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Sophia (Bookwyrming Thoughts) (530 KP) rated Ashes (Ashes Trilogy, #1) in Books
Jan 23, 2020
Remember in my Moon Dwellers review that I mentioned to get straight to the point or you stall really well? It has to turn out impressive as well.
Well, here's a really good example of one. Ashes doesn't go straight to the point until the end, as pointed out by one of my friends (in which I nearly pounced on her in English class for nearly spoiling the book), and well... – I might offend a lot of people (and I really do mean a lot that they might want my head on a platter), so if you can get offended easily by a delicate (and I mean very delicate) subject, don't click that button. Just don't.
[BUTTON REMOVED IN THIS REVIEW]
But... I also had half the mind on DNF-ing, because Ellie was really annoying and she was getting on my nerves for about a fifth of the book. If there's a character (aside from little kid me, but I'm not a character) I wanted to shake every step of the way, it's her.
Going back to the stalling talk, Bick uses page turning tactics as a distraction, and it was a really good distraction, because there's always something happening and I couldn't see the big picture until later... way later. After it was pointed out (thanks a lot, mentioned anonymous friend from above). -_-
I still don't really see how the title goes with the story. Ashes? I'm curious if that's related to what happens early in the story. Inquiring bloggers would like to know.
Here's another spoiler: I won't be surprised if Tom returns in Shadows or Monsters. It's pretty obvious.
To finish it off, Ashes was action packed, but if you get scared easily or are faint of heart, then this book is not for you. It's really creepy. *makes a face*
I also lost my appetite. :(
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Formatting may be lost due to copy and paste
This review and more can be found at <a href="http://bookwyrming-thoughts.blogspot.com/2014/03/review-ashes-by-ilsa-j-bick.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="https://p.gr-assets.com/540x540/fit/hostedimages/1389978389/8118236.png"; /></a>
Well, here's a really good example of one. Ashes doesn't go straight to the point until the end, as pointed out by one of my friends (in which I nearly pounced on her in English class for nearly spoiling the book), and well... – I might offend a lot of people (and I really do mean a lot that they might want my head on a platter), so if you can get offended easily by a delicate (and I mean very delicate) subject, don't click that button. Just don't.
[BUTTON REMOVED IN THIS REVIEW]
But... I also had half the mind on DNF-ing, because Ellie was really annoying and she was getting on my nerves for about a fifth of the book. If there's a character (aside from little kid me, but I'm not a character) I wanted to shake every step of the way, it's her.
Going back to the stalling talk, Bick uses page turning tactics as a distraction, and it was a really good distraction, because there's always something happening and I couldn't see the big picture until later... way later. After it was pointed out (thanks a lot, mentioned anonymous friend from above). -_-
I still don't really see how the title goes with the story. Ashes? I'm curious if that's related to what happens early in the story. Inquiring bloggers would like to know.
Here's another spoiler: I won't be surprised if Tom returns in Shadows or Monsters. It's pretty obvious.
To finish it off, Ashes was action packed, but if you get scared easily or are faint of heart, then this book is not for you. It's really creepy. *makes a face*
I also lost my appetite. :(
---------------------
Formatting may be lost due to copy and paste
This review and more can be found at <a href="http://bookwyrming-thoughts.blogspot.com/2014/03/review-ashes-by-ilsa-j-bick.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="https://p.gr-assets.com/540x540/fit/hostedimages/1389978389/8118236.png"; /></a>
KalJ95 (25 KP) rated the PlayStation 4 version of Sekiro: Shadows Die Twice in Video Games
Jan 4, 2020
Fluid and fantastic combat system. (2 more)
Another FromSoftware Classic.
Best game of 2019.
My first experience with a FromSoftware game was Bloodborne. I played fifteen minutes, and gave up due to its difficulty. Time and time again, I just couldn't get past its first area, but with perseverance, I conquered the mountain, and Bloodborne became one of my favourite games. Fast forward just over three years, I destroyed Dark Souls III, and obliterated Nioh. Challenging games had become an addiction I couldn't quit. Enter Sekiro: Shadows Die Twice, FromSoftware's latest, very much story orientated entry in their catalogue of fine games.
First things first, Sekiro is most definitely a mountain to climb. If you don't grasp the rhythm of parrying and deflecting your opponents attacks, you are finished. Unlike previous FromSoftware entries, attacking is not the aim of this game. It takes time, but once you begin to understand the combat, the reward is so gratifying, especially with the boss battles, which will often want to make you throw the controller through a concrete wall.
Each boss is strategically different with how they plan to beat you, some opting to go all out attack on you, others playing the waiting game by throwing objects or firing arrows. Variety is key, and progressing and gaining new skills will help you beat each enemy as they come.
Sekiro also just happens to be one of the most beautiful games I've ever played. Its culture is rich, and its vibrancy through colour is breathtaking. While no modifications can be done with your Shinobi, it doesn't matter as you'll be too busy taking in each detail the world has to offer.
But nothing is without fault. Sekiro sometimes feels like certain boss fights are rigged in their favour, and that pure luck gets you to beat them, and that felt all too often with the infamous, Demon of Hatred. This certain boss felt so out of place, and I felt it didn't need to be included whatsoever. However, this never bogged the games standard down, as by this point the fluidity and grace of Sekiro had already confirmed what I was thinking two thirds of the way through;
Sekiro is 2019's best game.
First things first, Sekiro is most definitely a mountain to climb. If you don't grasp the rhythm of parrying and deflecting your opponents attacks, you are finished. Unlike previous FromSoftware entries, attacking is not the aim of this game. It takes time, but once you begin to understand the combat, the reward is so gratifying, especially with the boss battles, which will often want to make you throw the controller through a concrete wall.
Each boss is strategically different with how they plan to beat you, some opting to go all out attack on you, others playing the waiting game by throwing objects or firing arrows. Variety is key, and progressing and gaining new skills will help you beat each enemy as they come.
Sekiro also just happens to be one of the most beautiful games I've ever played. Its culture is rich, and its vibrancy through colour is breathtaking. While no modifications can be done with your Shinobi, it doesn't matter as you'll be too busy taking in each detail the world has to offer.
But nothing is without fault. Sekiro sometimes feels like certain boss fights are rigged in their favour, and that pure luck gets you to beat them, and that felt all too often with the infamous, Demon of Hatred. This certain boss felt so out of place, and I felt it didn't need to be included whatsoever. However, this never bogged the games standard down, as by this point the fluidity and grace of Sekiro had already confirmed what I was thinking two thirds of the way through;
Sekiro is 2019's best game.
Gareth von Kallenbach (980 KP) rated Lights Out (2016) in Movies
Aug 6, 2019
Growing up, we all had a fear of the dark. Years later, many of us still carry this phobia. It prevents us from going into certain parts of our homes or places we are familiar with unless we have the assistance of light in some form. The darkness symbolizes and encapsulates the unknown. What is it that is hiding in the darkness? Why is it that we cannot trust it? Is there really something lurking in the shadows or is it all in our minds?
In Lights Out audiences bear witness to this fear and are confronted with how this fear becomes a reality for one family. Rebecca (Teresa Palmer) is trying to make a life of her own after becoming estranged from her family. When her brother begins to experience the same problems at home that had plagued her as a child, she is brought back into the center of chaos. All of the fears return and she must save her family from a dark spirit that has attached itself to her mother before it consumes them all.
The film itself offers the ability for audiences to explore some of their earliest fears which had them leaving a light on or plugging in a night light in their rooms in order to feel safe. The film is inventive in its approach and storytelling, but I felt as though there was more to be offered with respect to the villain and relationships between the characters. Greater depth about their backstories would have allowed audiences to feel more invested in the characters and even more interested in the outcome.
For those that are looking forward to a movie that will have them jumping out of their seats, this film delivers. Many of those moments are not as predictable in many other films of the horror genre, nor does it rely on gore in order to shock audiences. Through the direction of David Sandberg, the tension is allowed to build and help carry the story to its culmination. I am looking forward to more adaptations of universal fears and phobias on screen. Lights Out does not disappoint in being a fright-filled popcorn movie.
In Lights Out audiences bear witness to this fear and are confronted with how this fear becomes a reality for one family. Rebecca (Teresa Palmer) is trying to make a life of her own after becoming estranged from her family. When her brother begins to experience the same problems at home that had plagued her as a child, she is brought back into the center of chaos. All of the fears return and she must save her family from a dark spirit that has attached itself to her mother before it consumes them all.
The film itself offers the ability for audiences to explore some of their earliest fears which had them leaving a light on or plugging in a night light in their rooms in order to feel safe. The film is inventive in its approach and storytelling, but I felt as though there was more to be offered with respect to the villain and relationships between the characters. Greater depth about their backstories would have allowed audiences to feel more invested in the characters and even more interested in the outcome.
For those that are looking forward to a movie that will have them jumping out of their seats, this film delivers. Many of those moments are not as predictable in many other films of the horror genre, nor does it rely on gore in order to shock audiences. Through the direction of David Sandberg, the tension is allowed to build and help carry the story to its culmination. I am looking forward to more adaptations of universal fears and phobias on screen. Lights Out does not disappoint in being a fright-filled popcorn movie.
Gareth von Kallenbach (980 KP) rated The Lincoln Lawyer (2011) in Movies
Aug 7, 2019
Mick Haller (Matthew McConaughey) is a criminal defense attorney who works out of his Lincoln Town Car in Los Angeles, hence the title of the movie and book “The Lincoln Lawyer” by Michael Connelly. Mickey defends all kinds of criminals and all he expects from his clients is that they pay him. While he may be a rather shifty lawyer, he is a loving father to his daughter Hayley (Mackenzie Aladjem) and he obviously still cares for her mother Maggie McPherson (Marisa Tomei).
Now although he has many clients, none are really big money clients. That changes one day when Louis Roulet (Ryan Phillippe), a rich Beverly Hills playboy, is arrested for assault & attempted rape and he wants Mick to defend him. At first Mick believes that he will be able to easily get his client acquitted, but as he and his investigator Frank Levin (William H. Macy) dig deeper, they discovery disturbing information about the case and it’s possible link to another.
In his quest to win the all mighty “Not Guilty” verdict, Mick has many obstacles (both professional and personal) placed before him that he must successfully navigate around, and treachery hiding in the shadows that he must bring into the light or else he may lose more than just a case.
While the entire cast was incredible, Matthew McConaughey and Ryan Phillippe gave equally amazing performances (this is especially true for any scene that they were both in). The characters were well-developed, believable and for the most part likable, heck I even liked the biker Eddie (Trace Adkins). The storyline was intriguing with a twist or two that I did not see coming and it also had some very nice humor sprinkled in. I did find that in a few scenes the dialogue seemed to be a bit unnatural for what was going on but it didn’t really detract from the overall scenes in question. Personally I hope this film does well enough that they make a sequel (I believe the book’s sequel is The Reversal) because I would like to see more of these characters in action.
Now although he has many clients, none are really big money clients. That changes one day when Louis Roulet (Ryan Phillippe), a rich Beverly Hills playboy, is arrested for assault & attempted rape and he wants Mick to defend him. At first Mick believes that he will be able to easily get his client acquitted, but as he and his investigator Frank Levin (William H. Macy) dig deeper, they discovery disturbing information about the case and it’s possible link to another.
In his quest to win the all mighty “Not Guilty” verdict, Mick has many obstacles (both professional and personal) placed before him that he must successfully navigate around, and treachery hiding in the shadows that he must bring into the light or else he may lose more than just a case.
While the entire cast was incredible, Matthew McConaughey and Ryan Phillippe gave equally amazing performances (this is especially true for any scene that they were both in). The characters were well-developed, believable and for the most part likable, heck I even liked the biker Eddie (Trace Adkins). The storyline was intriguing with a twist or two that I did not see coming and it also had some very nice humor sprinkled in. I did find that in a few scenes the dialogue seemed to be a bit unnatural for what was going on but it didn’t really detract from the overall scenes in question. Personally I hope this film does well enough that they make a sequel (I believe the book’s sequel is The Reversal) because I would like to see more of these characters in action.
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Low Morrison grows up on an isolated island, known for its free-loving ways. Her parents take this to the next level, living a polyamorous life that leaves Low embarrassed, ashamed, and a social outcast. When she spots the beautiful Freya at her school, she's enthralled. She sees Freya hanging up signs for a pottery class and knows she must join. She's Freya's only student and quickly becomes besotted with her teacher. Freya has no problem sharing all of her secrets and desires with her young apprentice. That's until Freya meets Jamie, who owns a local shop in town. The two become quick friends, leaving Low feeling left out and an outcast once again. One night Freya and her husband Max invite Jamie and her husband Brian over for dinner; they have no idea a jealous Low is lurking in the shadows. The foursome partake in drugs and a crazy night occurs, changing their lives forever. It also gives Low a chance to hold something over their heads.
This was a slightly insane and improbable thriller that I sped through in an entire day. It was fast-paced and nearly impossible to put down, as you just knew the characters were hurtling toward disaster. It's filled with a variety of fairly unsympathetic characters, though I felt for Low, unwanted in her own busy family and toyed with by Freya, who cares only for herself.
"I'd had to share all my life. I was done with it."
The story is told from Low's perspective, along with Brian, Jamie, and Max. We never hear directly from Freya, whom all of these characters seem to hold on a pedestal. Why exactly, we can never be sure, as she seems self-centered and cruel, playing with and torturing each of them to get exactly what she wants.
I found this to be a spellbinding read--it pulls you in as only Harding can do. Low's obsession, Freya's narcissism, Jamie's naivete. We can sense it all combining into something propulsive and horrible.
Overall, while I didn't love this one quite as much as The Arrangement, Harding's previous novel, I still enjoyed it. It's a fast-paced and creepy read, plus it's different and fun. 4 stars.
This was a slightly insane and improbable thriller that I sped through in an entire day. It was fast-paced and nearly impossible to put down, as you just knew the characters were hurtling toward disaster. It's filled with a variety of fairly unsympathetic characters, though I felt for Low, unwanted in her own busy family and toyed with by Freya, who cares only for herself.
"I'd had to share all my life. I was done with it."
The story is told from Low's perspective, along with Brian, Jamie, and Max. We never hear directly from Freya, whom all of these characters seem to hold on a pedestal. Why exactly, we can never be sure, as she seems self-centered and cruel, playing with and torturing each of them to get exactly what she wants.
I found this to be a spellbinding read--it pulls you in as only Harding can do. Low's obsession, Freya's narcissism, Jamie's naivete. We can sense it all combining into something propulsive and horrible.
Overall, while I didn't love this one quite as much as The Arrangement, Harding's previous novel, I still enjoyed it. It's a fast-paced and creepy read, plus it's different and fun. 4 stars.