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Sex Drive (2008)
Sex Drive (2008)
2008 | Comedy
8
6.4 (10 Ratings)
Movie Rating
This movie is incredibly crude, but completely hilarious. It's got some of the funniest lines I've ever laughed at loud and obnoxiously in theaters. I always know if it's a good comedy if there are lines I still laugh at years later (ten in this case, it makes me feel old af). The main character, pretends to be this buff, muscle car owning dude, and chats up chicks online. Of course, the car belongs to his brother, James Marsden's character. One of the chicks tells the main character that she's willing to 'go all the way' (this is a high school age movie), if he makes this road trip from his home to somewhere in TN or KY. Various hijinks ensue, and rando actors show up throughout. Like Seth Green randomly being Amish.
  
The Italian Job (2003)
The Italian Job (2003)
2003 | Action, Drama
All i can really remember about the 1969 original is that it is a crime caper, starring Michael Caine, and that it involves Mini Coopers.

As such, I'm not sure whether to class this as a remake, a reimagining or something else entirely!

This version stars Mark Wahoberg, Cherlize Theron, Donald Sutherland, Jason Staham and Oz-from-Buffy (Seth Green) and starts with a heist in Venice: a successful heist, with the perpetrators then betrayed by Ed Norton's 'Steve', who leaves them all for dead.

The rest of the film - mainly set in the States - then follows the remainder of the crew and their quest to get even against Steve, in a plot that yes, once again, involves the use of Mini Coopers!

It would hardly be The Italian Job without said cars, after all ....
  
Mars Needs Moms (2011)
Mars Needs Moms (2011)
2011 | Action, Animation, Comedy
5
6.9 (7 Ratings)
Movie Rating
Milo is your typical 9-year-old boy who doesn’t like doing chores, eating his vegetables or getting disciplined by his mother. But because his mother makes him do his chores and eat his vegetables and scolds him when he doesn’t, she’s made herself the prime target for Martians who need her great mothering skills. Apparently, Martians are “hatched” and raised by “nanny-bots” that are programmed with an Earthling mother’s caregiving and disciplinary abilities. Of course, not any Earthling mother will do. Bypassed are those who spoil their child or fail to care for their child’s safety and wellbeing. So when Milo is spied dutifully, albeit grudgingly, doing as he’s told by his mother, she becomes Mars’ candidate for abduction, because, as the movie title states, Mars needs moms.

On the night Milo’s mom is abducted, Milo (enacted by Seth Green, voiced by Seth Dusky) wakes up in time to witness her being loaded onto a spaceship and he quickly becomes a stowaway. On the red planet, he’s rescued by Gribbler, a chubby, fast-talking, tech-savvy human (voiced by Dan Fogler) who helps him devise a plan to save Milo’s mom, a recognizable Joan Cusack, in voice and, somewhat creepily, in CGI’d face. The two are up against an army of female Martians lead by The Supervisor (voiced by Mindy Sterling) a mean, old Martian. Think Frau Farbissina as a mean E.T. Luckily, Milo and Gribbler find an ally in a rebel Martian named Ki (voiced by Elisabeth Harnois). Milo has less than 6 hours to get to his mom before she’s programmed into the nanny-bots and destroyed by the process. Soon, it’s a race against time for Milo, Gribbler and Ki as they run around endless corridors, hurtle through chutes, tumble down trash mountains, splash into other-worldly caves and fall off cliffs.

Based on a children’s novel by cartoonist Berkeley Breathed, the film is produced by Robert Zemeckis and directed by Simon Wells in performance-capture 3D, a technique pioneered by Zemeckis in Polar Express and used again in A Christmas Carol. In performance-capture filming, actors are covered in sensors that capture their actions and expressions to animate their digital characters. During the end credits, a sampling of outtakes show the actors in their sensor suits physically acting out various scenes. I have to admit, the most entertaining part of the movie for me was watching Seth Green and Dan Fogler literally throw themselves into their characters.

Even with a run time of 88 minutes, kids around Milo’s age and younger may remain enthralled to the end simply from the countdown suspense. Older kids, maybe not. Yes, the high-point of the tale is Milo’s realization of how truly important his mom is to him. But even with all the running and tumbling around, the story takes a long, meandering walk to get to that point. While the technological achievements of 3D animation get more and more impressive, if the story doesn’t captivate or inspire, it’s practically a wasted effort, especially when watching in 2D would not take much away from the effects.
  
Changeland (2019)
Changeland (2019)
2019 | Comedy, Drama
An outright blast - a revitalizing, unfiltered tonic through-and-through. Would pair perfectly with 𝘛𝘩𝘦 𝘚𝘦𝘤𝘳𝘦𝘵 𝘓𝘪𝘧𝘦 𝘰𝘧 𝘞𝘢𝘭𝘵𝘦𝘳 𝘔𝘪𝘵𝘵𝘺 (2013) in elite-tier escapism pieces that so vividly believe in the curative power of getting away and living in the moment. Definitely one of the most depressing movies to watch during the COVID-19 pandemic in that it features some of the most beautiful location cinematography I've ever seen, a fucking *smashing* soundtrack + Patrick Stump score, and an absolutely infectious sense of healing and bliss delivered through an affable cast who fit spotlessly together. Reminded me a lot of something like 𝘗𝘳𝘪𝘯𝘤𝘦 𝘈𝘷𝘢𝘭𝘢𝘯𝘤𝘩𝘦 in the best way. Just people coming together and having a good time, impossible not to fall in love with - one of the ultimate hangout movies there ever was. Huge props to Seth Green, who this was an obvious passion project for. I can't lie and say that the story here is super compelling, it isn't really - it isn't bad by any means either, but it's effectively 𝘎𝘢𝘳𝘥𝘦𝘯 𝘚𝘵𝘢𝘵𝘦 for people who don't hate themselves (minus the towering quirk). But it's clear he feels for this material so deeply that it shows through bigtime in the final product. What could have been some cheapoid DTV shrug instead comes across as a full-bodied experience because of the chemistry onscreen and belief in the picture. And of course I'm just a sucker for late-career Macaulay Culkin, who in this gets blind drunk into a Thai boxing ring wearing a pair of his signature bunny ears. Oh and also Randy Orton gives an inspirational speech. I loved this film deeply.