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The Endless Summer
Madame Nielsen and Gaye Kynoch
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"The Endless Summer by Madame Nielsen is my literary discovery of the year." ―Sjón "Once in a...
Fiction romance
That Reminds Me
9.0
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WINNER OF THE DESMOND ELLIOTT PRIZE 2020 ___________________________________ 'A dreamy,...
A Girl Called Shameless
6.0
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Funnier. Ruder. Angrier. Izzy O’Neill is back in the hilarious sequel to The Exact Opposite of...
Debbiereadsbook (1582 KP) rated Conrad (Assassin's To Order #4) in Books
Oct 13, 2023
saved the best for last!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 4 in the Assassins To Order series, and I strongly recommend you read books 1 to 3 first. OR at least, book 3 Duron. The Devil pops up first in that book.
I think, for me, Sayle and Oliver saved the best for last! I LOVED this, the final book.
Conrad is an assassin, and Kylo a police officer in Paraguay where the lost boys seem to originate from. Kylo has been chasing The Devil for 20 years and calling for an assassin to finally help him seemed like a good idea. Until Conrad gets off the plane and they scent each other: mates!
What I especially liked about this one was that Conrad is fully aware of his sexuality, while his brothers had not been. And Kylo calls to his Dom, much like his lion. And while Kylo is an Alpha male, a panther, he doesn't question Conrad and his connection and what Conrad can do for him, he just goes with it, and accepts what the Fates have planned for him.
Loved that Wyatt pops up, and who with and how THAT all plays out! Kinda saw that coming in the last book, but loved that it gets explained.
The Devil and what happens with all that was a surprise, and I loved the showdown! I'm still not entirely sure how many animals Conrad has, but they range from a blue dragon to a spider and everything inbetween. What happens between them all at the showdown was shocking but Kylo took it all in his stride. Loved that, while Conrad's lion is his most Dominant animal, the dragon has to have the last say!
There is talk of the other assassins, but only Wyatt pops up, The Thalassa guys are mentioned as well, but none appear here. I kinda missed them!
I'll miss ALL these guys, now both series are finished, but I think this really was a fitting end. I do hope we get some follow ups shorts!
I was waiting for this, and it did not disappoint.
5 full and shiny stars
*same worded review will appear elsewhere
This is book 4 in the Assassins To Order series, and I strongly recommend you read books 1 to 3 first. OR at least, book 3 Duron. The Devil pops up first in that book.
I think, for me, Sayle and Oliver saved the best for last! I LOVED this, the final book.
Conrad is an assassin, and Kylo a police officer in Paraguay where the lost boys seem to originate from. Kylo has been chasing The Devil for 20 years and calling for an assassin to finally help him seemed like a good idea. Until Conrad gets off the plane and they scent each other: mates!
What I especially liked about this one was that Conrad is fully aware of his sexuality, while his brothers had not been. And Kylo calls to his Dom, much like his lion. And while Kylo is an Alpha male, a panther, he doesn't question Conrad and his connection and what Conrad can do for him, he just goes with it, and accepts what the Fates have planned for him.
Loved that Wyatt pops up, and who with and how THAT all plays out! Kinda saw that coming in the last book, but loved that it gets explained.
The Devil and what happens with all that was a surprise, and I loved the showdown! I'm still not entirely sure how many animals Conrad has, but they range from a blue dragon to a spider and everything inbetween. What happens between them all at the showdown was shocking but Kylo took it all in his stride. Loved that, while Conrad's lion is his most Dominant animal, the dragon has to have the last say!
There is talk of the other assassins, but only Wyatt pops up, The Thalassa guys are mentioned as well, but none appear here. I kinda missed them!
I'll miss ALL these guys, now both series are finished, but I think this really was a fitting end. I do hope we get some follow ups shorts!
I was waiting for this, and it did not disappoint.
5 full and shiny stars
*same worded review will appear elsewhere
Kristy H (1252 KP) rated The Space Between in Books
Feb 13, 2018
Harper Isabelle has a pretty good life: she's beautiful, smart, and popular. Her first year in high school is going quite well, thanks in part to the protective shadow cast by her sister, Bronte, the most popular girl in school. For Sarah Jamieson, however, things aren't exactly as smooth. While Sarah's twin brother Tyler has always been in the in crowd at school, Sarah has not. Between her stutter and style of dress, she's not only on the fringes, she's mocked by other students at school. So imagine Sarah's surprise when Harper shows an interest in her-- and when Sarah herself feels drawn to Harper. Is Harper only interested in Sarah because she wants to date Tyler? Why do the two girls feel so close, as if being drawn together by a magnet?
Overall, this is a dynamo of a book, which I sped through rapidly. It actually builds its storyline rather slowly, as Harper and Sarah deal with their feelings for each other, but I found it that a nice antidote to the usual YA where the characters seem to fall in love overnight. This was similar to some of my own experiences coming out. Harper and Sarah are well-drawn characters who pop on the page -- they are complicated, sweet, and beautiful as they work through the multitude of emotions that comes with falling in love in high school. There is definitely a cheesy element to some of the writing but it really doesn't take away from the experience of watching these girls struggle to find each other. Perhaps the only thing that takes away from the story is a little of the weirdness factor in that Harper also dates Sarah's brother; it manages to work with the story, but it does occasionally give you pause.
Honestly, I was very touched by this book and found it to be a sweet coming of age/coming out story. I wish there had been more of these around when I was going through a similar experience. It does an excellent job of showing some of the difficulty teens still face in dealing with their sexuality in high school (and with their families) today. You'll find yourself quite invested in Harper and Sarah's story. Definitely a worthwhile read.
I received a copy of this book from Netgalley (thanks!); it's available everywhere.
Overall, this is a dynamo of a book, which I sped through rapidly. It actually builds its storyline rather slowly, as Harper and Sarah deal with their feelings for each other, but I found it that a nice antidote to the usual YA where the characters seem to fall in love overnight. This was similar to some of my own experiences coming out. Harper and Sarah are well-drawn characters who pop on the page -- they are complicated, sweet, and beautiful as they work through the multitude of emotions that comes with falling in love in high school. There is definitely a cheesy element to some of the writing but it really doesn't take away from the experience of watching these girls struggle to find each other. Perhaps the only thing that takes away from the story is a little of the weirdness factor in that Harper also dates Sarah's brother; it manages to work with the story, but it does occasionally give you pause.
Honestly, I was very touched by this book and found it to be a sweet coming of age/coming out story. I wish there had been more of these around when I was going through a similar experience. It does an excellent job of showing some of the difficulty teens still face in dealing with their sexuality in high school (and with their families) today. You'll find yourself quite invested in Harper and Sarah's story. Definitely a worthwhile read.
I received a copy of this book from Netgalley (thanks!); it's available everywhere.
Hazel (1853 KP) rated What We Left Behind in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Gretchen and Toni are high school sweethearts who believe they will be together forever, but will they cope being apart at different universities? Toni is off to Harvard and Gretchen to New York where they plan to meet up every weekend however things get in the way, and not just coursework.
The main theme of<i> What We Left Behind</i> is sexual orientation and gender. Both Gretchen and Toni are attracted to girls, however Toni identifies as genderqueer. Throughout school, this never bothered Gretchen, though when Toni begins feeling a connection with a group of transgender students, Gretchen begins to question her position in Toni’s life.
Unlike Talley’s previous novel <i>Lies We Tell Ourselves</i>, which deals with ethnic minorities and homosexuality during a time when it was seen as completely unacceptable, <i>What We Left Behind</i> is set in the present day where peoples’ sexual preferences are accepted in society – mostly. What Talley is attempting to prove with this novel is that everyone, regardless of gender, can experience love, and that long distance relationships can be difficult for everyone. Most importantly this story expresses how difficult it is to understand trans sexuality, genderqueer, gender nonconforming etc. There are characters that are horrified by the idea, comfortable with it, or, like Gretchen, confused about how it effects themselves and their relationship. And then there is Toni. Toni is probably the most confused of all: who is s/he really?
Talley tries to make the reader experience the difficulties the main characters face with the use, or lack of pronouns. For someone who identifies as neither he nor she, Toni has a very hard time trying to find a label Toni feels comfortable with.
I did not enjoy <i>What We Left Behind</i> as much as <i>Lies We Tell Ourselves</i>, not because it was not good – it was – but I am not that into romance novels. After a while the story began to feel boring and repetitive, particularly in terms of Gretchen and Toni’s relationship. It is, however, worth a read. There are not many novels that focus on transgender issues, especially in such a positive way. Therefore I am sure this young adult novel is going to interest a large amount of readers.
Gretchen and Toni are high school sweethearts who believe they will be together forever, but will they cope being apart at different universities? Toni is off to Harvard and Gretchen to New York where they plan to meet up every weekend however things get in the way, and not just coursework.
The main theme of<i> What We Left Behind</i> is sexual orientation and gender. Both Gretchen and Toni are attracted to girls, however Toni identifies as genderqueer. Throughout school, this never bothered Gretchen, though when Toni begins feeling a connection with a group of transgender students, Gretchen begins to question her position in Toni’s life.
Unlike Talley’s previous novel <i>Lies We Tell Ourselves</i>, which deals with ethnic minorities and homosexuality during a time when it was seen as completely unacceptable, <i>What We Left Behind</i> is set in the present day where peoples’ sexual preferences are accepted in society – mostly. What Talley is attempting to prove with this novel is that everyone, regardless of gender, can experience love, and that long distance relationships can be difficult for everyone. Most importantly this story expresses how difficult it is to understand trans sexuality, genderqueer, gender nonconforming etc. There are characters that are horrified by the idea, comfortable with it, or, like Gretchen, confused about how it effects themselves and their relationship. And then there is Toni. Toni is probably the most confused of all: who is s/he really?
Talley tries to make the reader experience the difficulties the main characters face with the use, or lack of pronouns. For someone who identifies as neither he nor she, Toni has a very hard time trying to find a label Toni feels comfortable with.
I did not enjoy <i>What We Left Behind</i> as much as <i>Lies We Tell Ourselves</i>, not because it was not good – it was – but I am not that into romance novels. After a while the story began to feel boring and repetitive, particularly in terms of Gretchen and Toni’s relationship. It is, however, worth a read. There are not many novels that focus on transgender issues, especially in such a positive way. Therefore I am sure this young adult novel is going to interest a large amount of readers.
Kirk Bage (1775 KP) rated Black Mirror - Season 5 in TV
Mar 3, 2020 (Updated Mar 3, 2020)
Contains spoilers, click to show
Striking Vipers - 5.5
Perhaps in retrospect, season 5 should have held out for some better scripts. All 3 (and notably there are only 3, because of the effort and time put into the stand alone feature length Bandersnatch) episodes seem a little rushed and weak in terms of depth of idea; replacing it with more gloss and production value. You can see the cash on the screen in this episode about the natural progression of VR becoming all about virtual sex, regardless of your sexuality in the real world (or maybe because of it). There is some irony in considering how Black Mirror began feeling very British and here feels entirely consumed by Netflix and American values. Is that a clever statement in itself? Not sure. Either way, I am not a big fan on this one. I mean, it’s fine, but we have come to expect more.
Smithereens - 6
If there are any clever links to anything else going on here, in what I am now thinking of as the Black Mirror Universe, then I haven’t picked up on it. This one feels quite surface, and just a very sad story about a man in distress that wants technology to answer for its responsibilities. Andrew Scott is ever excellent in the lead – man, he can really act! – but the rest of the cast seem a little lifeless and under-written. Perhaps they were trying for something more sharply focused, but, for me, the moral message of don’t use your phone whilst driving, is a bit weak.
Rachel, Jack and Ashley Too - 6.5
Known as the Miley Cyrus episode, because… she’s in it, and so is an electronic “toy” that replicates her personality for her teen fans. There is some intrigue around the nature of fandom and obsession; also the idea of media manipulation in projecting a saleable image that may be far from “the truth”. There is a lighter tone here, though, which betrays the Black Mirror ethos to some extent. It is an entertaining piece: the CGI on the toy Ashley is great, and there is a lovely twist 3/4 in when the true personality of it comes out to hilarious effect. But, on the whole, another under-written piece that leaves us hanging on the precipice of doubt leading into another season.
Perhaps in retrospect, season 5 should have held out for some better scripts. All 3 (and notably there are only 3, because of the effort and time put into the stand alone feature length Bandersnatch) episodes seem a little rushed and weak in terms of depth of idea; replacing it with more gloss and production value. You can see the cash on the screen in this episode about the natural progression of VR becoming all about virtual sex, regardless of your sexuality in the real world (or maybe because of it). There is some irony in considering how Black Mirror began feeling very British and here feels entirely consumed by Netflix and American values. Is that a clever statement in itself? Not sure. Either way, I am not a big fan on this one. I mean, it’s fine, but we have come to expect more.
Smithereens - 6
If there are any clever links to anything else going on here, in what I am now thinking of as the Black Mirror Universe, then I haven’t picked up on it. This one feels quite surface, and just a very sad story about a man in distress that wants technology to answer for its responsibilities. Andrew Scott is ever excellent in the lead – man, he can really act! – but the rest of the cast seem a little lifeless and under-written. Perhaps they were trying for something more sharply focused, but, for me, the moral message of don’t use your phone whilst driving, is a bit weak.
Rachel, Jack and Ashley Too - 6.5
Known as the Miley Cyrus episode, because… she’s in it, and so is an electronic “toy” that replicates her personality for her teen fans. There is some intrigue around the nature of fandom and obsession; also the idea of media manipulation in projecting a saleable image that may be far from “the truth”. There is a lighter tone here, though, which betrays the Black Mirror ethos to some extent. It is an entertaining piece: the CGI on the toy Ashley is great, and there is a lovely twist 3/4 in when the true personality of it comes out to hilarious effect. But, on the whole, another under-written piece that leaves us hanging on the precipice of doubt leading into another season.
The Diary of a Young Girl
Anne Frank, Mirjam Pressler and Otto Frank
8.2
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One of the most famous accounts of living under the Nazi regime of World War II comes from the diary...
The Classification of Sex: Alfred Kinsey and the Organization of Knowledge
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Alfred C. Kinsey's revolutionary studies of human sexual behaviour are world-renowned. His...
