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Chernobyl Diaries (2012)
Chernobyl Diaries (2012)
2012 | Drama, Horror
The problem with the horror genre these days is its becoming far too predictable, you almost spend the majority of the film second guessing the writers as to what is going to happen next. This is exactly what happened to me when I watched Chernobyl Diaries.

The premise in itself sounded good, a group of tourists/friends travelling the globe decide upon a little bit of extreme tourism and take a venture out to the site of the Chernobyl disaster.

Finding a picnic spot wasn’t going to be a problem
In particular they head to the city of Pripyat which has become a desolate ghost town since its inhabitants had to drop everything and leave in a hurry, something about a nuclear disaster.

The location provides an eerie setting, empty desolate buildings are submerged by overgrown trees giving off a sinister mood. The group, after getting refused entry by the guards take a back road inside, and spend time wandering about. When the van they are travelling in fails to start they have to spend the night and try to locate a way back out.

Oren Peli wrote the screenplay, but still seems to be living off the success of his debut chiller Paranormal Activity as he reuses the same horror clichés that we have seen too often in the past. Children wandering about aimlessly and shadows in the dark are all present in this, as well as a group of humanoids who give off a similar feel to that in The Descent.

That isn’t too say the film doesn’t have its good points (although rare), and there are some brief moments of tension. But the resulting final act in which the remainder of the party run haplessly about being chased by some unwelcome guests is poor. Slamming doors here, screaming there does little to satisfy the imagination.

The ending falls flat but you could see it coming, if only more had been done to elaborate on the back story it might have given the overall plot a bit more credibility. This was Bradley Parker’s debut directorial role after cutting his teeth in visual effects through-out his career.

While he might have done a credible job with some aspects of this film visually, once again he becomes another director in a long line who fail to deliver on tension and suspense.
  
Teenage Mutant Ninja Turtles: Out of the Shadows (2016)
Teenage Mutant Ninja Turtles: Out of the Shadows (2016)
2016 | Action, Animation, Comedy
6
7.1 (26 Ratings)
Movie Rating
When they rebooted the Teenage Mutant Ninja Turtles in 2014, I was vastly disappointed that they were ruining my childhood. I did not enjoy the film and really disliked the turtle’s large disfigured physical appearance. Months later, I watched the film again and realized it was not as bad as I originally thought. I then realized that the film was not made for someone who grew up with the Ninja Turtles and now in his thirties (Me) and instead made for kids today. It’s a kid’s movie through and thorough. And its 2016 sequel is no different.

I am happy to say that Teenage Mutant Ninja Turtles: Out of the Shadows is better than its predecessor in almost every way. It’s funnier and delivers the action at an almost frantic fast pace which will no doubt keep the youngsters eyes firmly fixed to the screen. For Dads, Megan Fox is back as April O’Neal and Moms get eye candy of their own with Casey Jones, who is played by Stephen Amell (Arrow). Both deliver the type of performance you would expect for a film like this, fun, upbeat and whimsical. Add in Will Arnett reprising his role as Vern and you have several laughs as this group interacts with the turtles.

On the villain side, we are introduced to the mutated Rhino Rocksteady and Warthog Bebop who are The Shredder’s new henchmen. Both of them are big, dumb, over the top…and they love it! This has been one of the best on screen representations of the duo yet. They add their own fun pace every time they are on film.

As a kids film, those expecting some kind of great explanation or exposition for story development will be disappointed. But those just looking to go along for the ride will feel right at home. The film doesn’t even balk at the opportunity to bring a new character from dimension X, introduce inter-dimension portals and the Technodrome with only a one liner here or there that explains the significance of those items. And then, before we can think of any holes in the explanation, we are taken away to the next set of fast paced and fun action scenes that makes us not care about clarification.
  
    Dino Hunter: Deadly Shores

    Dino Hunter: Deadly Shores

    Games and Entertainment

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    Hunt or be hunted! Embark on the hunting expedition of a lifetime in pursuit of the ultimate game in...

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Richard Hell recommended Kiss Me Deadly (2008) in Movies (curated)

 
Kiss Me Deadly (2008)
Kiss Me Deadly (2008)
2008 | Action, Drama, Mystery
(0 Ratings)
Movie Favorite

"Noir, of course, typically displays shadows, rain, urban darkness, blunt seediness, and the realization that since not just at the end but at the center of things are death and other hopeless mysteries, human striving is meaningless. There’s something soothing about realizing that all is futile. It’s liberating. Kiss Me Deadly might be the most cynical and fatalistic noir of them all. It happens to take place in sunny LA, but it’s certainly got the seediness too, including fantastic location shooting in long-gone slums. It’s one of those flicks that’s too good to be true. You’re stopped alone at a motel somewhere in the desert late at night, dead tired, but you can’t sleep, so you switch on the TV . . . and there’s a near-teenage Cloris Leachman running towards you, moaning and sobbing in the darkness, too blonde and naked to believe. But there she is. What a world. Ralph Meeker speeds up in a Jaguar! Nat King Cole warbles on the radio. Cloris is named after Christina Rossetti! It’s 1955. She’s a bitter feminist escapee from a mental asylum. And it just gets better, all the way till after the last second. Along with the action, corruption, sadism, and sex (when the blonde in her car, who happens to be behind Mike Hammer when he parks in a driveway, is immediately compelled to press herself against him and kiss him, framed with bulging taillights protruding from the fin of the forward auto, somehow it's sexier than the porniest pornography), the photography/mise-en-scène would make this movie immortal alone. It’s the kind of movie that makes me laugh at the notion of “art” photography. A few thousand frames from this one film would make a better life’s work in photography than any artist has yet created. Cindy Sherman has a right to a living like everyone else, but, Jesus . . . Nicholas Raymondo (“Very Smart. Very Bright. Very Sad.”) was “sad . . . for the way the world is,” but as Christina tells us: if you should forget me for a while And afterwards remember, do not grieve: For if the darkness and corruption leave A vestige of the thoughts that once I had, Better by far you should forget and smile It’s actually misquoted in the movie, but it’s still probably the nicest thing that’s happened to Christina Rossetti in a hundred years . . ."

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I got this one, too, as a freebie from Amazon a week or two ago for the UF/PR A-Z Challenge on Goodreads.

This starts with Ryker trying to escape from fellow fae who are trying to force him into going to the Bramble Edge Academy to start his training. He's resisting after his mum tells him tales of abuse and strange treatments but he ends up being captured and starting at the academy. A week or so later Maurelle is also captured after her powers manifest but her mum is killed in the process. Neither of them are happy at the academy but neither put up much of a fight against the strict headmistress and they don't understand why. Then they decide to investigate.

This had a different description which drew me in. Humans are in charge and fae are classed as a lower form of being, forced to live in squalor and in the edges of big cities. The academies are run by the humans and fae who leave the schools are only too happy to work under them. It was a puzzle to me just why that was.

Unfortunately though, it was taking a long time to get where it was going. I think if the plot had sped up a little or had a little more excitement going for it, I would have been very into this. As I mentioned above, it did have a promising premise but it was failing to grab me. I got to a point where I didn't want to pick this up anymore.

As for the writing. Well, it felt a little stilted at times. They may be fae but what teen talks like they were doing in this? Their actions were more teenager like than their words most of the time. The sentences didn't always read the best, either:

"They turned down another street and she was surprised to see a number of Fae out and about still this late at night."

"The moment she noticed he blended with the shadows that ended and reality came back."

I'm sure some people will love this but I like a good bit of action in my paranormal books and there hadn't been any in those first 36%. I was a little disappointed.