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Lee (2222 KP) rated The Meg (2018) in Movies
Aug 14, 2018
The acting is awful - from everyone (1 more)
The script is terrible
Fun action movie
If you've seen any of the posters or trailers for The Meg, you know exactly what you're in for. It's basically Jason Statham versus a big ass prehistoric shark, and that's pretty much all you need to know. If you're expecting a decent script, without any clichés, or any kind of decent acting for that matter, then you're likely to be disappointed. This movie pretty much does what it says on the tin.
Jason Statham stars as Jonas Taylor, currently retired from deep sea diving hero work and living a chilled life in Thailand, beer permanently in his hand. Five years earlier, Jonas was involved in an underwater operation which ended badly - a mysterious sea creature put a huge dent in the side of a submersible and Jonas had to make the painful decision to leave some men behind in order to save the rest. But when a hi-tech marine research station sends a crew down more than 10,000 metres into the ocean, beyond an icy barrier of hydrogen sulphide and into unexplored waters, they encounter a 70ft megalodon and find themselves trapped. Time for Jonas, the only man capable of rescuing them, to be lured out out of retirement. Unfortunately though, as the submersibles return to the surface, they unknowingly create a thermal pathway through the icy cold layer, and the meg follows them back up.
By this point we're nearly half way through the movie, and we've so far only caught a couple of glimpses of the meg and the kind of damage it can cause. The rest of the time up until now has been filled with introducing us to a large number of dull characters, both on the research station and the submersible. To be fair though, the script is terrible - full of clichés and failed attempts at humour and one-liners, but even then the delivery from literally everyone involved is pretty awful, the acting on show here is shocking. When things do kick off with the shark though, it's less talk more action, and that's when the film is at its most enjoyable.
Many of the action scenes are, as you'd expect, ridiculous, over the top and wildly enjoyable. Jonas tries 'sneaking up' on the meg in order to fire it with a tracking dart, only for the meg to give chase as Jonas is rapidly winched back in, swerving to avoid the huge jaws. Later on, the meg finds its way to a densely populated beach. Hundreds of nicely arranged bathers in their rubber rings, men rolling around in zorbs, people on jet skis - the perfect scenario for mass panic and carnage.
Overall, this is a good fun action movie which really should have focused a little more on a tighter script. Still worth a watch though.
Jason Statham stars as Jonas Taylor, currently retired from deep sea diving hero work and living a chilled life in Thailand, beer permanently in his hand. Five years earlier, Jonas was involved in an underwater operation which ended badly - a mysterious sea creature put a huge dent in the side of a submersible and Jonas had to make the painful decision to leave some men behind in order to save the rest. But when a hi-tech marine research station sends a crew down more than 10,000 metres into the ocean, beyond an icy barrier of hydrogen sulphide and into unexplored waters, they encounter a 70ft megalodon and find themselves trapped. Time for Jonas, the only man capable of rescuing them, to be lured out out of retirement. Unfortunately though, as the submersibles return to the surface, they unknowingly create a thermal pathway through the icy cold layer, and the meg follows them back up.
By this point we're nearly half way through the movie, and we've so far only caught a couple of glimpses of the meg and the kind of damage it can cause. The rest of the time up until now has been filled with introducing us to a large number of dull characters, both on the research station and the submersible. To be fair though, the script is terrible - full of clichés and failed attempts at humour and one-liners, but even then the delivery from literally everyone involved is pretty awful, the acting on show here is shocking. When things do kick off with the shark though, it's less talk more action, and that's when the film is at its most enjoyable.
Many of the action scenes are, as you'd expect, ridiculous, over the top and wildly enjoyable. Jonas tries 'sneaking up' on the meg in order to fire it with a tracking dart, only for the meg to give chase as Jonas is rapidly winched back in, swerving to avoid the huge jaws. Later on, the meg finds its way to a densely populated beach. Hundreds of nicely arranged bathers in their rubber rings, men rolling around in zorbs, people on jet skis - the perfect scenario for mass panic and carnage.
Overall, this is a good fun action movie which really should have focused a little more on a tighter script. Still worth a watch though.
Bob Mann (459 KP) rated 47 Meters Down (2017) in Movies
Sep 29, 2021
Down Down, Deeper and Down.
It’s summer again; it’s a shark movie. Lisa and Kate are two sisters on holiday in Mexico with one grieving a lost relationship and the other looking for fun. Against their better judgement they go shark cage diving 5 metres below a vessel that looks like it should have been in the salvage yard 20 years ago. After a mechanical failure the cage plummets down to the sea bed….. (Go on, how deep? Have a guess. Go on, go on, go on …)
With sharks circling and air running low, will the girls survive their ordeal?
Last year, one of the surprise movies of the year for me was “The Shallows“, which I really enjoyed. A tense, well made yarn held together by a solid performance by Blake Lively and with a genuine escalation of tension (albeit let down by a poor ending).
“47 Metres Down” differs from that film in three major respects: B-movie acting, from Mandy Moore and Claire Holt (with Holt being significantly better than Moore); a screenplay by Johannes Roberts and Ernest Riera that is both ponderous and unbelievable; and dialogue that is at times truly execrable.
The film really takes its time to get to the ‘sharp end’ (as it were). Once there, the actions of the girls are so clinically stupid that they are deserving of Darwin Award nominations. Fortunately, the IQs of the sharks (well realised as CGI by Outpost VFX) are only marginally greater: the sharks will appear and then go away for ten minutes at a time, just so that the implausible plot can progress unmolested.
These films always need an escalator for the tension: in “The Shallows” it was the rising tide; in this film it is the air supply. This element works well and adds an additional element of claustrophobia to the film that is already at 11 on the scale (you surely don’t need me to tell you that claustrophobics need to avoid this film!).
Much of the dialogue is expository regarding what is going on in the darkness and is so repetitive (“We ARE going to get out of here Kate!”) that it would make a good drinking game. The worst dialogue award though goes to Matthew Modine (“Memphis Belle”) who’s repeated medical descriptions of “the bends” becomes mildly comical – I literally got a fit of the giggles at one point.
I’m not going to completely savage the film though, since there IS a nice twist to the ending, albeit one that’s heavily signposted. And instead of reaching constantly for the classic “Ben’s head in the boat” jump scare, the film occasionally teases the audience with set-ups that ultimately just feature murky water and nothing more.
My recommendation: if you’ve not yet seen “The Shallows”, check that out on DVD and give this one a miss.
With sharks circling and air running low, will the girls survive their ordeal?
Last year, one of the surprise movies of the year for me was “The Shallows“, which I really enjoyed. A tense, well made yarn held together by a solid performance by Blake Lively and with a genuine escalation of tension (albeit let down by a poor ending).
“47 Metres Down” differs from that film in three major respects: B-movie acting, from Mandy Moore and Claire Holt (with Holt being significantly better than Moore); a screenplay by Johannes Roberts and Ernest Riera that is both ponderous and unbelievable; and dialogue that is at times truly execrable.
The film really takes its time to get to the ‘sharp end’ (as it were). Once there, the actions of the girls are so clinically stupid that they are deserving of Darwin Award nominations. Fortunately, the IQs of the sharks (well realised as CGI by Outpost VFX) are only marginally greater: the sharks will appear and then go away for ten minutes at a time, just so that the implausible plot can progress unmolested.
These films always need an escalator for the tension: in “The Shallows” it was the rising tide; in this film it is the air supply. This element works well and adds an additional element of claustrophobia to the film that is already at 11 on the scale (you surely don’t need me to tell you that claustrophobics need to avoid this film!).
Much of the dialogue is expository regarding what is going on in the darkness and is so repetitive (“We ARE going to get out of here Kate!”) that it would make a good drinking game. The worst dialogue award though goes to Matthew Modine (“Memphis Belle”) who’s repeated medical descriptions of “the bends” becomes mildly comical – I literally got a fit of the giggles at one point.
I’m not going to completely savage the film though, since there IS a nice twist to the ending, albeit one that’s heavily signposted. And instead of reaching constantly for the classic “Ben’s head in the boat” jump scare, the film occasionally teases the audience with set-ups that ultimately just feature murky water and nothing more.
My recommendation: if you’ve not yet seen “The Shallows”, check that out on DVD and give this one a miss.
RəX Regent (349 KP) rated Jaws (1975) in Movies
Feb 19, 2019
The movie which heralded the summer blockbuster has never looked so good. At 44, this is a well but gently paced slow-burn thriller, with a mix of easy on eye thrills and gritty human discourse. Robert Shaw may well have made this his film, but he was far from alone. Almost all the lead cast were more than worthy, and it was Spielberg’s young direction along with John William’s iconic score which propelled this from just another thriller into a timeless tale.
Though in many ways it looks dated, it doesn’t feel it. It has a very general sense of a seaside resort, without the gratuitous Baywatch glamour, nor the dinge of the horror genre. The people and locations feel very real and even though the shark itself is a bit of a let down, it is not a total loss and has taken nothing away from the film.
But for my money, the defining moment is the ‘Indianapolis’ anecdote as told be Shaw. The entire scene is played and shot so well and its placement within the film is perfect. This was a real story about an almost fantastical threat, but like he would go onto do later with Jurassic Park, taking you out of every day life without taking you into space is what Spielberg does best.
This is a must see and always will be. This is one of the best films of the 70’s and beyond…
Though in many ways it looks dated, it doesn’t feel it. It has a very general sense of a seaside resort, without the gratuitous Baywatch glamour, nor the dinge of the horror genre. The people and locations feel very real and even though the shark itself is a bit of a let down, it is not a total loss and has taken nothing away from the film.
But for my money, the defining moment is the ‘Indianapolis’ anecdote as told be Shaw. The entire scene is played and shot so well and its placement within the film is perfect. This was a real story about an almost fantastical threat, but like he would go onto do later with Jurassic Park, taking you out of every day life without taking you into space is what Spielberg does best.
This is a must see and always will be. This is one of the best films of the 70’s and beyond…
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Awix (3310 KP) rated My Octopus Teacher (2020) in Movies
Oct 4, 2020 (Updated Oct 4, 2020)
Netflix sea-life doc that sets out to be moving and inspiring and just ended up making me shout at my laptop a lot. A bloke going through some sort of mid-life crisis does the usual thing and gets involved with a younger female: the twist is that she's an invertebrate. Never mind 'My Octopus Teacher', based on what he says - 'I was overwhelmed by my feelings for her,' etc - 'My Darling Octopus' might have been a better title. Same old story: Man meets octopus, they swim around together for a bit, octopus loses arm in shark attack, he nurses her back to health, she has several hundred thousand children behind his back, etc.
Quite apart from the weirdness of the subject matter - what did the bloke's wife think of all this? what, for the matter, did the octopus think was going on? - there's something very dodgy about the way the film is presented. The story is presented as something that's already happened, so are we watching reconstructions of the events? Is it all a staged or confected narrative? Has someone told the octopus actually appearing in the film it's basically in the role of Kim Novak at the end of Vertigo? Stunning photography and images of sealife, naturally, but rather than informing the viewer about octopuses - which are fascinating creatures - it just unloads a lot of sentimental, anthropomorphised cobblers on them. Best watched with the sound turned down and appropriate sea-life noises playing.
Quite apart from the weirdness of the subject matter - what did the bloke's wife think of all this? what, for the matter, did the octopus think was going on? - there's something very dodgy about the way the film is presented. The story is presented as something that's already happened, so are we watching reconstructions of the events? Is it all a staged or confected narrative? Has someone told the octopus actually appearing in the film it's basically in the role of Kim Novak at the end of Vertigo? Stunning photography and images of sealife, naturally, but rather than informing the viewer about octopuses - which are fascinating creatures - it just unloads a lot of sentimental, anthropomorphised cobblers on them. Best watched with the sound turned down and appropriate sea-life noises playing.