she finds out her world isn't what it seems... AND she's different than what she thought she was. She can control fire, read the future (at least a glimpse), and move things... with her mind.
I find Morrigan an enchanting read. Like any fantasy book, we enter a different world that's "parallel" to our modern day world. I love the way Tiarn reacts to Morrigan's technological knowledge/use of modern items in Tir na NOg. However, I did find some things a bit confusing and didn't really make sense. I also loved the choice of words, especially in transitions.
I also loved the way the villains are formed. The author is descriptive and detailed with them (trust me... I had the shudders. No Nightmares though). Just when you think someone is a villain, it ends up being another... (which is a good thing, in my humble opinion). I'm also curious if there's going to be a sequel... due to the way the book ends. ;)
By the way, just because there's a werewolf, does not mean this story is going to be Twilight fashioned. It's not. ;)
Phillip McSween (751 KP) rated Zombieland: Double Tap (2019) in Movies
Jan 17, 2020
Implausibility Can't Stop This Fun Movie
The gang from the original are back to deal with new issues and square off against new zombies. Definitely not as good as the first, Zombieland: Double Tap packs enough of an entertaining punch to be worth your while.
Acting: 10
Beginning: 10
Characters: 8
Cinematography/Visuals: 7
Conflict: 10
Between the group’s personal issues and loads beyond loads of zombies, the movie definitely isn’t short of conflict. The film wins ultimately with the originality and variety of the zombie kills. The action is fun and, although lighthearted at times, it keeps you engaged in the movie.
Entertainment Value: 8
There was some implausibility here that made it a challenge at times to enjoy the movie. I also felt like the movie spent more time than needed trying to “chase a ghost” rather than just stand out and be its own thing. In spite of those shortcomings, man was this movie fun to watch!
Memorability: 5
Its been-there-done-that feel keeps this movie out of the classics range. There are quite a few bright spots, but nothing that made me say, “I want to watch this again right now!” Good? Absolutely. Memorable? Meh…
Pace: 10
A quick adventure that moves at a solid clip. I was never bored at any point. In fact, I had to pee extremely bad at one point and was pissed (pun intended) I had to get up. Not surprising, I missed a pretty important part of the movie. Damn you, Alamo Drafthouse, for having bathrooms so far away! What I’m saying is, the story’s flow was extremely smooth.
Plot: 2
The story is so weak it’s maddening at times. I swear, if it wasn’t such an insanely fun movie to watch, I wouldn’t have scored it nearly as high. I say maddening because the first film had so many layers to it while this one seems content on being mediocre in story.
Resolution: 10
Fun ending with a great payoff. If you’re a fan of the original, make sure not to leave right away as the credits are coming up. Cracked me up for sure!
Overall: 80
Despite a plot as strong as Jello, Zombieland: Double Tap will entertain you if you allow yourself a suspension of disbelief. The fun characters and consistent action are enough to carry the movie as a whole. Not as good as the first, but certainly not the first sequel to suffer from that issue. I recommend!
Acting: 10
Beginning: 10
Characters: 8
Cinematography/Visuals: 7
Conflict: 10
Between the group’s personal issues and loads beyond loads of zombies, the movie definitely isn’t short of conflict. The film wins ultimately with the originality and variety of the zombie kills. The action is fun and, although lighthearted at times, it keeps you engaged in the movie.
Entertainment Value: 8
There was some implausibility here that made it a challenge at times to enjoy the movie. I also felt like the movie spent more time than needed trying to “chase a ghost” rather than just stand out and be its own thing. In spite of those shortcomings, man was this movie fun to watch!
Memorability: 5
Its been-there-done-that feel keeps this movie out of the classics range. There are quite a few bright spots, but nothing that made me say, “I want to watch this again right now!” Good? Absolutely. Memorable? Meh…
Pace: 10
A quick adventure that moves at a solid clip. I was never bored at any point. In fact, I had to pee extremely bad at one point and was pissed (pun intended) I had to get up. Not surprising, I missed a pretty important part of the movie. Damn you, Alamo Drafthouse, for having bathrooms so far away! What I’m saying is, the story’s flow was extremely smooth.
Plot: 2
The story is so weak it’s maddening at times. I swear, if it wasn’t such an insanely fun movie to watch, I wouldn’t have scored it nearly as high. I say maddening because the first film had so many layers to it while this one seems content on being mediocre in story.
Resolution: 10
Fun ending with a great payoff. If you’re a fan of the original, make sure not to leave right away as the credits are coming up. Cracked me up for sure!
Overall: 80
Despite a plot as strong as Jello, Zombieland: Double Tap will entertain you if you allow yourself a suspension of disbelief. The fun characters and consistent action are enough to carry the movie as a whole. Not as good as the first, but certainly not the first sequel to suffer from that issue. I recommend!
JT (287 KP) rated Metro Manila (2013) in Movies
Mar 10, 2020
British directors getting behind the camera and undertaking foreign film seems to be paying off in multitude. Just take a look at what Gareth Evans did with The Raid and its sequel. He took his central character and put him through hell while at the same time painting a graphic picture of the film’s surroundings.
Sean Ellis does very similar with Oscar Ramirez (Jake Macapagal), a farmer looking for a better way of life for himself and his family. Their journey takes them from the quiet and panoramic rice fields of northern Philippines, where Oscar struggles to make ends meet, and moves them to the impoverished surroundings of Manila.
Entering the slums and criminal back streets Oscar learns the hard way that his friendly personality will be taken advantage of. With everyone desperate to survive he has to stand on his own two feet for the sake of himself and his family.
The film paints a desperate picture of a big city bathed in crime and poverty and desperate people will do desperate things, especially when they are pushed into a corner as Oscar explains to his friend Ong after taking a job as a security guard driving an armoured truck.
As Ong and Oscar become close Ong explains the job and then his ulterior motives. With the second half of the film playing out as a tense well organised heist, encompassing a twist that is shocking yet wholly satisfying. It can be hard to watch at times and it is emotionally sapping, particularly when Oscar’s wife Mai has to take matters into her own hands by getting a job working in a hostess bar in order to earn enough to feed her children.
The film screams out that having faith is a clear necessity when you’re down. All around them there are signs that God is with them willing them to succeed. Oscar’s story about how he lost his job in the silk mill is a running subplot that connects with the story on almost every level.
The scenes are well shot and Ellis captures the trauma and euphoria that the family experience at different times. One cross over scene sees Mai being degraded while at the same time Oscar drinks with his new buddies, only to break down in the toilet in tears.
It’s a slow churning thriller that is expertly pieced together, building strong characters and story all the way through to the pulsating climax.
Sean Ellis does very similar with Oscar Ramirez (Jake Macapagal), a farmer looking for a better way of life for himself and his family. Their journey takes them from the quiet and panoramic rice fields of northern Philippines, where Oscar struggles to make ends meet, and moves them to the impoverished surroundings of Manila.
Entering the slums and criminal back streets Oscar learns the hard way that his friendly personality will be taken advantage of. With everyone desperate to survive he has to stand on his own two feet for the sake of himself and his family.
The film paints a desperate picture of a big city bathed in crime and poverty and desperate people will do desperate things, especially when they are pushed into a corner as Oscar explains to his friend Ong after taking a job as a security guard driving an armoured truck.
As Ong and Oscar become close Ong explains the job and then his ulterior motives. With the second half of the film playing out as a tense well organised heist, encompassing a twist that is shocking yet wholly satisfying. It can be hard to watch at times and it is emotionally sapping, particularly when Oscar’s wife Mai has to take matters into her own hands by getting a job working in a hostess bar in order to earn enough to feed her children.
The film screams out that having faith is a clear necessity when you’re down. All around them there are signs that God is with them willing them to succeed. Oscar’s story about how he lost his job in the silk mill is a running subplot that connects with the story on almost every level.
The scenes are well shot and Ellis captures the trauma and euphoria that the family experience at different times. One cross over scene sees Mai being degraded while at the same time Oscar drinks with his new buddies, only to break down in the toilet in tears.
It’s a slow churning thriller that is expertly pieced together, building strong characters and story all the way through to the pulsating climax.
Gareth von Kallenbach (977 KP) rated How to Train Your Dragon 2 (2014) in Movies
Aug 6, 2019
In 2010, the most unlikely Viking proved that dragons and humans can co-exist in the first How To Train Your Dragon film. Set five years after the original movie, How to Train Your Dragon 2 opens up on the Village of Berk where Vikings and dragons have developed a fond relationship. Hiccup (Jay Baruchel), the nerdy chieftain’s son, is now a few years older and has made himself a winged suit and spends his days soaring the skies with his beloved dragon, Toothless. This film brings together the original gang of friends, Astrid (America Ferrera), Fishlegs (Christopher Mintz-Plasse), Snotlout (Jonah Hill), and twins Ruffnut and Tuffnut (Kristen Wiig and TJ Miller). Still at odds with his expectations, Hiccup’s father Stoick (Gerard Butler) demands that he begins the preparations and training to follow in his footsteps and become chief of their Village. This is not the future Hiccup sees for himself, he and Toothless flee the Village and explore the world and stumble upon a cave full of dragons and encounter a Mysterious Dragon Rider (Cate Blanchett), with a similar affinity for dragons. Hiccup has realized that war still exists between dragons and men beyond the borders of his Village. He attempts to negotiate peace with dragon-hunter Drago (Djimon Hounsou), who is threatening to invade the village with his army.
Writer/director Dean DeBlois helms the reins on this one; he has opened up the story without losing the tone of the original. The true delight is in the details, the visual effects are stunning; a prime example of how much computer generated animation has progressed in such a short amount of time. From the diverse landscapes to the design of the characters were absolutely breathtaking. Even the most minute details, such as the texture from the armor, to the scales on the dragons, even the battles scars on the soldiers are so vividly expressed, they assisted in creating the most dramatic and heartfelt moments.
The overall theme has matured from the first film with a continually surprising plot. In the first go around, Hiccup learned to be himself; in this installment Hiccup is taught to become a better version of himself when those unbreakable bonds are tested, and the line between good vs. evil is skewed.
I wouldn’t say there is much training in the sequel, however there is still a wonderful message of friendship, love, and loyalty. Some of the material may be a little too dark, and there were moments that spent way too much time developing the characters which can be pretty taxing for young children.
A worthy follow up….
Writer/director Dean DeBlois helms the reins on this one; he has opened up the story without losing the tone of the original. The true delight is in the details, the visual effects are stunning; a prime example of how much computer generated animation has progressed in such a short amount of time. From the diverse landscapes to the design of the characters were absolutely breathtaking. Even the most minute details, such as the texture from the armor, to the scales on the dragons, even the battles scars on the soldiers are so vividly expressed, they assisted in creating the most dramatic and heartfelt moments.
The overall theme has matured from the first film with a continually surprising plot. In the first go around, Hiccup learned to be himself; in this installment Hiccup is taught to become a better version of himself when those unbreakable bonds are tested, and the line between good vs. evil is skewed.
I wouldn’t say there is much training in the sequel, however there is still a wonderful message of friendship, love, and loyalty. Some of the material may be a little too dark, and there were moments that spent way too much time developing the characters which can be pretty taxing for young children.
A worthy follow up….
Phillip McSween (751 KP) rated Haunt (2019) in Movies
Feb 15, 2020
Not Thought-Provoking But Fun!
In Haunt, a group of friends experience terror like no other when they go to a haunted house expecting a scare. For a movie that wasn’t done by a major studio, I have to say it ain’t half bad.
Acting: 10
Beginning: 3
If it wasn’t for such a slow start, I would definitely have put Haunt on the great level. Things don’t get moving nearly as fast as you like making me wonder if the rest of the movie was going to be like this. Fortunately things do pick up and, once things get rolling, the movie is good to go.
Characters: 7
The antagonists in this movie are super creepy, creepy enough to keep you entertained the whole movie. Meanwhile, the friends that are stalked can be pretty cardboard and plain, although I did appreciate how character development was worked in with a select few. It ultimately kept the story interesting.
Cinematography/Visuals: 8
Conflict: 10
The creepiness level is on 1,000 here as there is danger around every turn. The movie definitely keeps you guessing, building on intensity scene after scene like a true-to-form horror movie. I loved that I was scared when I didn’t need to be. I also appreciated that, once the movie kicks into gear, no shot is wasted from that point on. Conflict abounds consistently throughout.
Entertainment Value: 7
Memorability: 8
The movie succeeds by providing a lot of different setpieces that remain etched in your memory. The kills aren’t half bad either. Sure, it’s not the most thought-provoking film, but not bad as slashers go.
Pace: 10
Plot: 5
Resolution: 10
This movie ramps up the intensity right up to its thrilling conclusion where probably one of the most awesome kills in the film happens. I always gripe about the payoff in scary movies and how they can sometimes end abruptly so as to preserve a sequel. Haunt avoids that pitfall and goes all in with its ending that’s both engaging and fun.
Overall: 78
I would say this isn’t a bad movie to watch if it’s October and you’re tired of the same old Krueger and Jason song and dance. Had the characters been a twinge more interesting and the beginning hit with a little more boom, I would be leaning more towards the side of great horror to watch anytime. I love when independent horror and sci-fi hit the mark.
Acting: 10
Beginning: 3
If it wasn’t for such a slow start, I would definitely have put Haunt on the great level. Things don’t get moving nearly as fast as you like making me wonder if the rest of the movie was going to be like this. Fortunately things do pick up and, once things get rolling, the movie is good to go.
Characters: 7
The antagonists in this movie are super creepy, creepy enough to keep you entertained the whole movie. Meanwhile, the friends that are stalked can be pretty cardboard and plain, although I did appreciate how character development was worked in with a select few. It ultimately kept the story interesting.
Cinematography/Visuals: 8
Conflict: 10
The creepiness level is on 1,000 here as there is danger around every turn. The movie definitely keeps you guessing, building on intensity scene after scene like a true-to-form horror movie. I loved that I was scared when I didn’t need to be. I also appreciated that, once the movie kicks into gear, no shot is wasted from that point on. Conflict abounds consistently throughout.
Entertainment Value: 7
Memorability: 8
The movie succeeds by providing a lot of different setpieces that remain etched in your memory. The kills aren’t half bad either. Sure, it’s not the most thought-provoking film, but not bad as slashers go.
Pace: 10
Plot: 5
Resolution: 10
This movie ramps up the intensity right up to its thrilling conclusion where probably one of the most awesome kills in the film happens. I always gripe about the payoff in scary movies and how they can sometimes end abruptly so as to preserve a sequel. Haunt avoids that pitfall and goes all in with its ending that’s both engaging and fun.
Overall: 78
I would say this isn’t a bad movie to watch if it’s October and you’re tired of the same old Krueger and Jason song and dance. Had the characters been a twinge more interesting and the beginning hit with a little more boom, I would be leaning more towards the side of great horror to watch anytime. I love when independent horror and sci-fi hit the mark.
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LeftSideCut (3778 KP) rated Angel Has Fallen (2019) in Movies
Jul 4, 2020
Honestly, if you put a gun to my head and asked me to recite what actually happens either Olympus Has Fallen or London Has Fallen, then I'd be shit out of luck. The recent third entry Angel Has Fallen will be no different in a week or two...
It's not awful (some of the action is fairly entertaining) but it's so by the numbers and boring. Jesus Christ, even Nick Nolte doing his by-now-expected-crazy-old-guy schtick is tiresome after roughly 5 seconds.
The plot revolves around Gerard Butler's Mike Banning, who is high up in the White Houses security detail, being framed for an assassination attempt on the President (Morgan Freeman). He is then chased down by the FBI, whilst he tries to figure out who is actually behind it, take them down, and clear his name.
I don't even need to spoil who the bad guys are because it's painfully obvious from the precise second we meet them.
I don't mind Gerard Butler by any means, but he seems to be phoning it in at this point, as he goes through the motions and runs through a gauntlet of action movie cliches - including but not limited to:
- a dramatic dimly lit and gun heavy opening scene that is blatantly a training excercise
- the hero throwing down an effective weapon to face of with the villain in hand to hand
- the hero walking away from an important family conversation at a pivotal moment to go and do hero stuff
- Danny Huston playing a smug arsehole
- A political sub plot involving Russia that doesn't actually go anywhere
Etc, etc.
I, like most people, love a good bit of Morgan Freeman, but unfortunately, they did a Leia on him and just had him in a coma for most of the film, yaaaaay. Jada Pinkett-Smith is in here somewhere as well, but I can't even remember what happens to her.
Just to top it all off, some of the effects work in this is terrible by any standard, but considering it's a big budget action film, it's pretty embarrassing.
I mean, I can be a miserable bastard sometimes, and I appreciate that maybe I'm railing too hard on a film that should just be a dumb popcorn film, but honestly, Angel Has Fallen feels like the result of someone forcing a bot to sit through the first two, and then produce a script for a sequel.
It's not awful (some of the action is fairly entertaining) but it's so by the numbers and boring. Jesus Christ, even Nick Nolte doing his by-now-expected-crazy-old-guy schtick is tiresome after roughly 5 seconds.
The plot revolves around Gerard Butler's Mike Banning, who is high up in the White Houses security detail, being framed for an assassination attempt on the President (Morgan Freeman). He is then chased down by the FBI, whilst he tries to figure out who is actually behind it, take them down, and clear his name.
I don't even need to spoil who the bad guys are because it's painfully obvious from the precise second we meet them.
I don't mind Gerard Butler by any means, but he seems to be phoning it in at this point, as he goes through the motions and runs through a gauntlet of action movie cliches - including but not limited to:
- a dramatic dimly lit and gun heavy opening scene that is blatantly a training excercise
- the hero throwing down an effective weapon to face of with the villain in hand to hand
- the hero walking away from an important family conversation at a pivotal moment to go and do hero stuff
- Danny Huston playing a smug arsehole
- A political sub plot involving Russia that doesn't actually go anywhere
Etc, etc.
I, like most people, love a good bit of Morgan Freeman, but unfortunately, they did a Leia on him and just had him in a coma for most of the film, yaaaaay. Jada Pinkett-Smith is in here somewhere as well, but I can't even remember what happens to her.
Just to top it all off, some of the effects work in this is terrible by any standard, but considering it's a big budget action film, it's pretty embarrassing.
I mean, I can be a miserable bastard sometimes, and I appreciate that maybe I'm railing too hard on a film that should just be a dumb popcorn film, but honestly, Angel Has Fallen feels like the result of someone forcing a bot to sit through the first two, and then produce a script for a sequel.