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The Viscount Who Loved Me (Bridgertons, #2)
The Viscount Who Loved Me (Bridgertons, #2)
Julia Quinn | 2006 | Fiction & Poetry, History & Politics, Humor & Comedy, Romance
8
7.9 (7 Ratings)
Book Rating
I enjoyed this book so much more than the first one but I did find that I could guess what was going to happen from the first few chapters, although I did sometimes second guess myself!
Although it was easy to guess what was going to happen, it did not stop me from frantically reading on and wanting to know what was going to happen next between Anthony and Miss Sheffield. And when things finally slotted into place as much as it was expected it did still make me smile.
This book touches on some slightly more serious issues - the death of a parent and the fears that come with that. But it does deal with them in such a good way, that although it is a focus on a lot of the book, it doesn’t impose on the love story and only adds to your love and admiration of the characters.
I have found Julia Quinn’s writing so easy to read and I can’t help but want more once I have finished a book, and I am glad that there are more to this series. Although the ending wasn’t a surprise, at some points I definitely didn’t see it coming and thought that I must be wrong. Beautifully written, and I’m still guessing at the identity of Lady Whistledown two books in!
  
Four Lions (2010)
Four Lions (2010)
2010 | Comedy, Drama
The fine between comedy and tragedy...
Contains spoilers, click to show
I can remember first hearing about this early in 2010, and was unsure as what to expect. On one hand this could have been a nasty hate film, mocking the wave of Muslim extremism which is taking a firm hold in this country, merely for the entertainment value, or this could be one of the important satires on the subject to date.

It was by far, without a shadow of doubt, the latter. Four Lions follows five amateur, lackluster Muslims from Sheffield who all believe that they are a primed terror cell on the frontline of the war against the infidels. Unfortunately for them, they are bunglers, whilst achieving the ability to create explosives, they have failed to control how and when it explodes! The plot culminates with an attempt to attack the London Marathon but it is a long road, taking our protagonists to the terror camps of Pakistan, and the town halls of Sheffield. This film is written and directed so expertly, it is literally frightening.

Morris and his pitch perfect cast deliver a film which so perfectly walks the razor wire tightrope between comedy and tragedy that every laugh is tinged with sadness or pity and every dark moment, seemingly comedic.

Is this a comedy? Decidedly not, but is this funny, and intentionally so? Yes. It's almost as if the laughs are out of sheer relief, as moments which should shock are delivered or followed up by some of the most profoundly realistic and yet ridiculous conversions.

The Lion King explanation for the war against the west; The almost horrifically callous 'Honey Monster' exchange as a police sniper may well have just shot an innocent civilian will stick in your mind. Let alone more simple humour, such as the eating of the sim cards to prevent tracking, which resembled the Catholic method of taking of the bread at mass.

But this was also about grooming: Grooming the audience to sympathise with a terror cell plotting in our midst was genius, whist having to watch the various methods employed within the group itself, leading to some of the films most poignant and tragic moments.

The disenfranchised Muslim population of this country have been captured so well, though portrayed on one hand as been dimwitted 'wanna-be terrorists', but on the other as real people, miss led with some of the most ridiculous concepts designed to reduce their lives to that of mediocrity in order to convince them to take so many others. This is a sympathetic peace movie in a time of great confusion and conflict.

Until now, United 93 was the film which had most summed up the dark times in which we live, following 9/11, but this is at least on par with it and is a great addition to a long and significant catalogue of topical anti-establishment films, such as M.A.S.H. and Dr. Strangelove.

Not just highly recommended, but a MUST SEE!
  
Tarzan's New York Adventure (1942)
Tarzan's New York Adventure (1942)
1942 | Action
5
5.0 (1 Ratings)
Movie Rating
This trend would continue into the final outing with MGM and the original cast as Johnny Weissmuller and John Sheffield (Boy) would continue on with RKO, but Maureen O’Sullivan, who had clearly grown tired of the role after ten years would depart. And good.

In the early films, especially the first two, Tarzan and Jane’s relationship was paramount. A romantic fairy-tale of sexual and social freedom as Jane would shed her clothes and with them, the shackles of modern civilization in order to live with Tarzan in his idyllic Eden like Jungle home. Hopping from tree to tree, diving into lakes and frolicking where they fell.

By now, they live in a Flintstones style western home with more western trappings than we have today, with Jane being nothing more than an obedient, devoted housewife whilst Tarzan is becoming more civilized and their adopted some has somehow developed and strong American accent!

Jane’s journey was a dead end, and here, as the pair travel to New York to rescue Boy from a circus, she might as well not return to her jungle tree-house at all.

But having said that, this is fun if not a silly adventure, with the fish out of water tropes played out to some comic effect. The scene with Tarzan in the shower is funny but Cheeta’s rampage through Janes suitcase is just annoying as is the fact that she needed so many make up products in the first place!