
Erika (17789 KP) rated Sex Drive (2008) in Movies
Feb 25, 2018

David McK (3505 KP) rated The Italian Job (2003) in Movies
May 2, 2021 (Updated Aug 4, 2024)
As such, I'm not sure whether to class this as a remake, a reimagining or something else entirely!
This version stars Mark Wahoberg, Cherlize Theron, Donald Sutherland, Jason Staham and Oz-from-Buffy (Seth Green) and starts with a heist in Venice: a successful heist, with the perpetrators then betrayed by Ed Norton's 'Steve', who leaves them all for dead.
The rest of the film - mainly set in the States - then follows the remainder of the crew and their quest to get even against Steve, in a plot that yes, once again, involves the use of Mini Coopers!
It would hardly be The Italian Job without said cars, after all ....

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Gareth von Kallenbach (980 KP) rated Mars Needs Moms (2011) in Movies
Aug 7, 2019
On the night Milo’s mom is abducted, Milo (enacted by Seth Green, voiced by Seth Dusky) wakes up in time to witness her being loaded onto a spaceship and he quickly becomes a stowaway. On the red planet, he’s rescued by Gribbler, a chubby, fast-talking, tech-savvy human (voiced by Dan Fogler) who helps him devise a plan to save Milo’s mom, a recognizable Joan Cusack, in voice and, somewhat creepily, in CGI’d face. The two are up against an army of female Martians lead by The Supervisor (voiced by Mindy Sterling) a mean, old Martian. Think Frau Farbissina as a mean E.T. Luckily, Milo and Gribbler find an ally in a rebel Martian named Ki (voiced by Elisabeth Harnois). Milo has less than 6 hours to get to his mom before she’s programmed into the nanny-bots and destroyed by the process. Soon, it’s a race against time for Milo, Gribbler and Ki as they run around endless corridors, hurtle through chutes, tumble down trash mountains, splash into other-worldly caves and fall off cliffs.
Based on a children’s novel by cartoonist Berkeley Breathed, the film is produced by Robert Zemeckis and directed by Simon Wells in performance-capture 3D, a technique pioneered by Zemeckis in Polar Express and used again in A Christmas Carol. In performance-capture filming, actors are covered in sensors that capture their actions and expressions to animate their digital characters. During the end credits, a sampling of outtakes show the actors in their sensor suits physically acting out various scenes. I have to admit, the most entertaining part of the movie for me was watching Seth Green and Dan Fogler literally throw themselves into their characters.
Even with a run time of 88 minutes, kids around Milo’s age and younger may remain enthralled to the end simply from the countdown suspense. Older kids, maybe not. Yes, the high-point of the tale is Milo’s realization of how truly important his mom is to him. But even with all the running and tumbling around, the story takes a long, meandering walk to get to that point. While the technological achievements of 3D animation get more and more impressive, if the story doesn’t captivate or inspire, it’s practically a wasted effort, especially when watching in 2D would not take much away from the effects.
