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Sam (74 KP) rated The Possession of Mr Cave in Books
Mar 27, 2019
The Possession of Mr Cave is the story of a father’s mental breakdown after the tragic loss of many people close to him. Terrence is mentally unwell through the whole novel and is fighting his dead son’s influence on his mind. It’s completely disturbing, surprising and scary.
I’ll start this off by saying that I know that this book wasn’t for me. As I said, the blurb didn’t sound like anything I would usually enjoy reading and I only bought the book because it was by Matt Haig. But just because the book wasn’t for me didn’t stop me from still giving it 3/5.
The Possession of Mr Cave is very Shakespearean which isn’t a surprise coming from Matt Haig, as he has written a few novels inspired by Shakespeare’s plays. This is written as if it is one of Shakespeare’s tragedies, so if you do enjoy that sort of thing, the book will be perfect. To begin with, it reminded me a lot of Romeo and Juliet because the novel begins at the end with Terrence Cave explaining that he has killed his daughter, and the novel is a letter to her, retelling exactly how the events led to her death. I did quite like this format, because it meant the suspense rose throughout the whole novel and left me guessing as to why he would kill his own daughter right up until the end.
I’m not the biggest fan of Shakespeare, which is why I feel that this was just not the book for me. Like I said, this reads exactly like a Shakespearean Tragedy, which I think in a way is also why I struggled to get into it. The language seemed clunky and drawn out in places and made it a bit hard to read, as well as Terrence’s conversations with his own mind.
It’s disturbing, and that is exactly what pulled me in. Terrence takes his protectiveness over Bryony too far to the point where I was wondering where his relationship with her was going to lead. I found it upsetting that nobody around Terrence spoke to him about how he was too protective of his daughter, and also how despite everything, nobody took the time to see if Terrence was okay.
I’ll start this off by saying that I know that this book wasn’t for me. As I said, the blurb didn’t sound like anything I would usually enjoy reading and I only bought the book because it was by Matt Haig. But just because the book wasn’t for me didn’t stop me from still giving it 3/5.
The Possession of Mr Cave is very Shakespearean which isn’t a surprise coming from Matt Haig, as he has written a few novels inspired by Shakespeare’s plays. This is written as if it is one of Shakespeare’s tragedies, so if you do enjoy that sort of thing, the book will be perfect. To begin with, it reminded me a lot of Romeo and Juliet because the novel begins at the end with Terrence Cave explaining that he has killed his daughter, and the novel is a letter to her, retelling exactly how the events led to her death. I did quite like this format, because it meant the suspense rose throughout the whole novel and left me guessing as to why he would kill his own daughter right up until the end.
I’m not the biggest fan of Shakespeare, which is why I feel that this was just not the book for me. Like I said, this reads exactly like a Shakespearean Tragedy, which I think in a way is also why I struggled to get into it. The language seemed clunky and drawn out in places and made it a bit hard to read, as well as Terrence’s conversations with his own mind.
It’s disturbing, and that is exactly what pulled me in. Terrence takes his protectiveness over Bryony too far to the point where I was wondering where his relationship with her was going to lead. I found it upsetting that nobody around Terrence spoke to him about how he was too protective of his daughter, and also how despite everything, nobody took the time to see if Terrence was okay.
Cyn Armistead (14 KP) rated Grave Secret (Harper Connelly, #4) in Books
Mar 1, 2018
I'd say that wraps it up for this series. No, I won't tell you why I'm saying that, or it'll ruin the book for you.
The Harper Connelly series hasn't ever been as strong as the Southern Vampire series, in my opinion, but it wasn't too bad in comparison to some of her earlier work, like the Aurora Teagarden and Shakespeare mysteries. She seemed to be experimenting with something darker this time around. I haven't looked at the Amazon rank or any other figures for the series, but it's my gut feeling that they never took off in comparison to the Sookie Stackhouse series, especially since True Blood has gotten so much attention with the television series. I have to wonder what that feels like for Ms. Harris, as this really was a decent concept with some promise, and it doesn't seem to have been given that much of a chance to blossom.
In any case, Harper and her brother are prickly characters and not very easy to relate to, and they don't get any easier in this book. They are back in their home town, and we get to now a lot more about their origins this time around. We finally get the whole story about their missing sister, and we meet the two little sisters who live with an aunt and uncle.
The portrayal of the devout blue-collar people with their working-man's faith is absolutely smack on. I came from those people, and I could taste the sweet tea and see the linoleum and the absolutely clean Formica dinette, feel the cracked chairs the characters sat on and look around at the carefully kept house. Harris did a great job with that town and those people, so much so that I'm sure she either came from a similar place or has spent plenty of time in one.
There isn't as much new magic/plot stuff as there are answers this time. The sexy gypsy boy-almost-man is back, to my delight. Harper's love interest is still a bit of a squick, but I suppose it makes sense for the characters. I have to wonder how many authors would stick with that kind of decision, knowing the backlash they'd get from their readers?
If you've read the other Harper Connelly books, read this one for closure. If you haven't, this isn't the place to start!
The Harper Connelly series hasn't ever been as strong as the Southern Vampire series, in my opinion, but it wasn't too bad in comparison to some of her earlier work, like the Aurora Teagarden and Shakespeare mysteries. She seemed to be experimenting with something darker this time around. I haven't looked at the Amazon rank or any other figures for the series, but it's my gut feeling that they never took off in comparison to the Sookie Stackhouse series, especially since True Blood has gotten so much attention with the television series. I have to wonder what that feels like for Ms. Harris, as this really was a decent concept with some promise, and it doesn't seem to have been given that much of a chance to blossom.
In any case, Harper and her brother are prickly characters and not very easy to relate to, and they don't get any easier in this book. They are back in their home town, and we get to now a lot more about their origins this time around. We finally get the whole story about their missing sister, and we meet the two little sisters who live with an aunt and uncle.
The portrayal of the devout blue-collar people with their working-man's faith is absolutely smack on. I came from those people, and I could taste the sweet tea and see the linoleum and the absolutely clean Formica dinette, feel the cracked chairs the characters sat on and look around at the carefully kept house. Harris did a great job with that town and those people, so much so that I'm sure she either came from a similar place or has spent plenty of time in one.
There isn't as much new magic/plot stuff as there are answers this time. The sexy gypsy boy-almost-man is back, to my delight. Harper's love interest is still a bit of a squick, but I suppose it makes sense for the characters. I have to wonder how many authors would stick with that kind of decision, knowing the backlash they'd get from their readers?
If you've read the other Harper Connelly books, read this one for closure. If you haven't, this isn't the place to start!
ClareR (5603 KP) rated The Survival Game in Books
Sep 10, 2018
Global warming from a child's perspective.
I know it's necessary to have differentiation between the age groups for the protection of those who are youngest, but in this case, knowing that this is a child's/ young person's book, may put adults off reading this - and that would be a shame. All of the themes in this novel are very current. Set against the backdrop of a global climate disaster, we see how the displaced are treated: in a word, badly. We see the devastation that global warming wreaks, and the terrifying journey that a 14 year old girl, Mhairi Anne Bain (Mab, for short, which is interesting, as she is a symbol of freedom in Shakespeare and Mab Darogan in Welsh folklore was someone who was prophesied to come and save the Welsh from the English by forcing them out, as the Scots have forced the English out in this story, I suppose. Don't ask me how I remember this kind of information) makes on her own from the Sudan to the Isle of Arran. On her journey, she meets a young boy who doesn't speak, and she finds herself feeling responsible for him. I think he gives her some hope and a reason to keep going, to be honest. She decides to take him home with her, but of course, it isn't that easy.
Everything in this novel is plausible - the way in which Scotland and other countries decide how to control population, global warming and its consequences, and the resultant mass movement of people affected by drought and flooding.
I really enjoyed this: Mhairi has a very mature voice, as would any child who had seen and experienced what she had, and she is believable. We don't see all of the horrors she experiences, but they are alluded to, which is probably a very good idea when children are going to be the target audience. To be honest, there are a lot of adults that really don't want or need the gory details.
This is a timely novel, and one that is important to read. I could see that there would be a lot of discussion arising from this book in a classroom.
Many thanks to NetGalley and the publisher for my copy of this book to read and to give an honest review.
Everything in this novel is plausible - the way in which Scotland and other countries decide how to control population, global warming and its consequences, and the resultant mass movement of people affected by drought and flooding.
I really enjoyed this: Mhairi has a very mature voice, as would any child who had seen and experienced what she had, and she is believable. We don't see all of the horrors she experiences, but they are alluded to, which is probably a very good idea when children are going to be the target audience. To be honest, there are a lot of adults that really don't want or need the gory details.
This is a timely novel, and one that is important to read. I could see that there would be a lot of discussion arising from this book in a classroom.
Many thanks to NetGalley and the publisher for my copy of this book to read and to give an honest review.
Deborah (162 KP) rated The Marlowe Papers in Books
Dec 21, 2018
I thought this was a really interesting idea; a 'novel (if that's even the right word!) written entirely in Blank Verse. Obviously the subject matter was also one that interested me.
The book apparently formed part of Barber's PhD and her central theory is the one that playwright and intelligencer Christopher Marlowe did not in fact die in Deptford as supposed. Subsidiary to this is the idea that William Shakespeare was just a front man for a whole host of plays written by an exiled Marlowe. Despite appearing in a production of Doctor Faustus as a teenager, I will admit that I am not terribly au fait with the details of Marlowe's life but having read Barber's work and the notes at the back, I can see there is some mileage in the idea of him having not actually died as reported; certainly there appears something fishy going on. I'm less convinced by the idea that someone else 'must' have written Shakespeare's plays. If Marlowe could be successful as the son of a Kentish Cobbler, why can't we believe the same of the son of a Stratford glover? Be that as it may, that is the stance Barber has chosen to take and I can accept what she gives me for the purpose of her 'entertainment' of 'what might have happened'.
As to the book itself, it's about 400 pages long and I think it took about 100 of those before I felt I was really getting into it. I'm not sure if it was adjusting to the style of the work (I read some plays in Blank Verse, but I'm not a great poetry lover) or if the early section was more chronologically disjointed and more tricky to get into the swing of the action? I am glad I persevered though, as I did end up enjoying it. On the other hand, I can more than understand that some people won't find it their cup of tea at all - I don't think there is any other work, at least not in English, that is written in quite the same way. It certainly must have been a labour of love getting exactly the right words to make all that Iambic Pentameter work, so hats off to Barber on this score.
Now I feel like seeing if I can find a decent biography of Marlowe, and surely that can only be a good thing.
The book apparently formed part of Barber's PhD and her central theory is the one that playwright and intelligencer Christopher Marlowe did not in fact die in Deptford as supposed. Subsidiary to this is the idea that William Shakespeare was just a front man for a whole host of plays written by an exiled Marlowe. Despite appearing in a production of Doctor Faustus as a teenager, I will admit that I am not terribly au fait with the details of Marlowe's life but having read Barber's work and the notes at the back, I can see there is some mileage in the idea of him having not actually died as reported; certainly there appears something fishy going on. I'm less convinced by the idea that someone else 'must' have written Shakespeare's plays. If Marlowe could be successful as the son of a Kentish Cobbler, why can't we believe the same of the son of a Stratford glover? Be that as it may, that is the stance Barber has chosen to take and I can accept what she gives me for the purpose of her 'entertainment' of 'what might have happened'.
As to the book itself, it's about 400 pages long and I think it took about 100 of those before I felt I was really getting into it. I'm not sure if it was adjusting to the style of the work (I read some plays in Blank Verse, but I'm not a great poetry lover) or if the early section was more chronologically disjointed and more tricky to get into the swing of the action? I am glad I persevered though, as I did end up enjoying it. On the other hand, I can more than understand that some people won't find it their cup of tea at all - I don't think there is any other work, at least not in English, that is written in quite the same way. It certainly must have been a labour of love getting exactly the right words to make all that Iambic Pentameter work, so hats off to Barber on this score.
Now I feel like seeing if I can find a decent biography of Marlowe, and surely that can only be a good thing.
Gareth von Kallenbach (971 KP) rated Out of the Furnace (2013) in Movies
Aug 6, 2019
The holiday season is upon us and with that the end of the movie season for 2013. This is the point where studios release
The last blockbusters of the year. It’s also the time when they release what I like to call ‘hidden gems’ of the year. The ones you never see coming or fly under the radar and don’t get the credit they deserve.
Today’s selection for your consideration, definitely qualifies as one of those films the ‘flies under the radar’ but is definitely one worthy of recognition and more than worthy to be seen.
The thriller “Out Of The Furnace” will hit theaters on Friday December 6th. Starring Christian Bale, Woody Harrelson, Zoe Saldana, Willem Dafoe, Forrest Whitaker, Casey Affleck, Sam Shepard and directed by Scoot Cooper ‘Out Of The Furnace’ tells the story of Russell Blaze (Bale) and Rodney (Affleck).
Two blue collar brothers from Pennsylvania who, along with their Uncle Red (Shepard), care for their sick father. Russell works at the local steel mill until an impossible string of random events sends him to prison. Meanwhile, Rodney, a recently returned Iraqi war veteran unable to find work is lured into less than legal means of earning income in order to help provide for the family. Upon his release, Russell’s life takes an even more dramatic turn as he is forced to choose between justice for his brother or his freedom.
‘Out Of The Furnace’ is not exactly a holiday film. It’s a tale of revenge. It’s a story that follows a hard-working American family who by no fault of their own, were overcome come by outside elements that they could not be prepared for or never anticipate.
It’s a tragedy reminiscent of Shakespeare combined with a powerful cast.
It’s methodical, shocking, and heartbreaking. Not for the faint of heart. It shows that even in the end, no matter what choices you have standing in the shoes of Russell Blaze you can still lose. The movie starts off slow and certain aspects like the fate of Uncle Red get lost in the mix but all in all I’d say this movie is definitely one worth seeing and I wouldn’t be surprised in the least if it doesn’t get talked up for a few awards.
The last blockbusters of the year. It’s also the time when they release what I like to call ‘hidden gems’ of the year. The ones you never see coming or fly under the radar and don’t get the credit they deserve.
Today’s selection for your consideration, definitely qualifies as one of those films the ‘flies under the radar’ but is definitely one worthy of recognition and more than worthy to be seen.
The thriller “Out Of The Furnace” will hit theaters on Friday December 6th. Starring Christian Bale, Woody Harrelson, Zoe Saldana, Willem Dafoe, Forrest Whitaker, Casey Affleck, Sam Shepard and directed by Scoot Cooper ‘Out Of The Furnace’ tells the story of Russell Blaze (Bale) and Rodney (Affleck).
Two blue collar brothers from Pennsylvania who, along with their Uncle Red (Shepard), care for their sick father. Russell works at the local steel mill until an impossible string of random events sends him to prison. Meanwhile, Rodney, a recently returned Iraqi war veteran unable to find work is lured into less than legal means of earning income in order to help provide for the family. Upon his release, Russell’s life takes an even more dramatic turn as he is forced to choose between justice for his brother or his freedom.
‘Out Of The Furnace’ is not exactly a holiday film. It’s a tale of revenge. It’s a story that follows a hard-working American family who by no fault of their own, were overcome come by outside elements that they could not be prepared for or never anticipate.
It’s a tragedy reminiscent of Shakespeare combined with a powerful cast.
It’s methodical, shocking, and heartbreaking. Not for the faint of heart. It shows that even in the end, no matter what choices you have standing in the shoes of Russell Blaze you can still lose. The movie starts off slow and certain aspects like the fate of Uncle Red get lost in the mix but all in all I’d say this movie is definitely one worth seeing and I wouldn’t be surprised in the least if it doesn’t get talked up for a few awards.
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Merissa (11805 KP) rated The Cryptic Prophecy (Etherya's Earth #6) in Books
Apr 7, 2022 (Updated Jun 26, 2023)
THE CRYPTIC PROPHECY is the sixth book in the Etherya's Earth series, but the first one that follows the children of our favourite characters! This time, it's Callie -- the daughter of Arderin and Darkrip, who is also the starring character in an Elven Prophecy that alienates her from her peers, leaving her wide open for being used by others.
Although other characters are in here, the focus is on Callie and Brecken, plus their families. No worries though, because that also includes Callie's parents (in case you were having Darkrip withdrawals!). He's a bit of a one here when he goes in 'I'm your father and I know what's best for you' mode, but Arderin and Callie soon shake that notion from him. Those scenes were so much fun to read!
Brecken is the sole male in his family, his father having died years before. He adores his mum and will do anything for his sisters, including writing the most beautiful love letters to Callie, on behalf of someone else! I don't want to talk about 'the other man' though - he doesn't deserve the page space!! Brecken is well-deserving of his nickname Shakespeare and made my heart melt with every letter!
Tatiana plays a bigger role and finally picks a side, which opens up the way the following books will go. I did wonder where we'd be going next, but now, I'm fully on board and (once again) can't wait to read more.
Callie and Brecken are steaming-hot, whilst also being caring, loving, and romantic enough to make anyone's cold, dead heart beat again. I have absolutely adored this series but I think Callie and Brecken are my new favourites.
Oh, and that prophecy? It's fulfilled but not in the way you suspect, and that's ALL I'm going to say. If you want to know more - read the book!!! Just remember to start at book one though, so you get the full experience. Trust me, you won't regret it.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Apr 5, 2022
Although other characters are in here, the focus is on Callie and Brecken, plus their families. No worries though, because that also includes Callie's parents (in case you were having Darkrip withdrawals!). He's a bit of a one here when he goes in 'I'm your father and I know what's best for you' mode, but Arderin and Callie soon shake that notion from him. Those scenes were so much fun to read!
Brecken is the sole male in his family, his father having died years before. He adores his mum and will do anything for his sisters, including writing the most beautiful love letters to Callie, on behalf of someone else! I don't want to talk about 'the other man' though - he doesn't deserve the page space!! Brecken is well-deserving of his nickname Shakespeare and made my heart melt with every letter!
Tatiana plays a bigger role and finally picks a side, which opens up the way the following books will go. I did wonder where we'd be going next, but now, I'm fully on board and (once again) can't wait to read more.
Callie and Brecken are steaming-hot, whilst also being caring, loving, and romantic enough to make anyone's cold, dead heart beat again. I have absolutely adored this series but I think Callie and Brecken are my new favourites.
Oh, and that prophecy? It's fulfilled but not in the way you suspect, and that's ALL I'm going to say. If you want to know more - read the book!!! Just remember to start at book one though, so you get the full experience. Trust me, you won't regret it.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Apr 5, 2022
RəX Regent (349 KP) rated Saving Private Ryan (1998) in Movies
Feb 25, 2019 (Updated Feb 25, 2019)
Groundbreaker mired in slop
Contains spoilers, click to show
Regarded as one of the best war films ever made, it certainly qualifies. The opening twenty minutes are still as breathtaking, shocking and disturbing realistic as they were back in 1998. It is hard to imagine that it has now been over twelve years since Saving Private Ryan broke the mold of World War II film making.
Winner of five Academy Awards, including Best Director for Spielberg, Best Cinematography, and Sound, which was astonishing, even by today's standards, it failed to win Best Picture, losing out to Shakespeare In Love. Shakespeare In Love! Don't get me wrong, it's a good film, but easily forgettable compared to Ryan, only proving yet again that if you touch upon the British monarchy you get Oscars.
The film is a fictional account of four brothers, all serving in the U.S. Army, three of which were killed in action on or around the D-Day landings. The fourth, James Ryan played by Matt Damon is somewhere in Europe, and Tom Hanks with his platoon are sent to bring him home, to spare his mother anymore heartache.
Tom Hanks, who was also snubbed at the 1998 Oscars for his perfect performance as Captain Miller, the everyman who was losing himself in the horrors of war, underplayed his role perfectly. He is believable on every level, emotionally, physically and has a sense of subtly with makes him of Hollywood's greats.
The action is visceral, gritty and horrifying. But never played for crass effect. Scenes of soldiers intestines spilling out, limbs flying a sunder and brutal killing left, right and centre are recreated for one purpose. To truly demonstrate the horrors of war, and to change our perceptions of the global conflict which had almost become a joke, a setting for gung- ho action films, where the Yanks reign supreme and single-handedly win the war.
This shows troops crying, hurting and making decisions which should not be made under any moral circumstances, but you understand why, whether you agree or not. There is no doubt that Spielberg is not innocent of making an American film, but it is about as even-handed as you might expect, with the exception of Tora! Tora! Tora! or The Longest Day.
So, the action is first-rate, graphic and perfectly toned to recreate to horror of the last century's greatest and most of destructive conflicts. But that's only half the story.
The other half is the talking, reminiscing and the almost sepia tone is more than a little cloying. The U.S. General's monologues, which seem to consist almost entirely of Lincoln quotations are overly sentimental, erring on the side of sloppy patriotism rather than Jingoism, which is hardly a bad thing but it isn't good either.
The civilian scenes, such as Mrs Ryan, washing a plate as she sees the car drive down to road to inform her of her sons deaths are so sentimental that they jar against the realism of the war scenes. It's not so much contrast as it is as extreme as black and white.
The action is obviously interspersed, as all war films are, with rest stops and moments of talking, pondering etc., but the scenes drag on too long and disrupt the tone of the film. On the other hand, the direction is brilliant when explaining the situations during and around the action, but Spielberg seemed to think that we needed these sloppy and often boring moments, such as The Church, and the outside the cafe in Ramelle, to express the emotional torment of the characters, but I think that these scenes are so boring and pointless that I' can hardly remember them, as my attention drifts off during them! But I do have an understanding of the soldiers, and this was achieved, quite adorably without these scenes.
Overall, this is a film of two halves if ever there was one. The battle scenes and the journey through war-torn France are brilliant, gritty and educational, but the scenes of American sentimentality are in danger of derailing the whole film. Many feel that is the best war film of all time. I do not agree, favouring Black Hawk Down over this, but I would be remiss if I didn't acknowledge that Blank Hawk Down owes a debt to Saving Private Ryan, by opening the door to the gritty war dramas of the naughties and to the style itself.
This film is on of the most important contributions to cinema ever, and has done so much to finally show to true nature of WWII and war in general. But even though I would rate this 10/10 if it was just for the war scenes, the slop just gets in the way and devalues what should have been perfection.
Winner of five Academy Awards, including Best Director for Spielberg, Best Cinematography, and Sound, which was astonishing, even by today's standards, it failed to win Best Picture, losing out to Shakespeare In Love. Shakespeare In Love! Don't get me wrong, it's a good film, but easily forgettable compared to Ryan, only proving yet again that if you touch upon the British monarchy you get Oscars.
The film is a fictional account of four brothers, all serving in the U.S. Army, three of which were killed in action on or around the D-Day landings. The fourth, James Ryan played by Matt Damon is somewhere in Europe, and Tom Hanks with his platoon are sent to bring him home, to spare his mother anymore heartache.
Tom Hanks, who was also snubbed at the 1998 Oscars for his perfect performance as Captain Miller, the everyman who was losing himself in the horrors of war, underplayed his role perfectly. He is believable on every level, emotionally, physically and has a sense of subtly with makes him of Hollywood's greats.
The action is visceral, gritty and horrifying. But never played for crass effect. Scenes of soldiers intestines spilling out, limbs flying a sunder and brutal killing left, right and centre are recreated for one purpose. To truly demonstrate the horrors of war, and to change our perceptions of the global conflict which had almost become a joke, a setting for gung- ho action films, where the Yanks reign supreme and single-handedly win the war.
This shows troops crying, hurting and making decisions which should not be made under any moral circumstances, but you understand why, whether you agree or not. There is no doubt that Spielberg is not innocent of making an American film, but it is about as even-handed as you might expect, with the exception of Tora! Tora! Tora! or The Longest Day.
So, the action is first-rate, graphic and perfectly toned to recreate to horror of the last century's greatest and most of destructive conflicts. But that's only half the story.
The other half is the talking, reminiscing and the almost sepia tone is more than a little cloying. The U.S. General's monologues, which seem to consist almost entirely of Lincoln quotations are overly sentimental, erring on the side of sloppy patriotism rather than Jingoism, which is hardly a bad thing but it isn't good either.
The civilian scenes, such as Mrs Ryan, washing a plate as she sees the car drive down to road to inform her of her sons deaths are so sentimental that they jar against the realism of the war scenes. It's not so much contrast as it is as extreme as black and white.
The action is obviously interspersed, as all war films are, with rest stops and moments of talking, pondering etc., but the scenes drag on too long and disrupt the tone of the film. On the other hand, the direction is brilliant when explaining the situations during and around the action, but Spielberg seemed to think that we needed these sloppy and often boring moments, such as The Church, and the outside the cafe in Ramelle, to express the emotional torment of the characters, but I think that these scenes are so boring and pointless that I' can hardly remember them, as my attention drifts off during them! But I do have an understanding of the soldiers, and this was achieved, quite adorably without these scenes.
Overall, this is a film of two halves if ever there was one. The battle scenes and the journey through war-torn France are brilliant, gritty and educational, but the scenes of American sentimentality are in danger of derailing the whole film. Many feel that is the best war film of all time. I do not agree, favouring Black Hawk Down over this, but I would be remiss if I didn't acknowledge that Blank Hawk Down owes a debt to Saving Private Ryan, by opening the door to the gritty war dramas of the naughties and to the style itself.
This film is on of the most important contributions to cinema ever, and has done so much to finally show to true nature of WWII and war in general. But even though I would rate this 10/10 if it was just for the war scenes, the slop just gets in the way and devalues what should have been perfection.
Goddess in the Stacks (553 KP) rated Always Never Yours in Books
Aug 13, 2018
This is the fifth book from my summer TBR - I'm slowly working through them! I mused on the TBR list that this might remind me of high school, and so it did. Megan is much bolder than I ever was, and dated a lot more, but her underlying feelings of being passed over for other girls - oh, I felt those. I wasn't very socially adept in high school, unlike Megan.
The premise of the story is that every guy Megan dates falls madly in love with the girl he dates after Megan. This has happened enough that she's come to expect it, so when her last boyfriend broke up with her to date her best friend, she wasn't even very upset with them. She understood. That's what her boyfriends DO. Which means she approaches relationships as temporary, and doesn't bother to fight for them when they end.
The book is really about learning what's worth fighting for. A family that seems to be moving on without her? A role in a play that her understudy fills better than she does? A boy who will go on to find his true love after her? A best friend who stole her boyfriend? Megan struggles with feeling imminently replaceable and misunderstood, and her vulnerability grabbed my heartstrings and yanked. I wasn't expecting to, but I LOVED this book.
Megan's worries are so very real, and her friends are such quintessential high schoolers. Every look, every word, every relationship has so much more intense meaning at that age because EVERYTHING is so important and felt so deeply. I loved how supportive Megan is of her friends, even if she doesn't always realize that she comes across a little strong. I liked the side plot of Megan's gay friend Anthony, and the closeted boy he has a crush on.
As a Shakespeare lover, I enjoyed that each chapter started with a line from Romeo and Juliet, the play that Megan's school Drama department is performing her senior year. I also enjoyed seeing the comparisons between Megan and Rosaline, and characters in the book saying how interesting Rosaline is as a character, even though we don't actually see her in the play! It reminded me of Bright Smoke, Cold Fire, which is a VERY different book, but another one that delves further into the character of Rosaline. And now I'm wondering if there are any other books that do the same....
I loved this book. It made me cry but then laugh through my sniffles. Books that can do that are special things.
You can find all my reviews at http://goddessinthestacks.wordpress.com
The premise of the story is that every guy Megan dates falls madly in love with the girl he dates after Megan. This has happened enough that she's come to expect it, so when her last boyfriend broke up with her to date her best friend, she wasn't even very upset with them. She understood. That's what her boyfriends DO. Which means she approaches relationships as temporary, and doesn't bother to fight for them when they end.
The book is really about learning what's worth fighting for. A family that seems to be moving on without her? A role in a play that her understudy fills better than she does? A boy who will go on to find his true love after her? A best friend who stole her boyfriend? Megan struggles with feeling imminently replaceable and misunderstood, and her vulnerability grabbed my heartstrings and yanked. I wasn't expecting to, but I LOVED this book.
Megan's worries are so very real, and her friends are such quintessential high schoolers. Every look, every word, every relationship has so much more intense meaning at that age because EVERYTHING is so important and felt so deeply. I loved how supportive Megan is of her friends, even if she doesn't always realize that she comes across a little strong. I liked the side plot of Megan's gay friend Anthony, and the closeted boy he has a crush on.
As a Shakespeare lover, I enjoyed that each chapter started with a line from Romeo and Juliet, the play that Megan's school Drama department is performing her senior year. I also enjoyed seeing the comparisons between Megan and Rosaline, and characters in the book saying how interesting Rosaline is as a character, even though we don't actually see her in the play! It reminded me of Bright Smoke, Cold Fire, which is a VERY different book, but another one that delves further into the character of Rosaline. And now I'm wondering if there are any other books that do the same....
I loved this book. It made me cry but then laugh through my sniffles. Books that can do that are special things.
You can find all my reviews at http://goddessinthestacks.wordpress.com