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Kristy H (1252 KP) rated The Nowhere Girls in Books
Dec 24, 2017
powerful (2 more)
timely
honest
Grace and her family have just moved to a new town after her Baptist preacher mother has a spiritual experience and their small Kentucky town decides she is far too progressive for their community. Grace is shunned and the family basically flees for more open-minded pastures. Erin is a beautiful girl who loves science and Star Trek: The Next Generation. She also has Asperger's and a secret. Rosina is a lesbian struggling to be herself within the confines of her conservative Mexican family. She dreams only of playing music and escaping her town, instead of taking care of her gaggle of cousins and working in her uncle's restaurant. Grace soon learns that the former occupant of her new house was Lucy Moynihan, who accused some popular boys of rape. Lucy wasn't believed, had a breakdown, and left town. While she's never been one to stand up for anything before, this angers Grace in a way she cannot fully describe. Erin and Rosina empathize with Lucy's situation, too. So the three find themselves an unlikely trio, and they do something even more unlikely: they form a secret group, made up entirely of girls, to protest the horrible culture at their school--a culture that condones things like rape and mistreatment of women. The group quickly takes off and the three girls realize that the group--and this cause--is far bigger than themselves.
This is an incredibly timely, wonderfully descriptive, and well-written novel that encapsulates the struggle felt by teenagers and young women in dealing with sexual assault, rape, and violence against women. There's a definite trigger for sexual assault/rape, so do avoid this novel if that is an issue for you. This book can certainly be painful to read, but it's an amazing read and incredibly powerful, as well.
The theme of boys and men getting away with horrible things in their towns seems so popular of late in books I've been reading. That could mean that The Nowhere Girls is repetitive, but it's not at all. It's a wonderful additional to this topic, which is a discouraging one and quite representative of how things are in our current society.
For me, the strength of this novel came with its characters and its brutal honesty. I really loved the three main characters, especially Erin, and just felt for all three girls. This is the first book I've read by Amy Reed (but won't be the last), and I was so impressed by her writing. The girls pop off the pages. The novel is written from the perspective of Grace, Erin, and Rosina, as well as Lucy and "Us"--a section that depicts the state of things from various high school females. Reed gives us a fairly diverse cast, including Rosina, whose family are Mexican immigrants; a character with autism in Erin; and several LGBTQIA characters. And, of course, it's wonderful to have so many female perspectives represented. We also get a few glimpses of some of the boys via excerpts from a despicable blog, which is quite effective in its own right.
As I said, so much of the strength of this book comes from its honesty. It doesn't shy away from the fact that the female teens are dealing with some very harsh realities in relation to sex, and it makes it clear how much they truly have to deal with. There are some extremely powerful moments in this novel (there's a chapter that occurs with some of the girls in a model home, and it's just wow. Amazing). It lays so much bare about what high school girls truly must go through. I found the brutal and realistic look at women and sex refreshing--albeit terrifying and heartbreaking. Rape, sexual assault, the power of sex, the way these women use sex to relate to each other and to boys--it's all there, and the result is heartbreaking, sad, powerful, and yes, sometimes hopeful.
A few times, I wasn't sure if I always believed how the authority figures dealt with the girls and their group, but, truly, it's probably a realistic portrayal of small town America. The ending was also a little neat, but still worked in the context of this novel. I kept thinking how much I'd like my daughters to read this book when they're older, because there is so much here: so many talking points and truths and so many wonderful and strong women among all the sadness.
In the end, this was a slow-moving book at times, but it was so well-written and a very powerful read. The characters are so strong, and you truly become part of their world as you read. I feel as if this is a must-read for female teens, and it's just so timely now in our culture, where the news brings more sexual assault talk each evening. There is something about this book that will leave you with hope, despite the horrors, and that's so important right now. Definitely a worthwhile read.
Grace and her family have just moved to a new town after her Baptist preacher mother has a spiritual experience and their small Kentucky town decides she is far too progressive for their community. Grace is shunned and the family basically flees for more open-minded pastures. Erin is a beautiful girl who loves science and Star Trek: The Next Generation. She also has Asperger's and a secret. Rosina is a lesbian struggling to be herself within the confines of her conservative Mexican family. She dreams only of playing music and escaping her town, instead of taking care of her gaggle of cousins and working in her uncle's restaurant. Grace soon learns that the former occupant of her new house was Lucy Moynihan, who accused some popular boys of rape. Lucy wasn't believed, had a breakdown, and left town. While she's never been one to stand up for anything before, this angers Grace in a way she cannot fully describe. Erin and Rosina empathize with Lucy's situation, too. So the three find themselves an unlikely trio, and they do something even more unlikely: they form a secret group, made up entirely of girls, to protest the horrible culture at their school--a culture that condones things like rape and mistreatment of women. The group quickly takes off and the three girls realize that the group--and this cause--is far bigger than themselves.
This is an incredibly timely, wonderfully descriptive, and well-written novel that encapsulates the struggle felt by teenagers and young women in dealing with sexual assault, rape, and violence against women. There's a definite trigger for sexual assault/rape, so do avoid this novel if that is an issue for you. This book can certainly be painful to read, but it's an amazing read and incredibly powerful, as well.
The theme of boys and men getting away with horrible things in their towns seems so popular of late in books I've been reading. That could mean that The Nowhere Girls is repetitive, but it's not at all. It's a wonderful additional to this topic, which is a discouraging one and quite representative of how things are in our current society.
For me, the strength of this novel came with its characters and its brutal honesty. I really loved the three main characters, especially Erin, and just felt for all three girls. This is the first book I've read by Amy Reed (but won't be the last), and I was so impressed by her writing. The girls pop off the pages. The novel is written from the perspective of Grace, Erin, and Rosina, as well as Lucy and "Us"--a section that depicts the state of things from various high school females. Reed gives us a fairly diverse cast, including Rosina, whose family are Mexican immigrants; a character with autism in Erin; and several LGBTQIA characters. And, of course, it's wonderful to have so many female perspectives represented. We also get a few glimpses of some of the boys via excerpts from a despicable blog, which is quite effective in its own right.
As I said, so much of the strength of this book comes from its honesty. It doesn't shy away from the fact that the female teens are dealing with some very harsh realities in relation to sex, and it makes it clear how much they truly have to deal with. There are some extremely powerful moments in this novel (there's a chapter that occurs with some of the girls in a model home, and it's just wow. Amazing). It lays so much bare about what high school girls truly must go through. I found the brutal and realistic look at women and sex refreshing--albeit terrifying and heartbreaking. Rape, sexual assault, the power of sex, the way these women use sex to relate to each other and to boys--it's all there, and the result is heartbreaking, sad, powerful, and yes, sometimes hopeful.
A few times, I wasn't sure if I always believed how the authority figures dealt with the girls and their group, but, truly, it's probably a realistic portrayal of small town America. The ending was also a little neat, but still worked in the context of this novel. I kept thinking how much I'd like my daughters to read this book when they're older, because there is so much here: so many talking points and truths and so many wonderful and strong women among all the sadness.
In the end, this was a slow-moving book at times, but it was so well-written and a very powerful read. The characters are so strong, and you truly become part of their world as you read. I feel as if this is a must-read for female teens, and it's just so timely now in our culture, where the news brings more sexual assault talk each evening. There is something about this book that will leave you with hope, despite the horrors, and that's so important right now. Definitely a worthwhile read.
This is an incredibly timely, wonderfully descriptive, and well-written novel that encapsulates the struggle felt by teenagers and young women in dealing with sexual assault, rape, and violence against women. There's a definite trigger for sexual assault/rape, so do avoid this novel if that is an issue for you. This book can certainly be painful to read, but it's an amazing read and incredibly powerful, as well.
The theme of boys and men getting away with horrible things in their towns seems so popular of late in books I've been reading. That could mean that The Nowhere Girls is repetitive, but it's not at all. It's a wonderful additional to this topic, which is a discouraging one and quite representative of how things are in our current society.
For me, the strength of this novel came with its characters and its brutal honesty. I really loved the three main characters, especially Erin, and just felt for all three girls. This is the first book I've read by Amy Reed (but won't be the last), and I was so impressed by her writing. The girls pop off the pages. The novel is written from the perspective of Grace, Erin, and Rosina, as well as Lucy and "Us"--a section that depicts the state of things from various high school females. Reed gives us a fairly diverse cast, including Rosina, whose family are Mexican immigrants; a character with autism in Erin; and several LGBTQIA characters. And, of course, it's wonderful to have so many female perspectives represented. We also get a few glimpses of some of the boys via excerpts from a despicable blog, which is quite effective in its own right.
As I said, so much of the strength of this book comes from its honesty. It doesn't shy away from the fact that the female teens are dealing with some very harsh realities in relation to sex, and it makes it clear how much they truly have to deal with. There are some extremely powerful moments in this novel (there's a chapter that occurs with some of the girls in a model home, and it's just wow. Amazing). It lays so much bare about what high school girls truly must go through. I found the brutal and realistic look at women and sex refreshing--albeit terrifying and heartbreaking. Rape, sexual assault, the power of sex, the way these women use sex to relate to each other and to boys--it's all there, and the result is heartbreaking, sad, powerful, and yes, sometimes hopeful.
A few times, I wasn't sure if I always believed how the authority figures dealt with the girls and their group, but, truly, it's probably a realistic portrayal of small town America. The ending was also a little neat, but still worked in the context of this novel. I kept thinking how much I'd like my daughters to read this book when they're older, because there is so much here: so many talking points and truths and so many wonderful and strong women among all the sadness.
In the end, this was a slow-moving book at times, but it was so well-written and a very powerful read. The characters are so strong, and you truly become part of their world as you read. I feel as if this is a must-read for female teens, and it's just so timely now in our culture, where the news brings more sexual assault talk each evening. There is something about this book that will leave you with hope, despite the horrors, and that's so important right now. Definitely a worthwhile read.
Grace and her family have just moved to a new town after her Baptist preacher mother has a spiritual experience and their small Kentucky town decides she is far too progressive for their community. Grace is shunned and the family basically flees for more open-minded pastures. Erin is a beautiful girl who loves science and Star Trek: The Next Generation. She also has Asperger's and a secret. Rosina is a lesbian struggling to be herself within the confines of her conservative Mexican family. She dreams only of playing music and escaping her town, instead of taking care of her gaggle of cousins and working in her uncle's restaurant. Grace soon learns that the former occupant of her new house was Lucy Moynihan, who accused some popular boys of rape. Lucy wasn't believed, had a breakdown, and left town. While she's never been one to stand up for anything before, this angers Grace in a way she cannot fully describe. Erin and Rosina empathize with Lucy's situation, too. So the three find themselves an unlikely trio, and they do something even more unlikely: they form a secret group, made up entirely of girls, to protest the horrible culture at their school--a culture that condones things like rape and mistreatment of women. The group quickly takes off and the three girls realize that the group--and this cause--is far bigger than themselves.
This is an incredibly timely, wonderfully descriptive, and well-written novel that encapsulates the struggle felt by teenagers and young women in dealing with sexual assault, rape, and violence against women. There's a definite trigger for sexual assault/rape, so do avoid this novel if that is an issue for you. This book can certainly be painful to read, but it's an amazing read and incredibly powerful, as well.
The theme of boys and men getting away with horrible things in their towns seems so popular of late in books I've been reading. That could mean that The Nowhere Girls is repetitive, but it's not at all. It's a wonderful additional to this topic, which is a discouraging one and quite representative of how things are in our current society.
For me, the strength of this novel came with its characters and its brutal honesty. I really loved the three main characters, especially Erin, and just felt for all three girls. This is the first book I've read by Amy Reed (but won't be the last), and I was so impressed by her writing. The girls pop off the pages. The novel is written from the perspective of Grace, Erin, and Rosina, as well as Lucy and "Us"--a section that depicts the state of things from various high school females. Reed gives us a fairly diverse cast, including Rosina, whose family are Mexican immigrants; a character with autism in Erin; and several LGBTQIA characters. And, of course, it's wonderful to have so many female perspectives represented. We also get a few glimpses of some of the boys via excerpts from a despicable blog, which is quite effective in its own right.
As I said, so much of the strength of this book comes from its honesty. It doesn't shy away from the fact that the female teens are dealing with some very harsh realities in relation to sex, and it makes it clear how much they truly have to deal with. There are some extremely powerful moments in this novel (there's a chapter that occurs with some of the girls in a model home, and it's just wow. Amazing). It lays so much bare about what high school girls truly must go through. I found the brutal and realistic look at women and sex refreshing--albeit terrifying and heartbreaking. Rape, sexual assault, the power of sex, the way these women use sex to relate to each other and to boys--it's all there, and the result is heartbreaking, sad, powerful, and yes, sometimes hopeful.
A few times, I wasn't sure if I always believed how the authority figures dealt with the girls and their group, but, truly, it's probably a realistic portrayal of small town America. The ending was also a little neat, but still worked in the context of this novel. I kept thinking how much I'd like my daughters to read this book when they're older, because there is so much here: so many talking points and truths and so many wonderful and strong women among all the sadness.
In the end, this was a slow-moving book at times, but it was so well-written and a very powerful read. The characters are so strong, and you truly become part of their world as you read. I feel as if this is a must-read for female teens, and it's just so timely now in our culture, where the news brings more sexual assault talk each evening. There is something about this book that will leave you with hope, despite the horrors, and that's so important right now. Definitely a worthwhile read.
Kristy H (1252 KP) rated The Missing Ones in Books
Mar 19, 2020
Research librarian Hester Thursby returns in THE MISSING ONES, but she's not the same. Shaken by the traumatic series of events that occurred in book one, Hester is anxious and guilty. This affects her parenting of four-year-old, Kate, the daughter of her partner Morgan's sister, Daphne. (Follow that?) Daphne has now been gone for over a year, and Hester and Morgan are still caring for Kate. Meanwhile, on Finisterre Island in Maine, Rory, a local cop, is watching the ferry come in yet again. He's ignoring the whispers and suspicion of others on the island, who believe he is responsible for taking Oliver, a four-year-old who disappeared over the summer--and whom Rory found, safe and sound. Now another child is missing. Soon Hester gets a text--asking her to come to the island. In short order, she'll find a body there, and connect it to the missing children. But Finisterre Island is a small place, and not one to give up its secrets easily.
Reading this novel has definitely secured Edwin Hill and the Hester Thursby series as a go-to author/series combo for me. This was an excellent and compelling read. Hester is a wonderful, complex protagonist, and I hated to see her so fragile and struggling. I love Hill's stable of regular characters--Hester, Morgan, Kate, and their dog, Waffles. Plus, several folks from the last book pop up again, which was fun. Always hovering in the background is the missing Daphne, and Hester's complicated feelings: Daphne is her best friend; Morgan's sister; and Kate's mother. Of course she wants her back in their lives, but by now, she fiercely loves Kate and feels like her mother. It adds a deeper layer to the books and an aspect that I really enjoy. And Kate, while "just" four, is a total trip. I love that kid.
The mystery presented here is wonderfully plotted and complex. Introducing Finisterre Island gives us a whole host of new characters: Rory; Annie, Faith, and young Ethan, who are all squatting in a broken down Victorian on the Island; Lydia, Oliver's mother, who runs the local inn and bakery and her husband Trey, a state cop; and others. With a small island comes intense and tangled relationships, and Hill presents and handles them all deftly. The story kept me guessing and intrigued--fascinated both by the murder and mysteries, as well as Hester's own personal issues. Seeing a vulnerable side to her was difficult due to my adoration for her character, but it was so well-done. And, of course, she's still able to solve crimes, because she's amazing.
Overall, this was an excellent read. I love Hester--and her little created family. Hill is an amazing writer and does a great job at creating a suspenseful world that easily sucks you in. 4.5 stars.
Reading this novel has definitely secured Edwin Hill and the Hester Thursby series as a go-to author/series combo for me. This was an excellent and compelling read. Hester is a wonderful, complex protagonist, and I hated to see her so fragile and struggling. I love Hill's stable of regular characters--Hester, Morgan, Kate, and their dog, Waffles. Plus, several folks from the last book pop up again, which was fun. Always hovering in the background is the missing Daphne, and Hester's complicated feelings: Daphne is her best friend; Morgan's sister; and Kate's mother. Of course she wants her back in their lives, but by now, she fiercely loves Kate and feels like her mother. It adds a deeper layer to the books and an aspect that I really enjoy. And Kate, while "just" four, is a total trip. I love that kid.
The mystery presented here is wonderfully plotted and complex. Introducing Finisterre Island gives us a whole host of new characters: Rory; Annie, Faith, and young Ethan, who are all squatting in a broken down Victorian on the Island; Lydia, Oliver's mother, who runs the local inn and bakery and her husband Trey, a state cop; and others. With a small island comes intense and tangled relationships, and Hill presents and handles them all deftly. The story kept me guessing and intrigued--fascinated both by the murder and mysteries, as well as Hester's own personal issues. Seeing a vulnerable side to her was difficult due to my adoration for her character, but it was so well-done. And, of course, she's still able to solve crimes, because she's amazing.
Overall, this was an excellent read. I love Hester--and her little created family. Hill is an amazing writer and does a great job at creating a suspenseful world that easily sucks you in. 4.5 stars.
BankofMarquis (1832 KP) rated Little Women (2019) in Movies
Feb 5, 2020
A Worthy Adaptation
There have been many adaptations of Louisa May Alcott's 19th Century Classic novel LITTLE WOMEN following the adventures, loves and losses of the 4 March sisters - Jo, Meg, Amy and Beth.. My favorite is the Orono High School's production of the musical version of LITTLE WOMEN (starring my daughter as Jo), but coming in a close second is the 1933 version with Katherine Hepburn starring as Jo (the quintessential Jo, in my book). So was there really a need for ANOTHER version of this?
Well...yes...and...no.
As adapted and directed by Greta Gerwig, this version of LITTLE WOMEN stars Saoirse Ronan as Jo, Emma Watson as Meg, Florence Pugh as Amy and Eliza Scanlen as Beth and has a strong "2019" female empowerment vibe to it (this is intended to be a compliment). I've seen this called a "Little Women for the #metoo era" and I think this is misguided branding - for it does disservice to the #metoo movement - and to this film.
Ronan - as expected - was Oscar nominated for her strong, independent turn as the strong and independent Jo. This is a perfect marriage of performer and material (almost as good as the Hepburn turn) and Ronan lands this character strongly (and correctly) at every turn. Timothee Chalamet matches her beat for beat as her erstwhile love, Laurie. This is the 2nd time that these two have played opposite each other (LADYBIRD was the other time) and there is a strong chemistry between these two - I look forward to many, many more pairings of Ronan and Chalamet in the future.
Famously (or maybe, it's infamously) Greta Gerwig did NOT receive and Oscar nomination for her Direction - and I think that is a shame (there are at least 2 nominated Directors that I would take off the list in favor of her). Because she adapted the screen play (a piece of work that she WAS Oscar nominated for - and will win in an effort to make up for the Directing snub), her Direction is sure-handed and strong throughout. She has a very good feel for the material and knows what she wants to do throughout, to interesting results.
This is because Gerwig chooses to focus much of this version on the relationship between Jo and Amy - a relationship that gets short shrift in most of the other adaptations. By casting Florence Pugh (also Oscar nominated) in the Amy role, Gerwig has a strong antagonist to Ronan's protagonist - with shades of both being grey. Neither character (or performance) is black and white they are both interacting with each other as realistic sisters would, both taking turns being "in the right"....and "the wrong".
Because of the focus on the Jo and Amy characters, the other 2 sisters - Meg and (especially) Beth - get short changed and even though both Watson and Scanlen are "game", they have precious little to do. The same goes with Meryl Streep (Aunt March), Laura Dern (Marmie), Tracy Letts (who seems to be in EVERYTHING right now) and Bob Odenkirk (of all people). They are all strong - and earnest - in their limited time on screen, but NONE of them have that much to do. Only Chris Cooper shines brightly in his small, supporting role.
I have to admit that because I've seen this story many, many times, I found my mind wandering a bit - especially at the beginning. But by the time Ronan/Chalamet/Pugh started working off of each other, the film - and my interest - rose.
So...is another version of LITTLE WOMEN necessary? I'd say no. But...if this version of LITTLE WOMEN is the one that the Little Women of today see - and can identify with - then I say "bring it on."
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank (ofMarquis)
Well...yes...and...no.
As adapted and directed by Greta Gerwig, this version of LITTLE WOMEN stars Saoirse Ronan as Jo, Emma Watson as Meg, Florence Pugh as Amy and Eliza Scanlen as Beth and has a strong "2019" female empowerment vibe to it (this is intended to be a compliment). I've seen this called a "Little Women for the #metoo era" and I think this is misguided branding - for it does disservice to the #metoo movement - and to this film.
Ronan - as expected - was Oscar nominated for her strong, independent turn as the strong and independent Jo. This is a perfect marriage of performer and material (almost as good as the Hepburn turn) and Ronan lands this character strongly (and correctly) at every turn. Timothee Chalamet matches her beat for beat as her erstwhile love, Laurie. This is the 2nd time that these two have played opposite each other (LADYBIRD was the other time) and there is a strong chemistry between these two - I look forward to many, many more pairings of Ronan and Chalamet in the future.
Famously (or maybe, it's infamously) Greta Gerwig did NOT receive and Oscar nomination for her Direction - and I think that is a shame (there are at least 2 nominated Directors that I would take off the list in favor of her). Because she adapted the screen play (a piece of work that she WAS Oscar nominated for - and will win in an effort to make up for the Directing snub), her Direction is sure-handed and strong throughout. She has a very good feel for the material and knows what she wants to do throughout, to interesting results.
This is because Gerwig chooses to focus much of this version on the relationship between Jo and Amy - a relationship that gets short shrift in most of the other adaptations. By casting Florence Pugh (also Oscar nominated) in the Amy role, Gerwig has a strong antagonist to Ronan's protagonist - with shades of both being grey. Neither character (or performance) is black and white they are both interacting with each other as realistic sisters would, both taking turns being "in the right"....and "the wrong".
Because of the focus on the Jo and Amy characters, the other 2 sisters - Meg and (especially) Beth - get short changed and even though both Watson and Scanlen are "game", they have precious little to do. The same goes with Meryl Streep (Aunt March), Laura Dern (Marmie), Tracy Letts (who seems to be in EVERYTHING right now) and Bob Odenkirk (of all people). They are all strong - and earnest - in their limited time on screen, but NONE of them have that much to do. Only Chris Cooper shines brightly in his small, supporting role.
I have to admit that because I've seen this story many, many times, I found my mind wandering a bit - especially at the beginning. But by the time Ronan/Chalamet/Pugh started working off of each other, the film - and my interest - rose.
So...is another version of LITTLE WOMEN necessary? I'd say no. But...if this version of LITTLE WOMEN is the one that the Little Women of today see - and can identify with - then I say "bring it on."
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank (ofMarquis)
Ivana A. | Diary of Difference (1171 KP) rated Some Sunny Day in Books
Nov 27, 2018
Full review on www.diaryofdifference.com
Some Sunny Day was one of those books that go slowly, and tell a story of another times, reviving memories and emotions. A story of a lady that is sent to India to take care for the British Soldiers in the Second World War.
A beautiful memoir, full of lively descriptions that make the scenes more realistic. A powerful story of love, bravery, tragedy, sacrifices and hope.
Madge is a character that all people can relate to. Even though a nurse, and sent to another country, Madge is also a lady just like any other, capable of making decisions, mistakes, fall in love, lose the people she loves and hope for a better future.
A very relatable and non-distant character, too realistic for our own good. I loved her so much, and I was eager to know her story.
The pace, however, for me, was too slow. It took me a while to finish this book, and I stopped reading it two times before I finally finished it. The line between this being a great read and a DNF was very thick. That is why a few of my stars have to go away.
I love memoirs, I love stories behind the scenes of wars. Being born and growing up in the Balkans, this is something that triggers us very close to the heart. Being taught in school to protect each other, and living with our father’s stories of how they went and served in the army is something we can all relate to, and respect all these people that are ready to give their lives for a country.
Those were times when I couldn’t have been easy at all, being away from your family, your loved ones. Hard times not only for the people serving the army, but also the people at home, that miss them and pray for them every single day.
What are we all fighting for? How can war bring peace?
Thank you to NetGalley and Pan Macmillan, for providing me an e-copy of this book in exchange for an honest review. All opinions in this review are my own and completely unbiased.
Some Sunny Day was one of those books that go slowly, and tell a story of another times, reviving memories and emotions. A story of a lady that is sent to India to take care for the British Soldiers in the Second World War.
A beautiful memoir, full of lively descriptions that make the scenes more realistic. A powerful story of love, bravery, tragedy, sacrifices and hope.
Madge is a character that all people can relate to. Even though a nurse, and sent to another country, Madge is also a lady just like any other, capable of making decisions, mistakes, fall in love, lose the people she loves and hope for a better future.
A very relatable and non-distant character, too realistic for our own good. I loved her so much, and I was eager to know her story.
The pace, however, for me, was too slow. It took me a while to finish this book, and I stopped reading it two times before I finally finished it. The line between this being a great read and a DNF was very thick. That is why a few of my stars have to go away.
I love memoirs, I love stories behind the scenes of wars. Being born and growing up in the Balkans, this is something that triggers us very close to the heart. Being taught in school to protect each other, and living with our father’s stories of how they went and served in the army is something we can all relate to, and respect all these people that are ready to give their lives for a country.
Those were times when I couldn’t have been easy at all, being away from your family, your loved ones. Hard times not only for the people serving the army, but also the people at home, that miss them and pray for them every single day.
What are we all fighting for? How can war bring peace?
Thank you to NetGalley and Pan Macmillan, for providing me an e-copy of this book in exchange for an honest review. All opinions in this review are my own and completely unbiased.
Darren (1599 KP) rated Thor: The Dark World (2013) in Movies
Jul 25, 2019
Story: Thor: The Dark World starts as Thor (Hemsworth) must restore the power in Asgard after Loki’s (Hiddleston) actions, this has made him in the position he should be, waiting to take over his father Odin’s (Hopkins) role. Meanwhile on Earth Jane (Portman) is trying to move with her life, but in London she discovers an unusual series of events which ends up taking her to Elf world.
When Jane becomes cursed, Thor takes her to Asgard to find a cure, which gives Malekith (Eccleston) a chance to lead his army back into combat so he can return the universe back to darkness. Thor must turn to Loki t help him defeat Malekith and save the universe.
Thoughts on Thor: The Dark World
Characters – Thor is once again preparing to take his throne in Asgard, he has restored faith in the nine realms, but he still misses Jane. When she becomes cursed, he returns to Earth to save her, which only brings back an ancient enemy to the Asgardians in the Dark Elves, he must disobey his father once again to end the threat and save the woman he loves. Jane is trying to get on with her life now, her research has taken her to London where she is trying to get over Thor, her investigation sees her cursed and taken to Asgard to learn about Thor’s home world. Loki is locked up for his actions, after his mother is murdered, Thor turns to him for help to get vengeance. Malekith is the leader of the Dark Elves, he has waited for his chance to bring the universe into darkness once again, killing Frigga the mother of Thor.
Performances – Chris Hemsworth continues to make Thor one of the most entertaining character in the universe. Natalie Portman was known to not be interested in being in the film, it does show in her performance which does disappoint. Tom Hiddleston brings another dimension to his character here which is only going to make him a more loved character. Christopher Eccleston does give us a basic villain, one that is only after power and is mostly under make up, making his performance harder to judge.
Story – The story here follows Thor on his latest adventure, one where he must face an ancient enemy who wants to put the universe into darkness, while finally returning to Jane who has become cursed by the Dark Elves magic. This is another sequel that does address the previous films in the franchise by showing the hints the Thor and Loki could still rebuild their bond even after what Loki has done, we address forbidden relationships between Thor and Jane, have a villain that is obsessed with power, though isn’t the most three-dimensional and see Thor needing to learn more about his responsibilities as a potential king. This is everything you would expect a sequel to be in this universe.
Action/Fantasy – The action involved in this film is mostly big CGI chases sequences between spacecrafts, we do get Thor doing the hammer routine which works well enough for the film. the fantasy side of the film continues to build on the idea that the worlds above have been fighting longer than people could imagine with fresh enemies waiting in the shadows.
Settings – The film uses Asgard, the home world of the Dark Elves and London as the main settings, each has its own action sequences which also shows what Thor is fighting for.
Special Effects – The effects are not as strong as previous films, but we do get some very impressive scenes none the less, the certain moments of weakness do hold the marks up though,
Scene of the Movie – London battle.
That Moment That Annoyed Me – The villain isn’t as interesting as previous ones.
Final Thoughts – This is still an entertaining sequel, it might not be as strong as some of the previous films, but it entertains throughout.
Overall: Fantasy Filled Sequel.
When Jane becomes cursed, Thor takes her to Asgard to find a cure, which gives Malekith (Eccleston) a chance to lead his army back into combat so he can return the universe back to darkness. Thor must turn to Loki t help him defeat Malekith and save the universe.
Thoughts on Thor: The Dark World
Characters – Thor is once again preparing to take his throne in Asgard, he has restored faith in the nine realms, but he still misses Jane. When she becomes cursed, he returns to Earth to save her, which only brings back an ancient enemy to the Asgardians in the Dark Elves, he must disobey his father once again to end the threat and save the woman he loves. Jane is trying to get on with her life now, her research has taken her to London where she is trying to get over Thor, her investigation sees her cursed and taken to Asgard to learn about Thor’s home world. Loki is locked up for his actions, after his mother is murdered, Thor turns to him for help to get vengeance. Malekith is the leader of the Dark Elves, he has waited for his chance to bring the universe into darkness once again, killing Frigga the mother of Thor.
Performances – Chris Hemsworth continues to make Thor one of the most entertaining character in the universe. Natalie Portman was known to not be interested in being in the film, it does show in her performance which does disappoint. Tom Hiddleston brings another dimension to his character here which is only going to make him a more loved character. Christopher Eccleston does give us a basic villain, one that is only after power and is mostly under make up, making his performance harder to judge.
Story – The story here follows Thor on his latest adventure, one where he must face an ancient enemy who wants to put the universe into darkness, while finally returning to Jane who has become cursed by the Dark Elves magic. This is another sequel that does address the previous films in the franchise by showing the hints the Thor and Loki could still rebuild their bond even after what Loki has done, we address forbidden relationships between Thor and Jane, have a villain that is obsessed with power, though isn’t the most three-dimensional and see Thor needing to learn more about his responsibilities as a potential king. This is everything you would expect a sequel to be in this universe.
Action/Fantasy – The action involved in this film is mostly big CGI chases sequences between spacecrafts, we do get Thor doing the hammer routine which works well enough for the film. the fantasy side of the film continues to build on the idea that the worlds above have been fighting longer than people could imagine with fresh enemies waiting in the shadows.
Settings – The film uses Asgard, the home world of the Dark Elves and London as the main settings, each has its own action sequences which also shows what Thor is fighting for.
Special Effects – The effects are not as strong as previous films, but we do get some very impressive scenes none the less, the certain moments of weakness do hold the marks up though,
Scene of the Movie – London battle.
That Moment That Annoyed Me – The villain isn’t as interesting as previous ones.
Final Thoughts – This is still an entertaining sequel, it might not be as strong as some of the previous films, but it entertains throughout.
Overall: Fantasy Filled Sequel.
BankofMarquis (1832 KP) rated The Holdovers (2023) in Movies
Dec 31, 2023
Emotional Rich...and Real
The last time Paul Giamatti starred in an Alexander Payne film (2004’s SIDEWAYS), Payne won the Oscar for Best Adapted Screenplay.
Reunited for THE HOLDOVERS, it might be time for Giamatti to win the Oscar.
THE HOLDOVERS tells a well-worn story of a cranky older guy, all-Male Prep School teacher Paul Hunham (Giamatti) who is forced to spend the Christmas holidays sometime in the early 1970’s with arrogant, intelligent, student, Angus Tully (Dominic Sessa). Will they learn to tolerate - and then respect - each other by the time school is back in session? Of course they are.
But it is the journey and not the destination that this film is about - and, boy, what a journey.
Director Payne (working off a screenplay by David Hemingson - WHISKEY CAVALIER) infuses his usual human style into the HOLDOVERS focusing on the characters and driving strong, emotional performances. Sometimes this works (SIDEWAYS, NEBRASKA), sometimes it doesn’t (DOWNSIZING) but in a Payne film it all depends on the strength of the script - and performances - in the film.
Payne was wise to turn over the central character of Paul “Walleye” Hunham to Giamatti who rides the line of curmudgeonly without becoming evil. From the start you can see some sort of humanity under the cranky surface of Paul and when the facade starts to fade away you see a real human being under there. It is, perhaps, the finest performance of Giamatti’s career and expect to see Giamatti’s name called come Oscar Nomination time.
Of course, Giamatti’s performance is only as good as the other actors that he is working against and in newcomer Sessa, Payne has given Giamatti a very good counterpoint indeed - especially since this is Sessa’s Major Motion Picture screen debut. He imbues Tulley with the requisite youthful arrogance but you can sense the vulnerability underneath from a young man who just wants to be accepted - and loved - for who he is.
A joyful surprise of this film is the work of Da’Vine Joy Randolph (ONLY MURDERS IN THE BUILDING) as the cafeteria worker (with a secret tragedy of her own) who volunteers to stay behind to cook for these two. She provides a welcome 3rd leg to this stool and counterbalances both Giamatti’s and Sessa’s performance in a strong - and real - way.
All of this, of course, is due to the fine direction of Payne and the smart, funny and emotionally rich script by Hemingson. They wisely set this piece in the early 1970’s - so there are no cell phones or Internet to draw these people away from each other. They are trapped with one another and must deal with each other in an emotionally satisfying manner.
One of the best films of 2023 (expect to see it in my Top 5 of the year), THE HOLDOVERS is the type of film that the Academy loves - so expect more than 1 Oscar nomination and, just maybe, an Oscar win for Giamatti.
All would be well deserved.
Letter Grade: A
9 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Reunited for THE HOLDOVERS, it might be time for Giamatti to win the Oscar.
THE HOLDOVERS tells a well-worn story of a cranky older guy, all-Male Prep School teacher Paul Hunham (Giamatti) who is forced to spend the Christmas holidays sometime in the early 1970’s with arrogant, intelligent, student, Angus Tully (Dominic Sessa). Will they learn to tolerate - and then respect - each other by the time school is back in session? Of course they are.
But it is the journey and not the destination that this film is about - and, boy, what a journey.
Director Payne (working off a screenplay by David Hemingson - WHISKEY CAVALIER) infuses his usual human style into the HOLDOVERS focusing on the characters and driving strong, emotional performances. Sometimes this works (SIDEWAYS, NEBRASKA), sometimes it doesn’t (DOWNSIZING) but in a Payne film it all depends on the strength of the script - and performances - in the film.
Payne was wise to turn over the central character of Paul “Walleye” Hunham to Giamatti who rides the line of curmudgeonly without becoming evil. From the start you can see some sort of humanity under the cranky surface of Paul and when the facade starts to fade away you see a real human being under there. It is, perhaps, the finest performance of Giamatti’s career and expect to see Giamatti’s name called come Oscar Nomination time.
Of course, Giamatti’s performance is only as good as the other actors that he is working against and in newcomer Sessa, Payne has given Giamatti a very good counterpoint indeed - especially since this is Sessa’s Major Motion Picture screen debut. He imbues Tulley with the requisite youthful arrogance but you can sense the vulnerability underneath from a young man who just wants to be accepted - and loved - for who he is.
A joyful surprise of this film is the work of Da’Vine Joy Randolph (ONLY MURDERS IN THE BUILDING) as the cafeteria worker (with a secret tragedy of her own) who volunteers to stay behind to cook for these two. She provides a welcome 3rd leg to this stool and counterbalances both Giamatti’s and Sessa’s performance in a strong - and real - way.
All of this, of course, is due to the fine direction of Payne and the smart, funny and emotionally rich script by Hemingson. They wisely set this piece in the early 1970’s - so there are no cell phones or Internet to draw these people away from each other. They are trapped with one another and must deal with each other in an emotionally satisfying manner.
One of the best films of 2023 (expect to see it in my Top 5 of the year), THE HOLDOVERS is the type of film that the Academy loves - so expect more than 1 Oscar nomination and, just maybe, an Oscar win for Giamatti.
All would be well deserved.
Letter Grade: A
9 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Darren (1599 KP) rated Fear, Inc. (2016) in Movies
Oct 24, 2019
Contains spoilers, click to show
Characters – Joe is a stoner that has been promising to find a new job while living off his girlfriend, he loves horror movies and is looking for real fear from a horror event, which leads him to make the mistake to call Fear, Inc, this is easily one of the most unlikeable characters I have ever seen in the leading role in horror. Lindsey is his girlfriend, she seems to have a successful job which we never learn and has been putting up with Joe’s problems, the two have no chemistry and seem like complete opposites. Ben is the best friend that gives the warning to Joe about what will happen if they get involved with the game.
Performances – Lucas Neff in the leading role gives us one of the most annoying characters I have seen in horror. Caitlin Stasey is usually a good actress to watch, but in this film, it just doesn’t connect with what we are meant to see from them. Chris Martquette is solid enough in this role without doing anything truly memorable.
Story – The story here follows one man that wants to experience fear in this life and decides to get involved with a shady company promising to give him an experience unlike anything he has had before, how far will they go to get the scare? This is the question asked in this movie which doesn’t reach the potential it could as the led is the most unlikeable character you will see in horror, he makes everything out to be a joke never making us believe anything that is going on, even with the film having a great twist which should save it.
Comedy/Horror – The film tries to give us moments of comedy to mix with the horror, but the horror doesn’t hit the peril feeling moments you need from what could be going on.
Settings – The film tries to keep us around the house which clearly looks out priced for the couple involved, once we escape the house the film does become more interesting.
Special Effects – The effects in the film are good for what is created and could easily be the only highlight of the film.
Scene of the Movie – The final 30 minutes are the most interesting.
That Moment That Annoyed Me – Joe is annoying throughout.
Final Thoughts – This is a horror comedy that fails to deliver on the levels it needs to, making us not care about the characters in this situation.
Overall: Terrible and boring.
Performances – Lucas Neff in the leading role gives us one of the most annoying characters I have seen in horror. Caitlin Stasey is usually a good actress to watch, but in this film, it just doesn’t connect with what we are meant to see from them. Chris Martquette is solid enough in this role without doing anything truly memorable.
Story – The story here follows one man that wants to experience fear in this life and decides to get involved with a shady company promising to give him an experience unlike anything he has had before, how far will they go to get the scare? This is the question asked in this movie which doesn’t reach the potential it could as the led is the most unlikeable character you will see in horror, he makes everything out to be a joke never making us believe anything that is going on, even with the film having a great twist which should save it.
Comedy/Horror – The film tries to give us moments of comedy to mix with the horror, but the horror doesn’t hit the peril feeling moments you need from what could be going on.
Settings – The film tries to keep us around the house which clearly looks out priced for the couple involved, once we escape the house the film does become more interesting.
Special Effects – The effects in the film are good for what is created and could easily be the only highlight of the film.
Scene of the Movie – The final 30 minutes are the most interesting.
That Moment That Annoyed Me – Joe is annoying throughout.
Final Thoughts – This is a horror comedy that fails to deliver on the levels it needs to, making us not care about the characters in this situation.
Overall: Terrible and boring.
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Cyn Armistead (14 KP) rated Moon Fever (Includes: Primes, #6.5) in Books
Mar 1, 2018
This was one of those "I finished the last thing I was reading and I'm bored, what's already loaded on the iTouch?" reads. It was on there because the anthology includes [a:Lori Handeland|17060|Lori Handeland|http://photo.goodreads.com/authors/1236700197p2/17060.jpg]'s "Cobwebs Over the Moon" (Nightcreatures, #10) and I read all of that series a while back. I didn't care to read the rest of the anthology at the time, but I hadn't gotten around to deleting the book. Ah, happy digital packrat am I!
If I've read anything by [a:Susan Sizemore|88608|Susan Sizemore|http://photo.goodreads.com/authors/1254303347p2/88608.jpg] other than "Tempting Fate" (Primes #6.5), it was eminently forgettable. I'm absolutely sure that I haven't read anything else in her <a href="http://www.goodreads.com/series/41947-primes">Primes</a>; series, because I probably would have thrown said material firmly into the nearest hard surface (or whatever the equivalent is with bytes) because of the insanely annoying number of times Sizemore feels it necessary to remind us that her vampires are Primes! Alpha Primes! They are! Really! And that means they fight a lot! Especially over women! Otherwise, it's a Mary Jane story set in New Orleans. I have a strong feeling that most of the Primes series is Mary Jane-ish, but I may at some point be trapped and forced with the prospect of staring at the inside of my eyeballs or reading more of Sizemore's stuff. I'm not sure which would be worse right now. I'll get back to you on that.
"The Darkness Within" by [a:Maggie Shayne|17064|Maggie Shayne|http://photo.goodreads.com/authors/1215028948p2/17064.jpg] feels terribly familiar, although I'm sure I haven't read it before. I have, however, read other Shayne novellas in other anthologies, and this story follows a familiar pattern. Sexy gal who doesn't think she's attractive has had a run of hard luck and may lose the house she has bought relatively recently and loves. Said house has a spooky past that she didn't know about when she bought it. Stalwart too-sexy-for-her man gets involved somehow, preferably in a way that allows her to question his motives. They are inexplicably drawn to each other and screw like bunnies (or near as makes no difference), then blame their lapse in judgement on whatever weirdness is going on in the house. (Yep, that's what they all say - and no safer sex anywhere! Does paranormal activity preclude discussion of sexual history and prevent STD transmission?)
"Cobwebs Over the Moon" by [a:Lori Handeland|17060|Lori Handeland|http://photo.goodreads.com/authors/1236700197p2/17060.jpg] (<a href="http://www.goodreads.com/series/41626-nightcreature">Nightcreatures</a>;, #10) isn't the most logical entry in that series. Neither is it the most illogical - but by the tenth entry, the series' mythology has gotten a bit ridiculous, so I don't know why I even bother bringing up something as irrelevant as logic. Silly me! In every book, we're introduced to a woman who is in some way tangled up with werewolves, then to a man who is tangled up with her and/or the creatures and, of course, whose loyalties are uncertain. There is always an element of danger to add spice to the romance that has to grow between the two. The formula never changes at all. There are always evil werewolves, but sometimes there are also good ones. If you like predictability in your paranormal romance, <a href="http://www.goodreads.com/series/41626-nightcreature">Nightcreatures</a>; is a great series for you.
I suppose [a:Caridad Piñeiro|2944621|Caridad Piñeiro|http://photo.goodreads.com/authors/1305975476p2/2944621.jpg]'s "Crazy for the Cat" isn't technically any better or worse than any of the other three stories. There's more variety in the shapeshifting and the main setting is the Amazon jungle. I couldn't get past the bigotry and colonialism, though. Dark is bad, light is good, of course! Those poor benighted natives couldn't possibly handle a few rogues without that white woman, could they? Spare me.
If I've read anything by [a:Susan Sizemore|88608|Susan Sizemore|http://photo.goodreads.com/authors/1254303347p2/88608.jpg] other than "Tempting Fate" (Primes #6.5), it was eminently forgettable. I'm absolutely sure that I haven't read anything else in her <a href="http://www.goodreads.com/series/41947-primes">Primes</a>; series, because I probably would have thrown said material firmly into the nearest hard surface (or whatever the equivalent is with bytes) because of the insanely annoying number of times Sizemore feels it necessary to remind us that her vampires are Primes! Alpha Primes! They are! Really! And that means they fight a lot! Especially over women! Otherwise, it's a Mary Jane story set in New Orleans. I have a strong feeling that most of the Primes series is Mary Jane-ish, but I may at some point be trapped and forced with the prospect of staring at the inside of my eyeballs or reading more of Sizemore's stuff. I'm not sure which would be worse right now. I'll get back to you on that.
"The Darkness Within" by [a:Maggie Shayne|17064|Maggie Shayne|http://photo.goodreads.com/authors/1215028948p2/17064.jpg] feels terribly familiar, although I'm sure I haven't read it before. I have, however, read other Shayne novellas in other anthologies, and this story follows a familiar pattern. Sexy gal who doesn't think she's attractive has had a run of hard luck and may lose the house she has bought relatively recently and loves. Said house has a spooky past that she didn't know about when she bought it. Stalwart too-sexy-for-her man gets involved somehow, preferably in a way that allows her to question his motives. They are inexplicably drawn to each other and screw like bunnies (or near as makes no difference), then blame their lapse in judgement on whatever weirdness is going on in the house. (Yep, that's what they all say - and no safer sex anywhere! Does paranormal activity preclude discussion of sexual history and prevent STD transmission?)
"Cobwebs Over the Moon" by [a:Lori Handeland|17060|Lori Handeland|http://photo.goodreads.com/authors/1236700197p2/17060.jpg] (<a href="http://www.goodreads.com/series/41626-nightcreature">Nightcreatures</a>;, #10) isn't the most logical entry in that series. Neither is it the most illogical - but by the tenth entry, the series' mythology has gotten a bit ridiculous, so I don't know why I even bother bringing up something as irrelevant as logic. Silly me! In every book, we're introduced to a woman who is in some way tangled up with werewolves, then to a man who is tangled up with her and/or the creatures and, of course, whose loyalties are uncertain. There is always an element of danger to add spice to the romance that has to grow between the two. The formula never changes at all. There are always evil werewolves, but sometimes there are also good ones. If you like predictability in your paranormal romance, <a href="http://www.goodreads.com/series/41626-nightcreature">Nightcreatures</a>; is a great series for you.
I suppose [a:Caridad Piñeiro|2944621|Caridad Piñeiro|http://photo.goodreads.com/authors/1305975476p2/2944621.jpg]'s "Crazy for the Cat" isn't technically any better or worse than any of the other three stories. There's more variety in the shapeshifting and the main setting is the Amazon jungle. I couldn't get past the bigotry and colonialism, though. Dark is bad, light is good, of course! Those poor benighted natives couldn't possibly handle a few rogues without that white woman, could they? Spare me.
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