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One Step Sideways (Enhanced World Security #1)
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"The difference between a hero and an ordinary man is One Step Sideways" When he was sixteen,...
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Ross (3284 KP) rated Dogs of War in Books
Sep 19, 2017
Disclosure: I received a free advance copy of this novel from NetGalley in return for an honest review.
This near-future science fiction story surrounds the use of genetically modified, cyborg animals in security and warfare and the humane concerns around that.
Having read the author's fantasy series, Shadows of the Apt, I was already familiar with Tchaikovsky's style, and his liking for warfare and technology (that series including the development of a number of new technologies which are eventually used as weapons).
What I was not quite prepared for was how he would write if in the PoV of a cyborg dog (how can you prepare yourself for that?!). This took a little getting used to, but not too much (a little like Flowers for Algernon, the language starts off simplistic but develops). Rex's vocabulary is like that of a small child, but one that has learned certain military phrases. Rex just wants his master to acknowledge him with a "good dog" now and then.
The story develops through a government-backed incursion into rebel-held Mexico, then into the courtroom and beyond into the brave new world for suddenly free man-made creatures.
There are a number of topical issues dealt with here, using not-people to do unpleasant jobs, the burden of responsibility in warfare and also the dangers of cyber-linked machines/people.
I really enjoyed the book and how the different PoVs come across and also how the setting and the message keeps changing throughout so there are different concerns to be dealt with or discussed (without being preachy!).
I also enjoyed Tchaikovsky's descriptions of conflict and battle scenes: giving enough of a picture of the whole battle while focussing on key moments and events.
Overall, something of a departure from my usual book, but very much enjoyable. This wouldn't have looked out of place with Richard Bachman's name on it.
This near-future science fiction story surrounds the use of genetically modified, cyborg animals in security and warfare and the humane concerns around that.
Having read the author's fantasy series, Shadows of the Apt, I was already familiar with Tchaikovsky's style, and his liking for warfare and technology (that series including the development of a number of new technologies which are eventually used as weapons).
What I was not quite prepared for was how he would write if in the PoV of a cyborg dog (how can you prepare yourself for that?!). This took a little getting used to, but not too much (a little like Flowers for Algernon, the language starts off simplistic but develops). Rex's vocabulary is like that of a small child, but one that has learned certain military phrases. Rex just wants his master to acknowledge him with a "good dog" now and then.
The story develops through a government-backed incursion into rebel-held Mexico, then into the courtroom and beyond into the brave new world for suddenly free man-made creatures.
There are a number of topical issues dealt with here, using not-people to do unpleasant jobs, the burden of responsibility in warfare and also the dangers of cyber-linked machines/people.
I really enjoyed the book and how the different PoVs come across and also how the setting and the message keeps changing throughout so there are different concerns to be dealt with or discussed (without being preachy!).
I also enjoyed Tchaikovsky's descriptions of conflict and battle scenes: giving enough of a picture of the whole battle while focussing on key moments and events.
Overall, something of a departure from my usual book, but very much enjoyable. This wouldn't have looked out of place with Richard Bachman's name on it.
Acanthea Grimscythe (300 KP) rated Throne of Glass in Books
May 15, 2018
Throne of Glass is the first book of Sarah J. Maas’s debut series, and that much is obvious when reading it. In a way, opening its pages has enlightened me to her growth as a writer. And while Throne of Glass is far more difficult to get into than Maas’s A Court of Thorns and Roses, I can definitely see where its fandom comes from – now if only my library had book two!
One of the things I was most excited to learn by reading this book is that Maas isn’t one of those authors that fall victim to making all their characters the same. In fact, I was thrilled to learn that Celaena is nothing like Feyre from A Court of Thorns and Roses (or should it be the other way around since this was published first?). Her love interests are vastly different, and so realistic that I couldn’t decide who I wanted to cheer for. Usually I’m pretty decided on what characters I like/don’t like, but even this early work from Maas shows she makes it difficult to simply pick and choose.
The plot of Throne of Glass is a bit Hunger Games-ish, what with a competition to find out who will be the King’s assassin meaning that it gets narrowed down to one. I will admit that I wish I’d read this book before I read Mask of Shadows by Linsey Miller, as this one was published first and the plot is a bit too similar for my taste. Both books center around a competition to become the ruler’s assassin, so I couldn’t help but think of Miller’s book the entire time I was reading this one. That, and Sal and Celaena have similar attitudes. It makes me wonder if this book inspired Miller. I do like the idea of magic only just returning to the world of Throne of Glass, though – if you can call it that.
That said, I really, truly cannot wait for the opportunity to read the next book.
One of the things I was most excited to learn by reading this book is that Maas isn’t one of those authors that fall victim to making all their characters the same. In fact, I was thrilled to learn that Celaena is nothing like Feyre from A Court of Thorns and Roses (or should it be the other way around since this was published first?). Her love interests are vastly different, and so realistic that I couldn’t decide who I wanted to cheer for. Usually I’m pretty decided on what characters I like/don’t like, but even this early work from Maas shows she makes it difficult to simply pick and choose.
The plot of Throne of Glass is a bit Hunger Games-ish, what with a competition to find out who will be the King’s assassin meaning that it gets narrowed down to one. I will admit that I wish I’d read this book before I read Mask of Shadows by Linsey Miller, as this one was published first and the plot is a bit too similar for my taste. Both books center around a competition to become the ruler’s assassin, so I couldn’t help but think of Miller’s book the entire time I was reading this one. That, and Sal and Celaena have similar attitudes. It makes me wonder if this book inspired Miller. I do like the idea of magic only just returning to the world of Throne of Glass, though – if you can call it that.
That said, I really, truly cannot wait for the opportunity to read the next book.
Billie Wichkan (118 KP) rated The Haunting of Henderson Close in Books
May 22, 2019
The Haunting of Henderson Close
Hannah has relocated to Edinburgh and now works as a performing tour guide regaling tourists with the goings on in the spooky derelict Henderson Close. Together with colleagues they bring the past to life as they play the parts of real people who lived there and spin tales of the spooky and historical past, some really gruesome. But then she starts to see shadows, she has flashes where she feels weird and, well, has some really rather scary experiences. But she's not alone, one of the other guides has experienced similar and then some of the tourists also start to see things. What is happening? Are the legends and stories of what went before coming back? Who are the people that Hannah keeps seeing, and what do they really want?
I was intrigued by the classification of The Haunting of Henderson Close as a horror, mystery and thriller novel as these are my favourites.
I loved all the hints at ghosts and supernatural activity but sadly it all got a bit confusing for me as it progressed. The flashbacks and present just seemed to clash and not move seamlessly together. At times I felt possibly the author meant for the book to be more of a Victorian mystery rather than supernatural.
The use of location was one of the main strengths of the book, as the descriptions of 19th century Edinburgh were detailed and made it easy to imagine just what Victorian Scotland used to look like; really amazing and descriptive.
The ending I found a bit lacking as I had an idea built u in my of something climatic and it wasn’t.
The story itself intrigued me, the setting especially; all in all, a story that kept my attention nicely throughout and left me mostly satisfied at its conclusion.
My thanks go to the Publisher and Netgalley for the chance to read this book.
Hannah has relocated to Edinburgh and now works as a performing tour guide regaling tourists with the goings on in the spooky derelict Henderson Close. Together with colleagues they bring the past to life as they play the parts of real people who lived there and spin tales of the spooky and historical past, some really gruesome. But then she starts to see shadows, she has flashes where she feels weird and, well, has some really rather scary experiences. But she's not alone, one of the other guides has experienced similar and then some of the tourists also start to see things. What is happening? Are the legends and stories of what went before coming back? Who are the people that Hannah keeps seeing, and what do they really want?
I was intrigued by the classification of The Haunting of Henderson Close as a horror, mystery and thriller novel as these are my favourites.
I loved all the hints at ghosts and supernatural activity but sadly it all got a bit confusing for me as it progressed. The flashbacks and present just seemed to clash and not move seamlessly together. At times I felt possibly the author meant for the book to be more of a Victorian mystery rather than supernatural.
The use of location was one of the main strengths of the book, as the descriptions of 19th century Edinburgh were detailed and made it easy to imagine just what Victorian Scotland used to look like; really amazing and descriptive.
The ending I found a bit lacking as I had an idea built u in my of something climatic and it wasn’t.
The story itself intrigued me, the setting especially; all in all, a story that kept my attention nicely throughout and left me mostly satisfied at its conclusion.
My thanks go to the Publisher and Netgalley for the chance to read this book.
Kristy H (1252 KP) rated The Outcast Dead (Ruth Galloway, #6) in Books
Feb 8, 2018
Ruth Galloway is busy on yet another dig - this time digging up bones of what may be the famous murderess "Mother Hook," known for caring for children and then perhaps killing them. (And oh yes, for the hook she had on her hand.) Meanwhile, Nelson is busy on a case of a woman who has lost her third child, a young baby, to what looks like SIDS, or is it? And in the shadows, lurks someone who is taking children from their parents - a sinister force calling themselves "The Childminder."
If it sounds like there's a lot going on, there is. And yet, the plot in this one is a little thinner than in a typical Ruth Galloway book, hence the 3 (3.5) star rating. Still, it's pretty much impossible not to enjoy a Ruth Galloway novel. She's a dear friend by now - I love her slightly sarcastic personality and way of presenting her life. There are always moments when I laugh out loud. In this novel, we find Ruth asked to appear on a TV program about murder and archaeology (they are doing a show on "Mother Hook"), which certainly takes Ruth out of her comfort zone, and also introduces us to some new characters, including the American actor, Frank, who seems keen on Ruth.
Some of the zig zagging cases are a little crazy, and "The Childminder" line ties itself up very quickly and neatly by the end, but it's still an interesting read from a mystery perspective. The introduction of Frank adds some tension to Ruth and Nelson's drama, as well. Further, the book has some good insights on childcare in the modern day - working motherhood and the like. I find myself identifying with Ruth in a multitude of ways, and she just remains a likable character who can carry a book, no matter the plot. To date, any Ruth Galloway book is worth a read.
If it sounds like there's a lot going on, there is. And yet, the plot in this one is a little thinner than in a typical Ruth Galloway book, hence the 3 (3.5) star rating. Still, it's pretty much impossible not to enjoy a Ruth Galloway novel. She's a dear friend by now - I love her slightly sarcastic personality and way of presenting her life. There are always moments when I laugh out loud. In this novel, we find Ruth asked to appear on a TV program about murder and archaeology (they are doing a show on "Mother Hook"), which certainly takes Ruth out of her comfort zone, and also introduces us to some new characters, including the American actor, Frank, who seems keen on Ruth.
Some of the zig zagging cases are a little crazy, and "The Childminder" line ties itself up very quickly and neatly by the end, but it's still an interesting read from a mystery perspective. The introduction of Frank adds some tension to Ruth and Nelson's drama, as well. Further, the book has some good insights on childcare in the modern day - working motherhood and the like. I find myself identifying with Ruth in a multitude of ways, and she just remains a likable character who can carry a book, no matter the plot. To date, any Ruth Galloway book is worth a read.
Jessica Erdas (463 KP) rated Black in TV
Dec 10, 2018 (Updated Dec 10, 2018)
Contains spoilers, click to show
I started watching this drama since it was recommended by Netflix after I finished Strong Girl Bong Soon. First off, this is not the mostly happy or comedic love story of the aforementioned that the previous show was. It was immediately dark and gut wrenching, at times horrifying, with splashes of humor wrapped up in it. It was interesting to watch the story develop and to watch the slow progression of romance between the characters. Each episode delved deeper and deeper into a mystery which unfolded into something bigger with each and every turn. However, the ending made absolutely no sense to the storyline and felt like a rushed close to the story. If you're reading further, be aware that there are spoilers to come:
My first complaint is that Joon being erased from existence would not have stopped Ha-ram from having the ability to see the shadows of death. His existence had nothing to do with the fact that her dad was a reaper nor that she was the result of a reaper and a human creating a child. Her living a normal life after Joon has himself removed was very forced and didn't satisfy the overwhelming desire for real solid romantic progression. Also, if he were erased from existence, he should not have been able to come to retrieve her soul when she finally passed away. I was really happy with the series in general but the ending was disappointing, to say the least.
It was interesting to find out at the end that the basis for the show was based on an actual tragic incident that occured and warned about how greed and the like can lead to awful outcomes for a multitude of people. I would still recommend giving this a watch as it was a good show overall but just be ready for the disappointment of the end.
My first complaint is that Joon being erased from existence would not have stopped Ha-ram from having the ability to see the shadows of death. His existence had nothing to do with the fact that her dad was a reaper nor that she was the result of a reaper and a human creating a child. Her living a normal life after Joon has himself removed was very forced and didn't satisfy the overwhelming desire for real solid romantic progression. Also, if he were erased from existence, he should not have been able to come to retrieve her soul when she finally passed away. I was really happy with the series in general but the ending was disappointing, to say the least.
It was interesting to find out at the end that the basis for the show was based on an actual tragic incident that occured and warned about how greed and the like can lead to awful outcomes for a multitude of people. I would still recommend giving this a watch as it was a good show overall but just be ready for the disappointment of the end.
Phil Leader (619 KP) rated Guns of the Dawn in Books
Nov 14, 2019
A couple of years a go I was involved in a Twitter conversation about strong female characters in fantasy. The conclusion what that they were there but not very common. This book addresses this by adding another in the shape of Emily Marshwic.
Born into a priviliged family, she is nothing but practical, sparring with the local governor whom she blames for the suicide of her father. Then war breaks out with a neighbouring country and as the fighting drags on, taking the men of the Marshwic household, Emily ends up joining the army to do her bit. The war is brutal and through her experiences Emily finds out unexpected things about not only herself but those around her.
This story is entirely driven by character, not only of Emily but of all of those she meets and this is where Tchaikovsky shines, conjuring up a host of main and supporting cast, all of whom are three dimensional and painted in shades of light and shadow, even those whose lives are destined to be cut short. Emily herself is the central pillar of the book and is more than capable of that task.
The descriptions of the war - both of the frantic, muddled fighting and the times in between - is spot on, showing the futility of it all but also why the sides feel they must fight on. The plot is far from predictable and takes sudden turns onto new territory just as the reader becomes comfortable with the current situation.
The world is well drawn. This is definitely fantasy in style and there are magic users in the shape of the flame wielding Warlocks, but the main fighting is with muskets and flintlock pistols and it is clear that the war is driving technology on.
The only problem with this book? It is stand alone. I would definitely read more stories about Emily and will now be searching out Tchaikovsky's epic Shadows of the Apt series for future reading.
Advisory: Voilent scenes of battle and some sexual violence and references
Born into a priviliged family, she is nothing but practical, sparring with the local governor whom she blames for the suicide of her father. Then war breaks out with a neighbouring country and as the fighting drags on, taking the men of the Marshwic household, Emily ends up joining the army to do her bit. The war is brutal and through her experiences Emily finds out unexpected things about not only herself but those around her.
This story is entirely driven by character, not only of Emily but of all of those she meets and this is where Tchaikovsky shines, conjuring up a host of main and supporting cast, all of whom are three dimensional and painted in shades of light and shadow, even those whose lives are destined to be cut short. Emily herself is the central pillar of the book and is more than capable of that task.
The descriptions of the war - both of the frantic, muddled fighting and the times in between - is spot on, showing the futility of it all but also why the sides feel they must fight on. The plot is far from predictable and takes sudden turns onto new territory just as the reader becomes comfortable with the current situation.
The world is well drawn. This is definitely fantasy in style and there are magic users in the shape of the flame wielding Warlocks, but the main fighting is with muskets and flintlock pistols and it is clear that the war is driving technology on.
The only problem with this book? It is stand alone. I would definitely read more stories about Emily and will now be searching out Tchaikovsky's epic Shadows of the Apt series for future reading.
Advisory: Voilent scenes of battle and some sexual violence and references
Phil Leader (619 KP) rated Deadly Harm in Books
Nov 25, 2019
Mackenzie is a survivor. She has survived a brutal kidnap ordeal and now runs a refuge for women who need to escape domestic violence. But when she has to turn a young woman away only for her husband to kill her, Mackenzie blames herself and resolves that she will do anything to prevent anything like that happening again. It isn't long before she must test her resolve. She has survived before. What will she do to survive now?
Once again Mullen demonstrates his credentials as one of the best crime writers out there, throwing a couple of extra murders into the mix and once again having dogged and dog-eared policeman Andrew Geddes play a large part, not only as an upholder of the law but also as Mackenzie's potential love interest. But how can a man who lives in terms of black and white cope when his girlfriend lives in the grey areas? The moral choices made by the leading characters may be questioned by the reader, but their motivations are always clear.
And what a cast of characters. The beauty of this is that everyone - Mackenzie, Geddes, the women at the refuge and killer Malkie Boyle - are all damaged from their lives and experiences. Even when Mullen's clean-cut private investigator Charlie Cameron crops up, it only serves to cast a light that reveals the shadows around the others. Everybody rings very true and the whole plot is very believable, and could be playing out at this moment.
And speaking of the plot, as usual this moves along at a breezy pace, introducing characters as it goes without slowing its momentum. This isn't a classic 'whodunnit' - it is clear exactly who did what - but isn't without twists and surprises, several plots simmering along next to each other and coming to the boil perfectly throughout the book.
Another fantastic read from simply one of the best authors there is. Very highly recommended
Once again Mullen demonstrates his credentials as one of the best crime writers out there, throwing a couple of extra murders into the mix and once again having dogged and dog-eared policeman Andrew Geddes play a large part, not only as an upholder of the law but also as Mackenzie's potential love interest. But how can a man who lives in terms of black and white cope when his girlfriend lives in the grey areas? The moral choices made by the leading characters may be questioned by the reader, but their motivations are always clear.
And what a cast of characters. The beauty of this is that everyone - Mackenzie, Geddes, the women at the refuge and killer Malkie Boyle - are all damaged from their lives and experiences. Even when Mullen's clean-cut private investigator Charlie Cameron crops up, it only serves to cast a light that reveals the shadows around the others. Everybody rings very true and the whole plot is very believable, and could be playing out at this moment.
And speaking of the plot, as usual this moves along at a breezy pace, introducing characters as it goes without slowing its momentum. This isn't a classic 'whodunnit' - it is clear exactly who did what - but isn't without twists and surprises, several plots simmering along next to each other and coming to the boil perfectly throughout the book.
Another fantastic read from simply one of the best authors there is. Very highly recommended