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Jackie (3 KP) rated Hunting Prince Dracula in Books

Sep 10, 2018  
Hunting Prince Dracula
Hunting Prince Dracula
Kerri Maniscalco | 2017 | Mystery, Thriller, Young Adult (YA)
10
8.8 (8 Ratings)
Book Rating
Contains spoilers, click to show
I absolutely adore Kerri’s writing in this one! I loved the folklore added into the story (I think I learned more in this one that I did in the first one) and that we got to explore Thomas’s family history and learn more about him.

I mentioned in my review for STJR that the ending had took me by surprise but that I could go back to add up the clues dropped throughout the book. The ending to this one, however, caught me completely off guard! I knew most of the suspects were red herrings but I hadn’t thought that this character would do what they did! Especially given their reasoning behind their actions.

I also loved that we were able to explore Cressworth some more in this book (the tension was killing me at certain moments) but given THAT part of the ending, I’m hoping we get even more of their romance in the third book. ?

The new characters added were some of my favorite side characters. I’m hoping they’ll pop up in any future books (if Kerri adds on after the third one she’s announced) for assistance for Audrey Rose and Thomas in a future case. These two really do remind me of Sherlock Holmes and John Watson and I absolutely love it!
  
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Awix (3310 KP) rated Dracula in TV

Jan 4, 2020  
Dracula
Dracula
2020 | Drama, Horror
7
6.1 (14 Ratings)
TV Show Rating
Somewhat predictably, the Sherlock team's take on Dracula proves to be a studied piece of unfaithfulness - although, given just how well-known and iconic this particular story is, it's hard to see quite what else they could have done. It starts off looking deceptively faithful, turns into a bizarre inversion of an Agatha Christie-type murder mystery, and then really goes for broke with a third-act twist the likes of which have not been seen since AD 1972. Guaranteed to upset purists, but hey - at least they were still allowed to cast a man as Dracula.

Claes Bang is indisputably very good as the Count, mixing cool flippancy with genuine menace. The rest of it is a bit of a curate's egg, with brilliant moments mixed thoroughly with things that don't quite work. If you like Moffat and Gatiss' approach to scripting - sketch show and conjuring performance in equal measures, with big set pieces and reveals taking precedence over logic and cohesion - then you will obviously enjoy this. Otherwise, then the sound of Dracula is not so much the music of the children of the night, as that of the writers winking at the audience non-stop for four and a half hours.