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Gareth von Kallenbach (980 KP) rated The Mist (2007) in Movies
Aug 14, 2019
In 1987, I picked up a copy of the new Stephen King novel, Skeleton Crew, a collection of short stories that were amongst the best short stories the author has ever written. The first story in the collection was a novella entitled The Mist and I was captivated by the engrossing stories, characters, and supernatural situations depicted.
As I moved on to other books and films, I never forgot the impact of the story, and for years wondered why nobody had attempted to bring the story to the screen. A few years later, I heard rumblings of an attempt to make a film version of the story with Michael J. Fox being listed as the intended lead.
While this never came to be, Frank Darabont who masterfully adapted King’s “The Green Mile” and “The Shawshank Redemption”, into solid films, took up the task of writing and directing “The Mist” and has done a solid job of translating the master story for the screen.
The film stars Thomas Jane as David Drayton, a movie poster artist who lives in a quiet Maine town in a nice house overlooking the water with his wife and son Billy (Nathan Gamble). The morning after a freak storm lays waste to the surrounding area, Frank and Billy set out for the store with their estranged neighbor Brent Norton (Andre Braugher).
When they arrive at the store, they find it packed with people who are trying to stock up on supplies following the storm. With the power, phones, and cell service being out, and military forces being deployed all around them, the town is in a state of chaos.
A man marked with blood suddenly emerges from an expanding mist that has formed over the town and claims that something in this mist has taken his friend. This event is punctuated with a warning siren that has started to sound, which leads the people in the store to lock the doors and seek shelter in the store.
Frank attempts to tell the people that there was something scraping against the back loading door, but his concerns are ignored with tragic results. Since this event was witnessed by only a small group of people, the residents trapped in the store quickly give in to their fears and star to accuse Frank of fabricating the situation, and locale crackpot Mrs. Carmody (Marcia Gay Harden), and blames their situation on Judgment Day and starts to convert people to her radical beliefs.
Things get even worse when creatures from the mist get into the store and attack the people which forces Frank and company to take a risky trip to the neighboring drug store in an attempt to gain much needed medical supplies.
In short order the situation gets even worse as Frank and his supporters are faced to contend not only with the creatures in the mist, but the growing threat from Mrs. Carmody and her fanatics who have adapted a mob mentality towards anyone they think is a non-believer.
What follows is a thrilling series of events that leads to one of the most shocking and memorable finale acts that will stay with you long after the film has ended.
There has been much made of the decision to add a proper ending to the story instead of the nebulous ending in the story where nothing was truly resolved. I think this decision was wise, as being a fan of the story; I was a bit frustrated that there was not final outcome in the story and I was left with more questions than answers when the story ended.
Darabont has crafted a finale that is sure to upset some people and please others, but credit has to be given for crafting an ending that does not take the standard Hollywood outs.
The cast is strong, and the FX and Gore are restrained to the point that they do not overshadow what is essentially a drama about people in an extra-ordinary situation, and what happens when the rules and creature comforts of society collapse.
While the film will not break new ground in the horror genre, it is one of the best adaptation of a King story, and is very entertaining.
As I moved on to other books and films, I never forgot the impact of the story, and for years wondered why nobody had attempted to bring the story to the screen. A few years later, I heard rumblings of an attempt to make a film version of the story with Michael J. Fox being listed as the intended lead.
While this never came to be, Frank Darabont who masterfully adapted King’s “The Green Mile” and “The Shawshank Redemption”, into solid films, took up the task of writing and directing “The Mist” and has done a solid job of translating the master story for the screen.
The film stars Thomas Jane as David Drayton, a movie poster artist who lives in a quiet Maine town in a nice house overlooking the water with his wife and son Billy (Nathan Gamble). The morning after a freak storm lays waste to the surrounding area, Frank and Billy set out for the store with their estranged neighbor Brent Norton (Andre Braugher).
When they arrive at the store, they find it packed with people who are trying to stock up on supplies following the storm. With the power, phones, and cell service being out, and military forces being deployed all around them, the town is in a state of chaos.
A man marked with blood suddenly emerges from an expanding mist that has formed over the town and claims that something in this mist has taken his friend. This event is punctuated with a warning siren that has started to sound, which leads the people in the store to lock the doors and seek shelter in the store.
Frank attempts to tell the people that there was something scraping against the back loading door, but his concerns are ignored with tragic results. Since this event was witnessed by only a small group of people, the residents trapped in the store quickly give in to their fears and star to accuse Frank of fabricating the situation, and locale crackpot Mrs. Carmody (Marcia Gay Harden), and blames their situation on Judgment Day and starts to convert people to her radical beliefs.
Things get even worse when creatures from the mist get into the store and attack the people which forces Frank and company to take a risky trip to the neighboring drug store in an attempt to gain much needed medical supplies.
In short order the situation gets even worse as Frank and his supporters are faced to contend not only with the creatures in the mist, but the growing threat from Mrs. Carmody and her fanatics who have adapted a mob mentality towards anyone they think is a non-believer.
What follows is a thrilling series of events that leads to one of the most shocking and memorable finale acts that will stay with you long after the film has ended.
There has been much made of the decision to add a proper ending to the story instead of the nebulous ending in the story where nothing was truly resolved. I think this decision was wise, as being a fan of the story; I was a bit frustrated that there was not final outcome in the story and I was left with more questions than answers when the story ended.
Darabont has crafted a finale that is sure to upset some people and please others, but credit has to be given for crafting an ending that does not take the standard Hollywood outs.
The cast is strong, and the FX and Gore are restrained to the point that they do not overshadow what is essentially a drama about people in an extra-ordinary situation, and what happens when the rules and creature comforts of society collapse.
While the film will not break new ground in the horror genre, it is one of the best adaptation of a King story, and is very entertaining.
The Vicious & The Virile VII: Seven Freaky Stories for Adults
Book
A collection of short horror stories, The Vicious and The Virile VII offers a captivating...
Dark Fantasy Short Story Collection
BankofMarquis (1832 KP) rated The French Dispatch (2021) in Movies
Jan 4, 2022
Weak Stories Can't Support the STUNNING Visuals
Filmmaker Wes Anderson is an acquired taste. He is one of the most visually stunning filmmakers working today, but his films are often time difficult to grasp and can get lost in their own weirdness.
Such is the case with his latest effort THE FRENCH DISPATCH. It is a visually STUNNING film that you can turn the sound off and just drink in the images depicted on screen with your eyes - but the story these pictures tell was, unfortunately, not all that compelling.
Starring Bill Murray, Tilda Swinton, Frances McDormand, Jeffrey Wright and a whole bundle of known stars, THE FRENCH DISPATCH tells the story of a Sunday Newspaper insert called THE FRENCH DISPATCH (think PARADE MAGAZINE). The quirk of the FRENCH DISPATCH is that this insert in the Liberty, Kansas paper in the 1930’s(or so) focuses solely on the goings-on of the French town of Enui. Stories told in the flavor of the New Yorker.
So…this setup is just, really, an excuse to tell 3 different short stories and tie them together with an overarching theme - getting the French Dispatch ready to publish. A good enough excuse for a movie - provided that the 3 stories being told are interesting enough - which they are not (and therein lies the issue with this film).
Bill Murray is a congenial enough host of this party as the Editor of The French Dispatch. His character is the “through line” of this film and if you are going to anchor an anthology film with a character/actor, then Bill Murray is a pretty good anchor.
The first story, telling of a life-imprisoned person (Benicio Del Toro) who finds a muse (Lea Seydoux) and becomes a world famous artist, thanks to the efforts of his patron (Adrian Brody) is the best of the bunch. This story is written/narrated by a character played by Tilda Swinton and it is her performance that is the highlight of the film for me. Because of this narration - and because this is the best written/most interesting and best acted of the 3 stories (by Del Toro, Seydoux and Brody), I was excited as to where this film was going to go from here.
Unfortunately, that direction was down.
The 3rd story - narrated by a character played by Jeffrey Wright about a Police Commissioner’s son who is kidnapped is absurb - and almost succeeds when Anderson decides to animate the car chase - but ultimately isn’t quite as good as the first piece.
And then there is the middle part that stars Timothee Chalamet as a student that starts a rebellion. This part is written/narrated by a character played by Frances McDormand and while these 2 are “game” for what is given to them, the story is not compelling and, to be honest, a bit boring. This middle story (the longest of the 3 tales) is where the movie loses it’s footing.
And that’s too bad for Anderson - as is his custom - fills every frame with interesting pictures/visuals that are a marvel to look at and fills almost every minor role with some sort of major star looking to work with him. Almost the best part of this film was to spot the star in a cameo role. Willem DaFoe, Saoirse Ronan, Liev Schrieber, the “Fonz” himself, Henry Winkler, Cristoph Walz and Anderson “regulars” Jason Schwartman, Edward Norton and Owen Wilson (amongst others) all show up - briefly - to lend their talents to this absurdity.
Well worth checking out for the visuals, just don’t look for much in the way of plot or drama.
Letter Grade: B (did I mention that the visuals are STUNNING?)
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with his latest effort THE FRENCH DISPATCH. It is a visually STUNNING film that you can turn the sound off and just drink in the images depicted on screen with your eyes - but the story these pictures tell was, unfortunately, not all that compelling.
Starring Bill Murray, Tilda Swinton, Frances McDormand, Jeffrey Wright and a whole bundle of known stars, THE FRENCH DISPATCH tells the story of a Sunday Newspaper insert called THE FRENCH DISPATCH (think PARADE MAGAZINE). The quirk of the FRENCH DISPATCH is that this insert in the Liberty, Kansas paper in the 1930’s(or so) focuses solely on the goings-on of the French town of Enui. Stories told in the flavor of the New Yorker.
So…this setup is just, really, an excuse to tell 3 different short stories and tie them together with an overarching theme - getting the French Dispatch ready to publish. A good enough excuse for a movie - provided that the 3 stories being told are interesting enough - which they are not (and therein lies the issue with this film).
Bill Murray is a congenial enough host of this party as the Editor of The French Dispatch. His character is the “through line” of this film and if you are going to anchor an anthology film with a character/actor, then Bill Murray is a pretty good anchor.
The first story, telling of a life-imprisoned person (Benicio Del Toro) who finds a muse (Lea Seydoux) and becomes a world famous artist, thanks to the efforts of his patron (Adrian Brody) is the best of the bunch. This story is written/narrated by a character played by Tilda Swinton and it is her performance that is the highlight of the film for me. Because of this narration - and because this is the best written/most interesting and best acted of the 3 stories (by Del Toro, Seydoux and Brody), I was excited as to where this film was going to go from here.
Unfortunately, that direction was down.
The 3rd story - narrated by a character played by Jeffrey Wright about a Police Commissioner’s son who is kidnapped is absurb - and almost succeeds when Anderson decides to animate the car chase - but ultimately isn’t quite as good as the first piece.
And then there is the middle part that stars Timothee Chalamet as a student that starts a rebellion. This part is written/narrated by a character played by Frances McDormand and while these 2 are “game” for what is given to them, the story is not compelling and, to be honest, a bit boring. This middle story (the longest of the 3 tales) is where the movie loses it’s footing.
And that’s too bad for Anderson - as is his custom - fills every frame with interesting pictures/visuals that are a marvel to look at and fills almost every minor role with some sort of major star looking to work with him. Almost the best part of this film was to spot the star in a cameo role. Willem DaFoe, Saoirse Ronan, Liev Schrieber, the “Fonz” himself, Henry Winkler, Cristoph Walz and Anderson “regulars” Jason Schwartman, Edward Norton and Owen Wilson (amongst others) all show up - briefly - to lend their talents to this absurdity.
Well worth checking out for the visuals, just don’t look for much in the way of plot or drama.
Letter Grade: B (did I mention that the visuals are STUNNING?)
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Andi Lutz (3 KP) rated Welcome to Night Vale in Podcasts
Apr 15, 2018
Voices (2 more)
Writing
Sound effects
Amusing Yarn With Lovecraftean Spin
Night Vale was the first podcast I ever listened to. It had me hooked from the start. I did binge listen to catch up from episode one, but after that, I found it a bit annoying to try to listen to more than 5 or so episodes at a time. They're fairly short, but can start to feel repetitive if you get too far behind and have to catch up that way.
Fans of Lovecraft, Call of Cthluhu RPG, and other classic horror, as well as conspiracy theory fans (I'm sure this will fit, but I'm not one to know for a fact), will love Night Vale. It is aired with a serious tone but still somehow light-hearted. The voice acting is superb and the writing top-notch.
Some of my favorite segments are the music breaks. Some episodes have wonderful indie artists on them for one song and they will give out some information about the bands and songs so you can locate them on the internet and find their music. I think this is a terrific idea, using their listener base to help give exposure to working musicians.
Serial stories involve romance, disappearances, aliens, and anything else you could ever dream up. If you're a writer yourself, it might even spark your imagination!
Fans of Lovecraft, Call of Cthluhu RPG, and other classic horror, as well as conspiracy theory fans (I'm sure this will fit, but I'm not one to know for a fact), will love Night Vale. It is aired with a serious tone but still somehow light-hearted. The voice acting is superb and the writing top-notch.
Some of my favorite segments are the music breaks. Some episodes have wonderful indie artists on them for one song and they will give out some information about the bands and songs so you can locate them on the internet and find their music. I think this is a terrific idea, using their listener base to help give exposure to working musicians.
Serial stories involve romance, disappearances, aliens, and anything else you could ever dream up. If you're a writer yourself, it might even spark your imagination!
Sam (74 KP) rated The Keeper Of Lost Things in Books
Mar 27, 2019
So to begin with I struggled with this one. Even though it only had 300 pages, it seemed to be taking a while for anything to happen with the plot. But I’m glad I didn’t give in. It did take until around page 150 for me to get into it, but after that point it was brilliant.
Laura is a brilliant protagonist. She’s got all of her own problems and is then left with the complicated mystery of Anthony’s life. But she never dwells on the past too much. She moves on from everything that has happened and lives in the moment.
I loved Sunshine. She’s such an enthusiastic character and she seemed to be the only one who could see the truth in everything that was going off. Sunshine had Down’s Syndrome and she saw a friend in Laura. She made the perfect friend and was such a lovely person with some of the best ideas. It was so refreshing to find a character like her.
I would happily just read a book of all the short stories that came with every lost item. I found most of them gripping, and quite a lot of them dealt with quite serious subjects. They were like little windows into people’s lives and I found them really compelling.
The Keeper of Lost Things is a brilliant little book and worth picking up.
Laura is a brilliant protagonist. She’s got all of her own problems and is then left with the complicated mystery of Anthony’s life. But she never dwells on the past too much. She moves on from everything that has happened and lives in the moment.
I loved Sunshine. She’s such an enthusiastic character and she seemed to be the only one who could see the truth in everything that was going off. Sunshine had Down’s Syndrome and she saw a friend in Laura. She made the perfect friend and was such a lovely person with some of the best ideas. It was so refreshing to find a character like her.
I would happily just read a book of all the short stories that came with every lost item. I found most of them gripping, and quite a lot of them dealt with quite serious subjects. They were like little windows into people’s lives and I found them really compelling.
The Keeper of Lost Things is a brilliant little book and worth picking up.
Ande Thomas (69 KP) rated White Fang in Books
May 30, 2019
I appreciate this book; I just don't like it.
Jack London is a unique breed. His voice is so distant, so separated from the subjects in his stories. In short bursts (<i>To Build a Fire</i>) it works for me - there's a beauty in watching the action unfold from such a distance. So too is there a beauty in the way White Fang is portrayed in this book. With an absolute minimum of anthropomorphism, we can see and feel what White Fang experiences. This isn't a cartoon version of a wolf-turned-man's-best-friend. The animals don't talk, don't even think in the way we're accustomed to their thoughts when we try to imagine what goes through their minds. White Fang is a dog; nothing more. It just so happens that we hear the story from his perspective.
But. While I appreciate that sort of perspective, one I wouldn't dream of finding from any other author, I still found myself speeding through the book, and not out of excitement. I just wanted to get it done and move on. The dissociation from the characters, though necessary, can only get you so far. Eventually it dissociated me from the story itself. I'll always maintain that I like Jack London. I just...maybe...won't re-read him.
Jack London is a unique breed. His voice is so distant, so separated from the subjects in his stories. In short bursts (<i>To Build a Fire</i>) it works for me - there's a beauty in watching the action unfold from such a distance. So too is there a beauty in the way White Fang is portrayed in this book. With an absolute minimum of anthropomorphism, we can see and feel what White Fang experiences. This isn't a cartoon version of a wolf-turned-man's-best-friend. The animals don't talk, don't even think in the way we're accustomed to their thoughts when we try to imagine what goes through their minds. White Fang is a dog; nothing more. It just so happens that we hear the story from his perspective.
But. While I appreciate that sort of perspective, one I wouldn't dream of finding from any other author, I still found myself speeding through the book, and not out of excitement. I just wanted to get it done and move on. The dissociation from the characters, though necessary, can only get you so far. Eventually it dissociated me from the story itself. I'll always maintain that I like Jack London. I just...maybe...won't re-read him.
This book was very interesting to read. As a memoir, it was great to be able to see into the author and her family's life. I had to read this book for one of my college courses and it has been very eye-opening to see what these people had to go through, not through the history books, the laws, or even the movies that have come out about the Chinese Americans. This very honest representation of their lives was well written and full of information. There were many things that I had learned differently or, in some cases, didn't even learn in my classes until now. It was all just swept under the rug by the writers of history
This book is set up with short vignettes that break up six other stories of, mainly, the men in Maxine Hong Kingston's family. It shows the struggle of Chinese-Americans in their immigration and their becoming American citizens when they first got here. The story touches a lot on the racism that they encountered as well. When there were stereotypes, Kingston was able to spin them to give them a sort of double-consciousness. There was the negative stereotyped version, then there was also the positive version.
This was a very interesting, and eye-opening book. If you want to learn more about the Chinese American history, pick this book up.
This book is set up with short vignettes that break up six other stories of, mainly, the men in Maxine Hong Kingston's family. It shows the struggle of Chinese-Americans in their immigration and their becoming American citizens when they first got here. The story touches a lot on the racism that they encountered as well. When there were stereotypes, Kingston was able to spin them to give them a sort of double-consciousness. There was the negative stereotyped version, then there was also the positive version.
This was a very interesting, and eye-opening book. If you want to learn more about the Chinese American history, pick this book up.
Goddess in the Stacks (553 KP) rated Hero at the Fall: Rebel of the Sands Book 3 in Books
Jul 5, 2018
This book was great! This is the concluding volume of the Rebel of the Sands trilogy, and it wrapped things up perfectly. I especially liked how she handled character deaths; each one got a short little chapter told in a legendary story kind of way, switching to a third person narrator instead of the first person viewpoint of Amani. The last chapter, telling us what came after the events of the book, was told in the same manner, and I really liked how it tied the book together.
There's so little I can say about this book without spoiling the previous two! We learn even more about the Djinni in this book, and some of the creation myths of Amani's people. We get a little more into the politics of other countries, and even a bit of their magic. And ohhhh there are stories to be told there, if Hamilton wants to continue in this world. I'd love to see a prequel based on Sam, and his country could do an entire sequel trilogy!
I think one of my favorite scenes was Amani using her control of sand to sail their ship across the desert. It's just an amazing visual.
This was one of the best concluding books to a trilogy that I have read in a long time. Fantastic book.
You can find all my reviews at http://goddessinthestacks.wordpress.com
There's so little I can say about this book without spoiling the previous two! We learn even more about the Djinni in this book, and some of the creation myths of Amani's people. We get a little more into the politics of other countries, and even a bit of their magic. And ohhhh there are stories to be told there, if Hamilton wants to continue in this world. I'd love to see a prequel based on Sam, and his country could do an entire sequel trilogy!
I think one of my favorite scenes was Amani using her control of sand to sail their ship across the desert. It's just an amazing visual.
This was one of the best concluding books to a trilogy that I have read in a long time. Fantastic book.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Natari (73 KP) rated Touch the Dark (Cassandra Palmer, #1) in Books
Jul 19, 2019
This is the first novel by my all time favourite author. I remember the first time I read Touch the Dark, and each reread has been as thrilling as the last. The pages couldn't be easier to turn if they turned themselves, the Cassandra Palmer and same-world differnet heroine Dorina Basarab series keep me hooked cover to cover, book to book. I recommend Karen Chance to anyone and everyone, including all the fun, lighthearted but sexy novellas and short stories too.
What I love most about Touch the Dark is that Cassie is genuine. She has no clue about anything, understands she is just a human in a vampire and mage world, but is still plucky and doesn't let herself stay down no matter how hard she gets pushed.
This was the first ever adult paranormal romance I had read, and it opened me up to the genre. But I have never found another series that is as sexy and not-awkward with both romance (genuine relationship building) and the steamy scenes.
Balance between romance and action and world building is perfect. It is a first in a series, so be aware of that. Committing to Cassie's story is the best decision you will ever make.
Enjoy the book, fall in love with the series.
What I love most about Touch the Dark is that Cassie is genuine. She has no clue about anything, understands she is just a human in a vampire and mage world, but is still plucky and doesn't let herself stay down no matter how hard she gets pushed.
This was the first ever adult paranormal romance I had read, and it opened me up to the genre. But I have never found another series that is as sexy and not-awkward with both romance (genuine relationship building) and the steamy scenes.
Balance between romance and action and world building is perfect. It is a first in a series, so be aware of that. Committing to Cassie's story is the best decision you will ever make.
Enjoy the book, fall in love with the series.
Mental Healers: Mesmer, Eddy and Freud
Stefan Zweig, Paul Cedar, Eden Paul and Man Ray
Book
Stefan's Zweig Mental Healers is a triple biography of Franz Mesmer, Mary Baker Eddy and Sigmund...