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I've been leery of reading a Shelley Shepard Gray novel for awhile now. She was one of my favorites for a long time, but something in her writing style changed, and I just steered clear of her work for a while. But, when I read the synopsis for this one, something called me to it. I'm glad I gave it a chance. 

This book is filled with emotions I am still working through. As someone who has dealt with different kinds of death, from suicide to unexpected, this really hit home with me. The characters are tenderly chiseled and woven into an unforgettable plot line. 

The messages that Gray adds to the story for Andy's friends, the forgiveness, the hope, the redemption is all powerfully included in this page turning novel. I saw, rather than read this story. It moved off the pages and played out before me like a movie on the big screen. The tissues definitely came in handy, that's for sure! 

Through the words of Shelley Shepard Gray, I understood death a little better. Through her words, I understood the power of friendship just a little bit more. These friends endured confusion and pain, yet with God, and Andy's friendship, they came together and healed. 

This is a 4 star book that everyone should read. It's emotionally moving and soul gripping. I highly recommend this first book in her new series, and I am already looking forward to book 2. 

*I received a complimentary copy of this book from NetGalley and was under no obligation to post a review, positive or negative.*
  
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ArecRain (8 KP) rated Angelmonster in Books

Jan 18, 2018  
A
Angelmonster
4
4.0 (1 Ratings)
Book Rating
I am just going to come out and say that I though this novel was terrible. Not because it was written poorly or because it was unbelievable, but because it just made one feel depressed and dark reading it.

After reading the description, I was excited to read a fictional novel about how Mary and Percy Shelley cam e together, and how Mary received her inspiration for Frankenstein. From page one, however, it was hard to push through the pages. It wasn’t until Percy came in around the second chapter that there was any real reason to be interested. At first, their relationship starts out romantic and ideal for any woman searching for love. However, the novel quickly turns sour after that. Everything turns so dark and negative, that reading the novel actually put me in a dark mood.

Mary and Percy were constantly at odds, stuck with each other and pining for the love they once had, but not actually loving each other. They only seemed to care for each other like old friends who are stuck with each other. It was very depressing to read.

Not to mention, the only straight forth explanation for Frankenstein’s inspiration lasts only a couple of sentences. Of course, the entire novel explains how Mary came to write the novel, but one does not necessarily pick up on that until the end, which is probably the darkest part of the novel.

No happy ending for Angelmonster. I will admit that it was a new and different take on the Shelley’s life, for me anyway, and was interesting to read. As long as you do not expect any optimism or positivity.
  
City of the Lost (Casey Duncan, #1)
City of the Lost (Casey Duncan, #1)
10
10.0 (4 Ratings)
Book Rating
Anyone who writes usually has authors that they can point at and say "If I can ever be compared with them, I'll be happy." For me, I don't look at the authors who are defined as the classics - Austen, Shelley, etc - I look at Kelley Armstrong. If anyone ever compares anything I've written to something of hers, I think I'll die happy.

Every genre this woman turns her hand to she excels in. From her Women of the Otherworld Urban Fantasy Series, to her YA Darkest Powers, her Sea of Shadows fantasy, the crime fiction of Nadia Stafford, the Cainsville series (oh how I love you and am dying for the final book!) and this, the Casey Duncan series. I swear I haven't read a book by Kelley that I haven't instantly become invested in the storyline and the characters.

City of the Lost is written in Kelley's typical style - honest, detailed without being overloading, intricate and fascinating. Her characters just jump off the page with their realism. There is no perfect person, they are flawed and human. She twists and turns the plot with a skill that I'm in awe of. And just when you think you have it figured out, she throws in a twist you didn't see coming and the ride just keeps on moving.

Can't wat for the next book in this series. Long live Kelley Armstrong!
  
City of the Lost (Casey Duncan, #1)
City of the Lost (Casey Duncan, #1)
10
10.0 (4 Ratings)
Book Rating
Anyone who writes usually has authors that they can point at and say "If I can ever be compared with them, I'll be happy." For me, I don't look at the authors who are defined as the classics - Austen, Shelley, etc - I look at Kelley Armstrong. If anyone ever compares anything I've written to something of hers, I think I'll die happy.

Every genre this woman turns her hand to she excels in. From her Women of the Otherworld Urban Fantasy Series, to her YA Darkest Powers, her Sea of Shadows fantasy, the crime fiction of Nadia Stafford, the Cainsville series (oh how I love you and am dying for the final book!) and this, the Casey Duncan series. I swear I haven't read a book by Kelley that I haven't instantly become invested in the storyline and the characters.

City of the Lost is written in Kelley's typical style - honest, detailed without being overloading, intricate and fascinating. Her characters just jump off the page with their realism. There is no perfect person, they are flawed and human. She twists and turns the plot with a skill that I'm in awe of. And just when you think you have it figured out, she throws in a twist you didn't see coming and the ride just keeps on moving.

Can't wat for the next book in this series. Long live Kelley Armstrong!
  
She Who Became The Sun
She Who Became The Sun
9
8.5 (2 Ratings)
Book Rating
She Who Became the Sun is a book that I could really immerse myself in. It took its time over laying the foundations of what will continue to be, I’m sure, an epic story. This is a re-imagining of the life and rise of Zhu Yuanzhang - the peasant rebel who expelled the Mongols, unified China and became the founding Emperor of the Ming dynasty. So, no small story then!

Shelley Parker-Chan has added a twist to the story, though. The Zhu Yuanzhang in this story is actually female. Born a girl, she steals her brothers identity when he dies so that she can survive - girls were not important enough to survive otherwise. She decides to live her brothers life, and as a fortune teller has foretold, she will rise to great heights in his name. And this process starts by Zhu being taken in and educated by the monks at a monastery.

This isn’t fantasy as much as it is historical fiction. Ok, there is a little bit of magic, but I took that as being an explanation of a leaders charisma. The writing IS beautiful, particularly the descriptions of the relationship between Zhu and the eunuch General Ouyang, and the queer story of Zhu and her wife.

We’re left on a bit of a cliffhanger, I’ll warn you, but we won’t have long to wait for the sequel!
  
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Hadley (567 KP) rated Frankenstein in Books

Apr 30, 2019  
Frankenstein
Frankenstein
Mary Wollstonecraft Shelley | 2016 | Fiction & Poetry
9
7.7 (27 Ratings)
Book Rating
Great main character (1 more)
Beautiful writing
Over usage of some words (1 more)
Secondary characters have hardly a back story
In the horror genre, I have very few favorite female writers, but Mary Shelley is one of them. The way she weaves environments with character defining scenes is beautifully done in 'Frankenstein.' At the tender age of 18, Shelley was able to convey grief and loss through a single story. She created a relatable 'creature' that many readers will have pity for, but also an obsessive young man that can hardly be hated. Some people may be intimidated by the more diverse English language from the early 1800's, but, in my opinion, the story would not have had the same impact if it had been written today.

Not just horror readers will enjoy 'Frankenstein,' but also those who like to read philosophy. Shelley brings up life discerning questions that even society meddles with today. It's amazing to think that a two century old book discusses problems we still deal with.

The book begins with a sea captain that picks up a stranger that was stranded on a raft of ice, and this man has a fascinating story to tell. The entire book is a letter written by the sea captain to his sister, which he details every bit of Victor Frankenstein's several year tale. Readers get to follow Frankenstein's life from the moment his 'creature' is made to the end of his days, which traverses the globe. When Shelley begins to lull over her love of environments, she quickly picks up with character or story development that keeps our attention from wandering.

'Frankenstein' focuses on the need to be loved and accepted to live a happy existence,as well as reaching our dreams, but Shelley shows how achieving such things can cause a crushing defeat in the latter pursuit: "Night was far advanced when I came to the halfway resting-place, and seated myself beside the fountain. The stars shone at intervals, as the clouds passed from over them; the dark pines rose before me, and every here and there a broken tree lay on the ground: it was a scene of wonderful solemnity, and stirred strange thoughts within me. I wept bitterly; and clasping my hands in agony, I exclaimed, 'Oh! stars, and clouds, and winds, ye are all about to mock me: if ye really pity me, crush sensation and memory; let me become as nought; but if not, depart, depart, and leave me in darkness.' "

There are other characters we read of, including Frankenstein's best friend, Henry, and his long time love interest, Elizabeth (both of who grew up with Frankenstein). Henry comes from a well-to-do merchant family, while Elizabeth was orphaned from a wealthy family, then adopted by the Frankensteins as a future wife for Victor. Unfortunately, we learn little about them or Victor's family, that when any of them do die, it's not felt personally by the reader. There are other characters that had major events in the story, but as with the friends, they weren't developed enough to bring up any emotion at their passing.

After Frankenstein sets out after his creation,we meet the 'creature' at the top of a mountain. He is devastated that his creator hates him, and that the other humans he has met also hated him. "I expected this reception,' said the demon. 'All men hate the wretched; how, then, must I be hated, who am miserable beyond all living things! Yet you, my creator, detest and spurn me, thy creature, to whom thou art bound by ties only dissoluble by the annihilation of one of us. You purpose to kill me. How dare you sport thus with life? Do your duty towards me, and I will do mine towards you and the rest of mankind. If you will comply with my conditions, I will leave them and you at peace; but if you refuse, I will glut the maw of death, until it be satiated with the blood of your remaining friends.' "

The 'creature' gives Frankenstein an ultimatum: he either makes him a female companion or he will kill everyone Frankenstein loves and adores." 'What I ask of you is reasonable and moderate; I demand a creature of another sex, but as hideous as myself; the gratification is small, but it is all that I can receive,and it shall content me.' " Although, by this time, the 'creature' has already murdered Frankenstein's youngest brother, Victor agrees to make him a companion, but with serious regret soon after.

The majority of the story concerns Frankenstein trying fool-hardly to protect all those he loves while the 'creature' murders them one by one. The most surprising of the murders is Henry's. After Frankenstein changes his mind on making another creation, the 'creature' quickly finds Henry and kills him, but Frankenstein is accused of the murder and spends quite some time in prison for it. "But I was doomed to live; and, in two months, found myself as awaking from a dream, in a prison, stretched on a wretched bed, surrounded by gaolers, turnkeys, bolts, and all the miserable apparatus of a dungeon. "

Frankenstein is eventually released from prison when the evidence doesn't add up, and witnesses come forward, claiming to have seen Victor elsewhere at the time of the murder. Frankenstein is, at this time, in a drowning melancholy and madness, but this doesn't stop him from marrying Elizabeth. The 'creature' foretold Frankenstein that he would be with him on his wedding night, and Victor uses this to his advantage - arming himself with pistols and knives on the honeymoon. Yet, to no avail, Frankenstein is unable to outlive or outsmart the 'creature' at any turn.

'Frankenstein' is a must-read for all readers. Although many horror stories today pertain to a creature killing it's master, none of them can reach the grief stricken peaks as Shelley has. Every passage in this book reads like poetry. Every interaction between Frankenstein and his 'creature' is fascinating to the reader. And, before Frankenstein dies, he leaves the sea captain with words of wisdom that even readers could benefit from: "Seek happiness in tranquillity and avoid ambition, even if it be only the apparently innocent one of distinguishing yourself in science and discoveries."

Highly recommend!
  
No Expectations - Single by Jillian Steele
No Expectations - Single by Jillian Steele
7
7.0 (1 Ratings)
Album Rating
Jillian Steele is a Nashville-based singer-songwriter from New York. Not too long ago, she released a lovely pop tune, entitled, “No Expectations”.

“Maybe I’m talking myself out of love. But I don’t believe that the stars just line up. When you know then you know but I don’t think I’ll ever know. When it’s right, is it right second guessing every time. Yeah, making sure I won’t ever let myself down.” – lyrics

‘No Expectations’ tells an interesting tale of a young woman who decides to let nature take its course instead of always trying to control things.

Apparently, she concludes that everything happens for a reason, and if she allows things to flow naturally, everything will work out the way it’s supposed to.

Later, she admits that it would be best if she became less controlling, stayed out of her own way, and let the pieces fall where they may.

‘No Expectations’ contains a relatable storyline, ear-welcoming vocals, and warm acoustic guitar-driven instrumentation flavored with a modern-pop fragrance.

The likable tune was co-written by Michel Heyaca and James Shelley (American Authors) during a period of uncertainty and confusion.

“Life was happening around me and I was just in it without any control and through this song I gained insight that I do deserve things and I should have expectations of what I want.” – Julia Steele

Jillian Steele’s musical influences include Maggie Rogers, Sasha Sloan, Julia Michaels, and other strong female musicians.

She uses her music to emphasize the importance of self-love and empowerment. A running theme throughout her music is reflection and she hopes her use of thought-provoking lyrics will help others gain insight in times of need.
  
Seasons by American Authors
Seasons by American Authors
2019 | Alternative
8
8.0 (1 Ratings)
Album Rating
American Authors is a four-piece alternative outfit based in Brooklyn, New York. Not too long ago, they released a heartfelt music video for their “Before I Go” single.

“I hope I find peace of mind in all of my woes. I hope the rain, it brings a light To my broken soul. And I hope I lose myself in the city but find my home. I hope I live my life before I go.” – lyrics

‘Before I Go’ tells an interesting tale of a young guy who doesn’t know where his life is going.

Apparently, he’s afraid of what’s to come, and even though he keeps on keeping on, he wonders if he has done all that he can.

Later, he admits that he wants to live life to the fullest before he goes to the Great Beyond.

‘Before I Go’ contains a relatable storyline, ear-welcoming vocals, and cinematic instrumentation flavored with sentimental elements.

Also, the stunning audiovisual was filmed last October during Matt Sanchez’s wedding.

“The biggest thing is the change American Authors went through to get here. We had to go through all of these experiences and moments of experimentation to reach this body of work, which is the most genuine and pure thing we’ve ever done. It encompasses every season of our music: the ups, the downs, the highs, the lows, and everything in between. We let go of where we started, fell into the place of writing from the heart, and captured what came out naturally.” – Zac Barnett

American Authors consists of Zac Barnett (vocals), James Adam Shelley (guitar, banjo), Dave Rublin (bass), and Matt Sanchez (drums).

So far, they have impressively generated over 1 billion global streams on a string of alternately striking and soaring smashes.

Their ‘Before I Go’ single is featured on their latest album, entitled, “Seasons”, which has amassed close to 30M streams online via Spotify.

“I want people to see a different side of American Authors. I hope they realize there’s a message of hope. But it’s transmitted in a new and more exciting way for our band. Growing up, listening to my favorite artists helped me through so many hard times. It was the best therapy. I’ve seen fans take that away from our music in the past, and I hope they continue to do so. That’s the ultimate goal for us.” – Zac Barnett

https://www.bongminesentertainment.com/american-authors-before-i-go/
  
Frankenstein (1931)
Frankenstein (1931)
1931 | Horror
Everyone remembers the story of Frankenstein, or at least the first part. We all know Dr. Frankenstein assembles his "creation" from the bodies of the deceased and his assistant henchman brings him the brain from a criminal instead of a "normal" brain. His creation is then elevated to the heavens during a lightning storm and given the 1.21 Gigawatts of electricity he needs to regain life and drive the DeLorean back to the future! (Come to think of it, that might be a different film!) 😋

What you may not remember is the 2nd half of the film where the monster, presumed dead, wanders the countryside searching for the meaning of life and meets a young girl. The two sit by the shore trading flowers and tossing them into the water. The monster thinks it would be a good idea t toss the girl as well accidentally killing her.

After hearing about the atrocity, the townspeople form a lynch mob determined to hunt down and destroy the monster once and for all. The creature ends up at a lighthouse where his final fate is carried out.



Some other facts I may not have remember or never knew at all:

-Dr. Frankenstein's first name is Henry (I thought it was Viktor)
-Henchman' name Fritz (not Igor)
-Mary Shelley's opening writing credit is listed as Mrs. Percy B. Shelley (lame)
- The Monster's acting credit at the beginning is listed as "?" (not until the end credits is Boris Karloff given his due)
-No soundtrack during the film at all other than the opening and closing credits (I found out from the film historian DVD audio commentary in film music wasn't begun as a normal practice until sometime after this film's release in 1931)

Some other facts you may not remember is how excellent Boris Karloff really is as the monster. He takes you from hating him, to loving him, to feeling pity for him in the course of his limited screen time.

Also, for the time period, the set design and cinematography are breathtaking in glorious black and white. You really feel you are there with Frankenstein as he creates his masterpiece and watches quickly while he decidedly begins to regret his decision.

This time of year is fun to watch the spooky and scary. In this case, this classic is both and is not that long so you can watch more than one Frankenfilm tonight!

  
Twin Peaks  - Season 3
Twin Peaks - Season 3
2017 | Drama
The Cast (1 more)
The new mysterys
Lack of the familar Twin Peaks stuff (2 more)
The way the story unfolds
Very Slow
The first four episodes
Twin Peaks: The Return

*** Ive tried to write this as spoiler free as i can, you may find some in here but nothing that i think would ruin watching the show for you ***

I don’t think it will come to anyones surprise to say that the first four episodes of Twin Peaks return are strange. But maybe not in the way that we know and love.

I found these first four episodes difficult to enjoy not because they were bad, but because it was not what I was expecting at all. I wanted the key things that I love about Twin Peaks to be there, the returning characters, the iconic score by Angleo Badalamenti, the quirky weirdness grounded by soap opera like stories. I wanted the dark seriousness of murder, lust and money, beautifully intertwined with the ridiculousness of silent drape runners, saving the pine weasel and miss twin peaks contests.Unfortunately I found very little of any of what I wanted.

Yes Cooper is back or more accurately Kyle Maclachlan is back but has yet to act or sound anything like Special Agent Dale Cooper at all, the story calling for him to play a very lifeless rendition of his former glory. Other familiar faces have shown up along the way, but not very many and for not very long at all.

What we have is something very Lynchian, long drawn out scenes, especially in The Black Lodge that after extended moments of a droning humming score and lot of not a lot going on in slow motion followed by more not a lot going on but this time with a white horse or a talking lump of flesh on a leafless tree in the picture, it starts to feel like a lot of weird stuff just for sheer sake of being weird.

Fans of the previous seasons of Twin Peaks might be left wondering what is going on with the stories that were left open, is Leo still holding that rope in his mouth, what happened after the explosion in the bank vault, and what the hell has happened to Annie – well you wont find any of these answers here. Instead we are given a whole bunch of new characters, who’s stories we are still trying to figure out and how they are related to the events of Twin Peaks, which is a made into a bigger and more confusing mystery seeing as none of them actually take place in Twin Peaks at all. In fact, the most recognisable place in the first few hours is The Black Lodge, which features extensively in the first two episodes before “Cooper” bizarrely ends up in Las Vegas. Also knocking us out of our comfort zone and driving home the fact that this is not the same kind of Twin Peaks show we are used to, are the occasional F bombs being dropped and the coy sexiness that flowed through the show has been replaced with plain nudity.

We have been given vision that is pure David Lynch. He produces some fantastical imagery and some unnerving editing that is like watching Eraserhead, Lost Highway and Fire Walk With Me all at the same time on the same screen. As a piece of art it has its place amongst Lynch fans, but as a piece of entertainment for prime time television, it missed the mark for me, and as a return to Twin Peaks, it should be ashamed of itself, as apart from 30 seconds or so in episode 4 where here the familiar twangs of the original score, I didn’t feel like there was any return to that great tv show from the early 90s. There is the odd nugget of new that will keep me watching, Naomi Watts and Matthew Lillard have joined the team in what promises to be entertaining roles, there is a glass box that is being kept in some kind of secret bunker under constant video monitoring that seems to have something to do with The Black Lodge, the log lady is getting message from her log again, a body that doesn’t belong to its head and we are still hanging out at the Bang Bang Bar with Bobby, Shelley and James even if it was for far too brief at time.

Overall: It didn’t deliver on its promise, or give me what I wanted, but there is still a lot more episodes to come. I cant think of another show that would get away with such a slow build or lack of deliverance than the new third season of Twin Peaks.