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Haley Mathiot (9 KP) rated Wings (Wings, #1) in Books
Apr 27, 2018
This book had some good, some bad, some supremacy, some mediocrity. here's my warning now, that this has spoilers in it.
good: a wild twist. the idea that fairy's are plants never once crossed my mind, the idea that Laurel had flowers growing out of her back instead of actual wings was... kinda weird but also really cool. and in my opinion, the good over-weighed the bad.
bad: i remember very vividly that the boy she falls in love with is introduced in the first paragraph (or second, or something like that.) and that totally gave away that part of the plot. i knew right away she'd become involved with him. i would have liked the author to develop his character a little more, or develop Laurel's character a little more, before introducing him.
supremacy: it had me hooked from about the fifth chapter to the twenty-second. i literally read for five hours. that's a long time for me. i mean, i read A LOT and ALL THE TIME, but five hours at once? seriously. the only other times that's ever happened was for twilight and harry potter. very nice, Aprilynne.
mediocrity: the writing itself, the prose, the sentence structure, was not all that fabulous. it was just basic sentence structure most of the time, and ok vocabulary. the words themselves were not poetic and artful, something that you find in Edger Allen Poe or J K Rowling.
the last thing was the end. it left you hanging, a little. which, as a writer, is a smart and mean thing to do at the same time. i'm a writer, and in every single one of my books i leave my audience hanging. but as a reader, it's annoying. i the one thing i want to know is what happens about her and the boy thing? who does she end up with? i'll bet that the boy she met at school ends up with the girl who's had a crush on him forever, and she goes back to her fairy-boy. (can you tell i've forgotten some names and don't have the book with me?) whatever. but i hope there's a second one, because that one little thing will bug me from now until whenever the new one comes out (if there is one.)
of course, again, the book was addictive, and had a great twist. i will say that if i ever had a chance to read it again, i would probably not do it. but i will (if there is one) read the sequel. all in all, i did like this book. quite a lot. and i do recommend it to anyone who likes romance, fantasy, or adventure.
good: a wild twist. the idea that fairy's are plants never once crossed my mind, the idea that Laurel had flowers growing out of her back instead of actual wings was... kinda weird but also really cool. and in my opinion, the good over-weighed the bad.
bad: i remember very vividly that the boy she falls in love with is introduced in the first paragraph (or second, or something like that.) and that totally gave away that part of the plot. i knew right away she'd become involved with him. i would have liked the author to develop his character a little more, or develop Laurel's character a little more, before introducing him.
supremacy: it had me hooked from about the fifth chapter to the twenty-second. i literally read for five hours. that's a long time for me. i mean, i read A LOT and ALL THE TIME, but five hours at once? seriously. the only other times that's ever happened was for twilight and harry potter. very nice, Aprilynne.
mediocrity: the writing itself, the prose, the sentence structure, was not all that fabulous. it was just basic sentence structure most of the time, and ok vocabulary. the words themselves were not poetic and artful, something that you find in Edger Allen Poe or J K Rowling.
the last thing was the end. it left you hanging, a little. which, as a writer, is a smart and mean thing to do at the same time. i'm a writer, and in every single one of my books i leave my audience hanging. but as a reader, it's annoying. i the one thing i want to know is what happens about her and the boy thing? who does she end up with? i'll bet that the boy she met at school ends up with the girl who's had a crush on him forever, and she goes back to her fairy-boy. (can you tell i've forgotten some names and don't have the book with me?) whatever. but i hope there's a second one, because that one little thing will bug me from now until whenever the new one comes out (if there is one.)
of course, again, the book was addictive, and had a great twist. i will say that if i ever had a chance to read it again, i would probably not do it. but i will (if there is one) read the sequel. all in all, i did like this book. quite a lot. and i do recommend it to anyone who likes romance, fantasy, or adventure.
*＊✿❀ Maki ❀✿＊* (7 KP) rated Crown of Midnight in Books
May 3, 2018
Crown of Midnight was a wonderful sequel - it improved on pretty much everything from the first book.
Celaena doesn't really do much assassination? Now she's the King's Champion, and it's her job. <spoiler>Well, okay - maybe there's still not too much assassination going on. But there's definitely more action!</spoiler>
That pesky love triangle gets completely done away with (which makes me question why it was an issue in the first place, aside from being there to create drama), and in its place a believable, sweet romance is started.
(I am Team Chaol. All the way.)
Dorian actually grows as a character, and is more than just a stereotypical womanizer.
Even the scope of the story is larger. Where the first book was primarily centered around the castle, Crown of Midnight actually gives us a look at the city. Or, well, certain parts of it, at any rate. And while the threat is still the same vague threat as the first book, by the end, things start to fall into place about what exactly happened ten years ago, and where magic disappeared to.
I really enjoyed this one, which was nice, given my lukewarm feelings about the first book in the series. A good portion of my change of opinion is because of the growth of Dorian and Chaol - particularly Chaol.
I am a sucker for many things in fantasy. I love a good assassin. I love magic, especially when the magic system is well thought out. I love thieves. And I also love loyal knights who have to deal with the bombshell of finding out that everything they thought they were protecting was a lie.
Just watching Chaol fight to reconcile his old loyalties and what he grew up believing with what he now knows to be the truth was beautiful. He goes through an amazing amount of character development, and is easily the most complex character in the story. (Which is why I'm Team Chaol. Even though Celaena doesn't really deserve him.)
He actually reminded me a lot of Darres, from the [b:Vampire Game, Volume 01|282294|Vampire Game, Volume 01|JUDAL|https://d.gr-assets.com/books/1343116853s/282294.jpg|273847] manga. Dang it. I need to reread that entire series.
Unfortunately, Celaena stopped me from absolutely adoring this book. She didn't grow very much as a character - in places she actually seemed to regress - and the "twist" was painfully predictable. Even if I hadn't guessed it back at the start of the first book, based on the type of story this is, there's more than enough to pick up on what's going on.
So my reaction was less, <i>"GASP!!!"</i> and more, <i>"Why has nobody else figured this out???"</i>
Especially the king. You'd think he'd be all over that.
Celaena doesn't really do much assassination? Now she's the King's Champion, and it's her job. <spoiler>Well, okay - maybe there's still not too much assassination going on. But there's definitely more action!</spoiler>
That pesky love triangle gets completely done away with (which makes me question why it was an issue in the first place, aside from being there to create drama), and in its place a believable, sweet romance is started.
(I am Team Chaol. All the way.)
Dorian actually grows as a character, and is more than just a stereotypical womanizer.
Even the scope of the story is larger. Where the first book was primarily centered around the castle, Crown of Midnight actually gives us a look at the city. Or, well, certain parts of it, at any rate. And while the threat is still the same vague threat as the first book, by the end, things start to fall into place about what exactly happened ten years ago, and where magic disappeared to.
I really enjoyed this one, which was nice, given my lukewarm feelings about the first book in the series. A good portion of my change of opinion is because of the growth of Dorian and Chaol - particularly Chaol.
I am a sucker for many things in fantasy. I love a good assassin. I love magic, especially when the magic system is well thought out. I love thieves. And I also love loyal knights who have to deal with the bombshell of finding out that everything they thought they were protecting was a lie.
Just watching Chaol fight to reconcile his old loyalties and what he grew up believing with what he now knows to be the truth was beautiful. He goes through an amazing amount of character development, and is easily the most complex character in the story. (Which is why I'm Team Chaol. Even though Celaena doesn't really deserve him.)
He actually reminded me a lot of Darres, from the [b:Vampire Game, Volume 01|282294|Vampire Game, Volume 01|JUDAL|https://d.gr-assets.com/books/1343116853s/282294.jpg|273847] manga. Dang it. I need to reread that entire series.
Unfortunately, Celaena stopped me from absolutely adoring this book. She didn't grow very much as a character - in places she actually seemed to regress - and the "twist" was painfully predictable. Even if I hadn't guessed it back at the start of the first book, based on the type of story this is, there's more than enough to pick up on what's going on.
So my reaction was less, <i>"GASP!!!"</i> and more, <i>"Why has nobody else figured this out???"</i>
Especially the king. You'd think he'd be all over that.
Bookapotamus (289 KP) rated Artemis in Books
May 25, 2018
Huge Martian fan here! And this one, while totally different, did not disappoint! There is plenty of space drama, including the fear of what could happen when crisis occurs, but also some charm, witty characters and some pretty crazy daredevil situations.
I didn't particularly like Jazz, the main character. Shes got man drama, friend drama, family drama, work drama.... BUT she is one pretty bad-ass chick who does whatever she wants and for the most part, takes no blame. She's extremely immature for her age (late 20s?) and incredibly irresponsible, and I couldn't believe she got away with some of the antics that went on in this book. Especially on the Moon!
Artemis is just that - a city - but on the moon! Very cool concept, totally different idea than The Martian. It's a pretty common practice to travel back and forth from Earth to the Moon occurs, but only if you are a zillionaire and can afford to do so. It is a hot vacation destination for rich and famous travelers, but like a lot of vacation hot spots - there are those who live and work there, like Jazz, and are natives, born there, work there, and are neither rich nor famous.
Jazz works in transportation, unloading the ships that bring stuff from Earth - which covers for her side job as a smuggler - bringing in contraband to those who request it- like cigars, etc. (um hellooo? we all know fire does not bode well in space!) One request for a pretty shady request, sends the entire city into complete chaos. Why on Moon (see what I did there?) would Jazz stoop so low and put the entire city in danger? Money - and lots of it. Jazz is saving up for something, and money is her answer to everything. And we slowly unfold the story that makes up Jazz and start to understand why she is the way she is. We also see how ridiculously smart and courageous she is and you may even start to like her a little!
There is a LOT of science in this book. I now know exactly how to weld on the moon. I mean, exactly. My husband is a welder and I read some parts to him and he said it all sounded pretty legit, so I can imagine the research that went into crafting some parts of the story.
Overall it was a lot of fun - Jazz is quite the character and I'd totally read a sequel if Jazz had another story to tell. Andy Weir knows his space, and I'm quite glad he loves it so much to write such entertaining and engaging stories for us.
I didn't particularly like Jazz, the main character. Shes got man drama, friend drama, family drama, work drama.... BUT she is one pretty bad-ass chick who does whatever she wants and for the most part, takes no blame. She's extremely immature for her age (late 20s?) and incredibly irresponsible, and I couldn't believe she got away with some of the antics that went on in this book. Especially on the Moon!
Artemis is just that - a city - but on the moon! Very cool concept, totally different idea than The Martian. It's a pretty common practice to travel back and forth from Earth to the Moon occurs, but only if you are a zillionaire and can afford to do so. It is a hot vacation destination for rich and famous travelers, but like a lot of vacation hot spots - there are those who live and work there, like Jazz, and are natives, born there, work there, and are neither rich nor famous.
Jazz works in transportation, unloading the ships that bring stuff from Earth - which covers for her side job as a smuggler - bringing in contraband to those who request it- like cigars, etc. (um hellooo? we all know fire does not bode well in space!) One request for a pretty shady request, sends the entire city into complete chaos. Why on Moon (see what I did there?) would Jazz stoop so low and put the entire city in danger? Money - and lots of it. Jazz is saving up for something, and money is her answer to everything. And we slowly unfold the story that makes up Jazz and start to understand why she is the way she is. We also see how ridiculously smart and courageous she is and you may even start to like her a little!
There is a LOT of science in this book. I now know exactly how to weld on the moon. I mean, exactly. My husband is a welder and I read some parts to him and he said it all sounded pretty legit, so I can imagine the research that went into crafting some parts of the story.
Overall it was a lot of fun - Jazz is quite the character and I'd totally read a sequel if Jazz had another story to tell. Andy Weir knows his space, and I'm quite glad he loves it so much to write such entertaining and engaging stories for us.
Annie Chanse (15 KP) rated Wintersong in Books
May 25, 2018
It was okay.
Contains spoilers, click to show
[Warning: May contain spoilers]
I SOMEWHAT enjoyed this book. It is very much like "Labyrinth" meets "Beauty and the Beast." The premise is a bit too much like "Labyrinth" for me to be entirely comfortable calling this a "unique" book. Goblin King -- thin, blonde, mischievous Goblin King nonetheless -- comes to earth for a bride. A game ensues in which the stakes are as follows: the girl wins, she gets to take her sister and go home, leaving the Goblin King behind forever. The Goblin King wins, he gets to marry the girl. Sound familiar? Yeah. I thought it might.
I was a little turned off by this at first, but the author quickly adds in enough individuality to make the book her own and separate from the "Labyrinth." I don't want to give away any key plot points, so I am not going to go much further in the description of the book.
I will say, however, that the book is very prettily written, and that music is prominently featured throughout. Thankfully, the author writes music well, and it makes the book quite lovely to read, image-wise.
It is listed as a Young Adult fiction book, but I'd say that is not quite the right categorization for this book. The sex scenes are a little too descriptive for YA, and I worry about the poor librarian who is going to get chewed out because a religious mother catches her thirteen year old daughter reading it. Ha.
The plot was okay, if a little overdone, and the pacing was nice; it flowed well. There were no draggy bits, and nothing seemed too rushed. I'm not sure how I feel about the relationship between Liesl (the girl) and the Goblin King, which is, at times, very Beauty and the Beast and at other times, more Joker and Harley Quinn. :-/ I wouldn't say it was the healthiest of young marriages.
Still, overall, it is a solid 3.25-3.5 star book. I recommend it to lovers of romantic fantasy. Not ideal for hardcore fantasy geeks, though.
Oh, and also, if I see the word "entire" again, as in "I gave myself to him, entire" or "I am Elisabeth, entire" or "He finally gave himself to me, his body, his soul, his trust. Der Erlkonig, entire" one more time, I might punch someone. The author really needs to get over that little quirk. I would hate to see it repeated in the sequel, since she made use of it about ten bazillion times in the debut novel, and she has completely lost her right to EVER use the word "entire" again.
I SOMEWHAT enjoyed this book. It is very much like "Labyrinth" meets "Beauty and the Beast." The premise is a bit too much like "Labyrinth" for me to be entirely comfortable calling this a "unique" book. Goblin King -- thin, blonde, mischievous Goblin King nonetheless -- comes to earth for a bride. A game ensues in which the stakes are as follows: the girl wins, she gets to take her sister and go home, leaving the Goblin King behind forever. The Goblin King wins, he gets to marry the girl. Sound familiar? Yeah. I thought it might.
I was a little turned off by this at first, but the author quickly adds in enough individuality to make the book her own and separate from the "Labyrinth." I don't want to give away any key plot points, so I am not going to go much further in the description of the book.
I will say, however, that the book is very prettily written, and that music is prominently featured throughout. Thankfully, the author writes music well, and it makes the book quite lovely to read, image-wise.
It is listed as a Young Adult fiction book, but I'd say that is not quite the right categorization for this book. The sex scenes are a little too descriptive for YA, and I worry about the poor librarian who is going to get chewed out because a religious mother catches her thirteen year old daughter reading it. Ha.
The plot was okay, if a little overdone, and the pacing was nice; it flowed well. There were no draggy bits, and nothing seemed too rushed. I'm not sure how I feel about the relationship between Liesl (the girl) and the Goblin King, which is, at times, very Beauty and the Beast and at other times, more Joker and Harley Quinn. :-/ I wouldn't say it was the healthiest of young marriages.
Still, overall, it is a solid 3.25-3.5 star book. I recommend it to lovers of romantic fantasy. Not ideal for hardcore fantasy geeks, though.
Oh, and also, if I see the word "entire" again, as in "I gave myself to him, entire" or "I am Elisabeth, entire" or "He finally gave himself to me, his body, his soul, his trust. Der Erlkonig, entire" one more time, I might punch someone. The author really needs to get over that little quirk. I would hate to see it repeated in the sequel, since she made use of it about ten bazillion times in the debut novel, and she has completely lost her right to EVER use the word "entire" again.
graveyardgremlin (7194 KP) rated Impostor (Slide, #2) in Books
Feb 15, 2019
<b>Impostor</b> is a step up in the <a href="http://www.goodreads.com/series/72905-slide"; target="_blank">Slide series</a>, but only slightly. I still feel that the writing is, well, a little basic; it gets the job done, but that's about it. The main plot is an interesting idea that entertained, yet wasn't used to its full potential. I expected it to be darker and for there to be more peril involved, what with an "impostor" involved (impostor is a bit of a misnomer, it's not quite the term I'd use), but it never got close to that point. If there had been more grit and danger, the book could have been a killer sequel instead of disappointing. However, on the plus side, the mystery is tighter and better constructed, and I couldn't say for certain that I had figured it out, but I did have an idea (I so smart. Not.). The other plots are fine, somewhat predictable or didn't go as deep as they could have, but they were alright. All the plots are tied up just a little too neatly at the end, not that there isn't enough of the sliding power to be utilized for future books, but everything ends a little too rosy for the circumstances. Oh well.
In [b:Slide|9542582|Slide (Slide, #1)|Jill Hathaway|https://d.gr-assets.com/books/1332450287s/9542582.jpg|14428945] (the first book), I found Vee to be a rather shallow characterization and dim as far as picking up on clues. I'm happy to say that changed in this book. Sure, she said/did stupid things, not because she was dumb, but because people do say and do stupid things, no matter their intelligence. It's a fact (okay, my fact, but it still counts). For most of the book Vee spent a lot of time having a snotty, self-absorbed, "woe is me" attitude, which might annoy some people, but made me believe her as a teenage character. Face it, most teenagers can act like that to some degree or another (I sure know I could be!). I'm not quite sure where the sliding power is going, if I like where it's gone, or if there's even going to be more books in the series, but it is an idea that has many possibilities. I'm just not positive that it'll ever get to them. Overall, a decent book that passes the time, but nothing spectacular that'll blow your mind (maybe, I could just be assuming things again).
Random notes:
This series sure has many awesome <a href="http://www.goodreads.com/work/editions/14428945-slide"; target="_blank">covers</a>.
What is with YA books featuring a female protagonist "borrowing" some of Veronica Mars' back story? This is the second one I've come across. O__o
In [b:Slide|9542582|Slide (Slide, #1)|Jill Hathaway|https://d.gr-assets.com/books/1332450287s/9542582.jpg|14428945] (the first book), I found Vee to be a rather shallow characterization and dim as far as picking up on clues. I'm happy to say that changed in this book. Sure, she said/did stupid things, not because she was dumb, but because people do say and do stupid things, no matter their intelligence. It's a fact (okay, my fact, but it still counts). For most of the book Vee spent a lot of time having a snotty, self-absorbed, "woe is me" attitude, which might annoy some people, but made me believe her as a teenage character. Face it, most teenagers can act like that to some degree or another (I sure know I could be!). I'm not quite sure where the sliding power is going, if I like where it's gone, or if there's even going to be more books in the series, but it is an idea that has many possibilities. I'm just not positive that it'll ever get to them. Overall, a decent book that passes the time, but nothing spectacular that'll blow your mind (maybe, I could just be assuming things again).
Random notes:
This series sure has many awesome <a href="http://www.goodreads.com/work/editions/14428945-slide"; target="_blank">covers</a>.
What is with YA books featuring a female protagonist "borrowing" some of Veronica Mars' back story? This is the second one I've come across. O__o
graveyardgremlin (7194 KP) rated The Christmas Killer in Books
Feb 15, 2019
The Christmas Killer (aka The Dream Killer) was a Point Horror book I missed out reading when I was younger, so decided to pick it up to enjoy this holiday season (yes, I am sick). Rosecleer Potter is a normal, everyday fifteen-year-old girl who has a twin brother, Jerram, and loves to dance. She also just happens to have developed the ability to talk, through dreams, to the recently departed, which starts when an acquaintance disappears and whose body turns up murdered in the woods. Now, as the body count rises, Rose has to figure out how to use her power before the killer gets to her.
The first paragraph almost caused me to rethink my expectations of enjoyment I'd get from the book. The sentences were short and choppy, and if the whole book had been written this way, I don't think I'd have managed to get through it. Fortunately for me, it didn't turn out that way at all. Although there were more short, fragmented sentences, they were few and far between and seemed more of a style choice than anything else.
Rose was a good choice as a lead and had both positive and negative attributes to her personality. She was generally nice but could have moments of cattiness or where her temper got the best of her, which made her more believable. I can't say any of the characters are over-developed, but they are described enough to get a rough sketch of who they are as a person, and there are moments of truth in many of their actions, e.g. the mother's freaking out, the father's clamming up, and the brother's withdrawal and secretiveness. The atmosphere is done extremely well. Even though I don't remember many actual descriptions, I got the feeling of a small town, its claustrophobia, and sense of impending doom all the same.
I have to admit this book surprised me. I went in expecting more of the slasher-type YA horrors I read as a youngster, and was handed a more mature, psychological suspense horror read instead. The plot flows well and has enough clues and red herrings to keep most readers interested. As someone who has read a lot of mysteries, I did figure it out, but it could have gone many ways and still have been satisfying. The ending is the only weak point as it was a bit abrupt and maybe too open-ended, but that's a minor niggle and didn't affect my enjoyment much. As far as I've been able to tell, there is no sequel, which might be for the best. The Christmas Killer was a quick and easy chiller that kept me entertained throughout and I'd recommend it for those who like creepy teen reads.
Originally Reviewed: December 29, 2012
Received: Library
The first paragraph almost caused me to rethink my expectations of enjoyment I'd get from the book. The sentences were short and choppy, and if the whole book had been written this way, I don't think I'd have managed to get through it. Fortunately for me, it didn't turn out that way at all. Although there were more short, fragmented sentences, they were few and far between and seemed more of a style choice than anything else.
Rose was a good choice as a lead and had both positive and negative attributes to her personality. She was generally nice but could have moments of cattiness or where her temper got the best of her, which made her more believable. I can't say any of the characters are over-developed, but they are described enough to get a rough sketch of who they are as a person, and there are moments of truth in many of their actions, e.g. the mother's freaking out, the father's clamming up, and the brother's withdrawal and secretiveness. The atmosphere is done extremely well. Even though I don't remember many actual descriptions, I got the feeling of a small town, its claustrophobia, and sense of impending doom all the same.
I have to admit this book surprised me. I went in expecting more of the slasher-type YA horrors I read as a youngster, and was handed a more mature, psychological suspense horror read instead. The plot flows well and has enough clues and red herrings to keep most readers interested. As someone who has read a lot of mysteries, I did figure it out, but it could have gone many ways and still have been satisfying. The ending is the only weak point as it was a bit abrupt and maybe too open-ended, but that's a minor niggle and didn't affect my enjoyment much. As far as I've been able to tell, there is no sequel, which might be for the best. The Christmas Killer was a quick and easy chiller that kept me entertained throughout and I'd recommend it for those who like creepy teen reads.
Originally Reviewed: December 29, 2012
Received: Library
Ryan Hill (152 KP) rated Ant-Man and the Wasp (2018) in Movies
May 11, 2019
'Hold on, you gave her wings?!'
A much welcome breather after the heavyweight that was Avengers: Infinity War, the 20th instalment in the Marvel Cinematic Universe is another lighthearted ride unfolding on the same minuscule scale as Ant-Man, and though not as impressive as Marvel's best works, it still delivers a fine dose of fun, amusing & action-packed entertainment.
Set in the aftermath of Captain America: Civil War, the story of Ant-Man and the Wasp finds Scott Lang under house arrest and Dr. Hank Pym & Hope van Dyne in hiding until an urgent mission brings them together once again as the trio attempt to unlock the secrets of quantum realm before it's too late, while being pursued by both cops & new enemies.
Directed by Peyton Reed, the sequel offers him more freedom & bigger canvas to showcase his vision & creativity yet he fails to makes the most of the opportunity and delivers a story that's pretty much on same level as its predecessor. Its action scenes do get an upgrade but the plot is quite simple and is missing the character complexity that drives most sequels.
On the plus side, the film retains the humour of the original while the continuous banter & brisk pacing make sure that its 118 mins runtime never becomes a chore. The swift, kinetic operation of camera infuses an energy to its moments of action on both macro & micro levels while the bright colour tones add a rich texture that makes the images pop out. And Christophe Beck's splendid score adds energy of its own into the mix.
Coming to the performances, Ant-Man and the Wasp benefits from Paul Rudd's natural charisma but it's Evangeline Lilly who steals the show this time in the role of Hope/Wasp. The chemistry between the two still carries a spark but purely on individual inputs, Lilly outshines Rudd by a significant margin. Both Michael Peña & Michael Douglas are more fun in their respective roles this time around but the new characters are no good.
On an overall scale, Ant-Man and the Wasp makes for a sufficiently entertaining action-adventure and is at its best when it isn't trying too hard. A standalone entry for the most part that eventually connects with the heavy conclusion of Infinity War in a shocking mid-credits sequence, Ant-Man and the Wasp does enough to allow the viewers to settle down before things got hot & heavy once again in Avengers Endgame
Set in the aftermath of Captain America: Civil War, the story of Ant-Man and the Wasp finds Scott Lang under house arrest and Dr. Hank Pym & Hope van Dyne in hiding until an urgent mission brings them together once again as the trio attempt to unlock the secrets of quantum realm before it's too late, while being pursued by both cops & new enemies.
Directed by Peyton Reed, the sequel offers him more freedom & bigger canvas to showcase his vision & creativity yet he fails to makes the most of the opportunity and delivers a story that's pretty much on same level as its predecessor. Its action scenes do get an upgrade but the plot is quite simple and is missing the character complexity that drives most sequels.
On the plus side, the film retains the humour of the original while the continuous banter & brisk pacing make sure that its 118 mins runtime never becomes a chore. The swift, kinetic operation of camera infuses an energy to its moments of action on both macro & micro levels while the bright colour tones add a rich texture that makes the images pop out. And Christophe Beck's splendid score adds energy of its own into the mix.
Coming to the performances, Ant-Man and the Wasp benefits from Paul Rudd's natural charisma but it's Evangeline Lilly who steals the show this time in the role of Hope/Wasp. The chemistry between the two still carries a spark but purely on individual inputs, Lilly outshines Rudd by a significant margin. Both Michael Peña & Michael Douglas are more fun in their respective roles this time around but the new characters are no good.
On an overall scale, Ant-Man and the Wasp makes for a sufficiently entertaining action-adventure and is at its best when it isn't trying too hard. A standalone entry for the most part that eventually connects with the heavy conclusion of Infinity War in a shocking mid-credits sequence, Ant-Man and the Wasp does enough to allow the viewers to settle down before things got hot & heavy once again in Avengers Endgame
Movie Metropolis (309 KP) rated Unlocked (2017) in Movies
Jun 10, 2019
London Has Fallen, but good
Every year it happens, a big blockbuster comes along and absolutely obliterates the competition at the box office. This year, that award has gone to the much-hyped and slightly disappointing Guardians of the Galaxy: Vol 2.
Then, a fortnight later, another massive hit arrives, Alien: Covenant this time, meaning any films caught between the two behemoths are generally forgotten. In 2016, that forgotten movie was Eye in the Sky. This year, it’s Michael Apted’s terrorism thriller, Unlocked. But is it a film worth watching?
After being tricked into providing information to the wrong side, a CIA interrogator (Noomi Rapace) finds herself at the centre of a devastating biological attack on London. As she tries to dodge those that pursue her, she stumbles along a terrifying web of lies along the way.
At its core, Unlocked is an enjoyable romp that verges on the side of unremarkable but a few standout scenes, cracking cast and confident direction ensure it is one of the better films in a genre clogged with tripe.
Speaking of that cracking cast, it features the likes of John Malkovich, Toni Collette, Orlando Bloom and Michael Douglas. Each of these stars act well though some, Malkovich in particular, are sorely underused. Nevertheless, he and Collette add a level of class to proceedings whilst Douglas looks like he’s there just for the wages.
The story, written by Peter O’Brien is actually pretty good. It’s nothing particularly original, but manages to sustain enough interest to see Unlocked through its taut 98 minute running time. In fact, I wouldn’t mind seeing a sequel, it’s genuinely that intriguing.
The parallels to last year’s London Has Fallen will no doubt be drawn and the fragile subject matter that both films tackle is one that is perhaps a little too hard to stomach for some moviegoers. However, Unlocked delves into the topic of British terrorism in a much more sensitive way, rather than money-making with all-out spectacle.
Cinematography wise, it’s more of the same – competent but unexceptional. The action is staged well but Michael Apted struggles with the smaller details; there’s some lazy editing and poor sound mixing. The special effects are few and far between, helping the film’s cause in a way, but those that are there are more than up to the task of bolstering its appeal.
Overall, Unlocked is an entertaining thriller that has a stellar cast. It’s well paced, nicely shot and tackles the subjects of urban terrorism sensitively, but you’ll have a hard time remembering it a few months down the line, it’s marketing has just been that terrible.
https://moviemetropolis.net/2017/05/06/london-has-fallen-but-good-unlocked-review/
Then, a fortnight later, another massive hit arrives, Alien: Covenant this time, meaning any films caught between the two behemoths are generally forgotten. In 2016, that forgotten movie was Eye in the Sky. This year, it’s Michael Apted’s terrorism thriller, Unlocked. But is it a film worth watching?
After being tricked into providing information to the wrong side, a CIA interrogator (Noomi Rapace) finds herself at the centre of a devastating biological attack on London. As she tries to dodge those that pursue her, she stumbles along a terrifying web of lies along the way.
At its core, Unlocked is an enjoyable romp that verges on the side of unremarkable but a few standout scenes, cracking cast and confident direction ensure it is one of the better films in a genre clogged with tripe.
Speaking of that cracking cast, it features the likes of John Malkovich, Toni Collette, Orlando Bloom and Michael Douglas. Each of these stars act well though some, Malkovich in particular, are sorely underused. Nevertheless, he and Collette add a level of class to proceedings whilst Douglas looks like he’s there just for the wages.
The story, written by Peter O’Brien is actually pretty good. It’s nothing particularly original, but manages to sustain enough interest to see Unlocked through its taut 98 minute running time. In fact, I wouldn’t mind seeing a sequel, it’s genuinely that intriguing.
The parallels to last year’s London Has Fallen will no doubt be drawn and the fragile subject matter that both films tackle is one that is perhaps a little too hard to stomach for some moviegoers. However, Unlocked delves into the topic of British terrorism in a much more sensitive way, rather than money-making with all-out spectacle.
Cinematography wise, it’s more of the same – competent but unexceptional. The action is staged well but Michael Apted struggles with the smaller details; there’s some lazy editing and poor sound mixing. The special effects are few and far between, helping the film’s cause in a way, but those that are there are more than up to the task of bolstering its appeal.
Overall, Unlocked is an entertaining thriller that has a stellar cast. It’s well paced, nicely shot and tackles the subjects of urban terrorism sensitively, but you’ll have a hard time remembering it a few months down the line, it’s marketing has just been that terrible.
https://moviemetropolis.net/2017/05/06/london-has-fallen-but-good-unlocked-review/
Movie Metropolis (309 KP) rated Ted 2 (2015) in Movies
Jun 11, 2019
The bear is back
The success of Ted was completely unexpected. I doubt even director Seth McFarlane knew just how popular it would go on to become.
From special DVD’s to limited edition cuddly (or not so cuddly) toys, Ted has become something of a phenomenon. A sequel was always going to be on the cards and after three years perfecting it, McFarlane returns with Ted 2. But is it as funny as its predecessor?
Ted 2 follows the titular bear as he embarks on a relationship with Tami-Lynn and continues his friendship with John, the ever-watchable Mark Wahlberg in another great performance.
Unfortunately for Ted, his rights have been challenged by the US government and he must fight to be recognised as a ‘person’, rather than just someone’s ‘property’.
What ensues is a film which whilst being as funny as its predecessor, manages to be somewhat disappointing with a serious shortage of plot. This becomes evident as McFarlane uses Family Guy-esque cut-scenes and incredibly long dance numbers.
The cast, on the whole, is fantastic. Amanda Seyfried takes over from Mila Kunis as John’s love interest and Ted’s lawyer, Samantha. As usual she is a joy to watch but her inexperience in the offensive comedy genre is evident – scenes of her taking drugs just don’t sit right.
Morgan Freeman is sorely underused as a civil rights attorney, though a quick reference to his silky-smooth voice is more than welcome. Giovanni Ribisi also makes a surprising return as Ted’s nemesis Donny.
An absolutely brilliant cameo from Liam Neeson is one of the highlights in a film packed with gags which generally hit the spot – but they’re certainly not for the feint-hearted.
Ted 2 is louder, more obnoxious and much more offensive than its predecessor with numerous scenes involving sperm banks and an endless supply of drug-related comedy.
Unfortunately, all these highs are brought crashing back down to Earth as the story continuously runs out of steam and picks up again. It’s such a shame that a film less than two hours long has such a plot problem.
Thankfully, the original Ted wasn’t a masterpiece and MacFarlane manages to shoot the film well with a real eye for the finer details. His love of movies is apparent with Star Wars references being used well.
Overall, Ted 2 is very close to the standard of its predecessor, despite the excess story-padding that occurs throughout the film. The comedic elements are cracking with Liam Neeson’s cameo being a laugh-out-loud moment – it’s worth a watch, but only if you’re a fan of the first.
https://moviemetropolis.net/2015/07/12/the-bear-is-back-ted-2-review/
From special DVD’s to limited edition cuddly (or not so cuddly) toys, Ted has become something of a phenomenon. A sequel was always going to be on the cards and after three years perfecting it, McFarlane returns with Ted 2. But is it as funny as its predecessor?
Ted 2 follows the titular bear as he embarks on a relationship with Tami-Lynn and continues his friendship with John, the ever-watchable Mark Wahlberg in another great performance.
Unfortunately for Ted, his rights have been challenged by the US government and he must fight to be recognised as a ‘person’, rather than just someone’s ‘property’.
What ensues is a film which whilst being as funny as its predecessor, manages to be somewhat disappointing with a serious shortage of plot. This becomes evident as McFarlane uses Family Guy-esque cut-scenes and incredibly long dance numbers.
The cast, on the whole, is fantastic. Amanda Seyfried takes over from Mila Kunis as John’s love interest and Ted’s lawyer, Samantha. As usual she is a joy to watch but her inexperience in the offensive comedy genre is evident – scenes of her taking drugs just don’t sit right.
Morgan Freeman is sorely underused as a civil rights attorney, though a quick reference to his silky-smooth voice is more than welcome. Giovanni Ribisi also makes a surprising return as Ted’s nemesis Donny.
An absolutely brilliant cameo from Liam Neeson is one of the highlights in a film packed with gags which generally hit the spot – but they’re certainly not for the feint-hearted.
Ted 2 is louder, more obnoxious and much more offensive than its predecessor with numerous scenes involving sperm banks and an endless supply of drug-related comedy.
Unfortunately, all these highs are brought crashing back down to Earth as the story continuously runs out of steam and picks up again. It’s such a shame that a film less than two hours long has such a plot problem.
Thankfully, the original Ted wasn’t a masterpiece and MacFarlane manages to shoot the film well with a real eye for the finer details. His love of movies is apparent with Star Wars references being used well.
Overall, Ted 2 is very close to the standard of its predecessor, despite the excess story-padding that occurs throughout the film. The comedic elements are cracking with Liam Neeson’s cameo being a laugh-out-loud moment – it’s worth a watch, but only if you’re a fan of the first.
https://moviemetropolis.net/2015/07/12/the-bear-is-back-ted-2-review/
Kyera (8 KP) rated Scarlet (The Lunar Chronicles, #2) in Books
Jan 31, 2018
This is the fantastic sequel to Cinder, the first book in the Lunar Chronicles. Marissa Meyer does a brilliant job of introducing us to a new duo that will be featured in the book, while intricately weaving their story in with the characters that we already know and love. In case you weren't aware Scarlet is a retelling of the Little Red Riding Hood fairytale. As this is the second book in the series, there will be plot points referenced from the first book and may spoil you. I suggest you read Cinder before you read this review.
Scarlet is incredibly different from Cinder, our main character from the first book. With fiery hair and a temper to match, Scarlet is an accomplished pilot and a force to be reckoned with. When her grandmother goes missing, she will stop at nothing to get her back - even if that means teaming up with a street fighter who has never had tomatoes before... named Wolf.
There is a dichotomy in the portrayal of Wolf as he is seen as violent and angry during a fight, but so innocently curious and nervous with Scarlet. She introduces him to the wonders of fresh produce and his reaction is so precious, he just reminds me of a puppy in those moments. I can't say that I like him more than Kai, but he definitely grows on you over the course of the book.
It was nice to see Kai in his role as the Emporer of the Eastern Commonwealth. In the first book, he was only just coming to terms with the drastic change in his circumstances and now he must be the leader his people need. You watch as he struggles to reconcile the needs of his people with the desires of his heart. Completely untested as a ruler, he does what he can to protect his people from Queen Levana but worries that it will not be enough. It was heartbreaking to see the turmoil and know that he will only face more difficult decisions in the future.
Cinder's world was completely turned upside down at the end of the first novel. As a result, she is on the run and teams up with <i>Captain</i> Carswell Thorne. His utter enamorment with himself is hilarious and plays really well off of Cinder's more serious, yet still sarcastic personality.
I really enjoyed seeing the world expand a bit more as we learned about other locations in the Earthen Union and spent time in France. We were given more of Cinder's history and the groundwork was laid for plot points and characters in the future books. This was a great story, but I can't say much else without spoilers - so just go read the series, you won't regret it.
Scarlet is incredibly different from Cinder, our main character from the first book. With fiery hair and a temper to match, Scarlet is an accomplished pilot and a force to be reckoned with. When her grandmother goes missing, she will stop at nothing to get her back - even if that means teaming up with a street fighter who has never had tomatoes before... named Wolf.
There is a dichotomy in the portrayal of Wolf as he is seen as violent and angry during a fight, but so innocently curious and nervous with Scarlet. She introduces him to the wonders of fresh produce and his reaction is so precious, he just reminds me of a puppy in those moments. I can't say that I like him more than Kai, but he definitely grows on you over the course of the book.
It was nice to see Kai in his role as the Emporer of the Eastern Commonwealth. In the first book, he was only just coming to terms with the drastic change in his circumstances and now he must be the leader his people need. You watch as he struggles to reconcile the needs of his people with the desires of his heart. Completely untested as a ruler, he does what he can to protect his people from Queen Levana but worries that it will not be enough. It was heartbreaking to see the turmoil and know that he will only face more difficult decisions in the future.
Cinder's world was completely turned upside down at the end of the first novel. As a result, she is on the run and teams up with <i>Captain</i> Carswell Thorne. His utter enamorment with himself is hilarious and plays really well off of Cinder's more serious, yet still sarcastic personality.
I really enjoyed seeing the world expand a bit more as we learned about other locations in the Earthen Union and spent time in France. We were given more of Cinder's history and the groundwork was laid for plot points and characters in the future books. This was a great story, but I can't say much else without spoilers - so just go read the series, you won't regret it.