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Kevin Phillipson (10018 KP) rated Ticks (1994) in Movies
Mar 9, 2020
Mothergamer (1546 KP) rated The Green Hornet (2011) in Movies
Apr 3, 2019
I don't even have the words for how infuriated I am right now with The Green Hornet film. There's a small part of me that wishes I could just throw a brick at Seth Rogen's crotch right now, because he absolutely deserves it along with director Michael Gondry. That's right, the director of the film Eternal Sunshine Of The Spotless Mind which to me was a good movie is responsible for this equally terrible movie.
I do feel much of the blame lies with the fact that Seth Rogen co-wrote this screenplay and he claimed that he was so glad he didn't screw up one of his favorite childhood heroes. Seth, Seth, Seth....tsk tsk, someone's a dirty rotten liar Seth. Why must you constantly lie to us Seth? The truth is you messed up completely! In the original radio show, comics, and T.V. Show Britt Reid wasn't a moron. He was a smart successful newspaper publisher, he was confident, and he could fight well alongside his equally confident sidekick Kato. I loved the T.V. show and I loved the comic. I loved watching The Green Hornet on Kung Fu Saturday when I was a kid. That was the highlight of my Saturday. I would watch a couple of episodes of The Green Hornet and then watch the featured kung fu film. That's a sacred childhood memory and you, Seth Rogen along with your director have pissed all over it.
Not only did you make Britt Reid a total jerk, you made him stupid too! He loosely based Britt Reid on Paris Hilton? Are you kidding me with this nonsense?
Seth Rogen's Britt Reid is a spoiled rich brat who shows no interest in running the newspaper, but he instead becomes buddies with Kato his mechanic and coffee maker. I felt bad for Jay Chou because he's no Bruce Lee, but he did alright in spite of Seth Rogen constantly hyperventilating and shouting in every scene. He tried, he really did. Cameron Diaz's role as Reid's secretary Lenore Case is completely useless. She's basically camera filler with a great smile.
Of course, The Green Hornet has to have a villain and that is Christoph Waltz (Oscar winner from Inglorious Basterds) as Chudnofsky, but there is no depth to the character which proves bad writing is bad writing. Now I like action scenes as much as the next person, but it's as if Seth Rogen got bored and just added as much action as possible as filler rather than having an actual plot that tells the story. There's also so much pointless dialogue, watching this train wreck of a film is like being stuck in a dentist's chair having a root canal with no anesthesia. Yes, it's that damn bad. Not even the overpriced 3-D could save this film. That is just a gimmick to get more money out of people and this film proved that point real quick.
There is so much that could have been done to make this film version of the T.V. show great, but none of it was done. Instead, we get a film that is so terrible with no plot at all, a fake Britt Reid (I don't care what you say Rogen, that character you played was NOT Britt Reid! You are a liar sir!), a subdued Kato that got overshadowed by the crazy rich brat, a useless vapid secretary, and a villain that's about as threatening as a labradoodle. Seth Rogen and Michale Gondry you should be ashamed and embarrassed that your names are on this piece of trash.
Don't waste your money on this folks and certainly don't waste it on 3-D. The original is better and I'm sure that Mr. Rogen's going to have several bricks thrown at his crotch for even writing this awful screenplay. Just please, do us a favor and go sit in the corner with M. Night Shyamalan and quit making movies, because you really screwed the pooch on this one pal.
I do feel much of the blame lies with the fact that Seth Rogen co-wrote this screenplay and he claimed that he was so glad he didn't screw up one of his favorite childhood heroes. Seth, Seth, Seth....tsk tsk, someone's a dirty rotten liar Seth. Why must you constantly lie to us Seth? The truth is you messed up completely! In the original radio show, comics, and T.V. Show Britt Reid wasn't a moron. He was a smart successful newspaper publisher, he was confident, and he could fight well alongside his equally confident sidekick Kato. I loved the T.V. show and I loved the comic. I loved watching The Green Hornet on Kung Fu Saturday when I was a kid. That was the highlight of my Saturday. I would watch a couple of episodes of The Green Hornet and then watch the featured kung fu film. That's a sacred childhood memory and you, Seth Rogen along with your director have pissed all over it.
Not only did you make Britt Reid a total jerk, you made him stupid too! He loosely based Britt Reid on Paris Hilton? Are you kidding me with this nonsense?
Seth Rogen's Britt Reid is a spoiled rich brat who shows no interest in running the newspaper, but he instead becomes buddies with Kato his mechanic and coffee maker. I felt bad for Jay Chou because he's no Bruce Lee, but he did alright in spite of Seth Rogen constantly hyperventilating and shouting in every scene. He tried, he really did. Cameron Diaz's role as Reid's secretary Lenore Case is completely useless. She's basically camera filler with a great smile.
Of course, The Green Hornet has to have a villain and that is Christoph Waltz (Oscar winner from Inglorious Basterds) as Chudnofsky, but there is no depth to the character which proves bad writing is bad writing. Now I like action scenes as much as the next person, but it's as if Seth Rogen got bored and just added as much action as possible as filler rather than having an actual plot that tells the story. There's also so much pointless dialogue, watching this train wreck of a film is like being stuck in a dentist's chair having a root canal with no anesthesia. Yes, it's that damn bad. Not even the overpriced 3-D could save this film. That is just a gimmick to get more money out of people and this film proved that point real quick.
There is so much that could have been done to make this film version of the T.V. show great, but none of it was done. Instead, we get a film that is so terrible with no plot at all, a fake Britt Reid (I don't care what you say Rogen, that character you played was NOT Britt Reid! You are a liar sir!), a subdued Kato that got overshadowed by the crazy rich brat, a useless vapid secretary, and a villain that's about as threatening as a labradoodle. Seth Rogen and Michale Gondry you should be ashamed and embarrassed that your names are on this piece of trash.
Don't waste your money on this folks and certainly don't waste it on 3-D. The original is better and I'm sure that Mr. Rogen's going to have several bricks thrown at his crotch for even writing this awful screenplay. Just please, do us a favor and go sit in the corner with M. Night Shyamalan and quit making movies, because you really screwed the pooch on this one pal.
Erika (17788 KP) rated Sex Drive (2008) in Movies
Feb 25, 2018
This movie is incredibly crude, but completely hilarious. It's got some of the funniest lines I've ever laughed at loud and obnoxiously in theaters. I always know if it's a good comedy if there are lines I still laugh at years later (ten in this case, it makes me feel old af). The main character, pretends to be this buff, muscle car owning dude, and chats up chicks online. Of course, the car belongs to his brother, James Marsden's character. One of the chicks tells the main character that she's willing to 'go all the way' (this is a high school age movie), if he makes this road trip from his home to somewhere in TN or KY. Various hijinks ensue, and rando actors show up throughout. Like Seth Green randomly being Amish.
David McK (3422 KP) rated The Italian Job (2003) in Movies
May 2, 2021 (Updated Aug 4, 2024)
All i can really remember about the 1969 original is that it is a crime caper, starring Michael Caine, and that it involves Mini Coopers.
As such, I'm not sure whether to class this as a remake, a reimagining or something else entirely!
This version stars Mark Wahoberg, Cherlize Theron, Donald Sutherland, Jason Staham and Oz-from-Buffy (Seth Green) and starts with a heist in Venice: a successful heist, with the perpetrators then betrayed by Ed Norton's 'Steve', who leaves them all for dead.
The rest of the film - mainly set in the States - then follows the remainder of the crew and their quest to get even against Steve, in a plot that yes, once again, involves the use of Mini Coopers!
It would hardly be The Italian Job without said cars, after all ....
As such, I'm not sure whether to class this as a remake, a reimagining or something else entirely!
This version stars Mark Wahoberg, Cherlize Theron, Donald Sutherland, Jason Staham and Oz-from-Buffy (Seth Green) and starts with a heist in Venice: a successful heist, with the perpetrators then betrayed by Ed Norton's 'Steve', who leaves them all for dead.
The rest of the film - mainly set in the States - then follows the remainder of the crew and their quest to get even against Steve, in a plot that yes, once again, involves the use of Mini Coopers!
It would hardly be The Italian Job without said cars, after all ....
Gareth von Kallenbach (980 KP) rated Mars Needs Moms (2011) in Movies
Aug 7, 2019
Milo is your typical 9-year-old boy who doesn’t like doing chores, eating his vegetables or getting disciplined by his mother. But because his mother makes him do his chores and eat his vegetables and scolds him when he doesn’t, she’s made herself the prime target for Martians who need her great mothering skills. Apparently, Martians are “hatched” and raised by “nanny-bots” that are programmed with an Earthling mother’s caregiving and disciplinary abilities. Of course, not any Earthling mother will do. Bypassed are those who spoil their child or fail to care for their child’s safety and wellbeing. So when Milo is spied dutifully, albeit grudgingly, doing as he’s told by his mother, she becomes Mars’ candidate for abduction, because, as the movie title states, Mars needs moms.
On the night Milo’s mom is abducted, Milo (enacted by Seth Green, voiced by Seth Dusky) wakes up in time to witness her being loaded onto a spaceship and he quickly becomes a stowaway. On the red planet, he’s rescued by Gribbler, a chubby, fast-talking, tech-savvy human (voiced by Dan Fogler) who helps him devise a plan to save Milo’s mom, a recognizable Joan Cusack, in voice and, somewhat creepily, in CGI’d face. The two are up against an army of female Martians lead by The Supervisor (voiced by Mindy Sterling) a mean, old Martian. Think Frau Farbissina as a mean E.T. Luckily, Milo and Gribbler find an ally in a rebel Martian named Ki (voiced by Elisabeth Harnois). Milo has less than 6 hours to get to his mom before she’s programmed into the nanny-bots and destroyed by the process. Soon, it’s a race against time for Milo, Gribbler and Ki as they run around endless corridors, hurtle through chutes, tumble down trash mountains, splash into other-worldly caves and fall off cliffs.
Based on a children’s novel by cartoonist Berkeley Breathed, the film is produced by Robert Zemeckis and directed by Simon Wells in performance-capture 3D, a technique pioneered by Zemeckis in Polar Express and used again in A Christmas Carol. In performance-capture filming, actors are covered in sensors that capture their actions and expressions to animate their digital characters. During the end credits, a sampling of outtakes show the actors in their sensor suits physically acting out various scenes. I have to admit, the most entertaining part of the movie for me was watching Seth Green and Dan Fogler literally throw themselves into their characters.
Even with a run time of 88 minutes, kids around Milo’s age and younger may remain enthralled to the end simply from the countdown suspense. Older kids, maybe not. Yes, the high-point of the tale is Milo’s realization of how truly important his mom is to him. But even with all the running and tumbling around, the story takes a long, meandering walk to get to that point. While the technological achievements of 3D animation get more and more impressive, if the story doesn’t captivate or inspire, it’s practically a wasted effort, especially when watching in 2D would not take much away from the effects.
On the night Milo’s mom is abducted, Milo (enacted by Seth Green, voiced by Seth Dusky) wakes up in time to witness her being loaded onto a spaceship and he quickly becomes a stowaway. On the red planet, he’s rescued by Gribbler, a chubby, fast-talking, tech-savvy human (voiced by Dan Fogler) who helps him devise a plan to save Milo’s mom, a recognizable Joan Cusack, in voice and, somewhat creepily, in CGI’d face. The two are up against an army of female Martians lead by The Supervisor (voiced by Mindy Sterling) a mean, old Martian. Think Frau Farbissina as a mean E.T. Luckily, Milo and Gribbler find an ally in a rebel Martian named Ki (voiced by Elisabeth Harnois). Milo has less than 6 hours to get to his mom before she’s programmed into the nanny-bots and destroyed by the process. Soon, it’s a race against time for Milo, Gribbler and Ki as they run around endless corridors, hurtle through chutes, tumble down trash mountains, splash into other-worldly caves and fall off cliffs.
Based on a children’s novel by cartoonist Berkeley Breathed, the film is produced by Robert Zemeckis and directed by Simon Wells in performance-capture 3D, a technique pioneered by Zemeckis in Polar Express and used again in A Christmas Carol. In performance-capture filming, actors are covered in sensors that capture their actions and expressions to animate their digital characters. During the end credits, a sampling of outtakes show the actors in their sensor suits physically acting out various scenes. I have to admit, the most entertaining part of the movie for me was watching Seth Green and Dan Fogler literally throw themselves into their characters.
Even with a run time of 88 minutes, kids around Milo’s age and younger may remain enthralled to the end simply from the countdown suspense. Older kids, maybe not. Yes, the high-point of the tale is Milo’s realization of how truly important his mom is to him. But even with all the running and tumbling around, the story takes a long, meandering walk to get to that point. While the technological achievements of 3D animation get more and more impressive, if the story doesn’t captivate or inspire, it’s practically a wasted effort, especially when watching in 2D would not take much away from the effects.
LoganCrews (2861 KP) rated Changeland (2019) in Movies
Sep 19, 2020
An outright blast - a revitalizing, unfiltered tonic through-and-through. Would pair perfectly with 𝘛𝘩𝘦 𝘚𝘦𝘤𝘳𝘦𝘵 𝘓𝘪𝘧𝘦 𝘰𝘧 𝘞𝘢𝘭𝘵𝘦𝘳 𝘔𝘪𝘵𝘵𝘺 (2013) in elite-tier escapism pieces that so vividly believe in the curative power of getting away and living in the moment. Definitely one of the most depressing movies to watch during the COVID-19 pandemic in that it features some of the most beautiful location cinematography I've ever seen, a fucking *smashing* soundtrack + Patrick Stump score, and an absolutely infectious sense of healing and bliss delivered through an affable cast who fit spotlessly together. Reminded me a lot of something like 𝘗𝘳𝘪𝘯𝘤𝘦 𝘈𝘷𝘢𝘭𝘢𝘯𝘤𝘩𝘦 in the best way. Just people coming together and having a good time, impossible not to fall in love with - one of the ultimate hangout movies there ever was. Huge props to Seth Green, who this was an obvious passion project for. I can't lie and say that the story here is super compelling, it isn't really - it isn't bad by any means either, but it's effectively 𝘎𝘢𝘳𝘥𝘦𝘯 𝘚𝘵𝘢𝘵𝘦 for people who don't hate themselves (minus the towering quirk). But it's clear he feels for this material so deeply that it shows through bigtime in the final product. What could have been some cheapoid DTV shrug instead comes across as a full-bodied experience because of the chemistry onscreen and belief in the picture. And of course I'm just a sucker for late-career Macaulay Culkin, who in this gets blind drunk into a Thai boxing ring wearing a pair of his signature bunny ears. Oh and also Randy Orton gives an inspirational speech. I loved this film deeply.
Darren (1599 KP) rated Without a Paddle (2004) in Movies
Dec 21, 2019
Verdict: Enjoyable
Story: Without a Paddle starts as three best friends Tom (Shepard), Jerry (Lillard) and Dan (Green) return home after the sudden death of their fourth member Billy, spending time together they remember a promise they once made when they were children about searching for D.B. Cooper Bounty.
The three head off into the wilderness following a map that Billy left them, on an adventure they couldn’t imagine, search for a treasure and learning the importance of life.
Thoughts on Without a Paddle
Characters – Jerry has become a businessman, he isn’t enjoying this career choice, he likes to surf and isn’t the most committed in remember important dates in his relationship, he must bring the guys back together for the funeral, he is on the edge of a mid-life crisis, which will get the focus of his decision making process on this adventure. Tom is the lose cannon of the friends, he has always got a story from what he has been doing in his life, while most seem to be tall tales, which often get them in trouble. Dan has become a doctor that is nervous in life, he keeps everything safe and this adventure is completely against his lifestyle, where he spends most of his time worried about what happens.
Performances – Matthew Lillard, Seth Green and Dax Shepard are the three friends, they do have great chemistry, they play into their comedy strengths and make this movie more enjoyable with their performances.
Story – The story follows three friends that go on an adventure in the woods in search for D.B. Cooper’s treasure in memory of their friend who passed away. This is a story that is about finding themselves, learning to overcome their fears in life, learn their place in life and making the most of the life they are given. While some of what happens is silly and plays into parodies of many films, it is an enjoyable story that shows the strength of friendship through the good times and the bad.
Adventure/Comedy – The adventure shows us how friends will need that moment in life where the can be together even through the adult struggles in life. The comedy can be silly at times, which does take away from the serious time of the story.
Settings – The film is set in the wilderness, which sees how the different locations from the river rapids to the cannabis farm they stumble along, it plays into the fears of going into the wild.
Scene of the Movie – The treehouse of memories.
That Moment That Annoyed Me – Some of the comedy.
Final Thoughts – This is a fun adventure about finding yourself in life, the cast has a great chemistry only for the comedy to come off slightly short at times.
Overall: Fun Adventure.
Story: Without a Paddle starts as three best friends Tom (Shepard), Jerry (Lillard) and Dan (Green) return home after the sudden death of their fourth member Billy, spending time together they remember a promise they once made when they were children about searching for D.B. Cooper Bounty.
The three head off into the wilderness following a map that Billy left them, on an adventure they couldn’t imagine, search for a treasure and learning the importance of life.
Thoughts on Without a Paddle
Characters – Jerry has become a businessman, he isn’t enjoying this career choice, he likes to surf and isn’t the most committed in remember important dates in his relationship, he must bring the guys back together for the funeral, he is on the edge of a mid-life crisis, which will get the focus of his decision making process on this adventure. Tom is the lose cannon of the friends, he has always got a story from what he has been doing in his life, while most seem to be tall tales, which often get them in trouble. Dan has become a doctor that is nervous in life, he keeps everything safe and this adventure is completely against his lifestyle, where he spends most of his time worried about what happens.
Performances – Matthew Lillard, Seth Green and Dax Shepard are the three friends, they do have great chemistry, they play into their comedy strengths and make this movie more enjoyable with their performances.
Story – The story follows three friends that go on an adventure in the woods in search for D.B. Cooper’s treasure in memory of their friend who passed away. This is a story that is about finding themselves, learning to overcome their fears in life, learn their place in life and making the most of the life they are given. While some of what happens is silly and plays into parodies of many films, it is an enjoyable story that shows the strength of friendship through the good times and the bad.
Adventure/Comedy – The adventure shows us how friends will need that moment in life where the can be together even through the adult struggles in life. The comedy can be silly at times, which does take away from the serious time of the story.
Settings – The film is set in the wilderness, which sees how the different locations from the river rapids to the cannabis farm they stumble along, it plays into the fears of going into the wild.
Scene of the Movie – The treehouse of memories.
That Moment That Annoyed Me – Some of the comedy.
Final Thoughts – This is a fun adventure about finding yourself in life, the cast has a great chemistry only for the comedy to come off slightly short at times.
Overall: Fun Adventure.
Gareth von Kallenbach (980 KP) rated The Green Hornet (2011) in Movies
Aug 7, 2019
The Green Hornet has appeared in books, a television series, and perhaps in its most famous form, as a radio series. Adapting a superhero to the big screen is not without its share of challenges. For every Batman and Spiderman that sets box office records there are several that fail miserably, such as Daredevil, Elektra, The Phantom, The Shadow, and the first Hulk movie.
When it was first announced that Seth Rogen would star as the title character many people were first skeptical that a chubby comedian would be able to pull off the part. While the Green Hornet is not as iconic as Batman, the casting did bring to mind the controversy of casting Michael Keaton as the Dark Knight for Tim Burton’s take on the Caped Crusader.
Further complicating matters were the delays and in the announcement that the film would be converted to 3-D in postproduction even though it was shot in 2-D. When the film failed to meet its anticipated holiday debut there were those that had wondered if the film would fail to meet even modest expectations as January certainly isn’t the time of year that action films, especially those based on a superhero, are released.
Thankfully the film is an extremely pleasant surprise that deftly mixes comedy and action with smart pacing in a winning formula. The film tells the story of Britt Reid (Rogen), the son of a wealthy newspaper owner who, despite his best efforts, always disappoints his father who never runs out of ways to criticize his only child. Britt, to his father’s dismay, has no ambition in his life and is content to live in the guesthouse of his father’s mansion, womanizing and embracing the party scene.
When his father dies unexpectedly, Britt is forced to take control of the newspaper, a job for which he is woefully unqualified. It is at this time that Britt meets Kato (Jay Chou), his father’s long-time employee, responsible for taking care of the elder Reid’s very impressive fleet of cars.
One evening in an act of rebellion against the benevolent image of his father, Britt and Kato intervene to stop a crime. Motivated by their success and by Kato’s amazing ability to invent technology and modify vehicles, as well as his superb martial arts abilities, the duo set out to make a name for themselves by taking on the city’s criminal element.
While it first appears that Britt sees this as just some grand adventure, he soon becomes dedicated to the cause and sets upon a path to use his newspaper to play up his newly created hero. The plan is to make the Green Hornet appear to be a bad guy when in reality he is fighting to end crime. The convoluted idea has some initial success despite Britt’s lack of fighting ability. Britt and Kato soon begin to make a name for themselves in the local underworld as well is dominate the media.
At this time a young assistant named Lenora case (Cameron Diaz), comes to work for Britt. Britt and Kato are both captivated by Lenora and use her knowledge of criminal psychology to detail their plan of action for their alter egos. While Britt and Kato are buoyed by their initial success they soon find themselves under the scrutiny of the local crime boss Chudnofsky (Christopher Waltz), an insecure criminal who believes people don’t think he is scary enough or stylish enough.
Finding them an annoyance, Chudnofsky decides to wage all-out war on the Green Hornet and Kato and will rest at nothing to see them dead. As if this was not bad enough, Britt and Kato find themselves in a jealous rivalry over Lenora as well as their roles. Britt sees himself as the real hero and Kato as merely his sidekick. Kato naturally takes umbrage with this being not only the one who develops all of their gadgets, including the awesome black beauty equipped with bulletproof glass, machine guns, rocket launcher and a flamethrower, but also the one with the amazing fighting skills.
What follows is a hilarious and action packed film that is one of the most satisfying action-buddy-comedies ever made. Rogen is in his element cleverly playing Britt as an everyman who, despite having all the advantages of wealth, is still very much a kid playing superhero who has to learn about the important things in life .
The action sequences are fresh and entertaining and both Rogen and Chao pull off their roles very convincingly. While the plot is not overly complex it serves its point and propels the characters along without getting bogged down or becoming too ridiculous. Director Michel Gondry keeps the film moving at a steady pace without overstaying its welcome and does not allow the action to overtake the characters.
The supporting cast is very strong and the only real issue I had with the film was the converted 3-D that was totally unnecessary and did little to enhance the film. Very few sequence appeared to benefit from it. That being said I had a fantastic time at this film and I surely hope that we’ll be seeing other films in the series in the not too distant future.
When it was first announced that Seth Rogen would star as the title character many people were first skeptical that a chubby comedian would be able to pull off the part. While the Green Hornet is not as iconic as Batman, the casting did bring to mind the controversy of casting Michael Keaton as the Dark Knight for Tim Burton’s take on the Caped Crusader.
Further complicating matters were the delays and in the announcement that the film would be converted to 3-D in postproduction even though it was shot in 2-D. When the film failed to meet its anticipated holiday debut there were those that had wondered if the film would fail to meet even modest expectations as January certainly isn’t the time of year that action films, especially those based on a superhero, are released.
Thankfully the film is an extremely pleasant surprise that deftly mixes comedy and action with smart pacing in a winning formula. The film tells the story of Britt Reid (Rogen), the son of a wealthy newspaper owner who, despite his best efforts, always disappoints his father who never runs out of ways to criticize his only child. Britt, to his father’s dismay, has no ambition in his life and is content to live in the guesthouse of his father’s mansion, womanizing and embracing the party scene.
When his father dies unexpectedly, Britt is forced to take control of the newspaper, a job for which he is woefully unqualified. It is at this time that Britt meets Kato (Jay Chou), his father’s long-time employee, responsible for taking care of the elder Reid’s very impressive fleet of cars.
One evening in an act of rebellion against the benevolent image of his father, Britt and Kato intervene to stop a crime. Motivated by their success and by Kato’s amazing ability to invent technology and modify vehicles, as well as his superb martial arts abilities, the duo set out to make a name for themselves by taking on the city’s criminal element.
While it first appears that Britt sees this as just some grand adventure, he soon becomes dedicated to the cause and sets upon a path to use his newspaper to play up his newly created hero. The plan is to make the Green Hornet appear to be a bad guy when in reality he is fighting to end crime. The convoluted idea has some initial success despite Britt’s lack of fighting ability. Britt and Kato soon begin to make a name for themselves in the local underworld as well is dominate the media.
At this time a young assistant named Lenora case (Cameron Diaz), comes to work for Britt. Britt and Kato are both captivated by Lenora and use her knowledge of criminal psychology to detail their plan of action for their alter egos. While Britt and Kato are buoyed by their initial success they soon find themselves under the scrutiny of the local crime boss Chudnofsky (Christopher Waltz), an insecure criminal who believes people don’t think he is scary enough or stylish enough.
Finding them an annoyance, Chudnofsky decides to wage all-out war on the Green Hornet and Kato and will rest at nothing to see them dead. As if this was not bad enough, Britt and Kato find themselves in a jealous rivalry over Lenora as well as their roles. Britt sees himself as the real hero and Kato as merely his sidekick. Kato naturally takes umbrage with this being not only the one who develops all of their gadgets, including the awesome black beauty equipped with bulletproof glass, machine guns, rocket launcher and a flamethrower, but also the one with the amazing fighting skills.
What follows is a hilarious and action packed film that is one of the most satisfying action-buddy-comedies ever made. Rogen is in his element cleverly playing Britt as an everyman who, despite having all the advantages of wealth, is still very much a kid playing superhero who has to learn about the important things in life .
The action sequences are fresh and entertaining and both Rogen and Chao pull off their roles very convincingly. While the plot is not overly complex it serves its point and propels the characters along without getting bogged down or becoming too ridiculous. Director Michel Gondry keeps the film moving at a steady pace without overstaying its welcome and does not allow the action to overtake the characters.
The supporting cast is very strong and the only real issue I had with the film was the converted 3-D that was totally unnecessary and did little to enhance the film. Very few sequence appeared to benefit from it. That being said I had a fantastic time at this film and I surely hope that we’ll be seeing other films in the series in the not too distant future.