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Rachel King (13 KP) rated The Claiming of Sleeping Beauty (Sleeping Beauty, #1) in Books
Feb 11, 2019
Anne Rice wrote a trilogy of books under the pen name A. N. Roquelaure, based on the fairy tale Sleeping Beauty. These books were titled The Claiming of Sleeping Beauty, Beauty's Punishment (Sleeping Beauty), and Beauty's Release: The Conclusion of the Classic Erotic Trilogy of Sleeping Beauty. Yep, you read it right - erotica. The set is the only thing I have ever read by Anne Rice, and the only erotica books I have ever read. I have told maybe one or two other people that I have read the series, because it just does not match up with my "good girl" persona, and it resulted in the shocked expression I was expecting. Why would I read such an abomination? One part boredom, one part fairy tale superfan, and three parts secret naughty indulgence/curiousity (one for each book) - I found the books at a slow point while working at a bookstore, and sneakily read them at the customer service desk when I had nothing else to do.
In the first book, Beauty is awakened from her hundred-year sleep with a deflowering by the Prince. He takes her to his kingdom, where she is trained as a sexual slave and plaything, but she fails to be obedient, so is sent to brutal slavery in the neighboring village. In the second book, she is sold at auction and a power struggle ensues as she refuses to be completely broken by her various punishments. Actual plotline wanes in this one until towards the end some of the psychological aspects of sexual slavery are explored before Beauty is kidnapped for a Sultan. In the third book, the various characters all reach closure in varying forms as the sexual aspects of the plot take on a more religious and philosophical tone, as opposed to the crudity of the European castle and village. By the end of the series, it felt more like I was reading a study of a lifestyle for the education and not so much for the indulgence.
The sexual scenes are extremely explicit and graphic with the theme of sado-masochism replete throughout the text, but amazingly, there is still a plotline and decent character development. The first book was my favorite of the three, simply because that is the only book of the three that actually uses the fairy tale in its plotline, and by the third book much of the sex seemed vaguely repetitive and did not affect me as intensely as it did in the beginning. I would even dare to recommend it to those who are of the appropriate age.
I likely have A. N. Roquelaure's influence to thank for my unquestioning devotion to the Kushiel's Legacy series by Jacqueline Carey, now that I think about it...
In the first book, Beauty is awakened from her hundred-year sleep with a deflowering by the Prince. He takes her to his kingdom, where she is trained as a sexual slave and plaything, but she fails to be obedient, so is sent to brutal slavery in the neighboring village. In the second book, she is sold at auction and a power struggle ensues as she refuses to be completely broken by her various punishments. Actual plotline wanes in this one until towards the end some of the psychological aspects of sexual slavery are explored before Beauty is kidnapped for a Sultan. In the third book, the various characters all reach closure in varying forms as the sexual aspects of the plot take on a more religious and philosophical tone, as opposed to the crudity of the European castle and village. By the end of the series, it felt more like I was reading a study of a lifestyle for the education and not so much for the indulgence.
The sexual scenes are extremely explicit and graphic with the theme of sado-masochism replete throughout the text, but amazingly, there is still a plotline and decent character development. The first book was my favorite of the three, simply because that is the only book of the three that actually uses the fairy tale in its plotline, and by the third book much of the sex seemed vaguely repetitive and did not affect me as intensely as it did in the beginning. I would even dare to recommend it to those who are of the appropriate age.
I likely have A. N. Roquelaure's influence to thank for my unquestioning devotion to the Kushiel's Legacy series by Jacqueline Carey, now that I think about it...
graveyardgremlin (7194 KP) rated Happy Hour of the Damned (Amanda Feral, #1) in Books
Feb 15, 2019
Snarky, crude, smart, bitchy, strange, dirty (in more ways than one), superficial, gory and more-y, HAPPY HOUR OF THE DAMNED is a hard book to describe in few words. Besides calling it zombie chick-lit urban fantasy, which is such a disservice. Amanda isn't the type of main character I usually enjoy reading about, I admit I'd rather read about someone more sympathetic than a label-conscious, cocktail swigging, loose, uppity, self-absorbed diva. But guess what, I actually liked her. Go figure. Now I wouldn't want to hang out with someone like her in real life, but in a book, it's all in good fun and I definitely will pick up the next two Amanda Feral books and hope there's more to come.
I loved the snarkiness, the footnotes (how many fiction authors actually do that?), the memoir-style writing, the cleverness of it all, it's a very good book. So why didn't I give it a higher rating, you may be thinking. Or maybe you're not. Whatever. Well, it did lose me a couple places and the plot meandered a bit in the beginning, and I'm still not sure what the master plot entailed (or is it entrailed? LMAO :D) exactly, as the plot did get a bit confusing towards the end. That could have just been me, I'm not the brightest at times. However, I think I did get the gist of the whole thing, so I wasn't left completely confused. In addition, I didn't find myself absorbed in the book, meaning I could put it down without withdrawal symptoms, so that brings my rating down slightly. I found the best thing to do with HAPPY HOUR OF THE DAMNED was to just let the book take me for the bizarre and fun ride the author had in store for the readers.
I'm sorry to hear that the series is in trouble, as it's much better than a lot of urban fantasy out there. We snarks of the world need these brainy reads (the fun kind) to survive, so in a way, we're zombies too. You may be wondering, "What can I do to help a good author out?" Well, go buy it! But only if you don't mind foul language, queasy and disgustingly gory scenes and imagery, sex in all it's kinkiness (which is mostly mentioned in passing), brand name designers, in-the-gutter-humor and more! All for the low, low price of $6.99. Have your credit card handy, operators are standing by - okay, I'm done with my infomercial sales pitch now. But really, if you do mind the aforementioned descriptions of what's covered inside, why are you looking at a zombie book anyway?
3.75 stars - just because I can.
I loved the snarkiness, the footnotes (how many fiction authors actually do that?), the memoir-style writing, the cleverness of it all, it's a very good book. So why didn't I give it a higher rating, you may be thinking. Or maybe you're not. Whatever. Well, it did lose me a couple places and the plot meandered a bit in the beginning, and I'm still not sure what the master plot entailed (or is it entrailed? LMAO :D) exactly, as the plot did get a bit confusing towards the end. That could have just been me, I'm not the brightest at times. However, I think I did get the gist of the whole thing, so I wasn't left completely confused. In addition, I didn't find myself absorbed in the book, meaning I could put it down without withdrawal symptoms, so that brings my rating down slightly. I found the best thing to do with HAPPY HOUR OF THE DAMNED was to just let the book take me for the bizarre and fun ride the author had in store for the readers.
I'm sorry to hear that the series is in trouble, as it's much better than a lot of urban fantasy out there. We snarks of the world need these brainy reads (the fun kind) to survive, so in a way, we're zombies too. You may be wondering, "What can I do to help a good author out?" Well, go buy it! But only if you don't mind foul language, queasy and disgustingly gory scenes and imagery, sex in all it's kinkiness (which is mostly mentioned in passing), brand name designers, in-the-gutter-humor and more! All for the low, low price of $6.99. Have your credit card handy, operators are standing by - okay, I'm done with my infomercial sales pitch now. But really, if you do mind the aforementioned descriptions of what's covered inside, why are you looking at a zombie book anyway?
3.75 stars - just because I can.
Debbiereadsbook (1303 KP) rated For Fox Sake (Fetish Alley #1) in Books
Mar 7, 2019
fantastic start to a new series
I was gifted my copy of this book direct from the author, that I write a review was not required.
We met Tate and Clay properly in their book, Feat of Clay, in the Men of London series. This is the first in their own spin off series. It would probably help for you to read that book before this one. It will give you a better understanding of what both Tate and Clay went through before this book. That book for me is a brilliant 5 star read.
As is this one!
Granted, this is a much lighter read, with some very funny laugh out loud moments, particularly between Tate and the club owner, Relio. The fact that he is Clay's ex brings out the green eyed monster in Tate and he knows it, but he can't help himself!
The dead customer of Relio's club is why he called Clay, along with Tate, to partake of their investigations business. Clearly, the people involved were hiding something, they just need to figure out what.
Enter, if you will, Fetish Alley. Relio's club is at the end of the alley that caters to all things fetish. Some you'll have heard of, some not. A collection of shops selling all manner of naughty things await those who enter. But there is still a possible murder to solve, and Tate and Clay need to get to the bottom of it.
I loved the little one or two liners at the beginning of each chapter, which look like text messages between Tate and Clay. They proper made me chuckle! Loved the "old man" digs that Clay gets since he turns 40 during the course of the book. LOVED the pop up by Draven, Jax and Dare from the other books in the Men of London series.
And I absolutely need more of Tomas and Relio! I've no idea what happened between them here, but clearly SOMETHING did. And THEIR book (please let them have their own book, PLEASE!) is gonna be fun!
Considering where the book is set around, I didn't find it as explicit as some of Ms Mac Nicol's book but it IS sexy and hot. The fact that Tate and Clay are a well established couple makes a huge difference. Yes, there are sex scenes, but mostly you got shut down at the good bits! Loved that though!
A fantastic new series, I look forward to following what happens next, both in the Alley, the club and with Tate and Clay.
5 stars, that are still speckled with paint!
**same worded review will appear elsewhere**
We met Tate and Clay properly in their book, Feat of Clay, in the Men of London series. This is the first in their own spin off series. It would probably help for you to read that book before this one. It will give you a better understanding of what both Tate and Clay went through before this book. That book for me is a brilliant 5 star read.
As is this one!
Granted, this is a much lighter read, with some very funny laugh out loud moments, particularly between Tate and the club owner, Relio. The fact that he is Clay's ex brings out the green eyed monster in Tate and he knows it, but he can't help himself!
The dead customer of Relio's club is why he called Clay, along with Tate, to partake of their investigations business. Clearly, the people involved were hiding something, they just need to figure out what.
Enter, if you will, Fetish Alley. Relio's club is at the end of the alley that caters to all things fetish. Some you'll have heard of, some not. A collection of shops selling all manner of naughty things await those who enter. But there is still a possible murder to solve, and Tate and Clay need to get to the bottom of it.
I loved the little one or two liners at the beginning of each chapter, which look like text messages between Tate and Clay. They proper made me chuckle! Loved the "old man" digs that Clay gets since he turns 40 during the course of the book. LOVED the pop up by Draven, Jax and Dare from the other books in the Men of London series.
And I absolutely need more of Tomas and Relio! I've no idea what happened between them here, but clearly SOMETHING did. And THEIR book (please let them have their own book, PLEASE!) is gonna be fun!
Considering where the book is set around, I didn't find it as explicit as some of Ms Mac Nicol's book but it IS sexy and hot. The fact that Tate and Clay are a well established couple makes a huge difference. Yes, there are sex scenes, but mostly you got shut down at the good bits! Loved that though!
A fantastic new series, I look forward to following what happens next, both in the Alley, the club and with Tate and Clay.
5 stars, that are still speckled with paint!
**same worded review will appear elsewhere**
Whatchareadin (174 KP) rated The Underwriting in Books
Apr 9, 2019
Hook is the hottest new dating app. It's location based and as long as two users match each other they can "hook" up in a matter of minutes.
Jost Hart, Hook's creator, believes it's time to follow in the steps of Facebook and other apps and take his public. He enlist Todd Kent with L.Cecil to help with the IPO. Todd barely knows Josh, having just met him briefly at a strip club months before, but is grateful for the opportunity seeing the potential in the app since he is one of it's users.
Kelly Jacobsen is also a Hook user, one of about 500 million. She has just accepted a position at L.Cecil after interning there over the summer. Now, back at Stanford, she reaches out to Tara Taylor, her mentor during the internship, letting her know of the decision. Tara is very excited for Kelly, this along with being named as part of the IPO team for Hook is really making her week. But after making this decision and spending a night out with friends, the next day, Kelly is found dead, with a drug overdose as the explanation. Her friends and family are baffled by this as this is something she would never do.
The death of a young co-ed and the introduction of a new company going public. Could these events be related in any way? Could Hook somehow be involved with Kelly's untimely demise? As the buzz for the IPO grows so does the speculation of the security of the app and it's users.
With so many changes happening so quickly, what will be the outcome? This book is filled with sex, lies, and billions of dollars, never a great combination when dealing with murder!
When first reading this book I was shocked at the number of different characters introduced so quickly. The book was fast paced from the start. ou meet the team of L.Cecil bankers in charge of the underwriting. From the guy at the top, to the little-a analyst who is crunching all of the numbers. You meet the guys in Silicon Valley from the creator of the app, to the engineers, that help to keep it running.
Everyone has their own agenda in this deal. To be bigger, better, and more powerful than before. And with billions of dollars on the table, the deal would do just that. This was an intriguing book, that thoroughly kept my attention. After reading one night I had very vivid dream about the book. I was sitting at the table with everyone, trying to make the deal work. It was a bit crazy for me. There are parts of this book that leave you with your mouth hanging open as you can't believe what you just read.
Jost Hart, Hook's creator, believes it's time to follow in the steps of Facebook and other apps and take his public. He enlist Todd Kent with L.Cecil to help with the IPO. Todd barely knows Josh, having just met him briefly at a strip club months before, but is grateful for the opportunity seeing the potential in the app since he is one of it's users.
Kelly Jacobsen is also a Hook user, one of about 500 million. She has just accepted a position at L.Cecil after interning there over the summer. Now, back at Stanford, she reaches out to Tara Taylor, her mentor during the internship, letting her know of the decision. Tara is very excited for Kelly, this along with being named as part of the IPO team for Hook is really making her week. But after making this decision and spending a night out with friends, the next day, Kelly is found dead, with a drug overdose as the explanation. Her friends and family are baffled by this as this is something she would never do.
The death of a young co-ed and the introduction of a new company going public. Could these events be related in any way? Could Hook somehow be involved with Kelly's untimely demise? As the buzz for the IPO grows so does the speculation of the security of the app and it's users.
With so many changes happening so quickly, what will be the outcome? This book is filled with sex, lies, and billions of dollars, never a great combination when dealing with murder!
When first reading this book I was shocked at the number of different characters introduced so quickly. The book was fast paced from the start. ou meet the team of L.Cecil bankers in charge of the underwriting. From the guy at the top, to the little-a analyst who is crunching all of the numbers. You meet the guys in Silicon Valley from the creator of the app, to the engineers, that help to keep it running.
Everyone has their own agenda in this deal. To be bigger, better, and more powerful than before. And with billions of dollars on the table, the deal would do just that. This was an intriguing book, that thoroughly kept my attention. After reading one night I had very vivid dream about the book. I was sitting at the table with everyone, trying to make the deal work. It was a bit crazy for me. There are parts of this book that leave you with your mouth hanging open as you can't believe what you just read.
Kristy H (1252 KP) rated Today Will be Different in Books
Feb 1, 2018
Eleanor wakes up with the resolution that today will indeed be different. She will be a better person, a better mother, and a better wife. She will pay more focused attention to her son, Timby. She will have sex with her surgeon husband, Joe. She will go to her poetry and yoga classes. She will wear real clothes. She will pleasantly lunch with a friend she doesn't quite care for. But it doesn't take long for Eleanor's plans to quickly derail, as a series of mishaps rapidly start to add up: Timby is sick, it appears as if Joe is no longer going to work (and lying about it), and Eleanor's lunch date isn't what it seems, either.
I may be the only person left on the planet who hasn't read [book:Where'd You Go, Bernadette|13526165] (sometimes I'm stubborn about reading "it" books, ok), so I cannot compare this novel to that one. That may be for the best. This is the second novel--in a row--that I contemplated just not finishing, and again, that is so rarely my style. This book felt like a slapdash series of paragraphs thrown together about a crazy woman whose motivations and actions made entirely no sense.
The book veers back and forth in time: while the main action occurs all in one day (the one Eleanor vows will be better), she flashes back to her past, telling the story of her childhood, a long and confusing saga with her sister, Ivy, and Ivy's husband, and how she met her own husband. She also covers her time as working as an animator. It all happens sort of randomly and often in a stream of consciousness. This occurs among the crazy, insane happenings of Eleanor's day, where she sets off a series of bizarre actions that-to me-made no sense and came across as completely irrational. She was not endearing, she was not a little silly: she was just weird and somewhat unhinged, and I'm honestly not sure how she was still allowed to care for poor Timby.
There were a few glimmers about the frustrations of modern motherhood and marriage in this novel, but most were buried by the bizarre ramblings and incoherence of the plot. Some plot pieces were never resolved, some just popped up for no reason, and some dragged on and on endlessly. Maybe I'm just not familiar with Semple's style, but I have to pass on this one.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
I may be the only person left on the planet who hasn't read [book:Where'd You Go, Bernadette|13526165] (sometimes I'm stubborn about reading "it" books, ok), so I cannot compare this novel to that one. That may be for the best. This is the second novel--in a row--that I contemplated just not finishing, and again, that is so rarely my style. This book felt like a slapdash series of paragraphs thrown together about a crazy woman whose motivations and actions made entirely no sense.
The book veers back and forth in time: while the main action occurs all in one day (the one Eleanor vows will be better), she flashes back to her past, telling the story of her childhood, a long and confusing saga with her sister, Ivy, and Ivy's husband, and how she met her own husband. She also covers her time as working as an animator. It all happens sort of randomly and often in a stream of consciousness. This occurs among the crazy, insane happenings of Eleanor's day, where she sets off a series of bizarre actions that-to me-made no sense and came across as completely irrational. She was not endearing, she was not a little silly: she was just weird and somewhat unhinged, and I'm honestly not sure how she was still allowed to care for poor Timby.
There were a few glimmers about the frustrations of modern motherhood and marriage in this novel, but most were buried by the bizarre ramblings and incoherence of the plot. Some plot pieces were never resolved, some just popped up for no reason, and some dragged on and on endlessly. Maybe I'm just not familiar with Semple's style, but I have to pass on this one.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
Kristy H (1252 KP) rated The Girl with the Lower Back Tattoo in Books
Feb 1, 2018
Amy Schumer's book comes out at a time when it seems like every celebrity in the world has a book out: some collection of essays about their life, showcasing how funny they are and what their life is like as a celebrity. In Schumer's, we hear about her life from childhood to her post <i>Trainwreck</i> success and nearly everything in between: her friendships, her relationships, her parents, and her growth as a comedian. And, of course, a lot about sex. The book is told in a series of chapters - essays if you will - each one covering a particular moment in Schumer's life. They don't go in any particular order, but cover the gamut of her range of experiences.
I found this book to be a refreshing and engaging celebrity book. It carried a surprising depth. I don't know a ton about Schumer, but loved <i>Trainwreck</i> and have had a crush on her for ages. That crush has only intensified upon reading her book, as I discovered several similarities between us: introverts who love hotdogs and have complicated relationships with their mothers, who both internalize stress to the point where it makes us sick. We're a match made in heaven! But, seriously, Schumer is an excellent writer, and her book is an easy read, with well-written and wonderful essays that range from humorous to serious (and often both).
Her book avoided all of my usual celebrity autobiography/memoir/essay pet peeves. In this book, we really learn about Schumer, instead of just a few token stories. I was fascinated to hear about her career trajectory: you get a great look into how hard she worked in her early years as a comedian. In addition, we actually get a lot of insight into her early life-- her childhood and teenage years. What I love is that she comes across as a real human being, instead of giving us a book that is simply full of polished, trite jokes and well-worn stories.
In fact, while parts of the book make you laugh out loud, other places make you empathize with Schumer. The book is funny, but not too funny or fake funny. And it's serious without preaching. She covers topics such as sexual assault, gun control, her father's MS, her relationship with her parents, and other serious childhood experiences that molded her, with a realism that is refreshing. Sure, there are a few "woe is me" moments about how hard it is to be a celebrity, or what it's like to have money, but they are few and far between. By the end, I admired Amy even more as a person and a comedian, and my crush will continue on stronger than ever.
I found this book to be a refreshing and engaging celebrity book. It carried a surprising depth. I don't know a ton about Schumer, but loved <i>Trainwreck</i> and have had a crush on her for ages. That crush has only intensified upon reading her book, as I discovered several similarities between us: introverts who love hotdogs and have complicated relationships with their mothers, who both internalize stress to the point where it makes us sick. We're a match made in heaven! But, seriously, Schumer is an excellent writer, and her book is an easy read, with well-written and wonderful essays that range from humorous to serious (and often both).
Her book avoided all of my usual celebrity autobiography/memoir/essay pet peeves. In this book, we really learn about Schumer, instead of just a few token stories. I was fascinated to hear about her career trajectory: you get a great look into how hard she worked in her early years as a comedian. In addition, we actually get a lot of insight into her early life-- her childhood and teenage years. What I love is that she comes across as a real human being, instead of giving us a book that is simply full of polished, trite jokes and well-worn stories.
In fact, while parts of the book make you laugh out loud, other places make you empathize with Schumer. The book is funny, but not too funny or fake funny. And it's serious without preaching. She covers topics such as sexual assault, gun control, her father's MS, her relationship with her parents, and other serious childhood experiences that molded her, with a realism that is refreshing. Sure, there are a few "woe is me" moments about how hard it is to be a celebrity, or what it's like to have money, but they are few and far between. By the end, I admired Amy even more as a person and a comedian, and my crush will continue on stronger than ever.
Hannah May (3 KP) rated Rolling Dice in Books
Mar 8, 2018
Contains spoilers, click to show
It maybe because I was struggling with my work load and social life, that I found it difficult to really get into this story. The Kissing Booth and Out of Tune hooked me from the first word. I'm saddened to admit that Rolling Dice did not. There are a number of things about this novel that really let it down. The first, I think, is the lack of character development. Throughout the novel, I was waiting for Madison to grow some back-bone, maybe some common sense, especially when it came to Tiffany and Bryce. I have been in Madison's shoes. I have made friends with people who, in their own sly way, put me down and made me feel small. And I put up with it, because I was too timid to say anything, because I was afraid of losing the only people who wanted me around, or who wanted to be my friend. I guess some part of me wanted her to learn from my mistakes and do things differently. I was satisfied, however, when Madison kept refusing Bryce for sex and told him he was being a jerk. I was not surprised, when he cheated. He annoyed the hell out of me! Madison was too much a damsel in distress for me; always worrying, always looking back, reminding herself of the pain and humiliation she endured in Maine. She may have reinvented her appearance, but NOT her emotional and mental state. Those are the things that need to change first. Everything else can wait. I would have also liked to see more back story on Madison's life in Maine and the death of Dwight's father. That would have been MOST interesting!The second was the plot. I liked the idea of "new girl comes to town and struggles to find her place at school," but I would have liked to see more conflict. I would have liked to see Madison really struggling with her feelings and loyalties, both for Tiffany and Co. and Dwight. The lastly was the ending. I was disappointed. Madison retreated to New York to escape the drama. What seemed like a good move at the time, only put her back RIGHT where she started. That was the time to show everyone what kind of person she was and not be intimidated. Instead, she ran away. Not happy with the ending at all, but it was redeemed by the rekindle of Madison and Dwight's friendship/ relationship, whichever it turned in to. Overall, not her best book, but I did enjoy Reekles' writing style, language and in depth understanding of high school life and everyday teenage struggles.
Kristy H (1252 KP) rated The Guest Room in Books
Feb 13, 2018
Richard Chapman reluctantly agrees to host his younger brother's bachelor party--at his own home. He suspects his brother, Philip, and Philip's good friend Spencer may be hiring some "entertainment" for the party, but isn't expecting the two women and Russian bodyguards who show up for the evening. Nor is Richard expecting what follows -- an evening of drinking, partying, sex, and suddenly - murder, when the women kill their bodyguards and disappear. Suddenly, Richard finds himself trying to explain what happened to his wife, their young daughter, his employer, and the world at large. Further he finds himself haunted by memories of his interactions with one of the girls, Alexandra.
This was an interesting book with a somewhat fascinating premise. It brings up a lot of questions about morality. What role does our society play when it comes to bachelors parties -- and what is the expectation of those attending? And the spouses and fiancees on the other side? What do we tell ourselves about the origin of the "talent" that appears at such functions? Bohjalian attempts to explore these questions through Richard's story - which unfolds from Richard's perspective, that of his wife, Kristin, and one of the hired girls, Alexandra. It becomes almost a bit of a thriller - as we piece together bits before the party, the aftermath, and also learn what led up to the girls' fateful decision.
A bit of the book lags in the beginning, but it picks up quickly and becomes quite compelling. One would think Richard would be the main character, but for me, the story revolved around Alexandra. Her tale is the most thought-provoking and insightful. At points, the novel is simply heart-breaking. Richard's sections are often irritating and frustrating, as you can only have so much sympathy for the man at points. Kristin is a good go-between - the innocent bystander blindsided by what occurred in her home when she was not there.
Overall, the book weaves the story nicely around its characters. Little details give a nuanced perspective that authors less experienced than Bohjalian may lack (he's also one of the few authors that has me hitting the dictionary from time to time to look up words). There was a time when I really felt my rating for this could range from 2 - 4 stars. It received a bump for the ending, which just felt fitting, and for Alexandra, who was a lovely protagonist and written in such a quiet way that doesn't come along very often. In the end, this felt more than a "life in suburbia gone terribly wrong" story - it was cold and heartless, yet heart-breaking and compassionate. A worthwhile read, for sure.
(Note: I received an ARC from Netgalley in return for an unbiased review.)
This was an interesting book with a somewhat fascinating premise. It brings up a lot of questions about morality. What role does our society play when it comes to bachelors parties -- and what is the expectation of those attending? And the spouses and fiancees on the other side? What do we tell ourselves about the origin of the "talent" that appears at such functions? Bohjalian attempts to explore these questions through Richard's story - which unfolds from Richard's perspective, that of his wife, Kristin, and one of the hired girls, Alexandra. It becomes almost a bit of a thriller - as we piece together bits before the party, the aftermath, and also learn what led up to the girls' fateful decision.
A bit of the book lags in the beginning, but it picks up quickly and becomes quite compelling. One would think Richard would be the main character, but for me, the story revolved around Alexandra. Her tale is the most thought-provoking and insightful. At points, the novel is simply heart-breaking. Richard's sections are often irritating and frustrating, as you can only have so much sympathy for the man at points. Kristin is a good go-between - the innocent bystander blindsided by what occurred in her home when she was not there.
Overall, the book weaves the story nicely around its characters. Little details give a nuanced perspective that authors less experienced than Bohjalian may lack (he's also one of the few authors that has me hitting the dictionary from time to time to look up words). There was a time when I really felt my rating for this could range from 2 - 4 stars. It received a bump for the ending, which just felt fitting, and for Alexandra, who was a lovely protagonist and written in such a quiet way that doesn't come along very often. In the end, this felt more than a "life in suburbia gone terribly wrong" story - it was cold and heartless, yet heart-breaking and compassionate. A worthwhile read, for sure.
(Note: I received an ARC from Netgalley in return for an unbiased review.)
Erika Kehlet (21 KP) rated A Matter of Grave Concern in Books
Feb 21, 2018
I listened to this as an audiobook during my commute back and forth to work. I have to admit that Historical romance is not one of my preferred genres, and someone who enjoys romance novels might have a different opinion of this book. I was in the library one Saturday afternoon with my two girls and wanted to grab something to listen to in a hurry. The title caught my eye, and I skimmed the beginning of the blurb on the back. I read just enough to make me think it was an historical mystery, and not even paying attention to the author I took it and checked out. Driving in to work that first Monday morning after picking it up, it didn't take long to realize what I had. I might have stopped listening if I'd had another book to listen to in the car, but since it was all that i had with me, I kept going.
The story is about a young woman named Abby who's father is a surgeon at Aldersgate School of Medicine. She decides to help the college keep their students by providing a corpse for the required anatomy classes. This requires Abby to deal with a group of resurectionists, or body snatchers. Little does she know that one of the gang is not what he is pretending to be. Max Wilder has actually joined the gang of grave robbers in search of his half sister, Madeline, who has gone missing and was last seen in the company of the gang's leader, Jack Hurtsill.
This story had it's ups and downs. At times the characters thoughts and concerns seemed repetitive and almost silly. Should she or shouldn't she give in to Max. Will he or won't he tell Abby the truth. I know some of that is necessary to help build tension, but it seemed a bit much. I'm not sure how I would have felt in Abby's position as Max revealed one secret after another, instead of coming clean up front. It also seemed that after spending the first 2/3 of the book searching for Madeline, her part of the story was wrapped up in a rush. It was interesting to hear about what colleges were willing to condone to get the corpses they needed for their students to study medicine, however, and there was enough danger, suspense, and intrigue to keep my attention.
All in all, this was not a bad story, but there was too much graphic sex for my taste. If you don't mind that, or are willing to do a little skimming, then it might be worth a read.
The story is about a young woman named Abby who's father is a surgeon at Aldersgate School of Medicine. She decides to help the college keep their students by providing a corpse for the required anatomy classes. This requires Abby to deal with a group of resurectionists, or body snatchers. Little does she know that one of the gang is not what he is pretending to be. Max Wilder has actually joined the gang of grave robbers in search of his half sister, Madeline, who has gone missing and was last seen in the company of the gang's leader, Jack Hurtsill.
This story had it's ups and downs. At times the characters thoughts and concerns seemed repetitive and almost silly. Should she or shouldn't she give in to Max. Will he or won't he tell Abby the truth. I know some of that is necessary to help build tension, but it seemed a bit much. I'm not sure how I would have felt in Abby's position as Max revealed one secret after another, instead of coming clean up front. It also seemed that after spending the first 2/3 of the book searching for Madeline, her part of the story was wrapped up in a rush. It was interesting to hear about what colleges were willing to condone to get the corpses they needed for their students to study medicine, however, and there was enough danger, suspense, and intrigue to keep my attention.
All in all, this was not a bad story, but there was too much graphic sex for my taste. If you don't mind that, or are willing to do a little skimming, then it might be worth a read.
Ross (3284 KP) rated Altered Carbon in Books
Jun 28, 2018
Hated it
The world in which this story takes place is very intriguing - nobody ever really dies; everyone is put "on stack" when they die, i.e. their digitised brain is stored electronically, and they can have it put back into a new "sleeve", i.e. a body, when their family pay for it. The details of this were pretty scant originally, but emerged over the first 100 pages or so (though sadly piecemeal in glib, throw-away comments where the detail was taken for granted). The ideas filled me with hope - all prisons were digital (people held on stack in created scenarios), travel across large distances was electronic (if you could afford to have a sleeve waiting for you) etc.
Sadly, none of this was explored very well. There was a very clichéd, basic detective story overlaid on to this world. A billionaire claims he was murdered, but the authorities ruled his death as a suicide. This on the surface (someone being a witness for their own murder!) filled me with excitement for what lay ahead. However this quickly ebbed away as the story changed into a detective (Takeshi Kovacs - one of the most bland, one dimensional characters ever created) wandering around Earth, where he has never been, and annoying drug dealers and pimps.
There then follows a great deal of nonsense sex scenes, utterly drivel narrative (Morgan seems to think he has to take a whole page to describe each new location and has some very obscure turns of phrase - I actually speed-read the last 150 pages out of pure frustration with how long and boring the experience was - everything is contained in the dialogue so I recommend just reading that and skimming any action scenes), sci-fi jargon which means nothing to the reader, and very little plot development. In fact, pretty much the whole plot is outlined, by the perpetrator, in one chapter near the end - the "detective" didn't solve the case, he just worked out someone was involved and they filled in the details for him. Utterly clumsy storytelling.
Some people might enjoy taking a long time to read this, the futuristic setting, the overly-described settings, trying to work out what the sci-fi mumbo jumbo means. I am not one of those people. The world-building was there, but was under-used. The plot was basic and only really relevant in the first and last 50 pages. The characters were all forgettable, one-dimensional and clichéd (so much so that I frequently had to search back to find out who the person referred to was and why I should care).
That Takeshi Kovacs survived and went on to star in two follow-up books was a depressing revelation for me.
Sadly, none of this was explored very well. There was a very clichéd, basic detective story overlaid on to this world. A billionaire claims he was murdered, but the authorities ruled his death as a suicide. This on the surface (someone being a witness for their own murder!) filled me with excitement for what lay ahead. However this quickly ebbed away as the story changed into a detective (Takeshi Kovacs - one of the most bland, one dimensional characters ever created) wandering around Earth, where he has never been, and annoying drug dealers and pimps.
There then follows a great deal of nonsense sex scenes, utterly drivel narrative (Morgan seems to think he has to take a whole page to describe each new location and has some very obscure turns of phrase - I actually speed-read the last 150 pages out of pure frustration with how long and boring the experience was - everything is contained in the dialogue so I recommend just reading that and skimming any action scenes), sci-fi jargon which means nothing to the reader, and very little plot development. In fact, pretty much the whole plot is outlined, by the perpetrator, in one chapter near the end - the "detective" didn't solve the case, he just worked out someone was involved and they filled in the details for him. Utterly clumsy storytelling.
Some people might enjoy taking a long time to read this, the futuristic setting, the overly-described settings, trying to work out what the sci-fi mumbo jumbo means. I am not one of those people. The world-building was there, but was under-used. The plot was basic and only really relevant in the first and last 50 pages. The characters were all forgettable, one-dimensional and clichéd (so much so that I frequently had to search back to find out who the person referred to was and why I should care).
That Takeshi Kovacs survived and went on to star in two follow-up books was a depressing revelation for me.