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Heather Cranmer (2721 KP) rated Last Summer in Books
Jul 24, 2019
I first heard about Last Summer by Kerry Lonsdale when I was browsing the giveaway section of Goodreads. I'm a stickler for books that deal with memory loss and trying to regain memories, so Last Summer definitely caught my eye. I was thrilled when I received an email from Goodreads saying I had won the eBook for Last Summer. After reading this novel, I'm glad I didn't pay for it. While it wasn't a great read, it was just lackluster.
Ella , a journalist, is in the hospital after a car accident that killed her unborn child. However, after being there for a few days, she suddenly loses her memory about being being pregnant and what happened right before she became pregnant and during her pregnancy. Desperate to remember her child, she does whatever she can to remember. When she is assigned to get an exclusive story about Nathan, a former celebrity whose son has just died, he lets her know that he knows some of things she forgot. However, some memories are best left forgotten.
The plot sounded for Last Summer like it would be promising. I felt like this book would be more about the mystery of Ella's memories. However, it seemed more like a romance novel than anything else which was a disappointment for me. It was more about Ella loving Nathan (not a spoiler, don't worry) but also loving her husband and her feeling guilty about it. At times, the plot seemed a bit muddled as well as predictable. There are a couple of plot twists I didn't see coming. The dialogue and writing seemed realistic as did the plot, so there's that. One thing that did bother me was how much sex was mentioned in the book. There were times I felt as if sex was mentioned just for the sake of mentioning it. I felt like sometimes it would have been implied or not mentioned at all.
The characters were just so so as well. I wanted to like them more, but I just had trouble. I don't think they were written poorly for the most part. I just couldn't feel a connection. There was something I didn't really like about Damien, Ella's husband, starting from the beginning of the book. He started off as being a bit mean and a bit smarmy at times. I kept wanting Ella to just run away from him because I did not like the guy! Ella sometimes felt a little too one dimensional for my liking. I felt like she was missing some depth to her, and there were many times she felt shallow. I did like Nathan, and I felt really bad for him. The hand he was given was a bad one. He was the only one character that felt the most sincere. I just wanted to hug him so many times.
The pacing for Last Summer was slow in some places, but it wasn't too bad. It did hold my attention throughout, and I found myself wanting to read more each time I had a spare minute. The story does flow well.
Trigger warnings for Last Summer include child loss, profanity, drinking, marital cheating, sex (although only slightly graphic), and lying.
All in all, Last Summer is a just an okay read. There's nothing that special about it where I would actually remember reading it a few months down the line. Saying that, I would recommend Last Summer by Kerry Lonsdale simply because I feel like it would make a good book to read while on vacation.
Ella , a journalist, is in the hospital after a car accident that killed her unborn child. However, after being there for a few days, she suddenly loses her memory about being being pregnant and what happened right before she became pregnant and during her pregnancy. Desperate to remember her child, she does whatever she can to remember. When she is assigned to get an exclusive story about Nathan, a former celebrity whose son has just died, he lets her know that he knows some of things she forgot. However, some memories are best left forgotten.
The plot sounded for Last Summer like it would be promising. I felt like this book would be more about the mystery of Ella's memories. However, it seemed more like a romance novel than anything else which was a disappointment for me. It was more about Ella loving Nathan (not a spoiler, don't worry) but also loving her husband and her feeling guilty about it. At times, the plot seemed a bit muddled as well as predictable. There are a couple of plot twists I didn't see coming. The dialogue and writing seemed realistic as did the plot, so there's that. One thing that did bother me was how much sex was mentioned in the book. There were times I felt as if sex was mentioned just for the sake of mentioning it. I felt like sometimes it would have been implied or not mentioned at all.
The characters were just so so as well. I wanted to like them more, but I just had trouble. I don't think they were written poorly for the most part. I just couldn't feel a connection. There was something I didn't really like about Damien, Ella's husband, starting from the beginning of the book. He started off as being a bit mean and a bit smarmy at times. I kept wanting Ella to just run away from him because I did not like the guy! Ella sometimes felt a little too one dimensional for my liking. I felt like she was missing some depth to her, and there were many times she felt shallow. I did like Nathan, and I felt really bad for him. The hand he was given was a bad one. He was the only one character that felt the most sincere. I just wanted to hug him so many times.
The pacing for Last Summer was slow in some places, but it wasn't too bad. It did hold my attention throughout, and I found myself wanting to read more each time I had a spare minute. The story does flow well.
Trigger warnings for Last Summer include child loss, profanity, drinking, marital cheating, sex (although only slightly graphic), and lying.
All in all, Last Summer is a just an okay read. There's nothing that special about it where I would actually remember reading it a few months down the line. Saying that, I would recommend Last Summer by Kerry Lonsdale simply because I feel like it would make a good book to read while on vacation.
Wild Animals Online(WAO)
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Welcome to the best animal game, Wild Animals Online (WAO) "Go fight! If you don’t fight,...
Goddess in the Stacks (553 KP) rated The Priory of the Orange Tree in Books
May 3, 2019
AMAZING epic fantasy.
Holy COW, you guys. I keep saying “I haven’t read much epic fantasy lately” and “I don’t have time to read such long books/series” but I made an exception for Priory, and I’m SO glad I did. Just WOW.
So the basic premise of this world is that The Nameless One (some gigantic evil dragon) was locked away a thousand years ago, and all his minions with him. The exact details of how and who did it have been mostly lost to history. It’s said that as long as the House of Berethnet rules Inys, he’ll never rise again, and Berethnet queens always have one child, a daughter. The current queen, however, is unwed, and minions of The Nameless One have begun rising, and in fact have conquered a few neighboring nations. We have three main factions of countries; The East, who have dragon riders, but make a distinction between their dragons, who are aquatic and identify with the stars, and the evil minions of The Nameless One, who are full of fire. Then we have Virtudom, which is headed by Inys, and is a coalition of countries who have made a religion of the Knightly Virtues. This is the West, and they make no distinction between the draconic servants of The Nameless One and the water dragons of the East. This has forced a split between the West and the East, because Virtudom won’t have anything to do with countries that have anything to do with dragons, because most of what they see is the third faction – the Draconic countries. These are countries conquered by minions of the Nameless One, and they are full of chaos, fire, evil, and plague.
This is the world the book opens on. Most of our main characters – Queen Sabran, her handmaiden Ead, the dragonrider Tané – are women, but we also have Doctor Niclays Roos, an alchemist, and Lord Arteloth Beck, a friend of the Queen. In this world, women are just as capable as men, and are treated as such. There are female knights, and same-sex relationships are just as ordinary as opposite-sex ones. There is a bit too much moral emphasis placed on monogamy/sex within the bounds of marriage, but I guess that’s “Knightly Virtue” for you. Skin color is only mentioned a couple of times, but I seem to remember Lord Arteloth being described as very dark-skinned, and Ead as golden-brown. Rather nice to see a fantasy NOT all caught up in racial and gender differences. Not to say there isn’t a fair amount of bigotry, but in this book it’s based pretty much solely on nationality and religion. And when the biggest sticking point is “do you like evil dragons or not” that kind of makes sense!
I think the only thing I didn’t like about this book was its size. It’s unwieldy to read, at over 800 pages! I’m not sure why they didn’t break it into a duology. Regardless, if you have the choice, I’d read it on Kindle. It would be far easier to handle. I’m not complaining about the amount of text, mind you. Just the sheer physical size. I can’t imagine the story being told in less time. There’s So. Much. Here.
This book goes from Queen Sabran’s court to the dragonrider academy in the East, to the draconic kingdom of Yscalin, to the Abyss where the Nameless One sleeps. We see glittering courts, hidden islands, sweltering tunnels through volcanic mountains, and deep valleys with secret magic trees. We battle wyrms and cockatrices, swim through endless seas with dragonriders, sail through storms with pirate crews, and navigate the trickiest of diplomatic matters with courtiers. The Priory of the Orange Tree paints an elaborate, incredibly complex world and I am absolutely here for it.
Okay, so one tiny quibble – while I liked the romance, I feel like it started kind of oddly. I didn’t see any reason for the initial spark. From there, it progressed perfectly, but I just didn’t get the beginning.
This book has multiple queer couples! There’s at least one same-sex couple mentioned as attending a party; Doctor Roos spends a lot of time mourning his dead lover, and there’s the lesbian romance between a couple of main characters. And one character has at least strong affection for a man before falling in love with a woman; I think she was in love with both. No trans or ace rep, but plenty of gay, lesbian, and bi!
This is hands-down the best book I’ve read so far this year. It took me three days – it’s a big book – but it is absolutely fantastic.
You can find all my reviews at http://goddessinthestacks.com
So the basic premise of this world is that The Nameless One (some gigantic evil dragon) was locked away a thousand years ago, and all his minions with him. The exact details of how and who did it have been mostly lost to history. It’s said that as long as the House of Berethnet rules Inys, he’ll never rise again, and Berethnet queens always have one child, a daughter. The current queen, however, is unwed, and minions of The Nameless One have begun rising, and in fact have conquered a few neighboring nations. We have three main factions of countries; The East, who have dragon riders, but make a distinction between their dragons, who are aquatic and identify with the stars, and the evil minions of The Nameless One, who are full of fire. Then we have Virtudom, which is headed by Inys, and is a coalition of countries who have made a religion of the Knightly Virtues. This is the West, and they make no distinction between the draconic servants of The Nameless One and the water dragons of the East. This has forced a split between the West and the East, because Virtudom won’t have anything to do with countries that have anything to do with dragons, because most of what they see is the third faction – the Draconic countries. These are countries conquered by minions of the Nameless One, and they are full of chaos, fire, evil, and plague.
This is the world the book opens on. Most of our main characters – Queen Sabran, her handmaiden Ead, the dragonrider Tané – are women, but we also have Doctor Niclays Roos, an alchemist, and Lord Arteloth Beck, a friend of the Queen. In this world, women are just as capable as men, and are treated as such. There are female knights, and same-sex relationships are just as ordinary as opposite-sex ones. There is a bit too much moral emphasis placed on monogamy/sex within the bounds of marriage, but I guess that’s “Knightly Virtue” for you. Skin color is only mentioned a couple of times, but I seem to remember Lord Arteloth being described as very dark-skinned, and Ead as golden-brown. Rather nice to see a fantasy NOT all caught up in racial and gender differences. Not to say there isn’t a fair amount of bigotry, but in this book it’s based pretty much solely on nationality and religion. And when the biggest sticking point is “do you like evil dragons or not” that kind of makes sense!
I think the only thing I didn’t like about this book was its size. It’s unwieldy to read, at over 800 pages! I’m not sure why they didn’t break it into a duology. Regardless, if you have the choice, I’d read it on Kindle. It would be far easier to handle. I’m not complaining about the amount of text, mind you. Just the sheer physical size. I can’t imagine the story being told in less time. There’s So. Much. Here.
This book goes from Queen Sabran’s court to the dragonrider academy in the East, to the draconic kingdom of Yscalin, to the Abyss where the Nameless One sleeps. We see glittering courts, hidden islands, sweltering tunnels through volcanic mountains, and deep valleys with secret magic trees. We battle wyrms and cockatrices, swim through endless seas with dragonriders, sail through storms with pirate crews, and navigate the trickiest of diplomatic matters with courtiers. The Priory of the Orange Tree paints an elaborate, incredibly complex world and I am absolutely here for it.
Okay, so one tiny quibble – while I liked the romance, I feel like it started kind of oddly. I didn’t see any reason for the initial spark. From there, it progressed perfectly, but I just didn’t get the beginning.
This book has multiple queer couples! There’s at least one same-sex couple mentioned as attending a party; Doctor Roos spends a lot of time mourning his dead lover, and there’s the lesbian romance between a couple of main characters. And one character has at least strong affection for a man before falling in love with a woman; I think she was in love with both. No trans or ace rep, but plenty of gay, lesbian, and bi!
This is hands-down the best book I’ve read so far this year. It took me three days – it’s a big book – but it is absolutely fantastic.
You can find all my reviews at http://goddessinthestacks.com
LilyLovesIndie (123 KP) rated Surreal (The Divine Trilogy, #3) in Books
Nov 5, 2018
I can still remember the first time I met Jayden and Catherine, and it thrills me to this day. As a result, I allowed myself a little quiet time before starting this book, to remind myself of not just the journey the characters had already been on, but the journey I had been on as a result of reading these books. You see, Ms Hargrave was the one to introduce me to BDSM and the thrills you could get from reading a book of this nature. Before that very first time (just about 18 months ago) when I picked up the first installment, I never would have dreamed I'd be as hooked on Jayden and Erin's story as I am today. And so, without further ado, I'm going to tell you why Surreal was my best read of 2014, and why I seriously doubt it will ever move from my top 5 books. Ever.
One thing I adored about this book (and there were plenty, so bear with me if I get my ordinals in a tizz), was how beautifully it continued on from the rest of the series. As someone who had read the first two books, I knew what was going on, but that doesn't mean I didn't appreciate the little recap to bring me back up to speed. This was perfectly pitched - someone like me had just enough to open the floodgates and rekindle the love, but a new reader would have ample to keep them going through the book (although if that were me, I'd have gone back to the beginning right there).
The character development through this novel was another piece of exemplary writing. Jayden and Erin both faced very different and unique challenges to what they had in the previous novels, and to watch them work through these together made for brilliant reading. They've both reached a new stage in their lives where perspectives change, their wants and needs as individuals and couples are different, but still Hargrave writes them with a realism and beauty that surpasses most other authors out there.
Well, let's get to the point of it - the sex. Wow. Oh my. Jaydenisoneseriouslyhotpieceofass. Oh, my bad, no spaces? But seriously. Oh. My. Goodness. Quite simply, the sex is phenomenal. The stuff these two get up to is inspirational, honestly. If I had a guy half as good as Jayden (or maybe if I even had a guy....) I'd be reading this as a couple and reenacting certain parts! It's so well written, pacy, detailed and above all exciting. I wanted to be Erin, I wanted Jayden to be my Master and above all, I wanted this to all be real because that's how it felt. At times I have to admit that I reached for cold water and a fan, it was that hot, but it's all safe, consensual, within their own limits. That's something that not all authors take the care to convey, but Hargrave clearly shows a responsibility to her readers - she knows that some will want to go out and try this stuff, so she gives them the signs and tips to make sure that they don't hurt themselves. I have learned more about sex and safe practice through her books than any sex ed class at school - fact.
Something else I loved about this book was that Hargrave left those odd few spaces which allow the reader to have their own questions. You want to keep reading, but you can hear your cogs ticking as you are thinking over that last scene or plot twist. And when you've put the book down, it leaves you thinking even more, it literally consumes so many moments in thought that you could live in this world. That's a super positive for me as I like a book to suck me in, hold me captive in the world created by the author, and Hargrave does this so much better in Surreal than all of her other works combined. Of course, the only downside to this is the book hangover - and be prepared cause it's a doozie (I lost nearly a week mooning over Jayden). You truly didn't expect, or want, the book to finish. Even now, much later on, I'm still wanting (and hoping) for more of Jayden and Erin because I adore them so much.
But for all my mooning and love of the sex scenes, it was actually some of the most vanilla parts of the book that were my favourite. Ms Hargrave is without a doubt one of the best and most skilled authors I've ever had the pleasure of reading. Certain scenes (and I shan't spoil here) were utterly mind blowing, taking my breath away and flooring me with their brilliance. Hargrave truly is a master of her craft.
And so, sadly, just like the trilogy all things must end, but boy did this end on a high. Surreal is, by far, the crowing glory of this trilogy and Hargrave should be immensely proud of what she has created. I recommended these books to all I met, but I do so with an added vigour after reading Surreal. Thankyou for this book, this series, for opening my eyes.
But above all, thankyou for writing and for letting me have this experience. It's been divine, sublime, surreal from start to finish.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
One thing I adored about this book (and there were plenty, so bear with me if I get my ordinals in a tizz), was how beautifully it continued on from the rest of the series. As someone who had read the first two books, I knew what was going on, but that doesn't mean I didn't appreciate the little recap to bring me back up to speed. This was perfectly pitched - someone like me had just enough to open the floodgates and rekindle the love, but a new reader would have ample to keep them going through the book (although if that were me, I'd have gone back to the beginning right there).
The character development through this novel was another piece of exemplary writing. Jayden and Erin both faced very different and unique challenges to what they had in the previous novels, and to watch them work through these together made for brilliant reading. They've both reached a new stage in their lives where perspectives change, their wants and needs as individuals and couples are different, but still Hargrave writes them with a realism and beauty that surpasses most other authors out there.
Well, let's get to the point of it - the sex. Wow. Oh my. Jaydenisoneseriouslyhotpieceofass. Oh, my bad, no spaces? But seriously. Oh. My. Goodness. Quite simply, the sex is phenomenal. The stuff these two get up to is inspirational, honestly. If I had a guy half as good as Jayden (or maybe if I even had a guy....) I'd be reading this as a couple and reenacting certain parts! It's so well written, pacy, detailed and above all exciting. I wanted to be Erin, I wanted Jayden to be my Master and above all, I wanted this to all be real because that's how it felt. At times I have to admit that I reached for cold water and a fan, it was that hot, but it's all safe, consensual, within their own limits. That's something that not all authors take the care to convey, but Hargrave clearly shows a responsibility to her readers - she knows that some will want to go out and try this stuff, so she gives them the signs and tips to make sure that they don't hurt themselves. I have learned more about sex and safe practice through her books than any sex ed class at school - fact.
Something else I loved about this book was that Hargrave left those odd few spaces which allow the reader to have their own questions. You want to keep reading, but you can hear your cogs ticking as you are thinking over that last scene or plot twist. And when you've put the book down, it leaves you thinking even more, it literally consumes so many moments in thought that you could live in this world. That's a super positive for me as I like a book to suck me in, hold me captive in the world created by the author, and Hargrave does this so much better in Surreal than all of her other works combined. Of course, the only downside to this is the book hangover - and be prepared cause it's a doozie (I lost nearly a week mooning over Jayden). You truly didn't expect, or want, the book to finish. Even now, much later on, I'm still wanting (and hoping) for more of Jayden and Erin because I adore them so much.
But for all my mooning and love of the sex scenes, it was actually some of the most vanilla parts of the book that were my favourite. Ms Hargrave is without a doubt one of the best and most skilled authors I've ever had the pleasure of reading. Certain scenes (and I shan't spoil here) were utterly mind blowing, taking my breath away and flooring me with their brilliance. Hargrave truly is a master of her craft.
And so, sadly, just like the trilogy all things must end, but boy did this end on a high. Surreal is, by far, the crowing glory of this trilogy and Hargrave should be immensely proud of what she has created. I recommended these books to all I met, but I do so with an added vigour after reading Surreal. Thankyou for this book, this series, for opening my eyes.
But above all, thankyou for writing and for letting me have this experience. It's been divine, sublime, surreal from start to finish.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
Suswatibasu (1703 KP) rated Her Body and Other Parties: Stories in Books
Nov 22, 2017 (Updated Nov 22, 2017)
Good writing but fairly disappointing
Her Body and Other Parties is like most short story collections I have read in that some of the stories worked for me far more than others.
Carmen Maria Machado mingles fabulism, body horror, erotica and 'feminist' commentary in her debut novel. The thrust of this book is perhaps best encapsulated by the second story in the book, 'Inventory'. It starts with the narrator cataloguing everyone she's slept with, taking on that now-near-compulsory clinical tone, that Muumuu House type of thing of talking endlessly about sex but doing so in an affectless style that doesn't communicate any passion or joy or pleasure. It suddenly becomes more interesting when a hidden narrative emerges: as the narrator progresses through her later conquests, she talks of a pervasive virus, family members lost, a quarantine zone, evacuations and refugees. It's an unexpected approach to the dystopian theme and a pleasing subversion of first impressions, yet the story as a whole remains unsatisfying.
Among the weaker stories is 'Especially Heinous', which reimagines plot summaries of Law & Order: Special Victims Unit episodes through a surrealist lens, playing on the ubiquity of violence against women in such shows. Except it was far too long, going through an entire seven series, becoming increasingly bizarre.
My favourite was 'The Resident'. While the subject matter is slightly more staid than some of the others – presumably semi-autobiographical in its portrait of a writer unravelling during a retreat – it's a relief that it isn't told at a cold, impersonal remove. It actually has heart and a personality, unlike so many of the others, and contains one of the few truly rousing scenes in the book, when the narrator lashes out at a patronising acquaintance and defends her right to write about 'crazy' heroines and madwomen in attics.
Nevertheless, there's something I find so depressing about the kind of writing that's ostensibly feminist but seems to focus incessantly on the negatives of being a woman. In fiction such as this, the approach is often paired with candid-yet-detached writing about sex that I also find off-putting (not to mention extremely unsexy). The stories are well-crafted and (when they don't feel workshopped to death) spark with strong ideas and entertaining metafictional touches, but Her Body and Other Parties didn't work for me the way I hoped it would.
Carmen Maria Machado mingles fabulism, body horror, erotica and 'feminist' commentary in her debut novel. The thrust of this book is perhaps best encapsulated by the second story in the book, 'Inventory'. It starts with the narrator cataloguing everyone she's slept with, taking on that now-near-compulsory clinical tone, that Muumuu House type of thing of talking endlessly about sex but doing so in an affectless style that doesn't communicate any passion or joy or pleasure. It suddenly becomes more interesting when a hidden narrative emerges: as the narrator progresses through her later conquests, she talks of a pervasive virus, family members lost, a quarantine zone, evacuations and refugees. It's an unexpected approach to the dystopian theme and a pleasing subversion of first impressions, yet the story as a whole remains unsatisfying.
Among the weaker stories is 'Especially Heinous', which reimagines plot summaries of Law & Order: Special Victims Unit episodes through a surrealist lens, playing on the ubiquity of violence against women in such shows. Except it was far too long, going through an entire seven series, becoming increasingly bizarre.
My favourite was 'The Resident'. While the subject matter is slightly more staid than some of the others – presumably semi-autobiographical in its portrait of a writer unravelling during a retreat – it's a relief that it isn't told at a cold, impersonal remove. It actually has heart and a personality, unlike so many of the others, and contains one of the few truly rousing scenes in the book, when the narrator lashes out at a patronising acquaintance and defends her right to write about 'crazy' heroines and madwomen in attics.
Nevertheless, there's something I find so depressing about the kind of writing that's ostensibly feminist but seems to focus incessantly on the negatives of being a woman. In fiction such as this, the approach is often paired with candid-yet-detached writing about sex that I also find off-putting (not to mention extremely unsexy). The stories are well-crafted and (when they don't feel workshopped to death) spark with strong ideas and entertaining metafictional touches, but Her Body and Other Parties didn't work for me the way I hoped it would.
Debbiereadsbook (1437 KP) rated On The Ice ( Stick Side '#1) in Books
May 14, 2018
kinda creeps up on ya!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Mitch is working two jobs to put himself through college, and get himself in the NHL league. He puts on a front for everyone and anyone who pays him any attention. But Alex sees Mitch, like SEES him, as he really is and Alex wants more. But both young men are fully aware that coming out might jeopardize both the positions in the league.
I made a new shelf, just for books like this! It's title?? Kinda-creeps-up-on-ya!
Because that is just what this book did! It creeps along, slow, slow, fast, fast, slow. The emotions build along the same, and then, THEN?? I ran out of book!
You get sucked in so far, you can't see a way out, except to keep on going and see how it all turns out!
I loved Mitch, with all his fronts and faces he presents to everyone else. I loved that Alex saw, immediately, past those fronts and faces. Loved that Alex makes it clear to Mitch, while he finds him attractive, there can be nothing between them without the EMOTIONAL connection. And Mitch would rather take the nothing, and have Alex in his life, than just the sex, and lose Alex along the way.
I find myself: me, a middle aged English woman, connecting with Alex on a much deeper level than I expected to. Alex is demisexual: he loves people, not genders. But he won't have sex with just anyone, he needs that emotion connection that Mitch is chasing with Alex. And I think THATS what I connected to, the fact he needs that emotional connection.
I did love the epilogue! Loved that, even though these guys could have lost their league places, they followed their hearts!
There is a little bit in the front of this book, that tells you Mitch and Alex pop up in another book by Aislin. They are already married for 6 years in that book, and this is the story of how they got together. I'd like to read that one too.
From what I can see, the first I have read of Aislin, another new to me author who blew me away.
5 stars, that creep up ya!!
**same worded review will appear elsewhere**
Mitch is working two jobs to put himself through college, and get himself in the NHL league. He puts on a front for everyone and anyone who pays him any attention. But Alex sees Mitch, like SEES him, as he really is and Alex wants more. But both young men are fully aware that coming out might jeopardize both the positions in the league.
I made a new shelf, just for books like this! It's title?? Kinda-creeps-up-on-ya!
Because that is just what this book did! It creeps along, slow, slow, fast, fast, slow. The emotions build along the same, and then, THEN?? I ran out of book!
You get sucked in so far, you can't see a way out, except to keep on going and see how it all turns out!
I loved Mitch, with all his fronts and faces he presents to everyone else. I loved that Alex saw, immediately, past those fronts and faces. Loved that Alex makes it clear to Mitch, while he finds him attractive, there can be nothing between them without the EMOTIONAL connection. And Mitch would rather take the nothing, and have Alex in his life, than just the sex, and lose Alex along the way.
I find myself: me, a middle aged English woman, connecting with Alex on a much deeper level than I expected to. Alex is demisexual: he loves people, not genders. But he won't have sex with just anyone, he needs that emotion connection that Mitch is chasing with Alex. And I think THATS what I connected to, the fact he needs that emotional connection.
I did love the epilogue! Loved that, even though these guys could have lost their league places, they followed their hearts!
There is a little bit in the front of this book, that tells you Mitch and Alex pop up in another book by Aislin. They are already married for 6 years in that book, and this is the story of how they got together. I'd like to read that one too.
From what I can see, the first I have read of Aislin, another new to me author who blew me away.
5 stars, that creep up ya!!
**same worded review will appear elsewhere**
Rachel King (13 KP) rated Hush, Hush (Hush, Hush, #1) in Books
Feb 11, 2019
I'm still tingling from the ending of this wonderfully delicious book! I immediately went in search of a sequel and discovered that there is one set to release in November (thank the heavens!) titled Crescendo, phew! Sooooo, on with my review!
I decided to read this novel after reading multiple reviews of how fantastic this book is, especially since I have been looking for a good angel saga ever since I read Sharon Shinn's entire Samaria series in less than a week. (5 books) There is something refreshingly different about angels in the Fantasy genre of literature, instead of the almost-cliched use of vampires, werewolves, and witches. Not that I've had my fill of those, either, but change is good.
The lust-filled tension between Patch and Nora reminds me of a certain other famous couple in YA Fantasy, except Patch isn't nearly as secretive about what he wants. After stepping back and thinking about his character, I came to the conclusion that what attracts the fairer sex to the bad-boy type is not necessarily his "badness", but his confidence. The biggest clue that Patch was not normal was the amount of confidence he exuded around Nora. And I don't recall my sex ed. classes ever being as interesting as Coach McConaughy's class! Truly, I don't think I could say one bad thing about this book. The loose ends will obviously be answered in future books, such as Nora's father's death, Dabria's fate, and what Nora's mother will do about the farmhouse. The ending was almost a complete surprise to me, and unpredictable in many ways. I'm also curious as to how Nora Grey's parentage will play a part in future books and the massive potential that comes with it. I also like how Nora is not totally dependent on Patch and seeks to solve her own problems and fight her own battles - more strong woman than damsel in distress. Her best friend Vee provides a bit of comic relief, as well as adding a human element to balance the supernatural aspects of the book. I could go on and on. I'm also very curious if the topic of God will be addressed in any future books, since it would seem that acknowledging heaven, angels, the Book of Enoch, etc., means doing the same for God. I can't wait to get my hands on a copy of Crescendo!
I decided to read this novel after reading multiple reviews of how fantastic this book is, especially since I have been looking for a good angel saga ever since I read Sharon Shinn's entire Samaria series in less than a week. (5 books) There is something refreshingly different about angels in the Fantasy genre of literature, instead of the almost-cliched use of vampires, werewolves, and witches. Not that I've had my fill of those, either, but change is good.
The lust-filled tension between Patch and Nora reminds me of a certain other famous couple in YA Fantasy, except Patch isn't nearly as secretive about what he wants. After stepping back and thinking about his character, I came to the conclusion that what attracts the fairer sex to the bad-boy type is not necessarily his "badness", but his confidence. The biggest clue that Patch was not normal was the amount of confidence he exuded around Nora. And I don't recall my sex ed. classes ever being as interesting as Coach McConaughy's class! Truly, I don't think I could say one bad thing about this book. The loose ends will obviously be answered in future books, such as Nora's father's death, Dabria's fate, and what Nora's mother will do about the farmhouse. The ending was almost a complete surprise to me, and unpredictable in many ways. I'm also curious as to how Nora Grey's parentage will play a part in future books and the massive potential that comes with it. I also like how Nora is not totally dependent on Patch and seeks to solve her own problems and fight her own battles - more strong woman than damsel in distress. Her best friend Vee provides a bit of comic relief, as well as adding a human element to balance the supernatural aspects of the book. I could go on and on. I'm also very curious if the topic of God will be addressed in any future books, since it would seem that acknowledging heaven, angels, the Book of Enoch, etc., means doing the same for God. I can't wait to get my hands on a copy of Crescendo!
Cyn Armistead (14 KP) rated Wolf Who Rules (Elfhome, #2) in Books
Mar 1, 2018
What a tease! To come SO close to dealing with polyamory, then skip back!
I guess it's just been too long since I read <i>Tinker</i>, but I don't really remember any hints of polyamory there at all. In this book, though, it's made very clear that elven society has found monogamy to be an unreasonable model for people who normally live thousands of years. Anybody who hasn't read Tinker shouldn't read this review, because there are spoilers for that book - but hey, that's to be expected in the review for a sequel. Just knowing that certain characters live and marry is a spoiler!
Anyway, Tinker may be an elf now, but she was raised as a human, and apparently the half-elven quasi-nursemaid Tooloo who has always been part of her life either doesn't know about the difference in societal expectations, or never saw fit to mention it. That isn't so surprising, as Tooloo is depicted as several tacos short of a combo plate. But why, when some of the elves (especially Stormsong) are shown to be familiar with human culture, haven't any of them anticipated this as a source of trouble in Tinker and Wolf's marriage? Why doesn't anybody ever just sit down and say, "Look, honey, the rulers only choose guards with whom they get along well, and with opposite-sex guards, that can mean getting along with sexually. Your new husband has had sex with all of his female bodyguards in the past, and it's expected that you'll eventually take your own male Sekasha as lovers, too. Deal." (I'm not even starting on how very heteronormative everything is. You're telling me there's all that lucious pretty and thousands of years in which to experiment, and nobody ever crosses those streams, so to speak? Yeah, right.) There's a perfect opening for such a speech in the book, a point when the need for it is made very, very obvious--but I suppose having it all out in the open would remove a source of conflict.
Why are so many authors so bloody timid about laying things out like that, about showing healthy communication between people? Yes, we can imagine the most amazing advances in technology, and societies very different from our current ones, but by Goddess we must continue to show people screwing up their relationships in exactly the same way as in Shakespeare's day or nobody could relate to them!
I guess it's just been too long since I read <i>Tinker</i>, but I don't really remember any hints of polyamory there at all. In this book, though, it's made very clear that elven society has found monogamy to be an unreasonable model for people who normally live thousands of years. Anybody who hasn't read Tinker shouldn't read this review, because there are spoilers for that book - but hey, that's to be expected in the review for a sequel. Just knowing that certain characters live and marry is a spoiler!
Anyway, Tinker may be an elf now, but she was raised as a human, and apparently the half-elven quasi-nursemaid Tooloo who has always been part of her life either doesn't know about the difference in societal expectations, or never saw fit to mention it. That isn't so surprising, as Tooloo is depicted as several tacos short of a combo plate. But why, when some of the elves (especially Stormsong) are shown to be familiar with human culture, haven't any of them anticipated this as a source of trouble in Tinker and Wolf's marriage? Why doesn't anybody ever just sit down and say, "Look, honey, the rulers only choose guards with whom they get along well, and with opposite-sex guards, that can mean getting along with sexually. Your new husband has had sex with all of his female bodyguards in the past, and it's expected that you'll eventually take your own male Sekasha as lovers, too. Deal." (I'm not even starting on how very heteronormative everything is. You're telling me there's all that lucious pretty and thousands of years in which to experiment, and nobody ever crosses those streams, so to speak? Yeah, right.) There's a perfect opening for such a speech in the book, a point when the need for it is made very, very obvious--but I suppose having it all out in the open would remove a source of conflict.
Why are so many authors so bloody timid about laying things out like that, about showing healthy communication between people? Yes, we can imagine the most amazing advances in technology, and societies very different from our current ones, but by Goddess we must continue to show people screwing up their relationships in exactly the same way as in Shakespeare's day or nobody could relate to them!
WL
Women's Lives: A Psychological Exploration
Claire A. Etaugh and Judith S. Bridges
Book
This cutting-edge and comprehensive fourth edition of Women's Lives: A Psychological Perspective...
WL
Women's Lives: A Psychological Exploration
Claire A. Etaugh and Judith S. Bridges
Book
This cutting-edge and comprehensive fourth edition of Women's Lives: A Psychological Perspective...