"I love David Cronenberg and everything he is about. He’s crawled inside my head and shown me dreams I never thought I’d have. His seminal 1983 psychodrama about the power of the media to corrupt and manipulate the minds of the people through sex and violence is as prophetic as it is horrifying. The mind-boggling effects dreamt up by Cronenberg and the master Rick Baker are a work of art unto themselves. It’s prophetic and horrifying and fascinating. Poetic, where other horror films are just gruesome and punishing. And Cronenberg gives a great commentary in conversation with longtime DP Mark Irwin. The edition also contains one of my favorite special features ever: Fear on Film, a half-hour roundtable discussion with Cronenberg, John Landis, and John Carpenter, who were all making classic horror films at Universal at the same time. It’s a nice little taste of what it must have been like to be around at a revolutionary time for American horror. I wish I had been there"

"When I was 14 my family took a trip to London, which was the first and only trip we took together outside of the US. For some reason, we had to go to Waterloo station and my dad told me there was a song by the Kinks about people who meet there, then he played it for me when we got home. I associate it with this exotic feeling I had when I was there. At the time London seemed like a totally mystical place and lived up to my expectations of Englishness. I grew up in New Jersey, so mid-60s Kinks albums seemed like a pure fantasy world. The themes of this one are quite grown-up – it's wistful and sentimental. I also like 'Two Sisters', which is about a woman who is jealous of her carefree, single sister but realises that the stability she has in her family life is more valuable. That's such a different kind of song to listen to when you're 14, as opposed to the stuff on pop radio about love and sex."