Search
J. Edgar (2011)
8.3
Rate It
Movie Watch
As head of the FBI through eight presidents and three wars, J. Edgar Hoover waged battle against...
Ghosts & Gallows: True Stories of Crime and the Paranormal
10.0
Rate It
Book
Murder and ghosts go hand-in-hand and vengeful spectres seeking justice or haunting the scene of the...
Collected Poems
Book
This edition of the collected poems of Paul Laurence Dunbar includes 60 poems not included in the...
A Late Summer Night's Dream
Eleanor Harkstead and Catherine Curzon
8.0
Rate It
Book
Among Oxford’s dreaming spires, can a widowed professor and a wide-eyed scholar make their own...
Contemporary M_M Romance
The Time Traveller's Guide to Elizabethan England
10.0
Rate It
Book
We think of Queen Elizabeth I as 'Gloriana': the most powerful English woman in history. We think of...
David McK (3425 KP) rated Lords and Ladies (Discworld, #14; Witches #4) in Books
Oct 30, 2022
As a character, Granny Weatherwax first appeared in the third Discworld novel Equal Rites, which was about, well, Equal Rights for both sexes. She then re-appeared (and beacem the unofficial head of her coven) in both Wyrd Sisters (where the broad outline of the plot bears a striking resemblance to certain Scottish play) and Witches Abroad (fairytales as you've never heard them before!). This is thus the fourth Discworld novel to include her as a main character, this time taking its inspiration from another Shakespeare play: A Midsummers night dream.
In this, and unlike the Elves of most comtemporary literature (Elves = good), the Elvish race are a foe to be reckoned with! This quote from about half-way through sums it up:
'Elves are wonderful. They provoke wonder.
Elves are marvellous. They cause marvels.
Elves are fantastic. They creat fantasies.
Elves are glamorous. They project glamour.
Elves are enchanting. They weave enchantment.
Elves are terrific. They beget terror.
The thing about words is that meanings can twist just like a snake ...
No-one ever said Elves are nice.
Elves are bad.'
In this, and unlike the Elves of most comtemporary literature (Elves = good), the Elvish race are a foe to be reckoned with! This quote from about half-way through sums it up:
'Elves are wonderful. They provoke wonder.
Elves are marvellous. They cause marvels.
Elves are fantastic. They creat fantasies.
Elves are glamorous. They project glamour.
Elves are enchanting. They weave enchantment.
Elves are terrific. They beget terror.
The thing about words is that meanings can twist just like a snake ...
No-one ever said Elves are nice.
Elves are bad.'
Goddess in the Stacks (553 KP) rated Bright Smoke, Cold Fire in Books
Apr 15, 2018
Fantastic Shakespeare retelling (3 more)
Excellent characters
Interesting worldbuilding
Romeo & Juliet + Zombies!
I read the description of this book somewhere and immediately requested it from the library - a re-imagining of Romeo and Juliet in a dying world with necromancers? SIGN ME UP. And it did not disappoint!
Hodge has written a few other books - Cruel Beauty, a retelling of Beauty and the Beast, and Crimson Bound, a retelling of Little Red Riding Hood. (She also has a novella that spins Cinderella.) You all know how much I like my redone Fairy Tales! Bright Smoke, Cold Fire, is a little different in that it's a Shakespeare play, instead of a fairy tale. I recently read and reviewed Miranda and Caliban, another Shakespeare reskin, but this, I think, is much better.
The Capulets have become the Catresou, and the Montagues the Mahyanai in this dark fantasy. The Ruining has killed every human outside the city of Viyara/Verona - only stopped by the mystical walls put up by a long-dead priestess and maintained by a mysterious cult of nuns.
My favorite characters in this book - and arguably the main characters - are Runajo (Rosaline) and Paris, rather than Romeo and the Juliet. (It's a title, not a name - her name was stripped from her as an infant when the magic was worked to make her "the Juliet.") The original play doesn't give either of them much time, and they are both fascinating characters in this novel - Runajo a little more than Paris, in my opinion. Runajo is a member of the Sisters of Thorns - the cult of nuns keeping the walls of Viyara up against The Ruining. When she accidentally brings the Juliet back from death, she becomes - or at least thinks she becomes - that which she and the city fear the most. A necromancer. Runajo and the Juliet both believe they will (and should) die for this crime, but still use the time they have left to try and save the city from the necromancers operating within.
Meanwhile, Paris and Romeo have found themselves bound by the magic that should have bound Romeo and Juliet, had it not gone terribly wrong. They can feel each other's emotions, see each other's memories, hear each other's thoughts. This is understandably awkward for Paris as he feels Romeo's grief for the Juliet's supposed death, and occasionally catches flashes of more intimate moments between the two. They decide to take on the city's necromancers in memory of the Juliet.
I liked how, similar to the play, Romeo and Juliet both operate for the entirety of the book under the assumption that the other one is dead. They both take risks and agree to things they would not have done if they didn't each welcome death in their own way.
I also very much enjoyed a side, non-binary character who I really want to see more of!
The book ended on an upsetting cliffhanger, which is really my only problem with it. The sequel is due out this summer (Endless Water, Starless Sky) and I will definitely be picking it up.
Great book, but you may want to wait a few months so you can immediately follow it with the sequel!
You can find all my reviews at http://goddessinthestacks.wordpress.com
Hodge has written a few other books - Cruel Beauty, a retelling of Beauty and the Beast, and Crimson Bound, a retelling of Little Red Riding Hood. (She also has a novella that spins Cinderella.) You all know how much I like my redone Fairy Tales! Bright Smoke, Cold Fire, is a little different in that it's a Shakespeare play, instead of a fairy tale. I recently read and reviewed Miranda and Caliban, another Shakespeare reskin, but this, I think, is much better.
The Capulets have become the Catresou, and the Montagues the Mahyanai in this dark fantasy. The Ruining has killed every human outside the city of Viyara/Verona - only stopped by the mystical walls put up by a long-dead priestess and maintained by a mysterious cult of nuns.
My favorite characters in this book - and arguably the main characters - are Runajo (Rosaline) and Paris, rather than Romeo and the Juliet. (It's a title, not a name - her name was stripped from her as an infant when the magic was worked to make her "the Juliet.") The original play doesn't give either of them much time, and they are both fascinating characters in this novel - Runajo a little more than Paris, in my opinion. Runajo is a member of the Sisters of Thorns - the cult of nuns keeping the walls of Viyara up against The Ruining. When she accidentally brings the Juliet back from death, she becomes - or at least thinks she becomes - that which she and the city fear the most. A necromancer. Runajo and the Juliet both believe they will (and should) die for this crime, but still use the time they have left to try and save the city from the necromancers operating within.
Meanwhile, Paris and Romeo have found themselves bound by the magic that should have bound Romeo and Juliet, had it not gone terribly wrong. They can feel each other's emotions, see each other's memories, hear each other's thoughts. This is understandably awkward for Paris as he feels Romeo's grief for the Juliet's supposed death, and occasionally catches flashes of more intimate moments between the two. They decide to take on the city's necromancers in memory of the Juliet.
I liked how, similar to the play, Romeo and Juliet both operate for the entirety of the book under the assumption that the other one is dead. They both take risks and agree to things they would not have done if they didn't each welcome death in their own way.
I also very much enjoyed a side, non-binary character who I really want to see more of!
The book ended on an upsetting cliffhanger, which is really my only problem with it. The sequel is due out this summer (Endless Water, Starless Sky) and I will definitely be picking it up.
Great book, but you may want to wait a few months so you can immediately follow it with the sequel!
You can find all my reviews at http://goddessinthestacks.wordpress.com
Gareth von Kallenbach (980 KP) rated Macbeth (2015) in Movies
Aug 6, 2019
Directed by Justin Kurzel, the 2015 release of Macbeth stars Michael
Fassbender
as Macbeth and Marion Cotillard as Lady Macbeth.
There are a ton of blood and guts in this movie. Many of the action
scenes have slow-motion insets, which for me were better than the jerky
camera movement of the close-up fighting scenes, but still felt weird
inside the film.
This is the traditional Macbeth story-line, with the typical language of
the original play. The accents of most of the actors were very heavy,
making it quite difficult to follow the actual dialogue.
I was able to follow the story because I know the basic premise of
Hamlet (who doesn’t?) but if I hadn’t basically known what the story was
about, and had to rely solely on the spoken words in the film, I would
have been dreadfully lost.
Marion Cotillard plays a very good conniving, plotting Lady Macbeth, and
Michael Fassbender does a great job of portraying a manipulated, power
hungry man, being driven mad by his atrocities.
The supporting cast gave great performances as well. The three witches
were played by Lynn Kennedy, Seylan Baxter, and Seylan Mhairi Baxter.
They were sufficiently creepy and mysterious to add the right amount of
darkness to their roles, without overpowering the concept that had
Hamlet interpreted their predictions differently, the entire story may
have gone differently.
There were parts of the movie that I held my breath at, and felt myself
responding emotionally to, but it would be very hard NOT to feel some
sort of emotion at watching a family being burned at the stake at the
whim of a mad-man.
If I were a die-hard Macbeth or Shakespeare fan, I likely would have
enjoyed the film far more. On the other hand, a die-hard Shakespeare fan
probably would have been upset at some of the pieces that were trimmed
from the famous lines of the original (“something wicked this way comes”
was noticeably absent)
Overall I would give this movie 2 out of 5 stars, based on the hard time
I had understanding the dialogue. If I had been able to not have had to
concentrate so hard to understand what was being said, I would have
given it 3.5 out of 5 stars.
Fassbender
as Macbeth and Marion Cotillard as Lady Macbeth.
There are a ton of blood and guts in this movie. Many of the action
scenes have slow-motion insets, which for me were better than the jerky
camera movement of the close-up fighting scenes, but still felt weird
inside the film.
This is the traditional Macbeth story-line, with the typical language of
the original play. The accents of most of the actors were very heavy,
making it quite difficult to follow the actual dialogue.
I was able to follow the story because I know the basic premise of
Hamlet (who doesn’t?) but if I hadn’t basically known what the story was
about, and had to rely solely on the spoken words in the film, I would
have been dreadfully lost.
Marion Cotillard plays a very good conniving, plotting Lady Macbeth, and
Michael Fassbender does a great job of portraying a manipulated, power
hungry man, being driven mad by his atrocities.
The supporting cast gave great performances as well. The three witches
were played by Lynn Kennedy, Seylan Baxter, and Seylan Mhairi Baxter.
They were sufficiently creepy and mysterious to add the right amount of
darkness to their roles, without overpowering the concept that had
Hamlet interpreted their predictions differently, the entire story may
have gone differently.
There were parts of the movie that I held my breath at, and felt myself
responding emotionally to, but it would be very hard NOT to feel some
sort of emotion at watching a family being burned at the stake at the
whim of a mad-man.
If I were a die-hard Macbeth or Shakespeare fan, I likely would have
enjoyed the film far more. On the other hand, a die-hard Shakespeare fan
probably would have been upset at some of the pieces that were trimmed
from the famous lines of the original (“something wicked this way comes”
was noticeably absent)
Overall I would give this movie 2 out of 5 stars, based on the hard time
I had understanding the dialogue. If I had been able to not have had to
concentrate so hard to understand what was being said, I would have
given it 3.5 out of 5 stars.
Jean-Jacques Rousseau: Restless Genius
Book
The extraordinary life of Jean-Jacques Rousseau, the eighteenth-century literary genius who changed...
This is the third or fourth time I've had to read this for my classes, and I have got to say, it does not disappoint! I love how I am able to catch new details each time I read it.
This time I focused on Ophelia and her "madness." I have some theories about why she acts mad, and that it is not necessarily her losing control, but gaining it in her own way. This is the first moment where she is able to act on her own in the whole play. The first time that she does not have a male controlling all of her actions.
I love being able to see the different interpretations of the play both on stage and on the screen. The to be or not to be speech will always be one of my favorites.
This is in my top three favorite Shakespeare plays of all time because of the intricacies in the plot and the characters. I can't wait to get to study this again with a new professor to get different insights on the play itself.
This time I focused on Ophelia and her "madness." I have some theories about why she acts mad, and that it is not necessarily her losing control, but gaining it in her own way. This is the first moment where she is able to act on her own in the whole play. The first time that she does not have a male controlling all of her actions.
I love being able to see the different interpretations of the play both on stage and on the screen. The to be or not to be speech will always be one of my favorites.
This is in my top three favorite Shakespeare plays of all time because of the intricacies in the plot and the characters. I can't wait to get to study this again with a new professor to get different insights on the play itself.