Search
Elysium (2013)
7.0
Rate It
Movie Watch
In the year 2159, humanity is sharply divided between two classes of people: The ultrarich live...
scifi sciencefiction dystopianfuture
The A-Team (2010)
6.2
Rate It
Movie Watch
A man who loves it when a plan comes together, Hannibal Smith (Liam Neeson) leads a close-knit team...
Lilyn G - Sci-Fi & Scary (91 KP) rated The A-Team (2010) in Movies
Feb 7, 2018
Goofy fun!
Oh, good lord, this movie is just ridiculously fun. Liam Neeson, Bradley Cooper, Sharlto Copley, and Quinton Jackson are pretty much the perfect cast for this movie. They were together so well, and watching them go in the midst of absolute chaos just had me laughing so hard I had tears in my eyes. The A-Team movie takes all the best parts of the original show (which I very vaguely remember), and ramps it up a notch with outrageous stunts and great special effects.
Quinton Jackson is a bit more baby-faced than the original Mr. T, but when he’s screaming in the helicopter and other places at Sharlto/Murdock? It’s enough to put an ear-to-ear smile on your face. He was probably my favorite person in the film. Liam Neeson – well, he plays a slightly more fun version of his normal characters, so there’s not much to say about him. Bradley Cooper was a treat – mainly when he was shirtless – playing Face. He’s not particularly memorable – except, again, when shirtless – but still did a great job. Sharlto? Sharlto was pure crazy in the best possible way.
In terms of the others, seeing a younger Patrick Wilson was a treat. His tantrum scene was great. Jessica Biel is, erm, a good straight shooter? Really, she was pretty unmemorable.
The action combined with the humor was perfect. I mean, I like Mission Impossible as much as the next adrelaline-driven female, but it takes itself too seriously. You need the giggles to be the icing on the cake. Hm, and a half-naked Bradley Cooper to be the cherry on top.
Quinton Jackson is a bit more baby-faced than the original Mr. T, but when he’s screaming in the helicopter and other places at Sharlto/Murdock? It’s enough to put an ear-to-ear smile on your face. He was probably my favorite person in the film. Liam Neeson – well, he plays a slightly more fun version of his normal characters, so there’s not much to say about him. Bradley Cooper was a treat – mainly when he was shirtless – playing Face. He’s not particularly memorable – except, again, when shirtless – but still did a great job. Sharlto? Sharlto was pure crazy in the best possible way.
In terms of the others, seeing a younger Patrick Wilson was a treat. His tantrum scene was great. Jessica Biel is, erm, a good straight shooter? Really, she was pretty unmemorable.
The action combined with the humor was perfect. I mean, I like Mission Impossible as much as the next adrelaline-driven female, but it takes itself too seriously. You need the giggles to be the icing on the cake. Hm, and a half-naked Bradley Cooper to be the cherry on top.
LoganCrews (2861 KP) rated District 9 (2009) in Movies
Sep 20, 2020
Not thought-provoking or challenging in the slightest, but as always my boy Sharlto Copley saves this from mediocrity (he single-handedly doubled my rating for it). I'll happily stand alone in being glad this went for loud, beastly body horror over the broad, half-finished, overly obvious metaphor that it introduces but refuses to interrogate in favor of conventional genre trappings at the end. But thank LORD this doesn't get preachy about how an innocuous use of technology is the death of society or some bullshit, like these realist-dingy-future films usually tend to do. Super messy (not only can it not decide when to use its gimmick nor what its purpose is, but why even film half this stuff?), hard to find a shot that lasts longer than five seconds and overall it's pretty polluted both visually and audibly for this to make much sense (the editing... hoo boy). That being said, this is totally lovingly grisly and it ends with an extended segment of Copley in an alien mech ripping random government dudes to shreds and chunks of bloody human meat. Also design-wise - as tends to be the case with Blomkamp - it's a knockout... when we can actually see it.
Emma @ The Movies (1786 KP) rated Gringo (2018) in Movies
Jun 29, 2019 (Updated Sep 25, 2019)
Harold's hum-drum life take an unexpected turn when he finds himself in Mexico, recently single, possibly jobless, and on the wrong side of a cartel boss.
I have to say, the first few minutes of this film were quite possibly my favourite... Harold (David Oyelowo) singing in his car... yep. That's how I start every morning and it just made me smile.
I like the fact that the trailer didn't give away any of the twist for this one. It made for a nice surprise and amusement. It was a nice little film, but I'd put a vote in for more Harold and Mitch (Sharlto Copley) time and less of everyone else. The pair made a great little double act. And while there was at least a good ending for Harold, I'm surprised that they didn't give him a little more romance. When the film ended, while satisfied, I did wonder if they just gave it the ending they did just so they could say they didn't go with the cliché one.
I have to say, the first few minutes of this film were quite possibly my favourite... Harold (David Oyelowo) singing in his car... yep. That's how I start every morning and it just made me smile.
I like the fact that the trailer didn't give away any of the twist for this one. It made for a nice surprise and amusement. It was a nice little film, but I'd put a vote in for more Harold and Mitch (Sharlto Copley) time and less of everyone else. The pair made a great little double act. And while there was at least a good ending for Harold, I'm surprised that they didn't give him a little more romance. When the film ended, while satisfied, I did wonder if they just gave it the ending they did just so they could say they didn't go with the cliché one.
Steve Fearon (84 KP) rated Hardcore Henry (2016) in Movies
Sep 5, 2018 (Updated Sep 5, 2018)
Action and Free-Running bonanza (1 more)
Frenetic Pace
Lack of narrative depth (1 more)
Some people won't enjoy the shaky-cam, first person style
Horrid Henry? Far from it!
Contains spoilers, click to show
If you want action of the most octane, Hardcore Henry is the film you want.
The plot and stylings are pure first person shooter, with an anime bad guy, a re-respawning side character played by the indomitable Sharlto Copley and a mute protagonist who acts as your vehicle for some of the most insane stuntwork, free running and combat ever seen on the big screen.
Yes the movie favours style over substance, yes the plot if ridiculously derivative and 2-dimensional, but this film delivers exactly what it promises, which is a hardcore action experience through a gamer's lens.
There are in jokes a plenty too, from the wilhelm scream kill in the stairwell, to the character "wiping blood from his (our) eyes" and the soundtrack which ranges from high tempo dance to Queen's "Don't Stop Me Now", all of which adds to the light-hearted frame that surrounds the brutal violence.
Some wont like the shaky cam style, but for me it adds to the hyperactive nature of the whole film, and I enjoyed every minute, even the odd bit of body horror they threw in!
The plot and stylings are pure first person shooter, with an anime bad guy, a re-respawning side character played by the indomitable Sharlto Copley and a mute protagonist who acts as your vehicle for some of the most insane stuntwork, free running and combat ever seen on the big screen.
Yes the movie favours style over substance, yes the plot if ridiculously derivative and 2-dimensional, but this film delivers exactly what it promises, which is a hardcore action experience through a gamer's lens.
There are in jokes a plenty too, from the wilhelm scream kill in the stairwell, to the character "wiping blood from his (our) eyes" and the soundtrack which ranges from high tempo dance to Queen's "Don't Stop Me Now", all of which adds to the light-hearted frame that surrounds the brutal violence.
Some wont like the shaky cam style, but for me it adds to the hyperactive nature of the whole film, and I enjoyed every minute, even the odd bit of body horror they threw in!
LoganCrews (2861 KP) rated Chappie (2015) in Movies
Sep 19, 2020 (Updated Sep 19, 2020)
"𝘐 𝘨𝘶𝘦𝘴𝘴 𝘵𝘩𝘰𝘴𝘦 𝘴𝘤𝘪𝘦𝘯𝘵𝘪𝘴𝘵 𝘨𝘶𝘺𝘴 𝘢𝘭𝘭 𝘸𝘰𝘳𝘬𝘪𝘯𝘨 𝘰𝘯 𝘈.𝘐. 𝘯𝘦𝘷𝘦𝘳 𝘨𝘢𝘷𝘦 𝘤𝘰𝘤𝘢𝘪𝘯𝘦 𝘢𝘯𝘥 𝘔𝘰𝘯𝘴𝘵𝘦𝘳 𝘌𝘯𝘦𝘳𝘨𝘺 𝘢 𝘵𝘳𝘺." - Trevor Moore, 𝘛𝘩𝘦 𝘚𝘵𝘰𝘳𝘺 𝘰𝘧 𝘖𝘶𝘳 𝘛𝘪𝘮𝘦𝘴
Much better than 𝘋𝘪𝘴𝘵𝘳𝘪𝘤𝘵 9 even though it's essentially the same movie for the chief purpose that this is cleaner, more fun, and ditches the sloppy gimmick and failed heavy-handed metaphor. Those last 30 minutes are godly, just totally bananas trashy cyberpunk action glory - not only the best thing Blomkamp has ever done but some of the most fun a sci-fi movie has had in the 2010s. But otherwise a movie about robot cop Sharlto Copley hanging around Die Antwood who teach him how to be gangsta but he accidentally discovers consciousness while a deranged Hugh Jackman desperately wants to let his monster mech loose on the city should be a lot more entertaining than this was. Still sports impeccable graphics and design as always with Neill, and you know what this isn't deep on any level nor does it have a single talking point about the militarization of the police department or A.I. or big tech corporations - fine, whatever. But there's almost zero violence for the hour + twenty-five minute stretch in the middle of this where it becomes this trite, sickly sweet family drama? I mean you're practically poised to fashion this nuanced, ultraviolent story dissecting how A.I. reacts to trauma but instead they're reading bedtime stories to the thing? Still vibrant and ridiculous though, enjoyed the hell out of it - I ain't picky. Plus points for letting all these actors use their natural accents.
Much better than 𝘋𝘪𝘴𝘵𝘳𝘪𝘤𝘵 9 even though it's essentially the same movie for the chief purpose that this is cleaner, more fun, and ditches the sloppy gimmick and failed heavy-handed metaphor. Those last 30 minutes are godly, just totally bananas trashy cyberpunk action glory - not only the best thing Blomkamp has ever done but some of the most fun a sci-fi movie has had in the 2010s. But otherwise a movie about robot cop Sharlto Copley hanging around Die Antwood who teach him how to be gangsta but he accidentally discovers consciousness while a deranged Hugh Jackman desperately wants to let his monster mech loose on the city should be a lot more entertaining than this was. Still sports impeccable graphics and design as always with Neill, and you know what this isn't deep on any level nor does it have a single talking point about the militarization of the police department or A.I. or big tech corporations - fine, whatever. But there's almost zero violence for the hour + twenty-five minute stretch in the middle of this where it becomes this trite, sickly sweet family drama? I mean you're practically poised to fashion this nuanced, ultraviolent story dissecting how A.I. reacts to trauma but instead they're reading bedtime stories to the thing? Still vibrant and ridiculous though, enjoyed the hell out of it - I ain't picky. Plus points for letting all these actors use their natural accents.
Gareth von Kallenbach (965 KP) rated District 9 (2009) in Movies
Aug 9, 2019
For months the Internet has been ablaze with movie propaganda about “District 9” the anticipated Science Fiction hit of the year. The exciting ad campaign and constant mumbling regarding the film made me wary, it is not unheard for films to lack the luster their advertisements display.
The story takes place twenty years after an alien space ship appears above Johannesburg, South Africa filled with bug-like aliens. These aliens, derogatorily called prawns, are placed in a quarantined slum called District 9. The film begins as a documentary following bumbling cross-species specialist Wikus Van De Merwe (Sharlto Copley) an employee of Multi-National United (MNU) a private company on a mission to evict the aliens to a new location, Distinct 10. Additionally, MNU is the primary company working to integrate the advanced alien weaponry with our own.
As the film progresses Wikus builds a relationship with an alien father and son while his relationship with MNU, the company he had long worked for, deteriorates. Throw in some Nigerian gangsters selling cat food and powerful alien technology and you have the making of science fiction gold.
One of the best elements of the film is the choice of location. The tension regarding South African history and politics is well worked into the film. In particular, the idea of standing up against oppression, even under impossible odds, is well paralleled.
The film provides nonstop entertainment and solidifies its place as a great science fiction film by providing introspection into the human race through interaction with aliens. “District 9” begs the audience to wonder what is more important the essence of humanity or being human.
One of the best science fiction films since “The Fifth Element”, “District 9 “ is both a thought provoking and engrossing film.
The story takes place twenty years after an alien space ship appears above Johannesburg, South Africa filled with bug-like aliens. These aliens, derogatorily called prawns, are placed in a quarantined slum called District 9. The film begins as a documentary following bumbling cross-species specialist Wikus Van De Merwe (Sharlto Copley) an employee of Multi-National United (MNU) a private company on a mission to evict the aliens to a new location, Distinct 10. Additionally, MNU is the primary company working to integrate the advanced alien weaponry with our own.
As the film progresses Wikus builds a relationship with an alien father and son while his relationship with MNU, the company he had long worked for, deteriorates. Throw in some Nigerian gangsters selling cat food and powerful alien technology and you have the making of science fiction gold.
One of the best elements of the film is the choice of location. The tension regarding South African history and politics is well worked into the film. In particular, the idea of standing up against oppression, even under impossible odds, is well paralleled.
The film provides nonstop entertainment and solidifies its place as a great science fiction film by providing introspection into the human race through interaction with aliens. “District 9” begs the audience to wonder what is more important the essence of humanity or being human.
One of the best science fiction films since “The Fifth Element”, “District 9 “ is both a thought provoking and engrossing film.
Gareth von Kallenbach (965 KP) rated Hardcore Henry (2016) in Movies
Aug 6, 2019 (Updated Aug 6, 2019)
Hardcore Henry is unlike anything we’ve ever seen on film before. Its fast, action packed, gratuitous and downright fun. The story is simple. The avatar character Aken wakes up and doesn’t quite know what is going on.
He sees a friendly face (Haley Bennett) and everything seems to be fine. Until unexpectedly all hell breaks loose. Now he is on a constant fast paced run for his life from one point to anther being led by Jimmy (Sharlto Copley) presumably someone who understand what is going on.
The film is shown through us entirely in the first person perspective of Aken. There is no steady cam work which may cause some to become a little nauseated. I am someone who has gotten motion sickness from a lack of steady cam in movies before, however the film has a fisheye lenses style which breaks the “realism” view just enough to cause the constant first person motion to become tolerable and less nauseating. I did not get sick at all and neither did two other friends who watched the film as well. So if that is your concern, give the film a chance as it may not be as bad as you think.
In the end, Hardcore Henry isn’t something for everyone. I would not recommend this to my mom. And I would not equate this to a first person shooter videogame like most others are. If you were to compare this film to a videogame, it feels more like playing Mirrors Edge than a first person shooter. Still, if you are looking for a fun, action packed, fast paced experience that has better plot points than Batman vs Superman, then give Hardcore Henry a shot. You have never experienced something quite like this before.
He sees a friendly face (Haley Bennett) and everything seems to be fine. Until unexpectedly all hell breaks loose. Now he is on a constant fast paced run for his life from one point to anther being led by Jimmy (Sharlto Copley) presumably someone who understand what is going on.
The film is shown through us entirely in the first person perspective of Aken. There is no steady cam work which may cause some to become a little nauseated. I am someone who has gotten motion sickness from a lack of steady cam in movies before, however the film has a fisheye lenses style which breaks the “realism” view just enough to cause the constant first person motion to become tolerable and less nauseating. I did not get sick at all and neither did two other friends who watched the film as well. So if that is your concern, give the film a chance as it may not be as bad as you think.
In the end, Hardcore Henry isn’t something for everyone. I would not recommend this to my mom. And I would not equate this to a first person shooter videogame like most others are. If you were to compare this film to a videogame, it feels more like playing Mirrors Edge than a first person shooter. Still, if you are looking for a fun, action packed, fast paced experience that has better plot points than Batman vs Superman, then give Hardcore Henry a shot. You have never experienced something quite like this before.
Bob Mann (459 KP) rated Free Fire (2017) in Movies
Sep 29, 2021
A movie with more than a whiff of cordite about it
As I write this, I’m really struggling to evaluate whether the latest film of Ben Wheatley (“High Rise”) is a masterpiece or just pulp trash. It’s certainly a brave and highly distinctive venture, with that you can’t argue.
Set in Boston in 1978, an arms deal is going down in a deserted warehouse. Brokered by Justine (Brie Larson, “Room”) an IRA team headed by Frank (Michael Smiley, “The World’s End“) with his business guy Chris (Cillian Murphy, “Inception”, “Batman Begins”) are on the buying side. As ‘roadies’ they’ve brought with them a couple of crack-head friends Stevo (Sam Riley, “Brighton Rock”, “Maleficent“) and Bernie (Enzo Cilenti, “The Martian“) who are far from stable.
On the selling side is South African dealer and “international asshole” Vern (Sharlto Copley, “Elysium“), his suave and wisecracking protector Ord (Armie Hammer, “The Man From Uncle”) and Vern’s right hand man Martin (Babou Ceesay, “Eye in the Sky“). What connects all of these individuals is that no-one likes or trusts anyone else.
Unfortunately, one of Vern’s van drivers is John Denver-lover Harry (the excellent Jack Treynor, “Sing Street”) who has very recent personal history with Stevo. The fuse is lit, and when the two meet chaos ensues: in the words of Anchorman’s Ron Burgundy, “That escalated quickly”!
And, for a 90 minute film, that’s basically it. If you think after viewing the trailer “there must be more to the film than this”…. you’re wrong!
However, what there is of it is enormously entertaining. Played ostensibly for laughs, with very very black humour and an F-word and a gunshot in every other sentence, some of the characters – notably those played by Sharlto Copley, Arnie Hammer and Brie Larson – have some hilarious dialogue. The star turn for me though was Jack Treynor who was just so impressive as the ‘lost at sea’ brother in the delightful “Sing Street” and here delivers a stand-out performance as another brother on a mission… this time a mission of vengeance. You are waiting throughout the film for the inevitable showdown between Harry and Stevo – – and when it comes it is both bloody and memorable.
A cracking 70’ soundtrack, put together by the Portishead duo of Geoff Barrow and Ben Salisbury, involves 70’s classics by Credence Clearwater Revival, John Denver and The Real Kids and it’s hammered out at top volume over the action. The downside of this effect is that – for my old ears at least – it sometimes make some of the dialogue hard to follow.
As a policing exercise, the film clearly has merit. In the same manner as Schwarzenegger’s “Running Man” put criminals in an arena to cull them, so this must have reduced the crime rates in both Boston and Belfast no end! While some may not approve of the levels of violence on show, it is all done in a highly cartoonish way: like a “Tom and Jerry” cartoon, or “Home Alone”, everyone seems to get shot multiple times and yet (in the main) is still active and mobile. All of this makes criticism of the performances something of a waste of time, but I would comment that some of the acting is of the “over the top” variety: surprisingly, I found some of Oscar winner Brie Larson’s scenes falling into this category and snapping me out of the narrative at times.
But overall, my evaluation is now done and I am rooting on the side of it being a brash and exhilarating minor masterpiece. Yes, it’s one-dimensional. Yes, it is virtually impossible to feel any empathy with any of the characters, as they are all universally loathsome. But it’s a movie whose flaws are forgivable based on the characterisation and the cracking good script by long-term collaborators Ben Wheatley and Amy Jump.
Tight as it is within its 90 minute running time, I very much doubt you will be bored.
Set in Boston in 1978, an arms deal is going down in a deserted warehouse. Brokered by Justine (Brie Larson, “Room”) an IRA team headed by Frank (Michael Smiley, “The World’s End“) with his business guy Chris (Cillian Murphy, “Inception”, “Batman Begins”) are on the buying side. As ‘roadies’ they’ve brought with them a couple of crack-head friends Stevo (Sam Riley, “Brighton Rock”, “Maleficent“) and Bernie (Enzo Cilenti, “The Martian“) who are far from stable.
On the selling side is South African dealer and “international asshole” Vern (Sharlto Copley, “Elysium“), his suave and wisecracking protector Ord (Armie Hammer, “The Man From Uncle”) and Vern’s right hand man Martin (Babou Ceesay, “Eye in the Sky“). What connects all of these individuals is that no-one likes or trusts anyone else.
Unfortunately, one of Vern’s van drivers is John Denver-lover Harry (the excellent Jack Treynor, “Sing Street”) who has very recent personal history with Stevo. The fuse is lit, and when the two meet chaos ensues: in the words of Anchorman’s Ron Burgundy, “That escalated quickly”!
And, for a 90 minute film, that’s basically it. If you think after viewing the trailer “there must be more to the film than this”…. you’re wrong!
However, what there is of it is enormously entertaining. Played ostensibly for laughs, with very very black humour and an F-word and a gunshot in every other sentence, some of the characters – notably those played by Sharlto Copley, Arnie Hammer and Brie Larson – have some hilarious dialogue. The star turn for me though was Jack Treynor who was just so impressive as the ‘lost at sea’ brother in the delightful “Sing Street” and here delivers a stand-out performance as another brother on a mission… this time a mission of vengeance. You are waiting throughout the film for the inevitable showdown between Harry and Stevo – – and when it comes it is both bloody and memorable.
A cracking 70’ soundtrack, put together by the Portishead duo of Geoff Barrow and Ben Salisbury, involves 70’s classics by Credence Clearwater Revival, John Denver and The Real Kids and it’s hammered out at top volume over the action. The downside of this effect is that – for my old ears at least – it sometimes make some of the dialogue hard to follow.
As a policing exercise, the film clearly has merit. In the same manner as Schwarzenegger’s “Running Man” put criminals in an arena to cull them, so this must have reduced the crime rates in both Boston and Belfast no end! While some may not approve of the levels of violence on show, it is all done in a highly cartoonish way: like a “Tom and Jerry” cartoon, or “Home Alone”, everyone seems to get shot multiple times and yet (in the main) is still active and mobile. All of this makes criticism of the performances something of a waste of time, but I would comment that some of the acting is of the “over the top” variety: surprisingly, I found some of Oscar winner Brie Larson’s scenes falling into this category and snapping me out of the narrative at times.
But overall, my evaluation is now done and I am rooting on the side of it being a brash and exhilarating minor masterpiece. Yes, it’s one-dimensional. Yes, it is virtually impossible to feel any empathy with any of the characters, as they are all universally loathsome. But it’s a movie whose flaws are forgivable based on the characterisation and the cracking good script by long-term collaborators Ben Wheatley and Amy Jump.
Tight as it is within its 90 minute running time, I very much doubt you will be bored.